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[ The Voice of Temples ]

ENGLISH – `≥Å∞QÆ∞ – u“ãty Rs.5/-

Golconda Bonalu QÀÖÁ¯O_» É’<åÅ∞

Vol. 19 AUGUST – 2018 No.8
'VAK' is available on www.archakaseva.com
 2

Felicitations to Retired Archakas J~°Û‰õΩʼnõΩ Ѩ^Œg q~°=∞} â◊√ÉèÏHÍOHõ∆Å∞!!

Z=~À ^èŒ~å‡`«∞‡_»∞! ÃÑ#¬<£ ÖËHõ „ѨÉèí∞`«fiO i>ˇÿ~ü KÕã≤# J~°Û‰õΩʼnõΩ

Lz`«OQÍ zѨÊÅ∞ ѨOzÃÑ_»∞`«∞<åfl_»∞.
Some philanthropist is giving free begging bowls to the Archakas who
are retired by the Government without any pension schemes.

Our humble request to the Hon'ble Chief Minister

of Telangana State Sri K. Chandrashekar Rao...
★ Exempt Low Income Temples from Sec. 15, 29, 34, 144
of Endowments Act 30/87 as amended in 2007.
★ Implement Service Rules G.O. for Hereditary Archakas.
★ Constitute Dharmika Parishad
★ Don't Disturb Archaka Service Inam Lands.
CONTENTS Page uƒ…mÏÓœÁåÁ™Áƒ¬y TÁsÁ - 209 ............. 12
Editorial ................... 3 Ahobilam and Ahobila Mutt - 68 ................. 15
Anecdotes on Vishnu Sahasranamam-209 ....... 4 N~å=∂#∞Ax Hõj‡~°∞ âß~°^•Ñ‘~î° Ü«∂„`«-12 .. ............ 16
ã¨Oáê^ŒH©Ü«∞O ................ 7 Ramanuja's Journey to Sharada Peeth-xii .......... 18

q+¨µ‚ã¨Ç¨Ï„ã¨<å=∞ QÍ^ä•=o–209 ................ 8 News ................. 20

ÃÊúÁtN˛yÆ ............. 11 Devotee's Experiences ................. 26

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EDITORIAL... ✍
Worship Almighty Rama & Ramayana - Bestower of Bounties
Lord Rama is Maryada Purushottama and is an incarnation of Lord Vishnu, He had taken the
birth of an emperor’s son to teach the mankind Dharma and has been a personification of Dharma itself.
∫Á™Áz uƒT¿“ƒÁåΩ á™|: The word Dharma in its true sense means to cause no pain to anyone. Eu“ÊÃÁ ú∫™Áz á™|:
which he taught and practiced.
Out of compassion Lord Sri Mahavishnu descended to this world as Rama to uplift all the people
to live to the prescribed sanathana dharma values and obtain salvation. He taught the mankind best practices
of how to lead a human life in the best way. How to be a son, a husband with only one wife, a brother, a
friend , a master, a philanthropist, a ruler, a student and a warrior. He taught the whole world how to remain
in truthfulness and how to behave with teacher and preceptors. Although being the supreme being with
pure sattva character he liked to be identified as Dasaratha’s son. Goddess Mahalakshmi has also incarnated
with the Lord as Sita to show to the world how a wife should be. She has demonstrated that Pativratha
women have so much power that the fire cannot even evaporate the dew of the flowers she was adoring.
While Lord Rama came to the world to show how to follow dharma, his brothers exceeded him .
Lakshmana showed that everyone belongs to the Lord and has to be subservient to him and try to please
him by service. He never took food nor slept for 14 years and had any worldly pleasures. His elder brother
Bharatha showed to the world how to behave in the way Lord Rama likes and took upon him all the sins of
others. Such was his devotion that Queen Kausalya herself praised him by saying thousand Rama wont
equal one Bharatha. Shatrughna the youngest of all showed even greater virtue by serving a devotee of the
Lord viz., Bharatha.
The incarnation of Lord Rama with all characters was to create Ramayana to the mankind which
is a sacred text and is called Kalpvruksha with Lord Rama and goddess Sita seated underneath it along
with his brothers, hanuman and courtiers on a golden throne. It is said that worshipping this text will
give all the good items to the worshipper like the kalpaka tree which will fulfill all the desires. Ramayana
will fulfill all the desires here and also lead the living beings to eternal bliss state. When the Mahabharatha
war was over, only 8 people who waged war were alive among the soldiers/ warriros. Crores of men lost
their lives. Dharmaraja was having an empire which was filled with senility, widows and children. He
went to Bheeshma who was lying on bed of arrows to seek solution to the grave state problem. Bheeshma
advised him to arrange for Ramayana Recitations all over the empire and also recitation of Vishnu sahasranama.
In Skanda purana, Sage Narada also says that reciting Ramayana is the solution for people affected by
Kali yuga’s manifestations of unruly behaviours.
Lord Rama, being almighty by virtue of his pure sattva quality can do and did only actions which
are good for others including the Rakshasas. The 14000 rakshasas whom he killed in Janasthana did
not actually get killed but turned back into sages and ascended to divine abode. The other rakshasas
who waged war and got killed in the war also ascended the divine abode.
Criticising Lord Rama or Ramayana will not make Lord Rama happy and one must desist from
doing it. Non-believers who do that must realize that their non-belief does not have sound logical basis
and once they reflect they will have no choice but to believe in Lord Rama and Ramayana. Lord being
infinitely manifested cannot be known by finite people. He is the sole reason for all the living beings and
they depend on him for protection. The entire system of the universe is run by him and he provides
them with all the needs and uplifts them. The increased number of critics of Lord Rama and Ramayana
seems to have resulted in decreased rainfall. In Chilkur we have decided to appease Lord Rama and
have been performing Rama sankeerthanam and Ramayana parayanam for bestowing the state with rain
fall. A whole day Ramasankeerthana was performed at Chilkur praying for rains and there was a great
atmosphere of devotion there when the musicians sang with utmost devotion. Lets all pray that Lord
Rama in the form of Balaji forgives the critics and bestow rains to telengana and provide good crops.
N˛Á¬z ƒ |oÏ ú\|ãÆ: úwusƒy ÃÀÆ∆Áu¬åy@ tz∆Áz zDÆÊ qÁzß∫u“o: §¿Á÷mÁÀÃãoÏ uåß|ÆÁ: @@
Let the clouds bring timely rains and grow the crops making the land green. Let all the people
in here be devotees of Lord Rama and hence be fearless of any calamities.
O
There should be no regional boundaries for temples.
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Anecdotes on Vishnu Sahasranama - 209
EVERYWHERE, EVERYTIME, EVERY ONE
Dr. V.S. Karunakaran B.E.(Mech.), M.A. (Sanskrit), Ph.D
It was way back in 1963. I had joined my Engineering
course (B.E.) at Thiagarajar College of Engineering,
in Tirupparankundram, a suburb of Madurai. My father
had arranged for my stay at the residence of my
cousin brother Sri. N.S. Sundaravaradan in “Teesi
House” in the famous Naicker New Street in Madurai.
Sri Sundaravaradan and his wife Sundari Manni were
very nice and hospitable to accommodate me and
look after me.
In those days, ragging was very common and accepted
as necessary evil in Engineering and Medical
Colleges.
I was the only person to join the college with a tuft
of hair and Urdhvapundram on the forehead.
Why in that College? It would be accurate to say
in all the six Engineering Colleges in the whole of
Tamil Nadu then known as State of Madras under
the University of Madras.
July 4th 1963, to be precise was the first day of
my Engineering College life. Some of my seniors
had identified me as a very good target for ragging
even while I was remitting my fees to join the college.
A Batch of seniors would catch me, start ragging
to their satisfaction and then leave me to another
batch for taking over. This would go on during the
lunch intervals and other breaks between classes.
In one such session a member from the concerned
batch asked me, “What is your name?”
“Karunakaran!” I said.
“See! You should address us as ‘Respected Senior
Engineer sir! and answer us” he said.
“You should not stop with this .You should add “I
will abide by your instructions Sir!” added another.
“Yes! Respected senior engineer sir! I will abide by
your instructions Sir!” I repeated like a parrot sincerely.
There was of course no other alternative for us juniors
who resembled the trembling deers surrounded by
hungry wolves
“My instruction is that you will cut off your tuft of
hair and not put this parabola on your face from
tomorrow” said one pointing to the Urdhwapundram
on my face.
(At that time, I didn’t understand what he meant
by the term ‘parabola’. Later on I learnt from Analytical
Pâ◊ J<Õk PYi âßfiã¨Ö’ ‰õÄ_® "≥O\Ï_Õ â◊„`«∞=Ù.
Geometry and Geometrical drawing that they referred
to the shape of my Urdhwapundram as parabola a
geometrical curve.)
I thought that it was all just for fun. The next day
also, I went with the tuft of hair and Urdhwapundram.
The same group of seniors caught me and took me
to a secluded place. One of them caught my tuft
and said, “This tuft reminds us of a girl! With this
you are looking very pretty in back elevation- when
seen from back. Since there are no girl students
in our college, we can use this view of yours to
console us with an intermediate relief or as an
alternative for that. So it is tolerable. But this parabola
has to be removed!”
(In those days, there were no girl students in
engineering colleges. After my marriage, I had called
on Sri Ganesh Rajan one of my batch mates with
my wife. During our chat he told my wife, “Madam!
Karunakaran was very pretty those days. When we
used to worry that there were no girls in our college,
he fulfilled that vacuum to some extent!”.
It is a different story that my wife later pulled my
leg saying that Sri Ganesa Rajan had used the term
“pretty” and not “handsome” and so I had no reasons
to be proud of the complements! )
Among those seniors, one person by name
Palpandian held the back of my neck with his hands
and said, “Now, let me lick the parabola on your
face and swallow it!”
In no time, he licked my Urdhwapundram completely
with his tongue and swallowed it!.
“This is the end of the parabola on your face” He
said “from tomorrow we will see you without the
parabola on your face!”
Tears rolled in my eyes. Words would not come
out of my mouth. I cut a sorry figure and returned
home in a depressed state.
I narrated to my father what had happened in the
college. He had planned to leave for our native village
the next day after having settled me.
He asked me, “Did you chant the Beejaakshara of
Nrusimha mantra while preparing the holy paste for
anointing Urdhwa pundra in your forehead as told
by me? If you did so, why should you worry? Lord
Nrusimha will protect you”
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I couldn’t fully comprehend what he meant but
mustered Courage and boldly went to college the
next day also with the Urdhwapundram.
Surprisingly, none of those seniors came to me.
Some other groups of seniors, though they came
to rag me, never dared to speak about my
Urdhwapundram.
I was satisfied that Lord Nrusimha had somehow
come to my rescue.
After one month of ragging, the seniors would give
a “freshers’ party” to the juniors, stop ragging from
that day and treat the juniors as friends. They also
would give gifts to the juniors.
During the freshers’ party for our batch, Mr. Palpandian
seemed to have adopted me as his pet as he gave
me his book on ‘Geometric Drawing ’, shook hands
with me and became my guide. The reason for his
sudden transformation was still a mystery for me.
Years rolled…
In 1980, I was working in SISI Guindy. I had to go
for the Plant Level Committee meeting for development
of Ancilliary Industries for Hindustan Teleprinters an
undertaking of Government of India in its building
adjacent to my office, as Sri K.S.Natrajan my
colleague in charge of Ancilliary Development who
had to attend that meeting was on leave.
When I went inside that company, in the purchase
section, I saw a board which read as, “Mr. Palpandian,
B.E., General Manager (Purchase).” That reminded
me of my senior in Engineering College who had
licked my Urdhwapundram. I wondered whether he
could be very same Palpandian.
Suddenly, an older version of Mr. Palpandian came
out of the room. He recognized me and asked, “Aren’t
you Karunakaran?”
I said, “Yes!”
He said, “Don’t you remember me? I’m your college
senior Palpandian!”
How Would I forget Him?
We then chatted for a few minutes and then I attended
the meeting and returned to my office.
The next day, Mr. Palpandian came to my office. I
welcomed him. He told me, “Karunakaran! Do you
remember our college days? I had ragged you a
lot! I’m extremely sorry for all those things!”
I said, “Please leave it. It’s all over. Past is past!
You were very nice to give the book for Geometrical
Drawing”
He said, “No! No! Do you know what happened to
me that day? I still remember it was the 7th of July
P`«‡=OK«##∞ q∞Oz# "≥∂ã¨O =∞~˘Hõ\˜ ÖË^Œ∞.
1963!”
I asked, “How could you remember the date so
correctly sir?”
He said, “Yes, I remember. It was a Tuesday. On
that day, I licked the religious symbol on your face.
I am a Catholic Christian. When I went home that
day, my mother served me meat of a goat. I asked
her what it was. To indicate it was regular meat
only, she said, “Am I going to serve you lion’s meat?
Eat it!” I also consumed it. But that night, I had
severe burning sensation in my stomach. I felt as
if a lion were roaring inside my stomach and was
scratching my stomach with its nails! I then woke
my mother up and told her my condition. She gave
some warm water and butter but the pain did not
subside. I then prayed to my God Jesus yet the
roaring and scratching of the lion continued. I then
told my mother about my licking of the religious
mark on your head and asked her whether that had
anything to do with the stomach pain.
My father is a Christian Nadar and my mother is
a Hindu Nadar. My mother is from Srivilliputtur. She
said, “You should never hurt the religious sentiments
of others! My birthplace Srivilliputtur is the place
of incarnation of Andal. She was a great devotee
of Lord Nrusimha. I recall her verse on lord Nrusimha
which we were told to chant whenever we went to
the forest area near Srivilliputtur to save ourselves
from the fear of wild animals in the forest
Let me chant that verse of Andal the name of Nrusimha
and pray to her!”
As she prayed to Andal, chanting that verse my
pain gradually subsided!”
Palpandian chanted the verse .It is the 23 rd in
Tiruppavai. I am giving a Sanskrit version of the Tamil
verse for the benefit of those of us who may not
know Tamil. This Translation is from that of my elder
brother Balakavi Sundararajan IAS(Rtd.)
üÁƒwu  q™Áá∫ÀÆ uåu¸oÁz TÏ“Áão∫z
˃ƒÁåΩ ™wTÁuáú: ü§ÏÜÆ tÁ“Nz˛uqoz: @
Nz˛Ã∫ÁlÆÏtØÁÆåΩ uƒáÓÆ ƒ…™| ÃØÁ¬åΩ
tyV|ÆåΩ ƒúÏÆ|sÁ ÃTu\|oÊ üuo…eoz @@
o˚tzƒ “z! o™Á¬úÏ…úåy¬! ÃÁÊüoÊ
EÁ¬ÆÁutoÁzD•ÆÏúznÆ ÃÏãt∫z Ù϶Áƒ¬z @
ƒy∫uÃÊ“uƒ…b∫z uåuƒ…Æ åu≥ÁN˛yu |oÊ
N˛ÁÆ|™•ÆƒznÆ ÃÊüÃyt “zDÀ™tWΩTåz! @@
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That day onwards, myself and my peer groups made
up our minds not to hurt the religious sentiments
of any junior students. But since you were a junior
student of just 16 years of age at that time, my
ego prevented me from confessing this to you on
that day itself!”
By then, I understood the complete meaning
of the question asked by my far-sighted father, “Did
you chant the Beejaakshara of Nrusimha mantra
while preparing the holy paste for anointing
Urdhwapundram in your forehead?”
Then Palpandian and I became close friends and
we used to meet often.
Once He asked me, “Is there any expiation for the
offence I had committed?”
I said, “No need .All is fair in love war and ragging.
More over you have realized your mistake. Nothing
else needed!”
Three years passed.
In 1983, I wanted to publish MANJU RAMAYANA
written by my father. He wrote this for the competition
held by the King of Mysore. He had condensed
Ramayana sweetly and crisply into 247 verses and
that work won the prize in that competition. I printed
an appeal for advertisement to fund the publishing
of the work on behalf of Nadadoor Ammal Trust and
took those copies of the appeal to my office for getting
them distributed to my friends.
On the way, I went to meet Mr. Palpandian in his
chamber for some official reason. He welcomed me
and offered a seat. When he switched on the fan
over his seat, the appeal papers started flying and
one of them landed on his hands. He read it and
asked for further the details. As I provided the same,
he said, “Now I have got a chance to expiate my
offence. I want to contribute for this noble cause!
Why didn’t you ask me for help?”
I said, “Being a Christian, how can you sponsor
this Hindu religious book?”
He said, “No issue. My company has given me certain
powers. I will give my company advertisement in
your book and will contribute for this noble cause
as expiation for that offence!”
At that moment, I realized that Lord Nrusimha’s wide
spread fame had come to my help once again.
Lord Nrisimha is known with all admirations by
everyone at all places – heaven or this world, and
at all times for His valour & noble character. Hence,
He is called ‘Vishrutatma’ – the famous one.
Palpandian is one more witness for this.
By chanting this name, we will also become famous.
For, He is indeed the bestower of great fame.
Nirukti sums this up as:
uƒÀ™Æzå »ÏoÊ tzƒ{: ï“Ê ÆÀÆÁútÁåN˛™Ω @
∆y¬Ê o{uƒ|»ÏoÁn™Á ™“ÁN˛yuo|ütÁz ™åÏ: @@
Dear Readers of VAK! We will also become famous
on the basis of our noble nature if we chant this
name with devotion keeping the frame of VISA Balaji
of Chilkoor in our mind.
Come Let us chant
Visrutatmane namaha
@@ H uƒ»Ï o Án™åz å™: @@

HAVE YOU READ THE BOOK ....... "THE LORD AT YOUR CALL" Vol. - II
We at VAK are blessed to bring out the second volume in the series of books
on Anecdotes on Vishnu Sahasranama authored by Sri V S Karunakaran Swamy.
Sri V S Karunakaran Swamy started this mammoth never before project of explaining
the significance of the 1000 names. Since the English meaning of this hymn is
given in this work, many in this country and those living abroad, will welcome it.
Every name is a mantra by itself, some with two and some ranging up to eight
words. The hymn is an antidote for all ills.
As the author mentioned the benefits which will accrue by reciting the various
name of Vishnu, it has been practically experienced by Devotees at Chilkur Balaji
temple who are the regular readers of VAK in which these Anecdotes have been
serialised. There is immortal ecstasy that can be experienced by chanting these
names individually.
The second Volume has been released on 6th September 2017, as a part of
the Saptatipoorthi celebrations of the Author Sri V S Karunakaran. You can find
the devotees chanting these names endlessly at the Balaji Temple Chilkur. The
benefit of chanting individual names for particular needs to be granted by Almighty
is being practiced and is yielding expected results. Books available at : Manager 'VAK', 2-2-647/77/D, Srinivasanagar
Colony, Bagh Amberpet, Hyderabad-500 013. Price : Rs.500/- (Exclusive of postage)

=¸~°∞öx „Ѩâ◊O㨠Hõ<åfl - |∞kú=∞O`«∞x =∞O^ŒeOѨ٠q∞#fl.

August '18 w w w w w w w w w w w w w w w w w w 7 wwwwwwwwwwwwwwwwwwwwww VAK
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HÍ=_»"Õ∞HÍ^Œ∞ xѨCÖÏO\˜ =∞x+≤#x Ö’HÍxH˜ Kå\˜Ok. Hõ}Hõ}=∞O>Ë JyflÖ’H˜ „Ѩ"Õâ◊O KÕ¿ãÎ ã‘`« PǨïuHÍ=_»O J@∞Oz P"≥∞ ^èŒiOz#
ѨÓÅÖ’x h\˜K«∞Hõ¯Å∞ ‰õÄ_® ZO_»ÖË^ŒO>Ë P"≥∞ áêu„=`«ºO ZO`« Q˘Ñ¨Ê^À J~°÷O KÕã¨∞HÀ=K«∞Û.
~å=∂#∞A_çQÍ Ö’HÍ~å^è∞Œ º_≥#· ã¨∞q∞„`« ‰õΩ=∂~°∞_»∞ ÅHõ∆ ‡}∞_»∞ ~å=∞∞_çH˜ ™È^Œ~∞° _Õ J~∞∞<å J##ºâ◊~}° ÏQÆu`À ¿ã=KÕã≤ Ѩ~=° ∞ѨÓAº_»Ü∂« º_»∞.
~å=∞∞_»∞ =#"åã¨O KÕã≤# 14 ã¨O=`«û~åÅ HÍÅOÖ’ PHõe^ŒÑ¨CÅ∞ ÖˉõΩO_® N~å=∞¿ã=Ö’ x=∞QÆ∞fl_»Ü«∂º_»∞. `å#∂ ~å‰õΩ=∂~°∞_≥·<å ã¨=∞ã¨Î
Éè’QÍʼnõΩ, q+¨Ü«∞"åOKè«Å‰õΩ ^Œ∂~°OQÍ L<åfl_»∞. x„^•Ç¨~åÅ∞ =∂x ã‘`å~å=∞∞Å ¿ã=Ö’ `«iOKå_»∞. Éèí~°`«∞_»∞ ~å=Úx „Ñ‘uÜÕ∞ `«# ^èպܫ∞OQÍ
JK«OK«Å ~å=∞ÉèíH˜ÎH˜ „Ѩ^äŒ=∞ L^•Ç¨Ï~°}=ÚQÍ JO^Œi áêáêefl `«#g∞^Œ "Õã¨∞H˘x XHõ ÉèÏQÆ=`À`«Î=Ú_çQÍ r=#=Ú ZÖÏ ™êyOKåÖ’ <Õ~åÊ_»∞.
"≥~∞∞º=∞Ok ~å=∞∞Öˇ·<å XHõ¯ Éèí~°`«∞x`À ã¨=∂#O HÍ~°∞ Jx ~å=∞∞x `«e¡ H“ã¨Ö˺ H˘xÜ«∂_çO^ŒO>Ë Éèí~°`«∞_Õq∞\’, PÜ«∞# =ºH˜Î`«fi"Õ∞q∞\’ J~°÷O
KÕã¨∞HÀ=K«∞Û. ~å=∞∞x J_»=ÙÖ áêÖË˚ã≤ PÜ«∞# `«e¡ ÔH·Hõ áêѨO KÕ¿ãÎ `«# J^Œ∞ƒù`«"≥∞ÿ# „Ѩ=~°Î#`À ^•xfl `«∞_çzÃÑ>Ëìã≤ ~å=∂#∞„QÆǨxˆHHÍ^Œ∞ Ö’Hõ
„ѨâO◊ 㨉Äõ áê„`«∞_»Ü∂« º_»∞. JÖÏO\˜ Éè~í `° ∞« _çH˜ ¿ã=‰õΩ_çQÍ LO_ç z#fl`«=∞∞‡_»∞ â◊„`«∞Ѷ∞¨ ∞fl_»∞ =∞iO`« Q˘Ñ¨Ê"å_»Ü∂« º_»∞. WO^Œih ™ê=∞∞^•~∞∞HõOQÍ
¿ãqOz# ǨÏ#∞=∞O`«∞_»∞ P WO\’¡ =∞~À ‰õΩ@∞O| ã¨Éèí∞º_»Ü«∂º_»∞. N~å=∞Ѩ\Ïìaè¿+HõO [~°QÆ_»OÖ’ ZO`À H©ÅHõOQÍ =º=ǨÏiOz<å Ѩ\Ïìaè¿+Hõ
ã¨=∞Ü«∞OÖ’ ~å=∞∞x áê^•Å∞ ¿ãqã¨∂Î `«# J##ºÉèíH˜Î „ѨѨ`«∞ÎÅ#∞ Kå@∞‰õΩ<åfl_»∞. WÖÏ J<ÕHõ ã¨∞QÆ∞}ÏʼnõΩ Ѩ@∞ìH˘=∞‡QÍ xez# áê„`«Å∞#fl
~å=∂Ü«∞}O =∂#"åo áêe\˜ HõÅÊ=$Hõ∆O.
P„â◊~∞∞Oz# "åiH˜ H˘OQÆ∞ÉOQÍ~°O. ~å=∂#∞„QÆǨÏO WǨÏѨ~°^•Ü«∞HõO.
18 JH∆“Ç≤Ï}∞Å Ãã·#ºO `«ÅѨ_ç# =∞ǨÉèÏ~°`« ã¨O„QÍ=∞OÖ’ PYiHõO\Ï „áê}ÏÅ`À q∞ye# "å~°∞ ˆH=ÅO 8 =∞Ok =∂„`«"Õ∞!
J<å^äŒÖˇ· z<åfl~°∞Å∞, JÖÏ¡_çáÈ`«∂ q`«O`«∞=ÙÅ∞, PÅ<åáêÅ<åÖËHõ =$^Œ∞úÅ∞ n<å~°Î r=#∞ÅÜ«∂º~°∞.D ^Œ∞ã≤÷u K«∂ã≤ `«@∞ìHÀÖËHõáÈ~∞∞# ^èŒ~°‡~åA
D ÉÏ^èÅŒ #∞Oz ɡ@· Ѩ_Õ =∂~°Oæ K«∂Ñ≤OK«=∞x JOѨâÜ ◊ ∞« ºÃÑ· L#fl cè+‡¨ Ñ≤`å=∞Ǩïx J_çQÍ_»∞. ~å[º=∞O`å ~å=∂Ü«∞} áê~åÜ«∞}O KÕ~∞∞OK«∞..q+¨µ‚
ã¨ÇϨ „ã¨<å=∂Å∞ qxÑ≤OK«∞ Jx cè+µ¨ ‡_»∞ ã¨ÅǨ WKåÛ_»∞. HõeHÍÅOÖ’ xÜ«∞=∞~°ÇÏ≤ `«∞Öˇ· ã¨OK«iOKÕ =∂#"åoH˜ =∞∞H˜=Î ∂~åæxfl K«∂Ñ≤OKÕk ~å=∂Ü«∞}"Õ∞#x
™ê¯O^ŒÑ¨Ù~å}OÖ’ <å~°^Œ∞_»∞ K≥áêÊ_»∞. ~å=∂Ü«∞}ÏxH˜ L#fl â◊H˜Î« JO`«\ ˜k. ~å=∞∞_»∞ áêáêǨi. Z=fiiH© JѨHÍ~°O KÕ¿ã"å_»∞ HÍ_»∞. [#™ê÷#OÖ’
PÜ«∞# KÕuÖ’ =∞~°}˜Oz# 14"ÕÅ =∞Ok ~åHõ∆ã¨∞Å∞, W`«~° ã¨O„QÍ=∂ÅÖ’ Jã¨∞=ÙÅ∞ ÉÏã≤# ~åHõ∆ã¨∞Å∞ JO^Œ~°∂ ^Õ=Ö’HÍʼnõΩ "≥àϧ~°∞. WѨC_»∞
K≥ѨÊO_ç..PÜ«∞# ~åHõ∆ã¨*Ïux K«Oáê_®? J#∞„QÆÇ≤ÏOKå_®?
W@∞=O\˜ ~å=∞∞x, ~å=∂Ü«∞}Ïxfl #=∞‡x "å~°∞ KÕã¨∞Î#fl q=∞~°≈ÅÖ’, P~ÀѨ}ÅÖ’ ¿ÇÏ`«∞|^Œú`«ÖË^Œ∞. J#O`« QÆ∞}™êQÆ~°∞_≥·# ~å=∞∞_»∞
Ug∞ HÍx "åiH˜ J~°÷OHÍ_»∞. ã¨=∞ã¨Î r=*Ï`«∞ʼnõΩ PÜ«∞<Õ ~°Hõ∆‰õΩ_»∞..PÜ«∞<Õ JÉèíÜ«∞„Ѩ^•`«. ã¨HõÅ K«~åK«~° Éèí∂`«HÀ\˜, JdÅ qâ◊fiO PÜ«∞# =Å¡<Õ
=∞#QÆÅ∞QÆ∞`ÀOk. ~å=∂Ü«∞}Ïxfl `≥QÆ<å_ç# KÀ@, ~å=∞∞}˜‚ `«∂Å<å_ç#KÀ@ =~å¬Å∞ ÖˉõΩO_® áÈ`å~∞∞. D J#~å÷xfl x"åiOK«_®xH˜ zÅ∞‰õÄ~°∞
ÉÏÖÏr PÅÜ«∞OÖ’ ~å=∞<å=∞ ã¨OH©~°Î#O, ~å=∂Ü«∞} áê~åÜ«∞}O KÕâßO. Jã¨OMϺHõOQÍ Ç¨[Ô~·# Éèí‰õΩÎÅ∞ KÕã≤# ~å=∂<å=∞ã¨OH©~°Î# KÕâß~°∞.
ã¨Ow`« q^•fiOã¨∞Å∞ Hõ~°‚¿ÑÜ«∞OQÍ HõKÕsÅ∞ KÕâß~°∞. Ѩ~°=∞ Ѩq„`«"≥∞ÿ# ~å=∂<å=∞ QÍ#O`À XHõ =∞ǨÏ`«Î~° P^蕺u‡Hõ "å`å=~°}O <≥ÅH˘Ok. P
HÍ~°º„Hõ=∞OÖ’ áêÖ∏æ#fl "å~°O`å „|Ǩ‡#O^Œ Ѩ~°=â◊√ÅÜ«∂º~°∞.
Z=~À H˘O^Œ~°∞ J=QÍǨÏ<å ~åÇ≤Ï`«ºO`À KÕã¨∞Î#fl P~ÀѨ}Å∞, q=∞~°≈Å∞ Ѩ\ ˜ìOK«∞HÀ‰õΩO_® `≥ÅOQÍ}Ï ~åR=∞O`å ã¨=∞$kúQÍ "å#Å∞
‰õΩiÑ≤OKåÅx zÅ∞‰õÄ~°∞ ÉÏÖÏrx „áêi÷ã¨∞Î<åflO.
HÍÖË =~°¬`«∞Z Ѩ~°˚#º: Ѩ$näfi ã¨ã¨ºâßeh, ^Õâ’Ü«∞O H∆ÀÉèí~°Ç≤Ï`«: „ÉÏǨχ}ã¨ûO`«∞ x~°ƒùÜ«∂:
"å#=∞|∞ƒÅ∞ ã¨HÍÅOÖ’ =i¬OK«∞QÍHõ..ѨO@Å∞ ѨÙ+¨¯ÅOQÍ Ñ¨O_ç Éèí∂q∞H˜ P‰õΩѨK«Ûâ’Éèí#∞ HõeyOK«∞QÍHõ.. „Ѩ[ÅO^Œ~°∂
x~°ƒùÜ«∞∞Öˇ·..x~å=∞Ü«∞∞Öˇ·..~å=∞Éèí‰õΩÎÖˇ·..Hõ+¨ì#ëêìÅ∞ Öˉõ H∆ÀÉèí~°Ç≤Ï`«∞Öˇ· rqOK≥^Œ~°∞QÍHõ.. O
=ÚYã¨∞Îu KÕ¿ã "å_çH˜, "≥#∞fláÈ@∞ á⁄_çKÕ "å_çH˜ `Õ_® ÖË^Œ∞.
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q+¨µ‚ã¨Ç¨Ï„ã¨<å=∞ QÍ^ä•=o – 209
qâ◊$`å`«‡<Õ #=∞ó
POQÆ¡=¸ÅO : _®II q.Ü«∞ãπ. ‰õ~°∞}ÏHõ~°<£, B.E.(Mech.), M.A. (Sanskrit), Ph.D.
1963= ã¨O=`«û~°OÖ’ <Õ#∞ =∞^èŒ∞Ô~·‰õΩ ^ŒQÆæ~°Ö’L#fl
u~°∞ѨÊ~°‚‰õΩO„_»O J<Õ TiÖ’#∞#fl '`åºQÆ~å[ HÍÖËl PѶπ
WO[hiOQÆ∞Ö’— WO[hiOQÆ∞ K«^=Œ \ÏxH˜ KÕ~å#∞. =∂<å#flQÍ~°∞
<å‰õΩ J#flQÍi =~°ã¨ J~Ú# ã¨∞O^Œ~°=~°^Œ<£ QÍi WO@ ##∞fl
LOK«\ÏxH˜ `«y# U~åÊ@∞¡ KÕâß~°∞. "åiÅ∞¡ =∞^è∞Œ ~Ô Ö· ’x „Ѩãk≤ HÔú H˜¯#
<åÜ«∞Hõ~ü H˘`«ÎgkèÖ’ L#flk. ã¨∞O^Œ~°=~°^Œ<£ QÍ~°∞, PÜ«∞#
ÉèÏ~°º ã¨∞O^Œs=∞}˜ ZO`À PáêºÜ«∞OQÍ ##∞fl "åiO@ LOK«∞‰õΩx
K«kqOz P^ŒiOKå~°∞.
P~ÀAÖ’¡ WO[hiOQÆ∞, "≥·^Œº HõàÏâßÅÖ’¡ H˘`«Î"åix
~åºyOQÆ∞ KÕã≤ U_çÑ≤OK«_»O J#flk XHõ `«Ñ¨Êxã¨i *Ï_»ºOQÍ
LO_Õk.
HÍÖËrÖ’ KÕi#"åiÖ’ <Õ<˘Hõ¯_ç<Õ "≥·+¨‚=™êO„Ѩ^•Ü«∞O
„ѨHÍ~°O A@∞ì tY ÃÑ@∞ì‰Ωõ x, #∞^Œ∞\˜ÃÑ· T~°fiú ѨÙO„_®Å∞ ^èiŒ Oz#
q^•ºi÷x.
P HÍÖË r Ö’<Õ ZO^Œ ∞ ‰õ Ω KÕ ~ å#∞? P~ÀAÖ’¡
`«q∞à◊<å_»∞Ö’#∞#fl P~°∞ WO[hiOQÆ∞ HÍÖËrÅ∞ =∞„^•ã¨∞
qâ◊fiq^•ºÅÜ«∞O ѨikèÖ’H˜ ~å=@"Õ∞ HÍ~°}O.
<å‰õΩ ÉÏQÍ QÆ∞~°∞Î - EÖˇ· <åÅ∞QÀ`Õk, 1963= ã¨O=`«û~°O
WO[hiOQÆ∞ HÍÖËrÖ’ <å "≥Ú@ì"≥Ú^Œ\ ˜ ~ÀA. JHõ¯_» KÕ~°_®xH˜
<Õ#∞ ~°∞ã¨∞=Ú K≥e¡ã¨∞Î#fl ã¨=∞Ü«∞OÖ’<Õ H˘O`«=∞Ok ã‘xÜ«∞~°∞¡
##∞fl K«∂ã≤, <Õ#∞ ~åºyOQÆ∞‰õΩ ÉÏQÍ Ñ¨xH˘™êÎ#x QÆ∞~°∞ÃÎ Ñ@∞ì‰Ωõ <åfl~°∞.
XHõ QÆ∞OѨ٠##∞fl Ѩ@∞ì‰Ωõ x "åi `«xqf~å ##∞fl U_çÑO≤ z,
~åºyOQÆ∞ K≥Ü«∞º_®xH˜ =∞~À |$O^•xH˜ JѨÊyOKÕ"å~°∞. D
~åºyOQÆ∞ q~å=∞ ã¨=∞Ü«∂Ö’¡#∞, `«H˜¯# HÍ¡ã¨∞Å =∞^茺 MÏm
^˘iH˜# ã¨=∞Ü«∂Ö’¡#∞ [~°∞QÆ∞`«∂ LO_Õk.
JÖÏ U_çÑ≤ã¨∞Î#fl "Õà◊, =∂HõO>Ë =ÚO^Œ∞ ã¨O=`«û~°OÖ’
L#fl q^•ºi÷ ##∞fl - 'h ¿Ñˆ~q∞\˜?— Jx „ѨtflOKå_»∞. <Õ#∞
'Hõ~°∞}ÏHõ~°<£— Jx ã¨=∂^è•#q∞KåÛ#∞.
''K«∂_»∞! #∞=Ùfi =∞=∞‡efl Q“~°=hÜ«ÚÖˇ#· ã‘xÜ«∞~ü WO[h~°∞
™ê~ü! Jx ã¨OÉ’kèOz =∞s ["å|∞Å∞ K≥áêÊe `≥Å∞ã¨∞HÀ!
JHõ¯_ç`À J~ÚáÈÖË^Œ∞. 'g∞iKÕÛ P[˝Å #xfl\˜H© Ö’|_Õ LO\Ï#∞
™ê~ü! Jx ‰õÄ_® *’_çOKåe!—— Jx =∞~˘Hõ ã‘xÜ«∞~ü K≥áêÊ_»∞.
''JÖψQ Q“~°=hÜ«ÚÖˇ·# ã‘xÜ«∞~ü WO[h~°∞QÍ~°∞!—— Jx
"åi =∂@efl zÅHõѨÅ∞‰õΩÖÏ¡QÆ =i‚OKå#∞. H˘`«Î"åiH˜ JO`«Hõ#fl
=∞~À =∂~°æOÖË^Œ∞. PHõeQ˘#fl `À_Õà◊¡ =ÚO^Œ∞ xeÛ X}∞‰õΩ`«∞#fl
lOHõÑ≤šŠѨiã≤÷u =∞i!
=∞Oz ¿Ñ~°∞ L#fl"åiH˜ =∞~°}"Õ∞ ÖË^Œ∞.
J#∞"å^ŒO : _®II ã¨∞=∞<£Å`«
''#∞=Ùfi h Ñ≤ÅHõx HõuÎiOK«∞HÀ"åe† ˆ~Ѩ\ ˜ #∞O_ç =ÚYO
g∞^Œ D '¿Ñ~åÉ’ÖÏ—#∞ ÃÑ@∞ì H À=\ÏxH˜ gÖË ¡ ^ Œ x ‰õ Ä _®
P*Ï˝Ñ≤ã¨∞Î<åfl#∞!—— JO@∂ XHõ q^•ºi÷ <å=ÚYO g∞^Œ <Õ#∞
k^Œ∞̉õΩ#fl T~°úfiѨÙO„_®Å#∞ K«∂Ñ≤ã¨∂Î J<åfl_»∞.
(Pã¨=∞Ü«∞OÖ’ J`«#∞ „ѨÜ∂≥ yOz# '¿Ñ~°É’ÖÏ— J#fl=∂@‰õΩ
<å‰õΩ J~°O÷ `≥eÜ«∞ÖË^∞Œ . `«~"° å`« HÍÅOÖ’ ~ˆ MÏ QÆ}`˜ « ѨÙãÎ̈HÍÅ∞
J^躌 Ü«∞#O KÕâßHõ '¿Ñ~°É’ÖÏ— J#flk <å T~°fiú ѨÙO„_®Å PHÍ~°OÖ’
=ÙO_Õ ˆ~Y#∞ ã¨∂zã¨∞ÎO^Œx `≥Å∞ã¨∞‰õΩ<åfl#∞.)
W^ŒO`å Hˆ =ÅO Ǩ™êºxˆH#x <Õ#∞ J#∞‰õΩ<åfl#∞. =∞~åfl_»∞
‰õÄ_® <Õ#∞ <å tY`À, T~°úfiѨÙO„_®Å#∞ ^èŒiOKÕ HÍÖËrH˜
"≥àϧ#∞.
x#fl\˜ |$O^Œ"Õ∞ ##∞fl ^˘iH˜OK«∞‰õΩx, XHõ =¸ÅH˜
MÏmQÍ L#fl „Ѩ^ÕâßxH˜ ÖωõΩ¯"≥àϧ~°∞. JO^Œ∞Ö’ XHõ~°∞ á⁄_»∞QÍæ
L#fl <å tY#∞ ÖÏy Ѩ@∞ì‰õΩx - ''D á⁄_»∞ÔQ·# tY =∂‰õΩ
J=∂‡~Úx QÆ∞~°∞Î KÕ™ÈÎOk. "≥#Hõ #∞O_ç K«∂¿ãÎ, =∞Ǩ JO^ŒOQÍ
L<åfl=Ù. ZÖÏQÆ∂ =∞# HÍÖËrÖ’ J=∂‡~ÚÅ∞ ÖË~°∞HÍ|\˜ì,
h D JO^Œ"≥∞ÿ# PHÍ~åxfl "≥#Hõ#∞O_ç K«∂ã≤, J=∂‡~ÚÅ∞
ÖË~°#fl Ö’@∞#∞ f~°∞Û‰õΩx P#Ok™êÎ=ÚÖË! JO^Œ∞Hõx tY‰õΩ
㨈~! HÍx D ¿Ñ~°É’ÖÏ#∞ =∂„`«O f¿ãÜ«∂eûO^Õ!—— J<åfl_»∞.
('P ~ÀAÅÖ’ WO[hiOQÆ∞ HÍÖËrÅÖ’ J=∂‡~ÚÅ∞
K«k"Õ"å~°∞ HÍ^Œ∞. <å q"åǨÏO [iy# `«~°"å`« <Õ#∞ <å
q∞„`«∞_»∞ N QÆ}Ëâ◊ ~å[<£x WO\˜H˜ PǨfixOKå#∞. =∂@Å
ã¨O^Œ~°ƒùOÖ’ =∂ Pq_»`À J`«#∞, ''J=∂‡! P ~ÀAÅÖ’
Hõ~∞° }ÏHõ~<° £ KåÖÏ JO^ŒOQÍ LO_Õ"å_»∞. JÜ≥∂º! =∞# HÍÖËrÖ’
J=∂‡~ÚÅ∞ ÖË~ˆ Jx ÉÏ^èÑŒ _¨ ∞» `«∞#flѨC_»∞ `«#∞ HÍã¨OÎ `« Ö’@∞#∞
ÉèísÎ KÕ™ê_»∞!—— Jx K≥áêÊ_»∞.
`«~°"å`« HÍÅOÖ’ =∂ Pq_» `«# J=ã¨~åxH˜ `«y#@∞¡,
'QÆ}+Ë ~π å[<£ q∞=∞‡efl JO^ŒOQÍ LO_Õ"å~°x K≥áêÊ~°∞— J#fl=∂@#∞
<åg∞^Œ PÜ«Ú^èŒOÖÏ „ѨÜ≥∂yã¨∂Î LO_»@O =Å#, <Õ#∞ U<å_»∂
J`«x =∂@‰õΩ P#OkOK«ÖËHõáÈÜ«∂#∞.)
P<å\˜ =∂ ã‘xÜ«∞~ü q^•º~°∞Å÷ Ö’ áêÖòáêO_çÜ∞« <£ XHõ_∞» .
J`«_»∞ <å "≥∞_»#∞ `«# KÕ`«∞֒ΠѨ@∞ì‰õΩx - ''WѨC_»∞ h=ÚYO
g∞^Œ ∞ #fl D ¿Ñ~° É ’ÖÏ#∞ <åÅ∞Hõ ` À â◊ √ „Éè í O KÕ ã ≤
r~°O‚ K«∞‰õΩO\Ï#∞O_»∞!—— JO@∂<Õ J#flO`« Ѩx KÕã≤ K«∂Ñ≤OKå_»∞.
''D <å\˜`À h =ÚYO g∞k D ¿Ñ~°É’ÖÏ Ñ¨x ã¨=∂ѨÎO!
ˆ~Ѩ\ ˜ #∞O_ç D ¿Ñ~°É’ÖÏ ÖËx h =ÚMÏxfl "Õ∞=Ú K«∂™êÎ=Ú!——
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JO@∂ „ѨHõ\ ˜OKå_»∞.
<å HõO\˜"O≥ @ J„â◊√^è•~°Å∞ HÍiáÈ`«∞<åfl~Ú. <å <À\˜"O≥ @
=∂@~å=_»OÖË^Œ∞. qKå~°=^Œ#O`À ѨÓiÎQÍ ‰õΩOyáÈ~Ú <Õ#∞
WO\˜H˜ KÕ~°∞‰õΩ<åfl#∞.
=∂ <å#flQÍi`À [iy# ã¨OQÆu#O`å K≥ѨC‰õΩ<åfl#∞.
PÜ« ∞ # ##∞fl JHõ ¯ _» HÍ㨠Π‰ õ Ω ^Œ ∞ @|iz, =∞~åfl_» ∞ TiH˜
"≥àÏ¡Å#∞‰õΩ<åfl~°∞. PÜ«∞# WÖÏ J<åfl~°∞ -
''T~°úfiѨÙO„_®xfl ^èŒiOKÕO^Œ∞‰õΩ Ѩq„`«=∞~Ú# <å=∞ѨÙ
=Ú^ŒÌ#∞ `«Ü«∂~°∞ KÕã¨∂Î, #~°ã≤OǨϙêfiq∞ c[=∞O„`åxfl Ѩiîã¨∂Î,
uÅHõ ^è•~°} K≥Ü«∞º=∞x <Õ#∞ K≥Ñ≤Ê#>Ë¡ KÕâß"å? #∞=Ùfi <Õ#∞
K≥Ñ≤Ê#>Ë¡ KÕã≤ LO>Ë hÔHO^Œ∞‰õΩ kQÆ∞Å∞? #~°ã≤OǨϙêfi"Õ∞ x#∞fl
~°H˜∆™êÎ_»∞!——
PÜ«∞# K≥Ñ≤Ê# =∂@Ö’¡x ѨÓiÎ JO`«~å~å÷xfl <Õ#∞
„QÆÇ≤ÏOK«∞HÀÖËHõáÈ~Ú<å, ^è≥·~åºxfl ‰õÄ_»QÆ@∞ì‰õΩx KåÖÏ nè=∂QÍ
T~°úfiѨÙO„_®xfl <å#∞k\˜g∞^Œ ÃÑ@∞ì‰õΩ<Õ =∞~°∞<å_»∞ HÍÖËrH˜
"≥àϧ#∞.
Pâ◊Û~°ºO! P ã‘xÜ«∞~ü q^•º~°∞÷Öˇ=~°∂ <å=^ŒÌ‰õΩ ~åÖË^Œ∞.
=∞~À H˘xfl |$O^•Å q^•º~°∞÷Å∞ =zÛ<å U^À U_çÑ≤OzáÈÜÕ∞~°∞
`«Ñ¨Ê, <å T~°úfiѨÙO„_»O QÆ∞iOz z#fl=∂@ ‰õÄ_® J#ÖË^Œ∞.
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ã¨O`«$Ñ≤ÎѨ_®¤#∞.
JÖÏ XHõ <≥Å~ÀAÅ∞ H˘`«Î q^•º~°∞÷Å#∞ <å<åÉÏ^èŒÅ‰õΩ
QÆ∞iKÕã#≤ ã‘xÜ«∞~ü q^•º~°∞Å÷ ∞ `«~åfi`« "åiH˜ K«H¯õ \˜ áêsìx™êÎ~∞° .
WHõ P<å\˜ #∞O_ç ExÜ«∞~°∞ q^•º~°∞÷Å#∞ U_çÑ≤Oz ~åºyOQÆ∞
K≥Ü«∞º~°∞. "åix `«=∞ q∞„`«∞Å∞QÍ „ѨHõ\ ˜Oz, H˘`«Î q^•º~°∞÷ʼnõΩ
áê`« q^•º~°∞÷Å∞ |Ǩï=∞`«∞Å#∞ ‰õÄ_® WzÛ PǨ¡^Œ Ѩ~°∞™êÎ~°∞.
P<å\˜ Páêsì<å_»∞, áêÖòáêO_çÜ«∞<£ ##∞fl q∞„`«∞xQÍ,
W+¨µì_çQÍ fã¨∞‰õΩx `«# '*Ï"≥∞„\˜H± „_®~ÚOQÆ∞— J#fl ѨÙã¨ÎHÍxfl
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=∂~°^æ ~Œ ≈° ‰õΩ_»Ü∂« º_»∞. J`«_∞» JO`«ÖÏ Ç¨Ï~îå`«∞QÎ Í =∂iáÈ=\ÏxH˜
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ÃãÅ=Ù g∞^Œ LO_»@O =Å# J`«_»∞ W<£Kåi˚QÍ L#fl Ancilliary
Development `«~°Ñ¶¨Ù# <Õ#∞ g∞\˜OQÆ∞‰õΩ "≥à◊¡=Åã≤ =zÛOk.
Wk ÉèÏ~°`« „ѨÉ∞íè `«fi ã¨Oã¨"÷ åiH˜ K≥Ok# Ç≤ÏO^Œ∞™ê÷<£ >ˇe„Ñ≤O@~üû
"åi HÍ~åºÅÜ«∞OÖ’ x~°fiÇ≤Ïã¨∞Î#fl áê¡O@∞ ™ê÷~Ú g∞\˜OQÆ∞.
"åi HÍ~åºÅÜ«∞O <å PѶ‘ã¨∞‰õΩ ѨHõ¯<Õ LOk.
P HõOÃÑhÖ’H˜ „Ѩ"ÕtOKåHõ H˘#∞QÀÅ∞ qÉèÏQÆOÖ’ XHõ
É’~°∞¤ HõxÑ≤OzOk - 'áêÖòáêO_»º<£, a.W. [#~°Öò "Õ∞<Õ[~ü
x*Ï~ÚfQÍ ã¨OáêkOK«∞ - =∞Oz H˘~°‰õΩ qxÜ≥∂yOK«∞.
(Ѩˆ~Û*ò)— Jx K«kq# "≥O@<Õ <å‰õΩ =∂HÍÖËrÖ’ ã‘xÜ«∞~ü,
<å T~°úfiѨÙO„_®xfl `«# <åÅ∞Hõ`À <åˆHã≤# q^•ºi÷ QÆ∞~˘ÎKåÛ_»∞.
J`«_Õ<Õ"≥∂ ##∞‰õΩ<åfl#∞.
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Jx „ѨtflOKå_»∞.
<Õ#∞ B#<åfl#∞.
''##∞fl QÆ ∞ ~° ∞ Î Ñ ¨ @ ì Ö Ë ^ •? <Õ # ∞ g∞ HÍÖË r ã‘ x Ü« ∞ ~ü
áêÖòáêO_»º<£x!——
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HÍ¿ãѨ Ù J`« x `À =∂\Ï¡ _ ç , g∞\˜ O QÆ ∞ Ö’ ‰õ Ä ~° ∞ Ûx
<åHÍ~åºÅÜ«∂xH˜ uiy =KåÛ#∞.
=∞~åfl_»∞ áêÖòáêO_»º<£ =∂ PѶ‘ã¨∞‰õΩ =KåÛ_»∞. J`«_çx
<Õ#∞ ™ê^Œ~°OQÍ PǨfixOKå#∞. J`«#∞ WÖÏ J<åfl_»∞ -
''Hõ~°∞}ÏHõ~°<£! h‰õΩ =∞# HÍÖËr~ÀAÅ∞ QÆ∞~°∞Î<åfl~Ú Hõ^•!
<Õ#∞ x#∞fl KåÖÏ U_çÑ≤OKå#∞ Hõ^•! <å‰õΩ KåÖÏ ÉÏ^èŒQÍ
LOk. ##∞fl Hõ∆q∞OK«∞!—— J<åfl_»∞.
''J=hfl =kÖË Ü « ∞ O_ç ! [iyO^Õ ^ À [iyOk. <å‰õ Ω
*Ï"≥∞„\˜HõÖò „_®~ÚOQÆ∞ QÆ∞iOz# KåÖÏ =∞Oz ѨÙã¨ÎHÍxfl
|ǨïHõiOKå~°∞ Hõ^•!——
''JÖÏ HÍ^Œ∞! <å‰õΩ P~ÀA U=∞~ÚO^À `≥Å∞™ê? <åH˜OHÍ
QÆ∞~°∞ÎOk - 1963Ö’ EÖˇ· 7= `Õk.——
''Jˆ~! P<å\˜ `ås‰õΩx JO`«ÉÏQÍ ZÖÏ QÆ∞~°∞ÃÎ Ñ@∞ìHÀQÆeQÍ~°∞
™ê~ü?—— Jx Pâ◊Û~°ºOQÍ J_çQÍ#∞.
J`«#∞ WÖÏ q=iOKå_»∞ - ''<å‰õΩ KåÖÏ ÉÏQÍ QÆ∞~°∞Î
LO_çáÈ~ÚOk. P<å_»∞ =∞OQÆà◊"å~°O. <Õ#∞ h =ÚYO g∞^Œ∞#fl
g∞ ã¨O„Ѩ^•Ü«∞O „ѨHÍ~°O ^èiŒ OKÕ <å=∂xfl <åÅ∞Hõ`À <åˆHâß#∞.
<Õ#∞ HÍ^äŒeH± „H˜ã≤ìÜ«∞<£x. WO\˜H˜ "≥àϧHõ =∂ J=∞‡QÍ~°∞
<å‰õΩ "Õ∞Hõ =∂Oã¨O`À =O_ç# ‰õÄ~°`À Éè’[#O ÃÑ\Ïì~°∞.
'J^Õq∞\˜?— Jx „ѨtflOz# <å‰õΩ =∂ J=∞‡ ã¨=∂^è•#O Wã¨∂Î
ZѨC_»∂ ÃÑ>Ëì =∂Oã¨O ‰õĈ~ Jx K≥ѨÊ_®xH˜, ''UO? ã≤OǨÏO
=∂Oã¨O`À ‰õÄ~° =O_ç ÃÑ\Ïì##∞‰õΩO@∞<åfl"å? u#∞-u#∞!——
J<åfl~°∞. <Õ#∂ u<Õâß#∞. HÍx P<å\˜ ~å„u =∂„`«O <å ‰õ_∞» ѨÙÖ’
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QÆi˚ã¨∞Î#fl@∞¡, Jk <å Hõ_»∞ѨÙ#∞ `«# QÀà◊¡`À w~°∞`«∞#fl@∞¡
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h #∞^Œ∞@#∞#fl <å=∂xfl <åÅ∞Hõ`À <åˆHâß#x K≥Ñ≤Ê, ^•xH˜
nxH˜ U"≥∞ÿ<å ã¨O|O^èŒO LO^• Jx „ѨtflOKå#∞.
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=∂ <å#flQÍ~°∞ „ÔH·ã¨Î= <å_®~ü† =∂ J=∞‡QÍ~°∞ Ç≤ÏO^Œ∂
<å_®~ü. Pq_»k Nqe¡ ѨÙ`«∂Î~°∞. WÖÏ J<åfl~°∞ - ''K«∂_»∞!
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ѨiîOz „áêi÷™êÎ#∞ Jx K≥Ñ≤Ê ''Pq_» „áêi÷ã¨∂Î LO_»QÍ <åÉÏ^èŒ
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#~°ã≤OǨϙêfiq∞ c*ÏHõ∆~åÅ#∞ ѨiîOKå"å? Ö’x JO`«~å~°÷O
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QÍ_è» q∞„`«∞Å∞QÍ =∂~å=Ú. `«~°∞K«∞ HõÅ∞ã¨∂Î LO_Õ"å~°O.
XHõ™êi `«#∞ ##∞fl „ѨtflOKå_»∞ - ''P<å_»∞ <Õ#∞ KÕã≤#
`«Ñ¨C‰õΩ U^≥·<å ѨiǨ~°O LO^•?——
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=¸_Õà◊√¡ QÆ_çKå~Ú.
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1983Ö’ <Õ # ∞ =∂ <å#flQÍ~° ∞ ~° z Oz# ''=∞OA
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J`«x QÆkÖ’H˜ "≥àÏ¡#∞. J`«_∞» ##∞fl PǨfixOz ‰õÄ~ÀÛ=∞<åfl_»∞.
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<å#∞O_ç `≥Å∞ã¨∞‰õΩ<åfl_»∞. <Õ#∞ K≥Ñ≤Ê# q+¨Ü«∂Å∞ q#QÍ<Õ,——
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<Õ#∞ WO`«\ ˜ ã¨`å¯~åºxH˜ <å=O`«∞ ã¨Ç¨ÏHÍ~åxfl JOk™êÎ#∞.
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P Hõ∆}OÖ’ #~°ã≤OǨϙêfiq∞ "åi Ѷ¨∞#H©iÎ ZO`« Q˘Ñ¨Ê^À
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August '18 w w w w w w w w w w w w w w w w w w 15 wwwwwwwwwwwwwwwwwwwwww VAK
AHOBILAM AND AHOBILA MUTT - 68
Kadiri Lakshmi Narasimha Swamy Temple
Temples following Ahobila Mutt Sampradaya exists all
over India. There are many such temples existing in
Andhra Pradesh and Telangana. VAK attempts to bring
some key temples to the notice of the readers. This
time it is about Kadiri temple which has a strong bondate
with Ahobila Mutt..
Kadiri is a place in Ananthapur district and is situated
between Pakala and Dharmavaram. This is a decently
big town. This was a great Sri Vaishnava Agrahara
during the period of Vijayanagara empire. Although the
town has significantly changed over the years, one can
see a feast of archeologically valuable structures and
signatures of glorious past. Here we have a world
famous temple for Lord Lakshmi Narasimha. This temple
is twice as big as the Thiruvallur Veeraraghavaswamy
temple in Tamil Nadu. The image of Sri Narasimha swamy
is in human form with Lion’s Head, is in the posture of
bearing the stomach of the demon Hiranyakasipu. The
procession image of the deity (utsava idol) is beautiful
and in the form of Vishnu made of metal with Bhudevi
and Sridevi on either side. It is said that the gate way at
West Rajagopuram, leads to the Bhrugu theertham tank
where the uthsava murthies as per the sthalapurana were
handed down to Bhrigu Rishi by the Lord himself in a
box for his daily worship.
The deity in the Sannidhi was worshipped in the past
by Sri Adi Van Satakopa Yatheendra mahadesikan, the
first Jeer of Sri Ahobila Mutt and Rajaguru for the
Vijayanagara dynasty. After him several Jeers of Sri
Ahobila Mutt worshipped the deity and performed several
utsavams to the deity. The Pushakarini (temple tank)
in this place is also known as Bhavanashini in the
same lines as in Ahobilam. This clearly indicates the
relationship of this temple with Ahobilam. There are
separate sub-temples in the temple complex for Sri
Nammalvar, Sri Ramanuja and Sri Vedanta Desika.
Behind the temple there is the temple tank with a
mantapam in the centre called the central Mantapam
of the tank and on the banks of the tank there is a
huge Tirumanjana mantapam where Lord’s Abhisheka
utsavam is performed. On the streets around the temple
there are several Mantapams to enable the
Brahmotsavams for the Lord. Because this Lord bestows
bounties to the devotees there are many devotees who
come from distant places to worship the Lord. One
of the greatest utsavams is Paaruvettai (the royal hunting)
which is conducted in the tamil month of Thai (Makara
month). In the distant past till the british period the
temple trustees used to bring a tiger during this utsavam,
let it lose and go for hunting it with weapons. Because
of a tragedy during 19 th century this practice was
discontinued due to the orders of the British Government.
In this temple every year there is special darshan for
the Dalit devotees similar to the practice followed in
Melkote Thirunarayana puram. The temple archakas
currently hail from Gandikota. The Ahobila Mutt relationship
with the temple is visible based on the history of the
temple and several historic evidences. Here one can
also see sculptures of scenes from Vasanthika
Parinayam, a play written by 7th Jeer of Sri Ahobila Mutt.
The local hill called stotradri is the place where the devas
worshipped the Lord after He destroyed the demon
Hinranyakasipu in the Durgam in Godduvelagala village
which is situated nearby to this town Kadiri. Some derivative
`≥eÜ«∞x ^•xx `≥eã≤#@∞¡ #\˜OK«@O =Å# #+¨ì"≥∞‰õΩ¯=.
– M.V. SOUNDARARAJAN
meaning are atrtributed to the word Khadri denoting the
place with a hill representing the feet of Vishnu. Another
version is that the town has been named after the Khadri
tree (Acacia catchedu) under which the idol of the local
temple of Narasimha Swamy is found. The place of Kadri
and its surroundings are connected with several pouranic
legends. It is said that the sage Vedavyasa without being
known to asuras imparted lessons to his disciples and
so the place is called Kedaranyam. The tradition is that
the present town was formerly a jungle under the palegar
of Patnam and that the town is attached with the temple
which was named after the tree under which the idol was
found in an ant hill. The jungle was cleared by the poligar
and the temple built on the site. It is also said to be that
the main deity in this temple was in wood like Puri
Jagannadh in Orissa state and was housed on the branch
of Chandra Tree. It is also said that the main deity is
Swayabhu. The Lord is further worshipped in the names
of Vasantha Vallabha or Vasantha Madhava as the pratishta
was done in the Spring season. The river Maddileru, other
wise called as the Arjuna River, (where Arjun did penace)
has its pounranic fame as being the river on the banks of
which Arjuna did penace. The course of the river is through
6 theerthams called respectively: 1.Sweta pushkarini 2.
Bhrugu Theertham 3.Sesha Theertham, 4. Kunti Theertham
5. Laxmin Theertham, 6.Ganga Theertham 7. Garuda
Theertham and 8. Bhavanasi Theertham.
The temple is enclosed in a 500 ft square high walled
compound with 4 entrances having a gopuram at each
entrance constructed. The stone sculpture in Yagna
mantapam is abound with lions. The temple is facing
east and the Kalyanamandapam is in its front. The layout
of the temple also somewhat resembles Ahobilam temple.
To the left of the temple there is Yagasala, a pakasala
and Astana mandapam to the north where the utsava
vigraha of the lord resides during the annual temple
festival. An 80 ft square pushkarini is in the north east
corner within the temple compound.
The inscriptions in the temple relate mostly to the Vijayanagar
period and are all in Telugu, except two. One of them on
the south wall of the arthamantapam, states that the temple
was built by a Nayaka during the reign of Bukka Raya-I
saka 1274 (1332 A.D.). Another inscription near it, dated
the next year records the gift of a jewel to the idol by Gopanna
the commander-in-chief of Vijayanagara army under
Kampana Raya, the famous son of emperor Bukka Raya
and the restorer of the Srirangam temple. Gopanna was
an ardent disciple of Sri Vedanta Desika. A stone slab
is said to contain an inscription regarding this custom
which still prevails. Yet another inscription shown that in
the Salivahana Saka 1451, (1529 A.D.) the Palegar of
Tadipatri constructed the Vasanta mandapam adjacent
to the prakaram (now called the thousand pillar mandapam)
in which Anna danam is conducted. The shrine is vividly
described as the Khadri Sthalapuranam in Brahmanda
Puranam. The temple car which is considered to be the
heaviest in South India contain numerous carvings and
the Car streets contain several small mantapams on four
tall pillars in which the idol is set down and worshipped
during festivals.
The famous East, South, North, West Rajagopurams of this
temple were constructed by Vijayanagara Emperors,
Chinnamma a devotee and, Kokanti Poligar respectively. The
popular king of Vijaya Nagara Sri Krishna Devaraya and
Maharastra King Shivaji Maharaj have visited this famous temple.
August '18 w w w w w w w w w w w w w w w w w w 16 wwwwwwwwwwwwwwwwwwwwww VAK
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JxÑ≤ã¨∞Î#flk. PÜ«∞# PtOz#@∞ìQÍ<Õ "≥·+¨‚= ã≤^•úO`«OÃÑ·
*Ï˝<åaè=$kú KÕã∞¨ HÀ"åÅx <åÖ’ Jáê~°"∞≥ #ÿ `«$+¨#‚ ∞ HõeyOKå_»∞.
H˘O`« H ÍÅO `« ~ ° ∞ "å`« N Ü« ∂ =Ú<åKå~° ∞ ºÅ"å~° ∞
HÍOz=~°^∞Œ xÃÑ· ™È΄`«~`° åflxfl ~°zOKå~°∞. `«~∞° "å`« P â’¡HÍÅ#∞
`«# t+¨µºÅ‰õΩ É’kèOKå~°∞. H˘O`« HÍÅO `«~°∞"å`«, ##∞fl
J#∞„QÆÇ≤ÏOKÕ xq∞`«ÎO `«# t+¨µº_»∞ HÍOpѨÓ~°∞‚x, <Õ#∞
=~°^Œ~å[™êfiq∞H˜ |OQÍ~°∞ ‰õΩO_»Ö’ f~å÷xfl fã¨∞‰õΩ=KÕÛ
ã¨=∞Ü«∞OÖ’ P â’¡HÍÅ#∞ ѨiîOK«=∞x P^ÕtOKå~°∞. t+¨µº_»∞
QÆ∞~°∞=Ù P*Ï˝#∞™ê~°O <å =ÚO^Œ∞ P â’¡Hõ Ѩ~î°#O KÕâß~°∞. D
„H˜Ok â’¡Hõ ÉèÏ= ™œO^Œ~åºxH˜ <Õ#∞ =∞O„`«=ÚQÆ∞ú_çx JÜ«∂º#∞.
ÀƒÁßÁuƒN˛ÁåƒuáN˛Áuo∆Æzu∆ownƒÊ
åÁ∫ÁÆm nƒuÆ å ™w…Æuo ƒ{utN˛: N˛: @
§¿÷Á u∆ƒ: ∆o™Q: ú∫™Àƒ∫ÁugnÆzoz
uú ÆÀÆ ™u“™Ám|ƒuƒüÏ Àoz @@
(J~°O÷ :- F! <å~åÜ«∞}Ï! D J#O`« qâßfiÅxflO\˜H˜ JO^Œ∞Ö’x
J^Œ∞ƒù`« q+¨Ü«∂ÅHõ∞ HÍ~°}Éèí∂`«∞_»=Ù. "Õ^•Å#∞ JÉèíºã≤Oz, h
J^Œ∞ƒù`« QÆ∞}QÆ}ÏÅ#∞ Ziy#"å~°∞ h "≥·Ñ¨Ù PHõi¬OK«|_»‰õΩO_®
ZÖÏ LO_»QÆÅ_»∞? „|Ǩχ, t=, WO„^Œ, „ÉǨχÅO^ŒiÖ’ÔHÅ¡,
„âı+¨µì_»~Ú# „|Ǩχ`ÀÉÏ@∞ JO^Œ~°∂ L#fl`«"≥∞ÿ# h ã¨=Ú„^ŒOÖ’
h\˜ aO^Œ∞=ÙÖË).
D â’¡HOõ q#flO`«<Õ <Õ#∞ J„ѨuÉè∞í _ç#Ü«∂º#∞. "≥O@<Õ
P ™êfiq∞ HÍà◊§ÃÑ· Ѩ_ç D â’¡HOõ ~°zOz# P =∞Ǩ#∞ÉèÏ=Ù_≥=~°x
J_çQÍ#∞. ZѨÊ\˜#∞OKÀ <å‰õΩ#fl ã¨O^ÕǨÅ#∞ fiÛ# J`«x
=ÚO^Œ∞ "≥O@<Õ „Ѩ}q∞e¡ áê^•aè=O^Œ#O K≥Ü«∂ºÅxÑ≤OzOk
HÍOzѨÓ~°∞_‚ xç PÜ«∞# =^Œ‰Ì Ωõ ##∞fl fã¨∞‰õΩ"≥à=¡◊ ∞x „áêi÷OKå#∞,
HÍh JHõ¯_» <Õ#∞ J#∞HÀxk [iyOk. =~°^~Œ å[™êfiq∞ =∞iÜ«Ú
<å ‰õΩ@∞O|OÖ’x ÃÑ^Œ"Ì åi J#∞=∞u fã¨∞‰õΩx HÍOzѨÓ~°∞x‚ `À
August '18 w w w w w w w w w w w w w w w w w w 17 wwwwwwwwwwwwwwwwwwwwww VAK
|Ü«∞Å∞^Õi "≥o§áÈÜ«∂#∞. HõOz #∞O_ç "Õ∞=Ú N~°OQÆO KÕ~∞° ‰õΩ<Õ
ã¨iH˜ <Õ#∞ HõÅ"åÅ#∞‰õΩ#fl P Q˘Ñ¨Ê =ºH˜Î Ѩ~=° ∂`«∞‡x ã¨xfl^è•<åxH˜
KÕ~°∞‰õΩ<åfl~°∞. HÍ"Õs#k X_»∞¤# D q+¨Ü«∞O `≥Å∞ã¨∞‰õΩ#fl <Õ#∞
ǨÏ`åâ◊√_ç<≥· „H˜O^ŒÑ¨_ç qÅÑ≤OKå#∞. `«~°∞"å`« QÆ∞O_≥ k@=Ù
Ѩ~°K«∞‰õΩx Ѩ~°Ö’Hõ QÆ`«∞_≥· „ѨâßO`«OQÍ L#fl P =Úx =^ŒÌ‰õΩ
"≥àÏ¡#∞. „ѨHÍâ◊=O`«OQÍ L#fl "åi â◊s~åxfl ѨsHõ∆QÍ K«∂_»QÍ,
"åi KÕu "Õà◊√¡ =¸_»∞ ֒ѨeH˜ =Ú_»∞K«∞‰õΩx LO_»@O
QÆ=∞xOKå#∞. ^•xH˜ HÍ~°}O Uq∞@x JHõ¯_»∞#fl t+¨µºÅ#∞
J_»∞QÆQÍ, "å~°∞ `«=∞‰õΩ `≥eÜ«∞^Œx, HÍh `å=Ú P "Õà◊¡#∞
`≥~=° ÖËHáõ È`«∞<åfl=∞x K≥áêÊ~°∞. PÜ«∞#‰õΩ f~°x HÀiHõÅ∞ U"≥∞<ÿ å
L<åflÜ«∂ Jx J_çQÍ#∞. t+¨µºÅ∞ "å\˜ QÆ∞iOz <å‰õΩ
q=iOKå~°∞.
`«~°∞"å`« <å „áêKå~°∞ºxH˜ D =¸_»∞ "åQÍÌ<åÅ∞
KÕâß#∞. 'Ѩ~°=∞ ѨÓAºÖˇ·# PKå~°º=~åº! <å â◊s~°O ^Œ$_è»OQÍ
L#flѨÙ_»∞, <å QÆ∞~°∞=ÙQÍ~°∞ NÜ«∂=Ú<åKå~°∞ºÅ Pj~åfi^•Å∞
<åÃÑ· "≥∞O_»∞QÍ LO_»QÍ, P ÉèíQÆ=O`«∞x Pâ◊, Pj~åfi^•Å∞
<åÃÑ· L#flO^Œ∞# <Õ#∞ D kQÆ∞= =¸_»∞ JOâßÅ#∞ ѨÓiÎK™Õ êÎ#x
=∂@ Wã¨∞Î<åfl#∞. 1. `«q∞à◊ "Õ^•xfl "åºÑ≤Î KÕ™êÎ#∞. xëê‚`«∞_≥·#
XHõ "≥·+¨‚=Ùx`À `«q∞à◊ „QÆO^ä•Å‰õΩ ÉèÏ+¨ºO „"å~Ú™êÎ#∞. 2.
É’^è•Ü«∞# =$uÎ „QÆO^ä•xfl J^茺ܫ∞#O KÕ™êÎ#∞ =∞iÜ«Ú
"Õ^"Œ åºã¨∞x „|Ǩχã¨∂„`åʼnõΩ ÉèÏ+¨ºO „"å™êÎ#∞. 3. "åºã¨ =∞iÜ«Ú
All slokas Chant 28 times
FO ǨÏ$+‘ˆHâßÜ«∞ #=∞ó
G J  yNz ∆ ÁÆ å™:
For overcoming bad habits
^Œ∞~°Å"å@¡#∞O_ç q=ÚH˜Î á⁄O^Œ_®xH˜.
FO =+¨\ϯ~åÜ«∞ #=∞ó G ƒ bΩN˛Á∫ÁÆ å™:
For Success in Business, Interviews, Visa
Interviews, building relationship
"åºáê~åaè=$kúH˜, WO@~°∂fi ºÅÖ’ ã¨Ñ¶¨ÅO
HÍ=_®xH˜ 㨇iOK«O_ç.
FO N=∞`Õ #=∞ó G »y™oz å™:
Please Chant for Handsome Appearance and wealth.
â◊s~° ™œO^Œ~åºxH˜, ã¨OѨ^Œ‰õΩ.
FO JHõ∆~åÜ«∞ #=∞ó G Eq∫ÁÆ å™:
For Education and better Financial strength.
q^•ºaè=$kúH˜ =∞iÜ«Ú Sâ◊fi~åºaè=$kúH˜.
u@∞ì Hõ<åfl u\Ïì_»#fl ÉèÏ=# Z‰õΩ¯= ÉèÏkã¨∞ÎOk.
Ѩ~åâ◊~° =∞ǨÏ~°∞¬Å Q“~°"å~°÷O W^ŒÌ~°∞ N"≥·+¨‚=ÙʼnõΩ "åi ¿Ñ~°¡#∞
ÃÑ\˜,ì "åiH˜ "≥+· =‚¨ ã≤^•úO`åÅ∞ =∞iÜ«Ú W`«~° JOâßÅÖ’ K«H¯õ x
tHõ∆} WÑ≤Ê™êÎ#∞.
WÖÏ <Õ#∞ "åQÍú#O KÕã≤# `«Hõ∆}"Õ∞ „áêKå~°∞ºÅ KÕu
"Õà◊√¡ `≥~°∞K«∞‰õΩx ѨÓ~°fiã≤÷uH˜ =KÕÛ™ê~Ú. Ѩ~°=∂â◊Û~°º=Ú Hõ^•!
<åÃÑ· <å PKå~°∞ºÅ∞ xeÑ≤# ÉÏ^躌 `«#∞ J~°O÷ KÕã∞¨ ‰õΩ<åfl#∞ Hõ#∞Hõ<Õ
WHõ¯_ç=~°‰õΩ ~å=_®xH˜ Hõ$+≤ KÕâß#∞. WHõ g∞ Ô~O_À „Ѩâ◊fl, `«#∞
KÕÜ«∞^Œy# HÍ~°ºO QÆ∞~°∞=ÙQ͈~ ZO^Œ∞‰õΩ ѨÓiÎKÕã¨∞HÀÖË^Œ∞ J#fl
^•xH˜ <å ^ŒQÆæ~° ã¨=∂^è•#O ÖË^Œ∞. N Ü«∂=Ú<åKå~°∞ºÅ"å~°∞
Ü«∞=fi#OÖ’ L#flѨC_»∞ D „Ѩܫ∂}ÏxH˜ ѨÓ#∞‰õΩ<åfl~°h, HÍh
P „Ѩ^Õâ◊O x`«º `«∞~°∞+¨¯ ^ŒO_»Ü«∂„`«Å`À JÅ¡HõÖ’¡ÅOQÍ
LO_»@O =Å#, ÃÑ^Œ"Ì å~°∞ P „ѨÜ∂« }O Hˆ =∆ ∞Hõ~O° HÍ^Œx ã¨ÅǨ
WKåÛ~°x =∂ „áêKå~°∞ºÅ t+¨µºÅ∞, <å‰õΩ QÆ∞~°∞`«∞Å∞ºÖˇ·# N
ÃÑiÜ«∞#Oa QÍi <À\˜"≥O@ q<åfl#∞.
`«~°∞"åu ~ÀAÖ’¡ ~åAÅ∞ =∂~å~°∞, Ju Ѩ~å„Hõ=∞
=O`«∞_»∞ H©.âı. N ã¨O„QÍ=∞ ~åAQÍ~°∞, `«∞~°∞+¨µ¯Å#∞
ZkiOzáÈ~å_ç "åix ^Œ∂~°f~åʼnõΩ `«iq∞"Õâß~°∞. HÍj‡~°∞
„Ѩ^Õâ◊=∞O`å âßOu"å`å=~°}O <≥ÅH˘#fl D ã¨=∞Ü«∞O
É’^è•Ü«∞# =$u΄QÆO^ä•xH˜ Q“~°==∞~åº^ŒÅ∞ K«∂Ѩ_®xH˜ Lz`«
ã¨=∞Ü«∞=∞x ÉèÏqã¨∞Î<åfl#∞. D „QÆO^ä•xfl ™êkèOK«_»OÖ’ g∞
ã¨Ç¨Ü«∂xfl Ptã¨∞Î<åfl#∞. (ã¨âı+¨O)
FO Ѩ~°=∂`«‡<Õ #=∞ó G ú∫™Án™åz å™:
For self employed people, for promotions and
success in games.
„H©_®HÍ~°∞ʼnõΩ, ã¨fiÜ«∞O LáêkèÖ’ L#fl "åiH˜, L#fl`«
Ѩ^Œ=ÙÅ∞ PtOKÕ "åiH˜.
FO Éè∂í `«ÉÏè =<åÜ«∞ #=∞ó G ßÓoßÁƒåÁÆ å™:
For better health. =∞Oz P~ÀQͺxH˜.
FO ѨÓ`å`«‡<Õ #=∞ó G úÓoÁn™åz å™:
To remove mental stress and for mental
peace
=∂#ã≤ H õ P~ÀQͺxH˜ =∂#ã≤ H õ XuÎ _ ç #∞O_ç
q=ÚH˜ÎH˜.
FO â◊~°‡}Ë #=∞ó G ∆™|mz å™:
For Job Satisfaction
L^ÀºQÆOÖ’, KÕ¿ã ѨxÖ’ JOH˜`« ÉèÏ"åxH˜, `«$Ñ≤ÎH˜.
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Ramanuja’s Journey to Sharada Peeth – Kashmir
Serial - 12
Lord Ramanuja, the great Vaishnavite seer whose
1000 th year birth day was celebrated this year
throughout India with pomp and glory. He was a seer
who brought to light the concept of the whole universe
as one family : Vasudhaiva kutumbakam and brought
to light the right understanding and interpretation
of Vedas and established equal chance for all living
beings to attain salvation at the end of the current
birth by surrendering before the Lord – Saranagathi.
In order to putforth his understanding Lord Ramanuja
had to first understand what his predecessor Acharyas
have done to explain the Vedas. On this account
he visited atleast twice to Sharada Peetham of
Kashmir which was the seat of Goddess Saraswathi
and a huge store house of learning known as Shree
Bhandaram. VAK is attempting to bring the interesting
items of this effort of Lord Ramanuja to its readers.
Story so far:
Obtaining the ordainment of Lord Varadaraja of Kanchi,
Lord Ramanuja and Kuresa set out to study
Boudhayana Vrutti Grantha at Sharada peetham in
Kashmir. They had taken a fast route and reached
Kashmir in just about 6 months time from Kanchi
travelling almost everyday. They reached Chakradhara
theertham at the outskirts of Kashmir and had been
well received by a learned scholar Keshavacharya
who till recently served as the Prime Minister of the
King. When they had the darshan of Lord Chakradhara
there, Kshitiraja arrived in the temple and was camping.
Keshavacharya was planning to take his help to help
Lord Ramanuja. He was trying to understand how
Boudhayana vrutti Grantha is important and missed
the attention of the great saint Yamunacharya…
Saint Ramanuja closed his eyes for a moment at
the rememberance of his Praacharya (Praacharya
means the teacher of his teacher) Yamunacharya
and Slowly he recited:
å™Áz å™Áz ÆÁ™ÏåÁÆ ÆÁ™ÏåÁÆ å™Áz å™:@
å™Áz å™Áz ÆÁ™ÏåÁÆ ÆÁ™ÏåÁÆ å™Áz å™:@@
“Oh! Revered Swamy, My praacharya, Sri Yamuna
Muni had recently passed away. You are lucky to
have met and prostrated before his feet. I had a very
small chance to do so when I was young in
Kanchipuram. I did not have the luck of listening to
his revered speech. All I knew was Sri Yamunacharya
had a great compassion for me. I was told by one
of my Acharyas Kancheepurna that when the great
`«Ñ¨C#∞ ã¨=∞iúOK«@=∞O>Ë `«Ñ¨C KÕÜ«∞@"Õ∞.
CSL Narasimhan
saint saw me first in the group of disciples of
Yadavaprakasha at Sri Varadaraja swamy temple,
Kancheepuram he developed instant passion for me
and prayed to the Lord surrendering to him that I
should be bestowed with best knowledge so that I
can do service to the Vaishnava sampradaya. It is
said that he recited the following sloka as prayer
to Lord Varadaraja :
ÆÀÆ üÃÁtN˛¬ÆÁ §uá∫≈»wmÁzuo
úWΩTÏ:üáÁƒuo \ƒzå Y ƒuO˛ ™ÓN˛: @@
Eãá:üú≈Æuo ÃÏoÊ ¬ßoz Y ƒãÜÆÁ
oÊ tzƒ™zƒ ƒ∫tÊ ∆∫mÊ ToÁz uÀ™ @@
(meaning I surrender to Lord Varadaraja whose trace
of grace can make a deaf to hear, a lame to run, a
dumb to speak, a blind to see and a woman without
potency to bet a child)
¬fl™y∆ úÏlg∫yN˛Áq Nw˛úÁÊ ∫Á™ÁåÏ\z oƒ @
uåáÁÆ Àƒ™oz åÁs üuƒ…bÊ N˛oÏ|™“|uÃ@@
(O! Lord of Lakshmi, lotus eyed Lord! Please bestow
your compassion on Ramanuja and make him have
great interest in his own Vaishnava sidhdhanta rather
than Advaitha)
It seems like the Lord has heard the prayers of my
praacharya and he had bestowed me the inquisitiveness
and knowledge to know more about the great
Vaishnava siddhanta. After some time Sri Yamunacharya
composed stotra ratna in the name of Lord of Devas
of Kancheepuram. He then instructed the slokas to
his disciples. Some time later, probably he thought
of blessing me and he instructed his disciple
Kancheepurna to recite the sloka when I am performing
service to Lord Varadaraja by bringing water from the
way side well in a golden pot. Sri Kancheepurna came
to Kanchi and when I was bring in water he was reciting
the Stotra ratna. I was fully attracted towards the
devotional slokas and I got mesmerized when he recited:
ÀƒÁßÁuƒN˛ÁåƒuáN˛Áuo∆Æzu∆ownƒÊ
åÁ∫ÁÆm nƒuÆ å ™w…Æuo ƒ{utN˛: N˛: @
§¿÷Á u∆ƒ: ∆o™Q: ú∫™Àƒ∫ÁugnÆzoz
uú ÆÀÆ ™u“™Ám|ƒuƒüÏ Àoz @@
(Oh! Lord Narayana! You are by your nature the lord
of all the infinite universes and all the wonderful items
August '18 w w w w w w w w w w w w w w w w w w 19 wwwwwwwwwwwwwwwwwwwwww VAK
and who is that person following Vedas who does
not get attracted towards you because of your natural
virtues. Brahma, Shiva, Indra, supreme Brahma of
all brahmas are all drops of your ocean of greatness)
I was stunned by the sloka and I at once approached
the great swamy who was reciting the sloka and
enquired about its composer. I had the instant desire
of prostrating before the composer as he cleared my
doubts with this sloka. I requested Kancheepurna
to take me to him and the unforeseen item in my
life happened. I took permission of Lord Varadraja
and also the permission of my elders and went along
the great soul Kancheepurna. By the time I reached
from Kanchipuram to Sri Rangam where he was in
his last days, he passed away. When I heard about
this at the banks of Cauvery I fell down and cried
for a long time. I then got courage, took my self to
the great saint who was lying in peace. I observed,
in his radiant body his three fingers were folded. When
I enquired the reason of folding of the three fingers
the Shishyas attending to him said we don’t know
and we could not unfold them. I then enquired if he
had any unfulfilled desires. The Shishyas told me
about them.
I then made the following vows as a duty to my
Praacharya. Oh! Revered Acharya, when my body
is strong and when there is blessing from the great
saint Yamunacharya and Lord Almighty’s will and
blessing, I will fulfill all the three following items:
(1) As mark of love towards I will popularize the
Tamil Veda. I will get an able Srivaishnava to
write commentary to the works,
(2) I will study Bodhayana Vrutti Grantha and
undertake writing commentary to sage Veda
Vyasa’s Bhramasutras.
(3) I shall show respect to Vyasa and Parashara
by naming two Sri Vaishnavas as Vyasa and
Parashara and training them in all the aspects
of Sri vaishnava siddhanta.
As soon as I promised the above, the three fingers
became automatically straight. What a great surprise!.
I felt that I have the ordainment and hence I have
taken this effort. On your other question of why
my Praacharya could not accomplish what he wanted,
I cannot say anything. I have heard one of his
shishyas who is a great preceptor for me, Sri Peria
Nambigal, say that he wanted to undertake this
journey in his younger days but could not do so
due to constant conquests of the turushkas and
people advised him it is not safe.
After that since the powerful Kashmir king Late
Sangrama Raja was successful in defeating and
driving the turushkas, I think this is apt time to
pay respects to the great Bodhayana vrutti Grantha.
I seek your help to acquire the same with your
good offices” (to be continued)
All slokas Chant 108 times

FO <å~°ã≤OÇ¨Ï =Ѩٿ+ #=∞ó FO ˆH∆„`«*Ï˝Ü«∞ #=∞ó FO *’ºuëêOѨ`«ÜÕ∞ #=∞ó

G åÁ∫uÃÊ “ ƒúÏ   z å™: G qz fi rÁÆ å™: G [ÆÁz u o ÁÊ ú oÆz å™:
In moments of distress and despair For aspirants of Plots and own residence.
For good eye - sight.

PѨ^ŒÖ’ L#flѨC_»∞ 㨇iOK«O_ç. ã¨fiO`«OQÍ áê¡@∞¡, WO_»∞¡ H˘<åÅ#∞‰õΩ#fl "åiH˜. ã¨Ê+¨ì"≥∞ÿ# K«∂Ѩ٠H˘~°‰õΩ.
™åσu| åoÁ ÃÁqÁ˘ÁzTy N˛À™ÁëÁ úÓ\Æzo@Ω å NÏ˛ÆÁ|tΩ ƒwu\åÊ åÁÆÁ|: NÏ˛ƒwÊ å À™∫zoΩ uœÁÆ:@@
Every woman is my direct embodiment. One should not commit a wicked deed involving a woman; one should
not (even) think about sinful acts in connection with a woman. (Source : Lakshmi Tantram 43rd Chapter)

=∞`«Î#∞~°fix`å ™êH∆Í`ü Ü≥∂w Hõ™ê‡#fl ѨÓ[ÜÕ∞`üI # ‰õΩ~åº^Œfi$l#O <å~åºó ‰õΩ=$`«ÎO # 㨇ˆ~`ü „ã≤ÎÜ«∞óII
„Ѩu =x`« <å â◊s~°O. 'P_»"åiѨ@¡ Jã¨ÉèíºOQÍ „Ѩ=iÎOK«_»"Õ∞ HÍ^Œ∞. qHÍ~°OQÍ PÖ’zOK«_»O ‰õÄ_® ã¨Ç≤ÏOK«#∞—
JO@∞<åfl~°∞. J=∞‡"å~°∞. (¿ãHõ~°} : ÅH©;`«O„`«O 43= J^蕺ܫ∞O)
=„[O ÖÏO\˜ â◊s~åxH˜....... –j ∆∫y∫ Nz˛ u¬L Chant 28 times

FO #"≥∂ <å~°ã≤OǨÜ«∞ =„[^ŒO„ëêìÜ«∞ =„l}ËI =„[^ÕǨÜ«∞ =„*ÏÜ«∞ #"≥∂ =„[ #MÏÜ«∞K«II

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Láê^茺‰õ∆ΩÅ∞ ÉèÏ㨯~°Éèí@¡ ~å=∞â◊~°‡, #Å¡Q˘O_» J~°ÛHõ ã¨=∂Yº Hõhfi#~ü
âı+¨O #~°ã≤OǨKå~°º, J~°ÛHõ ã¨=∂Yº <åÜ«∞‰õΩÅ∞ QÆOQÆ∞ ÉèÏ#∞=¸iÎ
`«k`«~°∞Å∞ áêÖÁæ<åfl~°∞. (PO„^èŒ*’ºu 26.7.2018)
Plea to restore names of archakas in RoR documents
The Temples Protection Movement (TPM) has represented
to the Telangana government to restore the rights of
Archakas over the service Inam lands in their occupation
and personal cultivation.(The Hindu 17.7.2018)
Call to restore Archakas’ rights over gifted land
To ensure periodic ‘Brahmotsavams’ and daily
‘Kainkaryams’ in temples, the Temples’ Protection
Movement (TPM) has urged the Telangana government
to restore the rights of Archakas (priests) over service
inam land (gifted land) and restoration of their names
in the ‘Record of Rights’ (RoR).....
(Times of India 17.7.2018)
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Hõey# ~åAÅ∞, JkèHÍ~°∞Å∞ D<å=∞∞eKÕÛ"å~°∞. D<å=∞∞e=fi_»O J<Õk =∞∂_»∞ ~°HÍÅ∞QÍ [iˆQk. 1. P^蕺u‡HõѨ~°"≥∞ÿ# /
ã¨fiK«ÛùO^Œ ¿ã"å ã¨Oã¨÷Å∞ =∞#∞QÆ_»™êyOz `«=∞ HÍ~°º„Hõ=∂Å#∞ U `«_»ÉÏ@∞ÖˉõΩO_® x~°fiÇ≤ÏOK«∞HÀ=_®xH˜ 2. =∞`« / ã¨fiK«ÛùO^Œ
¿ã"åã¨Oã¨÷Å∞ `«=∞ HÍ~°º„Hõ=∂ʼnõΩ JÜÕ∞º Y~°∞ÛÅ#∞ ÉèíiOK«_®xH˜ / ÉèísÎKÕÜ«∞_®xH˜ 3.=ºH˜ÎQÆ`« D<å=∞∞Å∞. XHõ =ºH˜ÎKÕ¿ã ¿ã=Å∞
x~å@OHõOQÍ âßâ◊fi`«OQÍ H˘#™êQÆ«_®xH˜ g\˜x WKÕÛ"å~°∞. `åq∞KÕÛ Éèí∂=∞∞Å∞ ^Œ∞#∞fl‰õΩx ^•x g∞^Œ =KÕÛ „ѨÜ≥∂[#O P ã¨Oã¨÷Å∞
á⁄O^•Åx, JHõ¯_» [iˆQ HÍ~°º„Hõ=∂Å∞ x~°O`«~°OQÍ ™êQÍÅ<Õ „ѨQÍ_è»"≥∞ÿ# "åOKè«`À D<å=∞∞ Éèí∂=∞∞eKÕÛ"å~°∞.
ZO_À"≥∞O\òû K«@ìO 30/87Ö’ 76= ÃãHõ∆<£#∞ [ã≤ìãπ K«ÖÏ¡H˘O_»Ü«∞º *∏Ñ≤ÊOz, D ÃãHõ∆<£ ^•fi~å PÅÜ«∞Éèí∂=∞∞Å<ÕHÍ^Œ∞
J~°Û‰õΩÅ J#∞Éèí=OÖ’ L#fl Éèí∂=∞∞Å#∞ ‰õÄ_® ÖψQã¨∞‰õΩ<Õ J=HÍâ◊O HõeÊOKå~°∞. nxÃÑ· ÃÑkÌO\˜ "≥OHõ@ =∞∞~°m ~°OQÆ<å^äŒ ^ÕtHõ
JÜ«∞ºOQÍ~ü ã¨∞„Ñ‘OHÀ~°∞ìÔHHͯ~°∞. <å\˜ PO„^茄Ѩ^Õâò „ѨÉèí∞`åfixfl HõH©∆^•~°∞x KÕâß~°∞. „ѨÉèí∞`«fiO fã¨∞‰õΩ#fl K«~°º#∞ ^Œ∞â◊Û~°ºQÍ,
~å*ϺOQÆ=ºuˆ~Hõ"≥∞ÿ#kQÍ ¿Ñ~˘¯O@∂ ã¨∞„Ñ‘OHÀ~°∞ì H˘\˜ì"Õã≤Ok.
`å*ÏQÍ `≥ÅOQÍ} „ѨÉèí∞`«fiO H˘`«ÎQÍ Ñ¨\Ïì^•~°∞ áêãπѨÙã¨ÎHÍÅ∞ *ÏsKÕã¨∞Î#flk. nxÖ’ J~°Û‰õΩÅ ¿Ñ~°¡#∞, „@ã‘ìÅ ¿Ñ~°¡#∞
ѨÓiÎQÍ `˘ÅyOz"Õã¨∂Î. Ѩ\Ïì^•~°∞ ã¨iìѶ≤ÔH@∞¡, =∞∞O`«MÏÉòÅÖ’ HõxÑ≤OKÕ D<å=∞∞ Éèí∂=∞∞ŠѨÓsfi‰õΩÅ ¿Ñ~°¡#∞ `«∞_çzÃÑ>Ëìã≤ ^Õ=Ù_ç
¿Ñ~°∞#∞ =∂„`«"Õ∞ KÕiÛOk. Ô~"≥#∂º JkèHÍ~°∞Å D K«~°º ~å*ϺOQÆO „Ѩ™êkOz# „áê^äŒq∞Hõ ǨωõΩ¯Å#∞ ^≥|ƒfã¨∞Î#flk. Éèí∂=∞∞ÅÃÑ·
ǨωõΩ¯Å#∞ |^ŒÖÏ~∞∞OKÕ@ѨC_»∞ „ѨÉ∞íè `åfiÅ∞ J#∞ã¨iOK«=Åã≤# U q^è•<åhfl Ѩ\Oì˜ K«∞HÀÖË^∞Œ . ѨiǨ~°O „ѨH\õ O˜ K«Ö^Ë ∞Œ . J~°Û‰õΩÅ#∞,
"åi J#∞Éèí= ǨωõΩ¯Å#∞ `«∞OQÆÖ’ `˘Hͯ~°∞. Wëêì#∞™ê~°OQÍ Ç¨Ï‰õΩ¯^•~°∞Å ¿Ñ~°∞¡ =∂ˆ~ÛÜ«∞_»O =Å¡ J~°Û‰õΩÅ∞ ѨÓiÎQÍ J<åºÜ«∂xH˜
QÆ∞~°Ü«∂º~°∞. ^Õ=Ù}˜‚ =∂„`«"Õ∞ #=∞∞‡‰õΩx, PÅÜ«∂xˆH JOH˜`«"≥∞ÿ `«~°`«~åÅ∞QÍ ¿ã=Å∞ JOkã¨∞Î#fl J~°Û‰õΩÅ∞ XHõ¯™êiQÍ k‰õΩ¯ÖËx
"å~°Ü«∂º~°∞. =ÚYº"≥∞ÿ# q+¨Ü«∞O U=∞O>Ë, ^Õ"åÅÜ«∞ Éèí∂=ÚÅ∞ „ѨÉèí∞`«fi Éèí∂=ÚÅ∞ HÍ=Ù. Ô~"≥#∂º K«\ÏìÅ∞ ^Õ"åÅÜ«∞ Éèí∂=ÚʼnõΩ
=iÎOK«=Ù. ^Õ"åÅÜ«∞ Éèí∂=ÚÅÃÑ· UK«~°º J~Ú<å ^Õ"å^•Ü«∞ K«@ìO ^•fi~å<Õ [~°QÍe.
D q+¨Ü«∞OÖ’ `«Hõ∆}O *’HõºO KÕã¨∞‰õΩx D<å=∞∞ Éèí∂=∞∞ÅÃÑ· J~°Û‰õΩŠѨÓ~°fiǨωõΩ¯Å#∞, J#∞Éèí= JkèHÍ~åÅ#∞,
^Œ∞#∞fl‰õΩ<Õ Ç¨Ï‰õΩ¯#∞ ѨÙ#~°∞^ŒúiOKåÅx PÅÜ«∞ Ѩi~°Hõ∆} L^Œº=∞ "ÕkHõ `«~°Ñ¶¨Ù# P^蕺u‡Hõ ÉèÏ"åÅ∞ xO_»∞QÍ "≥∞O_»∞QÍ L#fl
`≥ÅOQÍ}Ï =∞∞Yº=∞O„u ÔH. K«O„^ŒâıY~°~å=ÙQÍix HÀ~°∞‰õΩO@∞<åflO. P~üXP~ü iHÍ~°∞¤ÅÖ’ J~°Û‰õΩÅ#∞ J#∞Éèí=^•~°∞Å∞QÍ ¿Ñ~˘¯x
<åºÜ«∞O KÕÜ«∂Åx HÀ~°∞‰õΩO@∞<åflO. D LѨHÍ~°O =Å¡ PÅÜ«∂ÅÖ’ ^èŒ∂Ѩ, nѨ, <≥·"Õ^•ºÅ‰õΩ, L`«û"åʼnõΩ ZÖÏO\˜ Ö’@∂
LO_»^Œx, Jxfl HÍ~°º„Hõ=∂Å∂ Wk=~°Hõ\ ˜ÖψQ x~°O`«~°OQÍ, x~å@OHõOQÍ ™êQÆ∞`åÜ«∞x q[˝Ñ≤Î KÕã¨∞Î<åflO.

ã¨^Œ∞æ}ÏÅ∞O>Ë KåÅ^Œ∞ - "å\˜x =∞Oz ѨxH˘~°‰õΩ qxÜ≥∂yOKåe.

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On behalf of the Temples Protection Movement, this is a humble request !
Dear Chief Minister... Please listen to Agony of Hereditary Archakas...
Back ground : The temples’ Archakas and other Employees situation is unfortunately the sad story of one
such experiment by the Government which was started in 1987. It went to the Supreme Court. The Supreme
Court appointed two committees namely, The Pay Scales Committee and the Archaka welfare Committee.
The reports were accepted by the Government and put before the Supreme Court in 1997. The Supreme Court
ordered its implementation in 1997 itself. The Government conveniently ignored these recommendations and
watched the Temples being shut down. Again in 2004, a new Government came and an All Party meeting
happened on the Archakas and their abysmal plight... Its report was followed by the Select Committee report
in 2007 which resulted in the Endowments Act being amended in 2007. Again the Act remains unimplemented
even after 10 years.
The State Government is taking 21.5 per cent of donations made by the devotees to temples. The
Endowments Department is being run with taxes collected from temples. The salaries of Endowments
Department Employees, Executive staff, Commissioner and the likes are being paid from these funds. While
these employees were considered Government Employees, Temple employees are being treated as second
class citizens. Apart from the implementation of PRC, regularisation of services of Non-Muster Rolls and
compassionate appointments were some of their main demands which are still pending.
About Inam Lands :
Inams granted in respect of institutions are usually of three types. Firstly, inams granted for
the maintenance of the institution or for the performance of a religious or public charity; secondly,
inams granted as a remuneration for performing certain customary services in a religious or charitable
institution, and thirdly, personal inams granted but burdened with service…
Instead of providing monetary remuneration per month or annum payable to the service-holders,
such service inams were granted burdened with service by the pious and benevolent grantors only for
the purpose of ensuring regular and proper performance of several services in the temple permanently.
The servicedar can only enjoy the land so long as he renders the service, which enables the regular
and continuous performance of the service irrespective of the individuals. Hence, there is a direct connection
of nexus between these inam grants and the service to be rendered by the service-holders in the institutions.
Justice Challa Kondaiah introduced a Section 76 in the Draconian Endowments Act 30/87 to
enable the Inam lands as well as the lands which are in the possession and enjoyment of the Archakas
in lieu of the remuneration towards the services rendered by them or by compromise approved and
accepted by the department, must be restored to the religious institutions, and if necessary by making
law with retrospective effect. This Section was struck down by the Supreme Court as Unconstitutional.
Divesting the right, title and interest vested over the land held by the Archakas under
this Section was held to be invalid and unconstitutional. Peddinti Venkata Murali Ranganadha
Desika Iyyengar vs. Government of Andhra Pradesh, AIR 1996 SC 966.
Recently, New Pattadar Pass Books are being issued in which Archakas and Trustees’ names
have completely been deleted contrary to the Pattadar certificates and Muntaqab issued to their
fore fathers and only the name of presiding Diety is inserted, such action on the Part of Revenue
Authority is nothing but interfering with the Fundamental Rights guaranteed under the constitution of
India. Archakas cannot be deprived of their rights to the schedule lands without due process of law
and no amount of compensation can equate this change of nomenclature of the Lands.
We need to say that the Endowments Department wants to first dispossess the lands from
Archakas and then lease them at throwaway prices as noted by the High Court, this will
ensure that the temples will not only lose lands but also the dedicated archaka families. It
is very important to note that Temple lands will be governed by Endowment Laws and not
Revenue Laws.
The sincere Archakas who served these many years making a livelihood from the service
inam lands can not be harassed by driving them to court by the Endowments Department and
Revenue authorities which will prejudicially affect the rendition of Religious services in said Devasthanam.
On behalf of Temples Protection Movement, we are requesting the Government led by Hon’ble
Chief Minister of Telangana Sri K Chandrasekhara Rao to restore the rights of Archakas over
the service Inam Lands in their occupation and Personal Cultivation and restore their names
in the R.O.R. Records as Anubhavadars (Cultivators ), so that the Kainkaryams- in the temple
are not affected and the regular services are rendered, periodical Utsavams are conducted
as before.

Hõ$`«[˝`« K«∂Ѩ=Åã≤#^Õ HÍh, PtOK«=Åã≤#k HÍ^Œ∞.

August '18 w w w w w w w w w w w w w w w w w w 23 wwwwwwwwwwwwwwwwwwwwww VAK

HÀ\˜ Hõ`«∞ÎʼnõΩ ã¨=∂^è•#O N~å=∞ H©~°Î#

- ~å=∞<å=∞㨇~°}`À =∂~À‡y# zÅ∞‰õÄ~°∞ - 108 =∞Ok`À ~å=∞QÍ# ã¨∞^è•~°ã¨O HÍ~°º„Hõ=∞O
- N~å=Ú_ç <å=∞O 㨇i¿ãÎ<Õ =~å¬Å∞ - PÅÜ«∞ J~°Û‰õΩ_»∞ ~°OQÆ~å[<£
"≥Ú~Ú<åÉÏ^£ : HÀ\˜ Hõ`«∞ÎʼnõΩ ã¨=∂^è•#O N~å=∞ <å=∞ H©~°Î# Jx zÅ∞‰õÄ~°∞ ÉÏÖÏr PÅÜ«∞ J~°Û‰õΩ_»∞ ~°OQÆ~å[<£
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Ô~·`«∞Å∞ ã¨∞aèHõ∆OQÍ LO_®Åx zÅ∞‰õÄ~°∞ ÉÏÖÏr PÅÜ«∞ "Õ∞<ÕlOQ∑ Hõq∞\© K≥·~°‡<£ ™œO^Œ~°~å[<£ P^èŒfi~°ºOÖ’ ^Õ"åÅÜ«∞
„áêOQÆ}OÖ’ QÆ∞~°∞"å~°O JO`å ~å=∞=∞Ü«∞O JO@∂ '~å=∞QÍ# ã¨∞^è• ~°ã¨O— HÍ~°º„Hõ=∞O x~°fiÇ≤ÏOKå~°∞. #QÆ~°OÖ’x
„ѨÉèí∞`«fi ã¨Ow`« HõàÏâßʼnõΩ K≥Ok# 108 =∞Ok "å~Ú^Œº HõàÏHÍ~°∞Å∞, q^•º~°∞÷Å∞ L^ŒÜ«∞O 10 QÆO@Å #∞Oz ™êÜ«∞O„`«
5 QÆO@Å =~°‰õΩ ~å=∞<å=∞ H©~°Î#Å∞ PÅÑ≤OKå~°∞. J=∞$`«=~°¬x ~åQÆO`À PÅÑ≤Oz# ~å=∞<å=∞ H©~°Î#Å∞ Éèí‰õΩÎÅ#∞
PHõ@∞ì‰õΩ<åfl~Ú. J#O`«~°O ~°OQÆ~å[<£ =∂\Ï¡_»∞`«∂... ~å=∞<å=∞O 㨇i¿ãÎ<Õ =~å¬Å∞ Ѩ_»`åÜ«∞x zÅ∞‰õÄ~°∞ ÉÏÖÏr PÅÜ«∞O
J~°Û‰õΩ_»∞ ~°OQÆ~å[<£ J<åfl~°∞. HÀ\˜ ã¨∞^Œ∞ÌʼnõΩ ã¨=∂^è•#O XHõ ~å=∞<å=∞ Éèí[# Jx JÖÏO\˜ ã¨=∂^è•#O W=fi_»O HÀã¨"Õ∞
108 =∞Ok ã¨Ow`« q^•fiOã¨∞Å∞, HõàÏHÍ~°∞ÅKÕ`« zÅ∞‰õÄ~°∞Ö’ ~å=∞ QÍ# ã¨∞^è• ~°ã¨O HÍ~°º„Hõ=∞O KÕѨ\Ïì=∞<åfl~°∞.
~å=Úxfl u_ç`Õ =~å¬Å∞ Ѩ_»=x... ~å=Úxfl 㨇i¿ãÎ<Õ =~å¬Å∞ Ѩ_ç JO`å ã¨∞aèHõ∆OQÍ LO@∞O^Œ<åfl~°∞. zÅ∞‰õÄ~°∞Ö’ D
HÍ~°º„Hõ=∂xfl x~°fiÇ≤ÏOKåÅx QÆ`« â◊x"å~°"Õ∞ J#∞‰õΩ<åfl=∞x... P~ÀA ~å„u #∞OKÕ ™êfiq∞ J#∞„QÆǨÏO`À =~å¬Å∞
Ѩ_»∞`«∞<åflÜ«∞<åfl~°∞. JO^Œ∞ˆH JO`å ~å=∞=∞Ü«∞O JO@∂ ™êfiq∞x 㨇iã¨∂Î D HÍ~°º„Hõ=∂xfl U~åÊ@∞ KÕâß=∞<åfl~°∞.
(™êH˜∆ 13.7.2018)

ã¨~°Ê^À+¨O áÈ=_®xH˜ Ãú|tÁz  uåƒÁ∫m “zoÏ

QÆ~°∞_» Hõ=K« ™È΄`«=Ú - Tªg N˛ƒY ÀoÁzfi™Ω
J㨺N QÆ~°∞_» Hõ=K« ™È΄`« =∞„#Î㨺 <å~°^Œ
|∞∞+≤ó "≥#· `ÕÜ∂≥ ^Õ=`å J#∞+¨µÑì Kπ #«è óÌ I =∞=∞
QÆ~°∞_» „Ѩ™ê^Œ ã≤^Œúºˆ~÷ [¿Ñ qxÜ≥∂QÆó
1. t~À "Õ∞ QÆ~°∞_»ó áê`«∞ ÅÖÏ@O q#`å ã¨∞`«ó I
<Õ„`Õ `«∞ ã¨~°ÊǨ áê`«∞ Hõ~“‚áê`«∞ ã¨∞~åiÛ`«ó II
2. <åã≤HõO áê`«∞ ã¨~åÊió =^Œ#O q+¨µ‚"åǨÏ#ó I
ã¨∂~°º ã¨∂`å#∞[ó HõO~î°O Éèí∞*∫áê`«∞ =∞Ǩ|Åó II
3. ǨϙœÎ YˆQâ◊fi~°ó áê`«∞ Hõ~儈Q `«fi~°∞}ÏHõ$f I
#MÏ<£ #MÏÜ«Ú^èŒó áê`«∞ HõH∆“ =ÚH˜ÎѶ¨Å„Ѩ^Œó II
4. ã¨Î<Ò "Õ∞áê`«∞ qǨÏQÆó ǨÏ$^ŒÜ«∞O áê`«∞ã¨~°fi^• I
<åaèO áê`«∞ =∞Ǩ`Õ*Ïó Hõ\ ˜O áê`«∞ ã¨∞^è•Ç¨Ï~°ó II
5. T~°∂áê`«∞ =∞ǨÏg~À *Ï#∞h K«O_»q„Hõ=∞ó I
[O¿Ñ¶∞ ^Œ∞}ϤܫÚ^èŒó áê`«∞ QÆ∞Ö∫Êù q+¨µ‚~°^èŒó ã¨^• II
6. ã¨∞Ѩ~°‚ó áê`«∞ "Õ∞ áê^Ò `å~°∆ ºó áê^•OQÆ∞b`«^• I
~À=∞‰õÄáêx "Õ∞ g~°ó `«fiK«O áê`«∞ ÉèíÜ«∂ѨǨÏó II
7. W`Õº=O k=ºHõ=K«O áêѨѶ¨∞flO ã¨~°fiHÍ=∞^ŒO I
Ü«∞ó Ѩˆ~î`ü „áê`«~°∞`å÷Ü«∞ q+¨âı+¨O „Ѩ}â◊ºu II
8. „uã¨#úºO Ü«∞ó Ѩˆ~îxfl`«ºO |#ú<å`ü =ÚK«º`Õ #~°ó I
^•fi^ŒâßǨÏO Ѩˆ~î^Œºã¨∞Î =ÚK«º`Õ â◊„`«∞ |#ú<å`ü II
9. UHõ"å~°O Ѩˆ~î^Œºã¨∞Î =ÚK«º`Õ ã¨~°fiH˜eƒÃ+·ó I
=„[ ѨO[~° <å"Õ∞^ŒO Hõ=K«O |#ú "≥∂K«#O II
EÀÆ »y Tªg N˛ƒY ÀoÁzfi ™ãfiÀÆ åÁ∫t J u : ƒ{åozÆÁz tzƒoÁ@
EåÏ…bÏúΩ Zãt:@ ™™ Tªg üÃÁt uÃÚΩÆsz| \úz uƒuåÆÁzT: @
1. u∆∫Áz ™z Tªg: úÁoÏ ¬¬ÁbÊ uƒåoÁ ÃÏo: @
åzfizoÏ Ãú|“Á úÁoÏ N˛mÁ{| úÁoÏ ÃÏ∫ÁuY|o: @@
2. åÁuÃNÊ˛ úÁoÏ ÃúÁ|u∫: ƒtåÊ uƒ…mÏ ƒÁ“å:@
ÃÓÆ|ÃÓoÁåÏ\: N˛leÊ ßÏ\Á{ úÁoÏ ™“Á§¬: @@
3. “ÀoÁ{ QTzæÁ∫: úÁoÏ N˛∫ÁT¿z nƒªmÁNw˛oy @
åQÁåΩ åQÁÆÏá: úÁoÏ N˛qÁ{ ™ÏuO˛ ¢˛¬üt: @@
4. ÀoåÁ{ ™z úÁoÏ uƒ“T: ”tÆÊ úÁoÏ Ãƒ|tÁ @
åÁußÊ úÁoÏ ™“Áoz\Á: N˛ubÊ úÁoÏ ÃÏáÁ“∫: @@
5. HøúÁoÏ ™“Áƒy∫Áz \ÁåÏåy YlguƒN¿˛™: @
\ÊVz tÏlgÁÆÏá: úÁoÏ TÏ¡¢˛Á{ uƒ…mÏ∫s: ÃtÁ @@
6. ÃÏúm|: úÁoÏ ™z úÁtÁ{ oÁflÆ|: úÁtÁWï̬y otÁ@
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Æ: úezoΩ üÁoªnsÁÆ uƒ ∆z Ê üm≈Æuo @@
8. ufiÃãÜÆÊ Æ: úezuëÁnÆÊ §ãáåÁoΩ ™ÏXÆoz å∫: @
˚Át∆Á“Ê úez˘ÀoÏ ™ÏXÆoz ∆fiÏ §ãáåÁoΩ @@
9. LN˛ƒÁ∫Ê úez˘ÀoÏ ™ÏXÆoz Ã|uN˛u¡§ {: @
ƒ\¿úÊ\∫ åÁ™ztÊ N˛ƒYÊ §ãá™ÁzYå™Ω @@

HÍÅ=Ú, ÔH~°@=Ú Z=i HÀã¨=Ú PQÆ=Ù.

August '18 w w w w w w w w w w w w w w w w w w 24 wwwwwwwwwwwwwwwwwwwwww VAK

Pk`«º ǨÏ$^ŒÜ«∞O
1. `«`À Ü«Ú^Œú Ѩi„âßO`«O ã¨=∞ˆ~ zO`«Ü«∂ ã≤÷`«"£∞ I ~å=}O Kå„QÆ`À ^Œ$ëêìfi Ü«Ú^•úÜ«∞ ã¨=ÚѨã≤÷`«"£∞ II
2. ^≥·=`≥·â◊Û ã¨=∂QÆ=∞º „^Œ+¨µì=∞ÉèϺQÆ`À ~°}"£∞ I LѨQÆ=∂º „|g„^•=∞"£∞JQÆ™Èκ ÉèíQÆ"å<£ |∞∞+≤ó II
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14. P`«Ñ‘ =∞O_»b =∞$`«∞ºó Ñ≤OQÆà◊ó ã¨~°fi`åѨ#ó I Hõqifiâ’fi =∞Ǩ`Õ*Ï ~°HõÎó ã¨~°fiÉèí"À^Œƒù=ó II
15. #Hõ∆„`« „QÆÇ¨Ï `å~å}Ï"£∞ JkèáÈ qâ◊fiÉèÏ=#ó I `Õ[™ê=∞Ñ≤ `Õ[ã‘fi ^•fi^Œâß`«‡<£ - #"≥∂-ã¨∞Î`Õ II
16. #=∞ó ѨÓ~åfiÜ«∞ y~°ÜÕ∞ ѨtÛ=∂Ü«∂„^ŒÜÕ∞ #=∞ó I *’ºu~°æ}Ï<åO Ѩ`«ÜÕ∞ k<åkèѨ`«ÜÕ∞ #=∞ó II
17. [Ü«∂Ü«∞ [Ü«∞Éèí„^•Ü«∞ ǨÏ~°ºâßfiÜ«∞ #"≥∂ #=∞ó I #"≥∂ #=∞ó ã¨Ç¨Ï„™êOâ’ Pk`åº #"≥∂ #=∞ó II
18. #=∞ L„QÍÜ«∞ g~åÜ«∞ ™ê~°OQÍÜ«∞ #"≥∂ #=∞ó I #=∞ó Ѩ^Œ‡„Ѩɒ^è•Ü«∞ =∂~åÎO_®Ü«∞ #"≥∂ #=∞ó II
19. „|¿Çχâß<åK«∞º`ÕâßÜ«∞ ã¨∂~åºÜ«∂k`«º - =~°Û¿ã I ÉèÏã¨fi`Õ ã¨~°fiÉèíH∆ÍÜ«∞ ~“„^•Ü«∞ =Ѩٿ+ #=∞ó II
20. `«"≥∂Ѷ¨∂flÜ«∞ Ç≤Ï=∞Ѷ¨∂flÜ«∞ â◊„`«∞Ѷ¨∂flÜ«∂ q∞`å`«‡<Õ I Hõ$`«Ñ¶¨∞flѶ¨∂flÜ«∞ ^Õ"åÜ«∞ *’ºuëêO Ѩ`«ÜÕ∞ #=∞ó II
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22. <åâ◊Ü«∞`Õº+¨ "≥· Éèí∂`«O `«^Õ= ã¨$[u „ѨÉèí∞ó I áêÜ«∞`Õº+¨ `«Ñ¨`Õº+¨ =~°¬`Õº+¨ QÆÉèíã≤Îaèó II
23. U+¨ ã¨∞¿ÑÎ+¨µ *ÏQÆiÎ Éèí∂`Õ+¨µ Ѩix+≤ª`«ó I U+¨ U"åyfl Ǩϟ„`«O K« Ѷ¨ÅO K≥·"åyfl Ǩϟ„u}Ï"£∞ II
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25. U# =∂Ѩ`«∞û Hõ$„KÕÛù+¨µ HÍO`åˆ~+¨µ ÉèíÜÕ∞+¨µ K« I H©~°ÎÜ«∞<£ ѨÙ~°∞+¨ó HõtÛ<£ - <å=j^Œu ~åѶ¨∞= II
26. ѨÓ[Ü«∞Ãã· fi# "Õ∞HÍ„QÀ ^Õ=^Õ=O [QÆ`«Êu"£∞ I U`«`ü „uQÆ∞}˜`«O [áêÎ fi Ü«Ú^ÕÌ+¨µ q[~Ú+¨ºã≤ II
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28. U`«„K«∞Ûù`åfi =∞Ǩ`Õ*Ïó #+¨ìâ’HÀ- Éèí=`ü - `«^• I ^è•~°Ü«∂=∂㨠ã¨∞„Ñ‘`À ~åѶ¨∞=ó „Ѩܫ∞`å`«‡"å<£ II
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31. J^èŒ ~°q~°=^Œ<-£ xsHõ∆ º ~å=∞O =Úk`«=∞<åó Ѩ~=° ∞O „ѨÇϨ $+¨º=∂}óI
xtK«~°Ñ¨u ã¨OHõ∆Ü«∞O qk`åfi ã¨∞~°QÆ} =∞^茺QÆ`À =K«ã¨Î fiˆ~u II
W`庈~¬ N=∞„^•=∂Ü«∞}Ë "åb‡H©ÜÕ∞ PkHÍ"Õº Ü«Ú^ŒúHÍO_Õ Ñ¨OKåkèHõ â◊`«`«=∞ ã¨~°æó II
Chant 28 times

N˛Áo| ƒ yÆÁ| \ Ï | å Áz åÁ™ ∫Á\Á §Á“Ï Ã“œÁƒÁåΩ @ oÀÆ À™∫m™Áfiz m ToÊ å…bÊ Y ¬•Æoz @ @
HÍ~°Îg~åº~°∞˚<À <å=∞ ~å*Ï ÉÏǨï ã¨Ç¨Ï„ã¨"å<£ I `«ã¨º 㨇~°} =∂„`Õ} QÆ`«O #+¨ìO K« ÅÉèíº`Õ II
Karthaveeryarjuno nama Raaja Baahu Sahasravaan |
Thasya Smarana Maathrena Gatham Nashtam cha Labhyathe||
Please chant this sloka to locate lost objects, persons and belongings.
`«Ñ≤ÊáÈ~Ú# =º‰õΩÎÅ∞, =ã¨∞Î=ÙÅ∞ uiy ÅaèOK«∞@‰õΩ D â’¡HÍxfl ÉèíH˜Î`À ѨiîOK«O_ç.
LëÈ^ŒÜ«∂xH˜ =ÚO^Œ∞#flk QÍ_è®O^èŒHÍ~°=Ú.
August '18 w w w w w w w w w w w w w w w w w w 25 wwwwwwwwwwwwwwwwwwwwww VAK
FO ã¨÷qëêªÜ«∞ #=∞ó
G Àsuƒ…eÁÆ å™:
To keep Evil forces at bay.
^Œ∞+¨ì â◊‰õΩÎÅ #∞O_ç HÍáê_»∞H˘#∞@‰õΩ.
|∞∞} q"≥∂K«# #$ã≤OÇ¨Ï ™È΄`«O
1. ^Õ=`å HÍ~°º ã≤^Œúº~°÷O ã¨ÉèÏã¨ÎOÉèí ã¨=Ú^Œƒù=O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
2. ÅH∆͇º eOy`« "å=∂OQÆO ÉèíHÍÎ<åO =~°^•Ü«∞HõO
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
3. PO„`« =∂ÖÏ^èŒ~°O â◊OY K«„HÍÉÏ˚Ü«Ú^èŒ ^è•i}O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
4. 㨇~°}Ï`ü ã¨~°fiáêѨѶ¨∞flO Hõ„^Œ∂[q+¨<åâ◊#O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
5. ã≤OǨÏ<å^Õ# =∞ǨÏ`å kQÆúOuÉèíÜ«∞ <åâ◊#"£∞
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
FO Éèí∂`å^ŒÜÕ∞ #=∞ó G ßÓoÁtÆz å™:
Chant this name to amend soured friendship
or any personal relationship
q∞„`«∞Å`À ¿ãflǨÏÉèÏ=O ÃÑOK«∞HÀ=_®xH˜, ^ŒOѨ`∞« Å Pregnant ladies to chant for healthy babies.
J<Àº#º`«‰õΩ.
Runa Vimochana Nrisimha Stotram
Devataakaarya-siddhyartham
sabhaastambha-samudbhavam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Lakshmyaalingita-vaamaangam
bhaktaanaam varadaayakam
Sri Nrisimham mahaveeram
namaami runamuktaye
Aanthramaalaadharam Sankha
Chakraabja aayudha dha arina m
Sri Nrisimham mahaaveeram
namaami runamuktaye
Smaranaat sarvapaapagnam
kadrooja visha naasanam
Sri Nrisimha mahaaveeraam
namaami runamuktaye
Simhanaadena Mahataa
Digdhanthi Bhaya Naashanam
L#fl`« tY~åÅ∞ <ÕÅÃÑ·<Õ „áê~°OÉèí=∞=Ù`å~Ú.
Chant 108 times
FO ѨÙ+¨¯~åH∆ÍÜ«∞ #=∞ó
G úÏ … N˛∫ÁqÁÆ å™:
For overcoming bad times.
HõëêìÅ #∞O_ç q=ÚH˜Î á⁄O^Œ_®xH˜.
Chant one time
6. „ѨǨ¡^Œ =~°^ŒO Nâ◊O ^≥·`Õºâ◊fi~° q^•i}O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
7. „‰õÄ~°„QÆÃÇ·Ïó Ñ‘_ç`å<åO, ÉèíHÍÎ<å=∞ÉèíÜ«∞„Ѩ^ŒO
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
8. "Õ^Œ "Õ^•O`« Ü«∞*Ë˝â◊O „|Ǩχ~°∞„^•k =Ok`«O
N #$ã≤OǨÏO =∞Ǩg~°O #=∂q∞ |∞∞}=ÚHõÎÜÕ∞
9. Ü«∞ W^ŒO Ѩ~î°`Õ x`«ºO |∞∞}"≥∂K«# ã¨Ol˝`«O
J#$}©*ÏÜ«∞`Õ ã¨`Àº ^èŒ#O j„Ѷ¨∞=∞"åѨÙflÜ«∂`ü
D ™È΄`åxfl Jxfl JiëêìÅ∞, ^ÀëêÅ∞, Pi÷Hõ W|ƒO^Œ∞Å`À
L#fl"åà◊√§ ™êÜ«∞O ã¨=∞Ü«∞OÖ’ XHõ™êi 㨇i¿ãÎ K«Hõ¯x
Ѷ¨e`«O Åaèã¨∞ÎOk.
FO ^è•„`Õ #=∞ó G áÁfiz å™:
For issueless couple. ã¨O`å# „áêÑ≤Î H˘~°‰õΩ
FO q^è•„`Õ #=∞ó G uƒáÁfiz å™:
P~ÀQƺHõ~°"≥∞ÿ# tâ◊√=ÙÅ H˘~°‰õΩ
Chant one time
Sri Nrisimham mahaaveeraam
namaami runamuktaye
Prahlaada varadam sreesam
daityesvara-vidaarinam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Krooragrahaih peeditaanaam
bhaktaanaam abhayapradam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Vedavedaanta-yajnesam
Brahma Rudraadi vanditam
Sri Nrisimham mahaaveeram
namaami runamuktaye
Ya idam patathe nityam runa
mochana samjnitam
Anrunee jaayate satyo dhanam
sheeghram avaapnuyaat
August '18 w w w w w w w w w w w w w w w w w w 26 wwwwwwwwwwwwwwwwwwwwww VAK
Éè‰í Ωõ ÅÎ J#∞Éè"í åÅ∞ – DEVOTEES' EXPERIENCES
Chilkur Balaji's Grace - 165 zÅ∞‰õÄ~°∞ ÉÏÖÏr J#∞„QÆÇϨ O – 165

My Marriage settled... q"åǨÏO ‰õΩkiOk...

My wedding was getting delayed for many
years due to one problem of the other. My friend
requested me to go to Chilkur to pray. The Archaka
asked me to chant "Kameshwaraya Kamaya...."
within one week my marriage was finalised and I am
happily married now.
Devotee
N˛Á™z æ Á∫ÁÆ N˛Á™ÁÆ N˛Á™úÁ¬ÁÆ N˛Áu™åz @
<å‰õΩ H˘xfl ã¨O=`«û~åÅ∞QÍ q"åǨÏO U"À HÍ~°}ÏÅKÕ`«
PÅ㨺O J=Ù`«∂ LOk. <å ¿ãflÇ≤Ï`«∞_ç „áÈ^ŒƒùÅO`À zÅ∞‰õÄ~°∞
=KåÛ#∞. J~°ÛHõ™êfiq∞ K≥Ñ≤Ê# ''HÍ"Õ∞â◊fi~åÜ«∞ HÍ=∂Ü«∞....——
â’¡HÍxfl ѨiîOK«=∞<åfl~°∞. XHõ "å~°OÖ’QÍ q"åǨÏO ‰õΩkiOk.
WѨC_»∞ <Õ#∞ ã¨O`À+¨OQÍ L<åfl#∞. Wk PÉÏÖÏr J#∞„QÆǨÏO.
Éèí‰õΩÎ_»∞
D â’¡HÍxfl 㨇iOK«O_ç. Chant 28 times

å™: N˛Á™uƒ“Á∫ÁÆ N˛Á™øúá∫ÁÆ Y@@ =∂ ÃÑo§ [iy# H˘xfl <≥ÅÖ’¡<Õ PÜ«∞#`À q_®‰õΩÅ∞ fã¨∞HÀ"åÅx
HÍ"Õ∞â◊fi~åÜ«∞ HÍ=∂Ü«∞ HÍ=∞áêÖÏÜ«∞ HÍq∞<Õ I x~°~‚ ÚOz# ã¨=∞Ü«∞OÖ’ ÃÑ· â’¡HÍxfl zÅ∞‰õÄ~°∞Ö’ q#_»O [iyOk.
#=∞ó HÍ=∞qǨ~åÜ«∞ HÍ=∞~°∂Ѩ^~Œè åÜ«∞ K« II ~ÀE 㨇iã¨∂Î<Õ L<åfl#∞. Pâ◊Û~°ºHõ~°"≥∞ÿ# suÖ’ =∂ =∞^茺
Kaameshwaraya Kaamaya Kaamapalaya Kamine J=QÍǨÏ# ÃÑiy KåÖÏ J<Àº#ºOQÍ LO@∞<åfl=Ú.
Namaha Kaamavihaaraya Kaamarupa dharaayacha
Marriages get finalised by Chanting this Sloka. Also XHõ Éèí‰õΩÎ~åÅ∞, =∞OQÆà◊yi
this sloka bestows intimacy, mutual affection and =∂ J=∂‡~ÚH˜ 38 Uà◊√§. Z<Àfl ã¨O|O^è•Å∞ =zÛ<å ÃÑo¡
trust between couples.
‰õΩ^Œ~°ÖË^Œ∞. J~Ú`Õ D â’¡HõO K≥Ñ≤Ê# H˘xfl ~ÀAÅÖ’ =∞Oz
q"åÇ¨Ï „áêÑ≤Î, ÉèÏ~åº Éèí~°ÎÅ #_»∞=∞ „Ñ‘u, SHõ=∞`åºxH˜ =~°∞_ç`À ÃÑo§ ‰õΩkiOk. XHõ Éèí‰õΩÎ~åÅ∞,
ARCHAKAS SEEK RIGHTS OVER SERVICE INAM LANDS
The Temples Protection Movement has represented to Chief Minister K. Chandrasekhar Rao to restore the rights
of archakas over the service Inam lands in their occupation and personal cultivation.
Several archaka inamdars met at Yagadigirigutta on Wednesday to discuss the injustice meted out to archakas
by deletion of their names along with that of trustees in the recently issued Pattadar Passbooks.
The meeting was presided over by Yadadri Chief Priest Karampudi Narasimhacharyulu and Temple Protection
Movement convener and Chilkur Balaji temple chief priest C.S. Rangarajan.
Mr. Rangarajan said that the meeting resolved to request the Chief Minister to restore their names in the R.O.R
(Record of Rights) records as cultivators so that the daily service rituals and periodical festivals were conducted
as before. He said that Inams were granted to archakas only for the purpose of ensuring regular and proper
religious services in the temple permanently in lieu of remuneration. The service providing archakas could only
enjoy the land so long as he rendered the service and this enabled regular conduct of service in the temples.
Subsequently a Section 76 was introduced in the Endowments Act 30/87 to restore the Inam lands to the religious
institutions. This section was challenged in the Supreme Court and the Court struck down the section as
unconstitutional, he recalled. (The Hindu 26.7.2018)
"å~°ã`¨ fi« J~°ÛHõ =º=ã¨#÷ ∞ H˘#™êyOKåe - [QÆ<åfl^äŒ PÅÜ«∞O ™ê‡~°Hãõ ∂¨ Ñ÷ O¨ HÍ^Œ∞ - ѨÓs â◊OHõ~åKå~°º xâ◊ÛÖÏ#O^Œ ã¨~ã° fi¨ u
Éèí∞=<Õâ◊fi~ü, AÖˇ· 27 : ѨÓs [QÆ<åfl^äŒ PÅÜ«∞OÖ’ "å~°ã¨`«fiO J~°ÛHõ ¿ã=Hõ =º=ã¨÷‰õΩ ѨÓs â◊OHõ~åKå~°º, QÀ=~°ú<£ Ñ‘~î°O ™êfiq∞ xâ◊ÛÖÏ#O^Œ
ã¨~°ã¨fiu =∞^ŒÌ`«∞ WKåÛ~°∞. J~°ÛHõ ¿ã=Hõ =º=ã¨÷Ö’ ѨxKÕã¨∞Î#fl "åi Pi÷Hõ Ѩiã≤÷u "≥∞~°∞QÆ∞Ѩ_®Åx, JÖψQ „Hõ=∞tHõ∆}, „Ѩ=~°Î# q^è•#OÖ’
=∂~°∞ÊÅ∞ ‰õÄ_® fã¨∞‰õΩ~å"åeû# J=ã¨~°O LO^Œx PÜ«∞# ¿Ñ~˘¯<åfl~°∞. ѨÓs ~åA QÆ[Ѩu =∞Ǩ~å*ò k=ºã≤OQ∑ ^Õ"£, J~°ÛHõ ¿ã=‰õΩÅ∞ WHõ¯_»
â◊OHõ~åKå~°º xâ◊ÛÖÏ#O^Œ ã¨~°ã¨fiux HõÅ∞ã¨∞‰õΩ<åfl~°∞. D ã¨O^Œ~°ƒùOQÍ ™êfig∞r =∂\Ï¡_»∞`«∂ N [QÆ<åfl^äŒ ^Õ"åÅÜ«∞O XHõ á¶êºHõìs HÍ^Œx,
QÍOnè ™ê‡~°Hõ ã¨∂÷ѨO HÍ^Œx K≥áêÊ~°∞. ^Õ"åÅÜ«∞ B#fl`åºxfl Ѩi~°H˜∆OKåÅx, J^Õ ã¨=∞Ü«∞OÖ’ Éèí‰õΩÎʼnõΩ L#fl`« ã¨O™ê¯~°O`À, „Hõ=∞tHõ∆}`À
¿ã=Å∞ JOkOKåÅ<åfl~°∞. D U_®k E<£ 6= `Õn# ã¨∞„Ñ‘OHÀ~°∞ì ѨÓs PÅÜ«∞OÖ’ "å~°ã¨`«fi J~°ÛHõ¿ã=Hõ =º=ã¨÷#∞ ~°^Œ∞ÌKÕÜ«∂Åx
ã¨∂zOzOk. D <ÕѨ^䌺OÖ’ D JOâ◊O q"å^•ã¨Ê^ŒOQÍ =∂iOk. ™êfig∞r =∂\Ï¡_»∞`«∂ PÅÜ«∞OÖ’ "å~°ã¨`«fi J~°ÛHõ ¿ã=Hõ =º=ã¨÷#∞
H˘#™êyOKåÅx, nxH˜ ã¨O|OkèOz# iHÍ~°∞¤Å#∞ ã¨∞„Ñ‘OHÀ~°∞ì‰õΩ ã¨=∞iÊOKåÅx X_çâß „ѨÉèí∞`åfixfl HÀ~å~°∞. J~°ÛHõ ¿ã=Hõ =$uÎÖ’ L#fl"åi
Pi÷Hõ ÉÏQÀQÆ∞ʼnõΩ K«~°ºÅ∞ fã¨∞HÀ"åÅx, "åi Ñ≤šʼnõΩ =∞Oz q^Œº#∞ JOkOKÕ q^èŒOQÍ „ѨÉèí∞`«fiO `«y# =º=ã¨÷#∞ U~åÊ@∞ KÕÜ«∂Åx
HÀ~å~°∞. QÆ[Ѩu =∞ǨÏ~å*ò =∂\Ï¡_»∞`«∂ D q+¨Ü«∞OÖ’ "å~°ã¨`«fi J~°ÛHõ ¿ã=Å∞ ã¨OѶ¨∞\˜`«OQÍ Ñ¨xKÕÜ«∂Å<åfl~°∞. ã¨∞„Ñ‘OHÀ~°∞ìÖ’ gi
"å^Œ#Å∞ qxÑ≤OKÕO^Œ∞‰õΩ bQÆÖò ÃãÖò#∞ U~åÊ@∞ KÕÜ«∂Å<åfl~°∞. (PO„^èŒÉèí∂q∞ 28.7.2018)
J=ã¨~°OÖ’ P^Œ∞‰õΩ#fl"åˆ~ x["≥∞ÿ# ¿ãflÇ≤Ï`«∞Å∞.
 27

AVAIL
EASY FINANCE ON
GST RECEIVABLES
Exclusive for OUR
MSME BORROWERS

AB MSME Mitra
,Ɯ++ ",2101+!&+$
/" "&3)"0
(i.e., input tax credit due under GST) of MSME units

K Existing MSME borrowers of our Bank are eligible
K 20% of existing fund based working capital limit
or 80% of input tax creditț "/1&Ɯ"!6Ȝ
due to the unit, whichever is lower
K Maximum period of 6 months over and above the
gestation/holiday period of 2 months
K No collateral security

Toll free No. 1800 425 1515 www.andhrabank.in

Date of Posting 6th & 7th 28 Date of Publication 1st of every month

Registered as a News Paper Title Code : TELMUL00053 RNI. No. AP/2000/2474

Vol.19 VAK / AUGUST / 2018 Postal Registration No. HSE/738/2017-19 No.8

The world may stand without the sun, the crops

uo…ez ® Áz N ˛Áz uƒåÁ ÃÓ Æ ˙ ÃÀÆÊ ƒÁ Ãu¬¬Ê uƒåÁ@ may thrive without water but if I be without Rama,
my life will leave my body. (Ayodhyakandam 12 -13)
å oÏ ∫Á™Ê uƒåÁ tz “ z uo…ez Ï ™™ \yuƒo™Ω @ @ ã¨∂~°∞º_»∞ ÖˉΩõ O_® D Ö’Hõ=Ú LO_»=K«∞Û#∞† h~°∞ ÖˉΩõ O_®
ã¨ã¨º=Ú LO_»=K«∞Û#∞. HÍx ~å=Ú_»∞ ÖˉõΩO_® <å
u¿+ªÖ’¡HÀ q<å ã¨∂~°ºO ã¨ã¨ºO "å ã¨eÅO q<å I ^ÕÇϨ =ÚÖ’ „áê}=ÚO_»*ÏÅ^Œ∞.
# `«∞ ~å=∞O q<å ^Õ¿ÇÏ u¿+ª`«∞Î =∞=∞ rq`«"£∞ II (JÜ≥∂^茺HÍO_»=Ú 12-13)
zÅ∞‰õÄ~°∞ ÉÏÖÏr ^Õ"åÅÜ«∂xH˜ xkè.... ''_≥~Úb ѨÓ*Ï Ñ¶¨O_£——^•fi~å ã¨=∞‰õÄ~°ÛO_ç.
D Ѷ¨O_£H˜ kQÆ∞= ã¨∂zOK«|_ç# ÉϺO‰õΩÅÖ’ K≥e¡OѨÙÅ∞ ã‘fiHõiOK«|_»∞#∞.
1) C. A/c No.62055583940 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with
State Bank of India, Moinabad Branch (R.R. Dist.) (¿ãì\ò ÉϺOH± PѶπ WO_çÜ«∂, "≥Ú~Ú<åÉÏ^£ âßY, ~°OQÍÔ~_ç¤
lÖÏ¡) from any branch of State Bank of Hyderabad situated in any part of the Country.
2) C. A/c No. 091110011008633 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Andhra
Bank, Pedda Mangalaram (Moinabad Branch PO„^è• ÉϺOH±, ÃÑ^ŒÌ=∞OQÆàÏ~°O ("≥Ú~Ú<åÉÏ^£ âßY)) (R.R. Dist.) from any
branch of Andhra Bank situated in any part of the World. „ѨѨOK«OÖ’x U „áêO`«OÖ’ #∞O_≥·<å [=∞ KÕÜ«∞=K«∞Û.
3) C. A/c No.3063101000001 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Canara Bank,
113, Main Road, Himayatnagar, Moinabad Mandal, R.R. Dist. ÔH#~å ÉϺOH±, 113, "≥∞~Ú<£ ~À_£, Ç≤Ï=∂Ü«∞`ü#QÆ~ü, "≥Ú~Ú<åÉÏ^£
=∞O_»Ö,ò ~°OQÍÔ~_ç¤ lÖÏ¡, from any branch of Canara Bank situated in any part of India. (=∞#^ÕâO◊ Ö’x U „áêO`«OÖ’ #∞O_≥<· å [=∞ KÕÜ∞« =K«∞Û.)
4) SB A/c No.24730110000007 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with UCO
Bank, Chilukuru Branch, Moinabad Mandal, R.R. Dist. Ü«¸HÀ ÉϺOH±, zÅ∞‰õÄ~°∞ „ÉÏOz, "≥Ú~Ú<åÉÏ^£ =∞O_»Ö,ò ~°OQÍÔ~_ç¤ lÖÏ¡,
from any branch of UCO Bank situated in India. (=∞#^ÕâO ◊ Ö’x U „áêO`«OÖ’ #∞O_≥<· å [=∞ KÕÜ∞« =K«∞Û.)
Éè‰í Ωõ ÅÎ ∞ ~°∂.100/- Hõh㨠K≥eO¡ ѨÙQÍ D xkèH˜ [=∞ KÕÜ∞« =K«∞Û.
D âßâ◊fi`« xkèx ã¨=∞‰õÄ~°Û_®xH˜ Éèí‰õΩÎÅO^Œih ã¨Ç¨ÏHõiOK«=Åã≤#kQÍ „áêi÷ã¨∞Î<åfl=Ú. JÖÏ ã¨Ç¨ÏHõiOz Éèí‰õΩÎÅÖ’ ÉèíH˜Î=∂~åæxfl ÃÑOá⁄OkOKÕ
qÖHõ∆}"≥∞ÿ# zÅ∞‰õÄ~°∞ ѨÓ*Ï q^è•<åxfl PK«O„^•~°¯O xeKÕÖÏ `À_»Ê_ç#O^Œ∞‰õΩ P ÉÏÖÏr Hõ$Ѩ‰õΩ áê„`«∞Å=Ù`å~°∞.
CONTRIBUTE TO CHILKUR BALAJI TEMPLE'S "DAILY PUJA FUND "
The Fund donations can be remitted in the Following Banks with the following Particulars:-
1) C. A/c No.62055583940 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with
State Bank of India, Moinabad Branch (R.R. Dist.) from any branch of State Bank of Hyderabad situated
in any part of the Country. IFSC Code 'SBIN0020637'.
2) SB A/c No.091110011008633 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained
with Andhra Bank, Pedda Mangalaram (Moinabad Branch) (R.R. Dist.) from any branch of Andhra
Bank situated in any part of the World. IFSC Code 'ANDB0000911'.
3) SB A/c No.3063101000001 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with Canara
Bank, 113, Main Road, Himayatnagar, Moinabad Mandal, R.R. Dist. from any branch of Canara Bank situated in
India. IFSC Code 'CNRB0003063'.
4) SB A/c No.24730110000007 of Sri Balaji Venkateswara Swamy Temple, Chilkur maintained with
UCO Bank, Chilukuru Branch, Moinabad Mandal, R.R. Dist. from any branch of UCO Bank situated in India.
IFSC Code 'UCBA0002473'.
Devotees can remit their contributions with a minimum of Rs.100/- to this Fund.
The Devotees who contribute to this Fund will have the blessings of the Lord Balaji for participating
in the continuation of this unique way of worship which inculcates Pure Devotion in the Temple system…..
Andhra Bank Ph : 08417-252064, SBH Ph. : 08417-252071, Canara Bank : 08413-235088, UCO Bank Ph.: 08417-200023
All business communications and payments may
be addressed to The Manager VAK, 2-2-647/77/D, D.D. BOOK – POST
Colony, Bagh Amberpet, Hyderabad-500 013. Ph : To STAMP
27425640. Only local cheques and DDs drawn in favour
of VAK will be accepted. Subscriptions can be sent
through money orders also. Give your correct address.
Owned, Edited, Printed and Published by : Dr. M.V. Soundara
Rajan, Advocate, 2-2-647/77/D, Andhra Bank Lane, Be-
side Karur Vysya Bank ATM, D.D. Colony, Bagh Amberpet,
Hyderabad-500 013; Website : www.vakchilkur.org
Phone : 27425640 Cell : 9246505058
Printed at : M/s. Vakdevi Printers, # 1 - 8- 7 3 2 / 2 2 / B,
N a l l a k u n t a , H y d erabad - 50004 4 .
If undelivered please return to : VAK, 2-2-647/77/D, Hyderabad-500 013.