Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
edited by
William Cain
Wellesley College
A ROUTLEDGE SERIES
O THER BOOKS IN T HIS SERIES:
1.T HE WAYWARD N U N
OF A MHERST
Emily Dickinson in the Medieval
Women's Visionary Tradition
by Angela Conrad
5. JOYCEAN FRAMES
Film and the Fiction of James Joyce
Thomas Burkdall
Arthur F. Bethea
ROUTLEDGE
NEW Y ORK & L O N D O N
Published in 2001 by
Routledge
A member of the Taylor & Francis Group
29 West 35th Street
New York, NY 10001
All rights reserved. No part of this book may be reprinted or reproduced or utilized in any
form or by any electronic, mechanical, or other means, now known or hereafter invented,
including photocopying and recording, or in any information storage or retrieval system,
without written permission from the publishers.
10 9 8 7 6 5 4 3 2
2001016219
Acknowledgments
ix
Abbreviations
xi
Chronology of Key Works
xiii
Introduction 1
Chapter One Reassessing Indeterminacy's Importance: 7
An Examination of the Unreliable Narrators
in Will You Please Be Quiet, Please?
Chapter Two "What's in Alaska?": 41
Symbolic Significance in the Commonplace
Chapter Three The Education of Ralph Wyman: 51
The Epistemological Theme in
"Will You Please Be Quiet, Please?"
Chapter Four Catatonic Realism? 59
Further Analysis of Will You Please
Be Quiet, Please?
Chapter Five Omission in What We Talk About When 87
We Talk About Love
Chapter Six Excessive Authorial Control?: 117
More Analysis of What We Talk About
When We Talk About Love
Chapter Seven Isolation and Withdrawal: 133
The Still Bleak Prospects for Carver's
Characters in Cathedral
Chapter Eight Communication in the Final Stories 163
Chapter Nine Raymond Carver's Poetic Technique 185
Chapter Ten A Thematic Guide to Carver's Poetry 197
Metapoetry and Tributes 198
Alcoholism 210
Marriage and Family 217
Nature 231
Death and Beyond 238
Chapter Eleven Conclusion 261
Notes 275
Bibliography 297
Index 313
Acknowledgments
Many have lauded Carver for his fiction and at least one, De-
laney, believes that he was the most important American fiction
writer since World War II. Anyone privileging the long form will
look incredulously at Delaney's assessment; indeed, partisans of
Donald Barthelme may reject the idea that Carver was even the
most important short-story writer of his age. Nevertheless, he was
a major figure who contributed to the development of serious fic-
tion, influencing a number of younger writers, most notably Jay
Mclnerney, his student at Syracuse University, and more estab-
lished writers such as Richard Ford and Tobias Wolff. By drawing
deserved attention to Carver's poetry, this study should only en-
hance this worthy writer's reputation.
Bibliography
53-61.
Boxer, David, and Cassandra Phillips. "Will You Please Be Quiet,
Please?: Voyeurism, Dissociation, and
the Art of Raymond Carver." Iowa Review 10 (1979): 75-90.
Boyle, Kevin. "The Sturgeon." Masterplots II: Poetry Series. Vol 5.
Ed. Frank N. Magill. Pasadena: Salem, 1992. 6 vols. 2087-89.
Brown, Arthur A. "Raymond Carver and Postmodern Human-
ism." Critique: Studies in Modern Fiction 31 (1990): 125-36.
Brown, Sheila Goodman. "A Carnival of Fears: Affirmation of the
Postmodern Grotesque." Diss. Florida State U, 1992.
Bruyere, Claire. "Sherwood Anderson and Raymond Carver: Poets
of the Losers." Winesburg Eagle: The Official Publication of
the Sherwood Anderson Society 22:1 (1997): 3-6.
Bugeja, Michael J. "Tarnish and Silver: An Analysis of Raymond
Carver's Cathedral." South Dakota Review 24.3 (1986): 73-
87.
Bullock, Chris J. "From Castle to Cathedral: The Architecture of
Masculinity in Raymond Carver's 'Cathedral.'" The Journal
of Men's Studies 2 (1994): 343-51.
Burgin, Richard. "Beyond Minimalism." Rev. of Where Ym Call-
ing From, by Raymond Carver. Partisan Review 57 1990:
160-63.
Burn, Gordon. "Poetry, Poverty and Realism Down in Carver
Country." Gentry and Stull: 117-19.
Buzbee, Lewis. "New Hope for the Dead." Stull and Carroll: 114-
18.
Cady, Edwin H. "'Realism': Toward a Definition." Pizer: 324-35.
Campbell, Ewing. Raymond Carver: A Study of the Short Fiction.
New York: Twayne, 1992.
—. "Raymond Carver's Therapeutics of Passion." The Journal of
the Short Story in English 16 (1991): 9-18.
Carlile, Henry. "Fish Stories." Stull and Carroll: 150-60.
Carlin, Warren. "Just Talking: Raymond Carver's Symposium."
Cross Currents 38 (1988): 87-92.
Carpenter, David. "What We Talk About When We Talk About
Carver." Stull and Carroll: 166-86.
Carver, Raymond. All of Us: The Collected Poems. New York:
Knopf, 1998.
—. At Night the Salmon Move. Santa Barbara: Capra, 1976.
—. Cathedral. New York: Knopf, 1983.
—. Fires: Essays, Poems, Stories. 1983. New York: Vintage, 1984.
—. No Heroics, Please: Uncollected Writings. New York: Vintage,
300 Bibliography
1992.
—. What We Talk About When We Talk About Love. 1981. New
York: Vintage, 1982.
—. Where I'm Calling From: New and Selected Stories. 1988.
New York: Vintage, 1989.
—. Will You Please Be Quiet, Please?. 1976. New York: Vintage,
1992.
—. Winter Insomnia. Santa Cruz: Kayak, 1970.
Champion, Laurie. "'What's to Say': Silence in Raymond Carver's
'Feathers.'" Studies in Short Fiction 34 (1997): 193-201.
Chappell, Fred. "Attempts upon Delight: Six Poetry Books."
Kenyon Review 12 (1990): 168-76.
Chenetier, Marc. "Living On/Off the 'Reserve': Performance, In-
terrogation, and Negativity in the Works of Raymond
Carver." Critical Angles: European Views of Contemporary
American Literature. Ed. Marc Chenetier. Carbondale: South-
ern Illinois UP, 1986. 164-90.
Clark, Miriam Marty. "After Epiphany: American Stories in the
Postmodern Age." Style 27 (1993): 387-94.
—. "Raymond Carver's Monologic Imagination." Modern Fiction
Studies 37 (1991): 240-47.
Clarke, Graham. "Investing the Glimpse: Raymond Carver and
the Syntax of Silence." The New American Writing: Essays on
American Literature. Ed. Graham Clarke. New York: St. Mar-
tins, 1990. 99-122.
Cochrane, Hamilton E. "'Taking the Cure': Alcoholism and Re-
covery in the Fiction of Raymond Carver." University of Day-
ton Review 20 (1989): 79-88.
Cohen, Oliver. "Lines of Force." Stull and Carroll: 161-65.
Coles, Robert. "American Light." Stull and Carroll: 215-24.
Conte, Joseph M. Unending Design: The Forms of Postmodern
Poetry. Ithaca: Cornell UP, 1991.
Cummings, E. E. Complete Poems: 1904-1962. Ed. George J. Fir-
mage. New York: Liveright, 1991.
Cushman, Keith. "Blind, Intertextual Love: 'The Blind Man' and
Raymond Carver's 'Cathedral.'" D. H. Lawrence's Literary
Ancestors. Ed. Keith Cushman. New York: St. Martins, 1991.
155-66.
Dana, Robert. "Carver Country: An Ikonography of the Beloved."
The North American Review 277 (1992): 42-43.
—. "In the Labyrinth: Poetry as Prose; Prose as Poetry." North
American Review 275.3 (1990): 72-80.
Bibliography 301
(1985): 345-47.
—. "Raymond Carver and the Menace of Minimalism." Camp-
bell: 131-43.
Falk, Robert. "Mark Twain and the Earlier Realism." Pizer: 301-
08.
Farrell, Tyler J. "From Miscommunication to Communion: Ray-
mond Carver's Progression from 'The Bath' to 'A Small Good
Thing.'" MA Thesis. Creighton U, 1997.
Faulkner, William. The Sound and the Fury. 1929. New York: Vin-
tage, 1956.
Fitzgerald, F. Scott. The Great Gatsby. New York: Scribner's,
1925.
Flower, Dean. "Fiction Chronicle." Hudson Review 29 (1976):
270-82.
Fokkema, Douwe. Literary History, Modernism, and Postmod-
ernism. Amsterdam: J. Benjamins, 1984.
Fontana, Ernest. "Insomnia in Raymond Carver's Fiction." Stud-
ies in Short Fiction 26 (1989): 447-51.
Foster, Thomas C. "Twentieth Century Poetry." Critical Survey of
Poetry. Ed. Frank N. Magill. Rev ed. Vol 8. Pasadena: Salem,
1992. 8 vols. 3868-3902.
Fluck, Winifried. "Surface Knowledge and 'Deep' Knowledge: The
New Realism in American Fiction." Neo-Realism in Contem-
porary Fiction. Ed. Kristiann Versluijs. Amsterdam: Rodopi,
1993. 62-85.
Gallagher, Tess. "Carver Country." Adelman: 9-19.
—. "Introduction" to All of Us. xxiii-xxx.
—. "Introduction" to A New Path to the Waterfall. All of Us:
311-20.
Galliah, Shelley Anne. "'The World Is Too Much with Us': The
Struggle to Transcend Limits in the Work of Raymond
Carver." MA Thesis. Dalhousie U, 1993.
Gearhart, Michael WM. "Breaking the Ties That Bind: Inarticula-
tion in the Fiction of Raymond Carver." Studies in Short Fic-
tion 26 (1989): 439-46.
Gentry, Marshall Bruce. Rev. of The Stories of Raymond Carver:
A Critical Study, by Kirk Nesset. Studies in Short Fiction 34
(1997): 133-34.
—. "Women's Voices in Stories by Raymond Carver." CEA Critic:
An Official Journal of the College English Association 56.1
(1993): 86-95.
Gentry, Marshall Bruce, and William L. Stull, eds. Conversations
Bibliography 303
Stull: 238-42.
Mullen, Bill. "A Subtle Spectacle: Televisual Culture in the Short
Stories of Raymond Carver." Critique 39 (1998): 99-114.
Nesset, Kirk. The Stories of Raymond Carver: A Critical Survey.
Athens: Ohio UP, 1995.
—. "'This Word Love': Sexual Politics and Silence in Early Ray-
mond Carver." American Literature 63 (1991): 293-313.
Newlove, Donald. "What We Talk About When We Talk About
Love." Saturday Review Apr. 1981: 77.
Newman, Charles. The Post-Modern Aura. Evanston: Northwest-
ern UP, 1985.
Nordgren, Joe. "Raymond Carver." Dictionary of Literary Biog-
raphy: American Short Story Writers Since World War II. Vol.
130. Ed. Patrick Meanor. Detroit: Gale, 1993. 65-74.
O'Connell, Nicholas. "Raymond Carver." Gentry and Stull: 133-
50.
Parrington, V. L. "William Dean Howells and the Realism of the
Commonplace." Pizer: 201-10.
Partridge, Eric. A Dictionary of Slang and Unconventional Eng-
lish. 7th ed. New York: Macmillan, 1970.
Pieters, Jiirgen. A Shred of Platinum: The Aesthetics of Raymond
Carver's Will You Please Be Quiet, Please? and What We Talk
About When We Talk About Love. Gent: Seminarie voor
Duitse Taalkunde, 1992.
Pizer, Donald, ed. Documents of American Realism and Natural-
ism. Carbondale: Southern Illinois UP, 1998.
Plath, James. "'After the Denim' and 'After the Storm': Raymond
Carver Comes to Terms with the Hemingway Influence." The
Hemingway Review 13.2 (1994): 37-51.
—. "When Push Comes to Pull: Raymond Carver and the 'Popu-
lar Mechanics' of Divorce." Notes on Contemporary Litera-
ture 20 (1990): 2-4.
Pope, Dan. "The Post-Minimalist American Short Story or What
Comes after Carver?" Gettysburg Review 1.2 (1988): 331-42.
Pope, Robert, and Lisa McElhinny. "Raymond Carver Speaking."
Gentry and Stull: 11-23.
Pound, Ezra. "A Retrospect." Twentieth-Century Literary Criti-
cism. Ed. David Lodge. London: Longman, 1972. 58-68.
Powell, Jon. "Raymond Carver and the Aesthetics of Menace:
Theme and Technique in the Short Stories and Poems." Diss.
U of Southwestern Louisiana, 1995.
—. "The Stories of Raymond Carver: The Menace of Perpetual
308 Bibliography