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Sonata in E major
D 154 (Fragment) Franz Schubert

                                     
Allegro

 
f
                    
5          
                            
  
     
 p
                         
10

   
    
                   
      
                                          
21                               
pp
                               
30    
                 
 
     

                                  
34                        
 
              
                  
   
 
   
    
  

38
                    
                                
42                          
                                 
46                     
3

3          
3 3 3
3
f 3 3

                     3      3
3
3

p (p )
f
49
                                        
3
3

3 3 3 3 3 3 3 3 3 3

                
52              
3
3   (f )
           
         

3
3 cresc. ff p
                           
3
3

58                              3
3
3 3 3

                    f


3
3      3
61                                      
3
3
3

3
3
3

                  3 3 3 3 3 3

    
2
                                       
64

3 3 3 3 3 3 3 3 3 3 3 3

              



         
67 3
3               
          
3
3 ff p
                          
3
3

                         
72 dolce

  p
                                

        
76 
      
   
  
    

     
                                   
 
        
80    
  
        
 
pp
                                  
                           
84

ff ff
                                
 
3
90    
  
              
  
                   
ff
                                 
fz

95     
 
                                    
                     
   
fz fz

100
                                              
     
           
105
                                                   
               
110                                   
                                  
114
                                           
3

3 3

               
  
4
Adagio in D-flat major
D 505 Franz Schubert

Adagio  3

   43                                  


6

   43                   
p

5

                                 
(α)
                    
(β)
9
                            6
                  
12
  
                              
3 (γ)

 6 6

                


15     3

                                     
 3 3
3 3
3
3

6
 3
 
 3
cresc.3
            
    
3
3
3

Copyist's manuscript = CM; first edition (Breitkopf & Härtel) = FE; Diabelli's transposed, altered and shortened edition = DE.
The autograph is lost, but may have provided the basis for DE. FE is based on CM.
DE makes many changes to the musical text beyond the transposition, and they have largely been ignored in this edition.
(α) This bar is absent in CM and is taken from DE and FE.
(β) Notes in parentheses are taken from DE.
(γ) CM erroneously gives 3rd and 4th notes as f 2 and g 2: amended from FE (agreeing with DE).
17
  
decresc.
        
                                          
3 3 3 3 3 3 3 3 3 3 3 3

                                  
19
                
3 3 (δ)
                                     
3 3 3 3 3 3 3 3 3 3 3 3

 
21

                             6 6
6

                            
3 3 3 3 3 3

   
23                                   
6 6 6
8va

3 6
3 6
               
 3

(8va)
25                               6 3 3 3

3 6

                      3 3 3

(ζ)
3 (ε)

27                                     
(η) 3 3
(θ) 3 3 3 3 3 3

(ι) 3
     
3    3     
3   p
            
(δ) This reading according to CM: FE keeps the A1/A pedal in the bass and alters e1 to d1 in the right hand.
(ε) Top note of chord is d2 in CM, probably erroneously. FE changes top two notes to d2 and e2.
(ζ) Probably e1/g1 in CM (reading unclear): but the chosen reading results in better voice-leading.
(η) It is not stated where the 8va starting at b.24 ends, but the chosen position seems logical. The first note of b.27 is an octave
lower in CM.
(θ) This reading according to FE; 4th beamed group could also be g-a-b in CM.
2 (ι) Added for the voice leading; in all sources this is a whole rest in the left hand.
                                     
29
3 3 3 3 3 3 3 3 3 3 3 3

     
                
3 3

3 3 3
3 3 3 3
                                   
31
3 3

                         
3 3 3 3

                       
33

3
3
3
3 3

p 3 3 3 3 3 3

   
                       3

                    
35

3 3 3 3
3
3

  
                                3 3
3

3 3
3

               
37

(κ) 3
                                3
3 3 3 3 3 3

3 3 3   
3
(κ) Reading taken from CM and FE. However, this is inconsistent with the parallel passage at b.4. If consistency is desired, a
possible solution is to take the first two beats in the right hand from b.4 and change the first six notes in the left hand to
B -f-B -f-a -f.

3
(λ)
39
             
                           
3 3 3 3 3 3 3 3 3 3

           3 3

41                                       6

  p 
 6
  6 
 6

 6 6

43                         
3 3

3 3
3 3 pp
                       
6 6 6

(μ)
45               
  
       
6 6 6 6 6 6

47
         
       6

6 6 6 6 6
(λ) In CM erroneously d /g /b /d  FE's correction has been followed.
1;

(μ) In FE these are erroneously 32nd notes; corrected to 64th notes.

4
Piano Piece in A Major D.604

1
Piano Piece in A Major D.604

2
Piano Piece in A Major D.604

3
Piano Piece in A Major D.604

4
It has occasionally been proposed that the Minuet in C-sharp minor, D.600 and Trio in E major, D.610 taken together
form a third movement to the Piano Sonata in C major, D.613.

1
Adagio in E Major D.612

1
Adagio in E Major D.612

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Adagio in E Major D.612

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Adagio in E Major D.612

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Piano Sonata in E minor
D 769A (Fragment) Franz Schubert

Allegro
 43                             
sfp
  43                   
               
11

        

                   f

       

                              
20

    
     
       
                           
25

             p
      
    
32         
                         
8va

f  
cresc.


                      fz fz

 