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Jazz Guitar Chord Exercises

By Matt Warnock 2 days ago Lesson  

An exercise that uses all the inversions of any chords you're learning, while playing them in a
common chord progression at the same time.
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(Image: © Cindy Moorhead)

One of the most common questions I get from my students and readers is, “I know what jazz chords to
study, but how to I practice them in a practical, musical way?”
To help answer this question, I’ve put together an exercise that uses all the inversions of any chords you
are learning, while playing them in a common chord progression at the same time.

In this lesson, you will learn how to practice Drop 2 and Drop 3 chords in all inversions, applied to a
major ii-V-I chord progression to keep these shapes practical and musical in your woodshedding.

I’ve provided examples for one string set of each chord shape, Drop 2 and 3, but feel free to apply this
exercise to any string set your are working on in your jazz guitar studies.

I’ve also written out each example in the key of C, so to take this exercise further, make sure to work

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these shapes together in all 12 keys around the fretboard in order to get an in-depth understanding of
how they lay on the neck of the guitar.

The Jazz Guitar Chord Exercise

The exercise is a fairly straightforward concept, but applying it to the fretboard can take some time and
effort in the practice room.

Here is the exercise:

01.Pick a chord shape such as Drop 2

02.Pick a string set, top four strings for example
03.Play the root position iim7 chord, such as Dm7
04.Move to the closest V7 chord, G7 in this case, without moving your hand if possible
05.From there, move to the closest Cmaj7 chord without moving your hand
06.Repeat but start on the next inversion of iim7, Dm7 in this key
07.Repeat until you’ve covered all four inversions of the iim7 chord and the closest V7 and Imaj7
chords from those four shapes.

That’s it. Pretty simple, but playing and memorizing these shapes in four areas on the neck can take
some time in the woodshed. So, let’s take this exercise and see how it lays on the fretboard in the next
section of this lesson.

Drop 2 Chord Exercises

Now that you understand what the exercise is, let’s take it to the fretboard, beginning with Drop 2 chords
on the top four strings. You will begin with a root position Dm7 chord, moving to the closest G7 chord,
and finally landing on the closest Cmaj7 chord from there.

I’ve written the inversion under each chord so you can memorize that movement as well, which will
make it easier to transfer this exercise to other string sets and keys in your practicing.

Now, you’ll move on to the first inversion Dm7 chord, with the other chords being as close to that initial
chord as possible.

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Next, you are playing a second inversion Dm7 chord and following on to the closest G7 and Cmaj7
chords from that initial shape on the fretboard.

Lastly, here is a third inversion Dm7 chord that then leads to the closest G7 and Cmaj7 chords from
there.

Drop 3 Chord Exercises

To help you take this exercise to another common jazz chord shape, here are four examples of applying
this idea to Drop 3 chords on the 6th-string root groupings.

Again, you can take these shapes to other keys on the sixth-string root, as well as apply them to other
string sets for Drop 3 chords as you expand on them in your studies.

To begin, here is a root-position Dm7 chord that then moves to the closest G7 and Cmaj7 chords from
there.

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Then, you can move on to a first inversion Dm7 chord, which moves to the closest G7 and Cmaj7 from
that initial shape.

Following our pattern, the next example uses a second inversion Drop 3 Dm7 chord, which moves to the
closest G7 and Cmaj7 chords from there.

And finally, you can start with a third inversion Dm7 chord that moves to the closest G7 and Cmaj7
shapes from that starting point.

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Do you have a question or comment about these chord exercises? Share your thoughts in the
COMMENTS section below.

Matt Warnock is the owner of mattwarnockguitar.com, a free website that provides hundreds of lessons
and resources designed to help guitarists of all experience levels meet their practice and performance
goals. Matt lives in the UK, where he is a lecturer in Popular Music Performance at the University of
Chester and an examiner for the London College of Music (Registry of Guitar Tutors).

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