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“GLOW” 03 Series / Netflix 08-23-18 ê

GLITTER PICTURES LLC


3042 Treadwell Street, Los Angeles, CA 90065 glowproductionoffice@gmail.com
PHONE: 323-927-7700
STATUS: November 26 LOCATION: Los Angeles
PRODUCER: Jenji Kohan - Tara Herrmann - Mark Burley SHOWRUNNER: Liz Flahive - Carly Mensch LP: Leanne Moore
TILTED PRODUCTIONS 323-993-5644
NETFLIX 5800 Sunset Boulevard, Hollywood, CA 90028 310-734-2900 lahiring@netflix.com
Inspired by the short-lived but beloved show from the 80s, GLOW tells the fictional story of Ruth Wilder (Alison Brie), an out-of-work, struggling actress
in 1980s Los Angeles who finds one last chance for stardom when she’s thrust into the glitter and spandex world of women’s wrestling. In addition to
working with 12 Hollywood misfits, Ruth also has to compete with Debbie Eagan (Betty Gilpin) a former soap actress who left the business to have a
baby, only to be sucked back into work when her picture perfect life is not what it seems. And at the wheel is Sam Sylvia (Marc Maron), a washed-up,
B-movie director who now must lead this group of women on the journey to wrestling stardom. (November 26 - March 4)

“GODFATHER OF HARLEM” Series / Epix 08-23-18 ê


ABC STUDIOS NEW YORK, LLC
359 Kingsland Ave., 4th Flr., Brooklyn, NY 11222 harlemproductions1@gmail.com
PHONE: 347-955-0313
STATUS: September 12 LOCATION: New York
PRODUCER: Nia Yang Bongiovi - James Acheson - Markuann Smith WRITER/PRODUCER: Chris Brancato - Paul Eckstein
DIRECTOR: John Ridley LP: Ray Quinlan CAST: Forest Whitaker
SIGNIFICANT PRODUCTIONS 1023 North Orange Drive, Los Angeles, CA 90038 nina@significantproductions.com
ABC SIGNATURE STUDIOS 3800 West Alameda Avenue, Burbank CA 91505 818-569-7500
It's the early 1960s, and the two most famous men in Harlem are Malcolm X and Adam Clayton Powell, the two most visible power brokers. After
veteran gangster Bumpy Johnson (Whitaker) is released from Alcatraz after 11 years behind bars, he heads home to take up his old job as an invisible
power broker north of 110th street. But Italian mobster Vincent "The Chin" Gigante has set down roots in Bumpy's neighborhood during the last 132
months, & Bumpy will have to dislodge The Chin with a little help from his friends. (September 12 - February 13)

“THE GOOD FIGHT” 03 Series / CBS All Access 05-17-18 ê


EYE PRODUCTIONS INC.
196 Diamond St., 2nd Fl., Brooklyn, NY 11222 goodwifeproduction@gmail.com
PHONE: 718-389-0018 FAX: 718-389-7094
STATUS: October 24 LOCATION: New York
PRODUCER: Ridley Scott - David Zucker - Liz Glotzer - Phil Alden Robinson - Brooke Kennedy
SHOWRUNNER: Robert King - Michelle King LP: Nancy Herman
WRITER OFFICE 35-11 36th Street, Second Floor, Astoria, NY 11106 347-955-0338
KING SIZE PRODUCTIONS 4024 Radford Avenue, Studio City CA 91604 michkla@gmail.com
SCOTT FREE 614 North La Peer Drive, Los Angeles, CA 90069 310-659-1577
CBS TELEVISION STUDIOS 4024 Radford Avenue Studio City, CA 91604 818-655-1500
The spinoff will pick up one year after the events of the final episode of The Good Wife, with Baranski and Quinn reprising their roles as Diane Lockhart
and Lucca Quinn. The series will center around an enormous financial scam that has destroyed the reputation of a young lawyer, while simultaneously
wiping out her mentor Diane Lockhart’s savings. Forced out of Lockhart & Lee, they join Lucca Quinn at one of Chicago’s preeminent law firms. (October
24 - April 2)

“GOOD SAM” Feature Film 08-09-18 ê


PRODUCTION OFFICE
gsproductionsmtl@gmail.com
PHONE: 514-447-2426
STATUS: September 13 LOCATION: Montreal
PRODUCER: Jesse Prupas - Christina Rogers - Michael Prupas - Dete Meserve - Matt Williams
WRITER: Dete Meserve - Teena Booth DIRECTOR: Kate Melville LP/PM: Francois Sylvestre
MUSE ENTERTAINMENT ENTERPRISES 3451 rue St-Jacques, Montreal, QC H4C 1H1 514-866-6873 jprupas@muse.ca
WIND DANCER FILMS 6255 W. Sunset Blvd.,, Suite 1100, Los Angeles, CA 90028 310-601-2720 dete_meserve@winddancer.com
NETFLIX 5800 Sunset Boulevard, 12th Floor, Los Angeles, CA 90025 310-734-2900 lahiring@netflix.com
As an L.A. news reporter, Kate has spent years covering people's worst actions, often on their victims' worst days. She's finally assigned to a story
focusing on a wonderful act of generosity. An anonymous good Samaritan, dubbed Good Sam, has left $100,000 in cash on the front porches of 10
people. Kate tracks down Good Sam and her exclusive interview with him thrusts her into the national spotlight. Those years of having to dig for the
truth have made Kate attuned to when people are lying and she suspects the man laying claim to the credit is not who he says he is. Searching for
answers, Kate unravels the unexpected reason behind the mysterious cash gifts and the true identity of Good Sam becomes the biggest surprise story
of her career, upending her personal and professional life.

Production Weekly - Issue 1108 - Thursday, August 30, 2018 Page 11 © copyright production weekly 2018
info@productionweekly.com http://www.productionweekly.com

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