Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
Federico Villarreal
GUÍA ACADÉMICA
INGLÉS IV CICLO
Euded
Escuela Universitaria
Educación a distancia
Indice
1. Presentación 6
2. Introducción a la Asignatura 7
3. Orientaciones Generales del Estudio 8
4. Tutorías 9
5. Cronograma 9
6. Evaluación 10
7. Medios y Recursos Didácticos 11
8. Objetivos Generales 12
9. Orientaciones Específicas para el aprendizaje de
contenidos de la asignatura: 12
UNIDAD I : TALLER DE COMPRENSIÓN AUDITIVA 13
Introducción 13
Objetivos Específicos 13
Contenido Temático: 13
• Estrategi as para desarrollar la comprensión auditiva 14
• La Enseñanza de la Comprensión auditiva 17
• Guía de estrategias de Comprensión auditiva. 20
Actividades 23
Autoevaluación 24
4
UNIDAD III: TALLER DE PRODUCCIÓN ORAL 35
Introducción 35
Objetivos Específicos 35
Contenidos: 35
• La Naturaleza de la Producción Oral 36
• Estrategias para desarrollar la Producción Oral 39
• El Enfoque Académico Cognitivo de Aprendizaje
de Lenguas(CALLA) y la Producción Oral. 40
Actividades 42
Autoevaluación 43
10. Solucionario 54
11. Glosario 55
12. Bibliografía 60
5
PRESENTACIÓN
6
INTRODUCCIÓN A LA ASIGNATURA
La asignatura del Taller Audio‐Oral del Inglés es un curso de formación especializada y tiene el
propósito de dar conocimiento de las habilidades necesarias para la comprensión y producción oral
en inglés. La asignatura provee también herramientas para ayudar a los profesores a entrenar a los
alumnos en la habilidad receptora de Comprensión Auditiva y la habilidad de producción oral.
Esta asignatura se dicta en el Cuarto Ciclo de la Carrera, es de gran importancia porque en el mundo
globalizado en el que nos movemos la comunicación entre las personas debe ser lo más clara y
precisa posible y para ello es básico una correcta comprensión de lo que se nos dice para poder
producir una respuesta adecuada.
La Presente Guía Académica del Participante de Taller Audio‐Oral del Inglés está organizada en
Cuatro Unidades.
Cada unidad tiene dos o tres temas, actividades y preguntas de Autoevaluación que le darán la
posibilidad de aplicar lo aprendido. Para un mejor desarrollo de las unidades, el participante deberá
consultar los textos recomendados y los enlaces correspondientes que se encuentran al final de cada
tema. En la Primera Unidad se presentan una serie de estrategias para ayudar a desarrollar la
habilidad de comprensión auditiva, así, como para enseñar esta habilidad a los alumnos. En la
Segunda Unidad se analizan algunos de los problemas que encuentran los aprendices de inglés como
lengua extranjera para desarrollar la comprensión auditiva y se contrasta una comprensión auditiva
efectiva con una que no lo es. En la Tercera Unidad se introduce la habilidad de producción oral,
provee una serie de estrategias para promover su desarrollo y nos sugiere una manera de crear una
sesión de aprendizaje de producción oral basada en el Enfoque Académico Cognitivo de Aprendizaje
de Lenguas (CALLA). Para finalizar, en la Cuarta Unidad se presentan formas de hacer una
Autoevaluación antes de empezar a producir un texto oral, así como algunas actividades que
promuevan la producción oral.
La evaluación tiene como meta verificar si los participantes logran los objetivos propuestos.
Para ello se considera los siguientes criterios: interacción a través del Chat, participación en
los foros, presentación de las tareas encomendadas y las evaluaciones programadas por la
Coordinación Académica de la Escuela Universitaria de Educación a Distancia.
Es mi deseo que la presente Guía del Participante le resulte útil para lograr los objetivos
planteados en el Curso de Taller Audio-Oral del Inglés.
7
NORMA MARINA VECORENA SANCHEZ
Lima, Diciembre 2013
Estimados Participantes:
Los cursos virtuales se ofrecen para facilitar el acceso a los programas de estudio a aquellas personas
que por razones de horario o ubicación geográfica no lo pueden hacer de manera presencial. El
objetivo de estos cursos es ofrecer una calidad académica igual o superior a la que ofrecen los
programas presenciales. Es por esta razón que los programas virtuales se apoyan en una moderna
tecnología de información y comunicación ( Aulas Virtuales ) que permiten un alto grado de
interacción y orientación del profesor a los alumnos y una importante interrelación entre los
estudiantes.
En las Aulas Virtuales de la ESCUELA UNIVERSITARIA DE EDUCACION A DISTANCIA, los participantes
encontrarán, además de la información detallada del programa, los materiales de estudio, la agenda
de actividades propuestas por los profesores y todas las herramientas de comunicación que
permitirán el desarrollo dinámico del curso.
Para comprender y asimilar adecuadamente el material didáctico del curso se recomienda lo
siguiente:
Dedicar una hora diaria a leer, estudiar y trabajar el material didáctico. La continuidad
y la constancia son las únicas que le asegurarán el éxito
Organizar el tiempo de estudio de manera tal que le permita cumplir con el plan de
estudios.
Leer varias veces el material para lograr una buena comprensión del mismo y luego
subrayar o resaltar las ideas principales para organizar el material de estudio.
Trabajar el material de manera secuencial, siguiendo el orden en el que se le entrega.
Realizar las actividades que tiene en su texto y en la Guía Académica.
Buscar un lugar tranquilo y bien iluminado en el que se sienta cómodo para realizar
las lecturas y hacer las tareas.
8
TUTORÍAS
Las tutorías se desarrollarán mediante la programación de un calendario de tutorías. La tutoría
será presencial y virtual.
CRONOGRAMA
CANTIDAD DE HORAS ACADÉMICAS
TUTORÍAS PRESENCIALES Y
VIRTUALES
HORAS HORAS HORAS
PRESENCIALES VIDEOCONFERENCIA PLATAFORMA
Semana 1 2 3 2.5
Semana 2 2 3 2.5
PRIMER MES
Semana 3 2 3 2.5
Semana 4 2 3 2.5
Semana 5 2 3 2.5
Semana 6 2 3 2.5
SEGUNDO MES
Semana 7 2 3 2.5
Semana 8 2 3 2.5
9
EVALUACIÓN
El promedio final de la Asignatura : Taller Audio‐Oral del Inglés modalidad Presencial‐Virtual se
obtiene de la siguiente manera:
El examen parcial será virtual y se realizará en la 8a semana. El examen final será presencial y se
realizará en la 16a semana.
Los participantes elaborarán cuatro trabajos (4) interactivos y participarán en dos (2) foros de
discusión.
la Semana 12.
Si lo cree conveniente el profesor puede aperturar un foro para dudas y consultas que estará
disponible desde la Semana 2 hasta la Semana 16.
11
MEDIOS Y RECURSOS DIDACTICOS
UNIDAD I , II Consultar los siguientes Textos y Enlaces:
HARMER, Jeremy: How to teach English, Essex, Pearson
Education Limited, 2009
UR,Penny: A Course in Language Teaching, U.S.A.,Cambridge
University Press,1996
UHL CHAMOT, Anna et al: The Learning Strategies Handbook,
New York, Addison Wesley Longman, 1999
Vinculos:
www.Cambridge.org/other_files/downloads/esl/booklets/Brown
-Teaching-listening.pdf
www.professorjackrichards.com/wp-content/uploads/second-
thoughts-or-Teaching-Listening.pdf
http://busyteacher.org/14411-how-to-teach-listening-skills-
best-practices.html
http://www.slideshare.net/samuraitheologian/hd-browns-
principles-for-teaching-listening-skills
http://iteslj.org/techniques/kayi-teaching speaking.html
www.slideshare.net/jesler/teachingspeaking
12
Objetivos Generales
Analizar y utilizar estrategias de comprensión auditiva.
Reconocer las principales dificultades que presentan los alumnos en la
comprensión auditiva.
Identificar las estrategias para la producción oral.
Conocer diferentes tipos de actividades para la producción oral en clase.
ORIENTACIONES ESPECÍFICAS PARA EL APRENDIZAJE DE CONTENIDOS DE LA ASIGNATURA:
13
PRIMERA UNIDAD
Estimado Participante
En esta primera unidad, se estudiarán estrategias de comprensión auditiva y las podrá
poner en práctica a través de diferentes actividades de manera que pueda comprender la
importancia de desarrollar esta habilidad adecuadamente.
Objetivos Específicos
El estudiante – participante será capaz de analizar estrategias de Comprensión
Auditiva.
El estudiante – participante conocerá y será capaz de utilizar las estrategias de
Comprensión Auditiva.
Contenido Temático
1. Strategies for developing Listening Skills
2. Teaching Listening
3. Listening Strategy Guide
14
TEMA 1
1.1. Listening
Listening is more than merely hearing words. Listening is an active process by which students
receive, construct meaning from, and respond to spoken and / or nonverbal messages (Emmert,
1994). As such, it forms an integral part of the communication process and should not be
separated from the other language arts. Listening comprehension complements reading
comprehension. Verbally clarifying the spoken message before, during, and after a presentation
enhances listening comprehension. Writing, in turn, clarifies and documents the spoken message.
Teachers can help students become effective listeners by making them aware of the different
kinds of listening, the different purposes for listening, and the qualities of good listeners.
Wolvin and Coaklley (1992) identify four different kinds of listening:
Comprehensive (Informational) Listening-Students listen for the content of
the message.
Critical (Evaluative) Listening-Students judge the message.
Appreciative (Aesthetic) Listening-Students listen for enjoyment.
Therapeutic (Empathetic) Listening-Students listen to support others but
not judge them.
Traditionally, secondary schools have concentrated on the comprehensive and critical kinds
of listening. Teachers need to provide experiences in all four kinds. For example, listening
to literature read, listening to radio plays, and watching films develop appreciative in
addition to comprehensive and critical listening. When students provide supportive
communication in collaborative groups, they are promoting therapeutic listening. For
example, the listening behavior can show understanding, acceptance, and trust, all of which
facilitate communication. Students benefit from exposure to all four types of listening.
Language learning depends on listening. Listening provides the aural input that serves as the
basis for a language acquisition and enables learners to interact in spoken communication.
Effective language instructors show students how they can adjust their listening behavior to
deal with a variety of situations, types of input and listening purposes. They help students
develop a set of listening strategies and match appropriate strategies to each listening
situation.
15
Listening carefully to stress intonation helps listeners to find out important information about
what a speaker feels; therefore practicing listening in real contexts outside of class at least
five times a week, keeping a Listening Log to record these experiences will be of tremendous
aid.
Predicting what you think you will hear: using your background knowledge to guess the
meanings of unfamiliar phrases; and finding a speaker’s point by using your ability to infer
are strategies to heighten learning and communication.
1.2.1 Listening Strategies
Top-down strategies are listener based; the listener taps into background knowledge of
the topic, the situation or context, the type of text, and the language. This background
knowledge activates a set of expectations that help the listener to interpret what is
heard and anticipate what will come next. Top-down strategies include:
Bottom‐up strategies are text based; the listener relies on the language in the message, that
is, the combination of sounds, words, and grammar that creates meaning. Bottom‐up strategies
include:
Listening for Specific Details
Recognizing Cognates
Recognizing Word-order Patterns
Strategic listeners also use metacognitive strategies to plan, monitor, and evaluate their
listening.
They plan by deciding which listening strategies will serve best in a particular
situation.
They monitor their comprehension and the effectiveness of the selected
strategies.
They evaluate by determining whether they have achieved their listening
comprehension goals and whether the combination of listening strategies
selected was an effective one.
16
1.2.2 Listening for Meaning
To extract meaning from a listening text, students need to follow four basic steps:
Figure out the purpose for listening. Activate background knowledge of the topic
in order to predict or anticipate content and identify appropriate listening
strategies.
Attend to the parts of the listening input that are relevant to the identified
purpose and ignore the rest. This selectivity enables students to focus on
specific items in the input and reduces the amount of information they have
to hold in short-term memory in order to recognize it.
Select top-down and bottom-up strategies that are appropriate to the listening
task and use them flexibly and interactively. Student’s comprehension
improves and their confidence increases when they use top-down and bottom-
up strategies simultaneously to construct meaning.
Check comprehension while listening and when the listening task is over.
Monitoring comprehension helps students detect inconsistencies and
comprehension failures, directing them to use alternate strategies.
Leer de:
Harmer, Jeremy(2009): How to Teach English. Pearson Longman, England.
Pages 133 to 145
www.Cambridge.org/other_files/downloads/esl/booklets/Brown-Teaching-
Listening.pdf
17
TEMA 2
TEACHING LISTENING
Instructors want to produce students who, even if they do not have complete control of
grammar or an extensive lexicon, con fend for themselves in communication situations.
In the case of listening, this means producing students who can use listening strategies
to maximize their comprehension of aural input, identify relevant and non-relevant
information, and tolerate less than word-by-word comprehension.
To accomplish this goal, instructors focus on the process of listening rather than
on its product.
They develop students’ awareness of the listening process and listening strategies
by asking students to think and talk about how they listen in their native
language.
They allow students to practice the full repertoire of listening strategies by using
authentic listening tasks.
They behave as authentic listeners by responding to student communication as
a listener rather than as a teacher.
When working with listening tasks in class, they show students the strategies
that will work best for the listening purpose and the type of text. They explain
how and why students should use the strategies.
They have students practice listening strategies in class and ask them to practice
outside of class in their listening assignments. They encourage students to be
conscious of what they’re doing while they complete listening tape assignments.
They encourage students to evaluate their comprehension and their strategy
use immediately after completing an assignment. They buid comprehension
checks into in-class and out –of-class listening assignments, and periodically
review how and when to use particular strategies.
They encourage the development of listening skills and the use of listening
strategies by using the target language to conduct classroom business: making
announcements, assigning homework, describing the B
They do not assume that students will transfer strategy use from one task to
another. They explicitly mention how a particular strategy can be used in a
different type of listening task or with another skill.
18
situations they may encounter beyond the classroom. In this way they give their
students the foundation for communicative competence in the new language.
2.1.1.1 Integrating Metacognitive Strategies
Before listening: Plan for the listening task
During and after listening: Monitor comprehension
2.1.1.2 Using Authentic Materials and Situations
Authentic materials and situations prepare students for the types of listening they
will need to do when sing the language outside the classroom.
One‐Way‐Communication
Materials:
Radio and television programs
Public address announcements ( airports, train/bus stations, stores)
Speeches and lectures
Telephone customer service recordings
Procedure:
Help students identify the listening goal: to obtain specific information; to decide
whether to continue listening; to understand most or all of the message
Help students outline predictable sequences in which information may be
presented: who-what-when-where (news stories); who-fight number-
19
arriving/departing-gate number (airport announcements); “for [function], press
[number]” (telephone recordings)
Help students identify key words/phrases to listen for
Two‐Way Communication
In authentic two‐way communication, the listener focuses on the speaker’s meaning rather
than the speaker’s language. The focus shifts to language ongly when meaning is not clear.
Note the difference between the teacher as teacher and the teacher as authentic listener in
the dialogues in the popup screens.
Leer de:
Uhl Chamot, Anna et al (1999) : The Learning Strategies Handbook, Addison-
Wesley Longman, NY, USA ( pages 156 -161)
20
TEMA 3
3.1.1. Title
First, look at the title of the lecture and any other clues you have (photos,
maps charts, outlines, etc.) and think of specific questions you think might
be answered in the lecture.
Next, think about possible answers to each of your questions. Discuss the
questions with a partner, if possible. Here are a few sample questions for
How to Give a Lecture:
Can you think of other questions? If you have trouble thinking of questions,
consider the major question words ( who, what, when, where, why, how) and
ask yourself how they might apply to the lecture topic.
Creating these prediction questions, will help you maintain your focus during
lectures. In addition, the answers to the questions you form during this pre-
listening step will often correspond to the actual main them from less important
details. ( Note: This pre-listening strategy can also help you prepare for other
listening situations, such as meetings, interviews, and any other instance in
which you have clues to the content.)
You can use this prediction strategy during the lecture as well. That is, as
often as you can, try to predict what kinds of information might come next.
Even if some of your predictions are incorrect, this strategy will help you
stay focused and give you a better chance of general comprehension.
Try to predict vocabulary you may hear in the lecture. To do this, you can
analyze the main words in the title of the lecture. A dictionary and thesaurus
will be very helpful.
21
For example:
Analysis Questions Vocabulary
What are some synonyms of the phrase give a lecture/ Make/give a speech, give
a talk.
Advanced Listening
What can a lecture contain? Introduction, main points, details, conclusion, stories,
anecdotes
For the next lectures, try to develop your own prediction questions and lists of
vocabulary.
Discourse markers
A speaker may signal a main idea through discourse markers; that
Is, there are certain phrases that tell you a main idea is coming.
Rhetorical questions
These are questions that the speaker asks out loud, and that the speaker
plans to answer in his/her presentation.
Repetition
Another key to identifying main ideas is repetition, or how many times
a word or phrase is repeated.
3.2.2 Pace
Pace is the speed to speech
22
Taking notes effectively is crucial to success in academic and Professional
environments.
Language
Taking notes in the language in which you will need to use the notes.
Speed
Effective note taking requires that you record information quickly
Organization
Your notes should reflect which of the lecturer’s points are main points and
which are details.
Accuracy
Are the facts correct? Did you write down all the main points and a sufficient
number of details? Can you read your notes and understand what you wrote?
Advanced Listening requires you to comprehend many different types
Of details in several different contexts.
Aural skimming : Listening for a Particular Detail
Our goals in listening often involve understanding or catching one crucial
detail.
Understanding and Recalling Details
Just as we enter some listening situations with the goal of comprehending
one crucial detail, we also come out of listening situations with the need to
remember or process pieces of information we have heard.
Strategies for Making Inferences
Some questions you hear in the Interactive Listening section are inference
questions.
ACTIVIDADES RECOMENDADAS
Leer de
Uhl Chamot, Anna & O ‘Malley(1994): The CALLA Handbook. Implementing the Cognitive
Academic Language Learning Approach, Addison-Wesley USA. (pags.84 to 97).
Para profundizar entrar en los siguientes vínculos
www.netplaces.com/study-skills/getting-the-most-out-of-classroom time/strategies-for -
effective -listening.htm
www.drnadig.com/listening.htm
23
Una vez finalizado el estudio de la Primera Unidad, es importante que realice las actividades
propuestas en esta Guía Académica del Participante.
Interactividad a través de la Plataforma Virtual
Ingrese frecuentemente al Campus Virtual que se encuentra en la siguiente dirección
http://euded.unfv.edu.pe/ para obtener mayor información sobre los temas tratados (
documentos digitales, artículos, etc. ) Conocer los anuncios que se publican semanalmente y
participar en los Chats y Foros; además puede conocer a sus compañeros e intercambiar
conocimientos y experiencias de estudio.
ACTIVIDAD 1
Look for the lyrics of a song you know and prepare a listening activity to help your students
understand the new vocabulary in it. Decide if the strategies you want your students to use
are top‐down or bottom‐up
ACTIVIDAD 2
Find Examples of top‐down and bottom‐up listening tasks in the textbook with which you are
familiar.
24
AUTOEVALUACIÓN 1
Verify your answers in the Answer Key at the end of this guide.
25
SEGUNDA UNIDAD
Estimado Participante :
En esta segunda unidad estudiará las dificultades que afrontan los estudiantes de
Inglés como idioma extranjero para desarrollar la comprensión auditiva, se hará un
contraste entre una comprensión auditiva efectiva y una no efectiva y aprenderá
formas de evaluar esta habilidad lingüística.
OBJETIVOS ESPECIFICOS
El estudiante-participante será capaz de reconocer las diferentes dificultades
que presentan los alumnos en la comprensión auditiva.
El Estudiante conocerá las diferentes etapas de la comprensión auditiva en
clase
CONTENIDO TEMATICO
1. Barriers confronted by EFL learners.
2. Contrasting effective and ineffective listening.
3. Assessment of listening
26
TEMA 1
5. Strategic Barriers
Forgetting to activate strategies while listening
Regarding strategies as extra burdens to information processing
Challanged by the complex nature of the strategy
Having problems conducting the proper strategies
Still unable to comprehend the text applying strategies
6. Belief Barriers
Applying strategies after other language skills were acquired
Attending to every word or demanding full comprehension of text.
7. Material Barriers
Difficulty level of Materials
Spoken features: - rate of speech; Clarity of Voice; Accents
Length of Sentences or Texts
Text genre, topics, modalities
Leer de :
UR, Penny(1996): A Course in Language Teaching: Practice and Theory. CUP,
Great Britain (pags 105 to 118).
27
TEMA 2
CONTRASTING EFFECTIVE AND INEFFECTIVE LISTENING
Based on the previous research we can summarize the features for effective and ineffective
learners.
PRE LISTENING
Ineffective Listeners
Effective Listeners
*Build their background Knowledge *Start Listening without
on subject before listening. thinking obout subject.
*Have a Specific purpose for *Have no specific purpose for
listening and attemp to ascertain liistening and have not
speaker's purpose. considered speaker's purpose
*Tune in and attend *Do not focus attention
* Minimize distractions. *Create or are influenced by
distractors
28
During Listening
Ineffective Listeners
Effective Listeners
*Do not give necessary attention
to listening task
*Give complete attention to
*Tune out that which they find
listening tasks and demonstrate interest uninteresting
*Search for meaning *Do not monitor understanding
*constantly check their understanding of or use comprehension strategies
message by making connections, making
and confirming predictions, making *Do not distinguish whether
inferences, evaluating, and reflecting close or cursory listening is
required
*know whether close or cursory listening is
required; adjust their listening behaviour *Are rigid notetakers with few
accordingly notemaking strategies
*Are flexivle notemakers‐ outlining, *Try to get every word down or
mapping, categorizing‐who sift and sort, do not take notes at all
often adding information of their own *Judge the message by the
*Take fewer, more meaninful notes speaker's appearance or delivery
*Distinguish message from speaker *Accept words at face value
*Consider the context and "colour" of
words
29
AFTER LISTENING
EFFECTIVE LISTENERS
*Whithold judgement until comprehension of message is complete
*Will follow up on presentation by reviewing notes, categorizing ideas, clarifying,
reflecting, and acting upon the message
Leer de:
UR, Penny(1996): A Course in Language Teaching: Practice and Theory.
CUP, Great Britain (pags 105 to 118).
30
TEMA 3
ASSESSMENT OF LISTENING
Listening is one of the most difficult aspects of the Language Arts to assess. It cannot be
easily observed and can be measured only through inference. However, there are both formal
and informal strategies and instruments that teachers can use to help them in their
assessments.
3.1 Informal Assessment
Questions can also be designed to determine if students are comprehending critically and
creatively.
2. Students can paraphrase, summarize, analyze, make notes, complete a listening guide, or write
a response to a spoken or multimedia presentation. The assessment tasks can be as simple as
listening significant ideas and arguments, answering a series of questions, or identifying connotative
meanings of key words. They can be as challenging as formulating their own questions; identifying
irrelevant details; identifying fallacies, bias, or prejudice; using the information presented and
applying it to a new situation; or judging the effects of various devices the speaker may use to
influence the listener or viewer.
3. Devine (1982) gives examples of other types of listening assessments.
After placing ten details on the chalkboard, the teacher reads a ten-minute story
aloud. After listening to the story, students are asked to jot down the four or five
31
details that are most important to the outcome. The responses provide insights into
students’ listening ability.
Students listen to a story and, afterwards, write down three key qualities of the
character and their reasons for selecting these. While listening to the story a second
time, the students listen for and record details that prove their assertions about the
character.
Even though listening is a difficult language strand to evaluate, assessment must take
place to validate its place in a curriculum and to provide feedback to students. The
feedback should be specific, concise, and as meaningful as possible. As with all
evaluation, it needs to be continuous.
Leer de:
Nunan, David(1999): Second Language Teaching and Learning. Heinle
&Heinle
Publishers, Boston, USA (pags. 199 to 221).
Para profundizar entrar a los siguientes vínculos :
http://larc.sdsu.edu/LarryVandergrift/webinarAssessingL2PPT.pdf
http://www.nclrc.org/essentials/Listening/assesslisten.htm
32
ACTIVIDADES RECOMENDADAS
Una vez finalizado el estudio de la Segunda Unidad, es recomendable que realice las
actividades propuestas en la Guía Académica del Participante.
Ingrese frecuentemente al Campus Virtual que se encuentra en la siguiente dirección:
http://euded.unfv.edu.pe/ para obtener mayor información sobre los temas tratados
(documentos digitales, artículos, etc.) , conocer los anuncios que se publican semanalmente y
participar en los chats, foros; además puede conocer a sus compañeros e intercambiar
conocimientos y experiencias de estudio.
ACTIVIDAD 1
Think of a situation where you yourself have been listening. Which of the barriers discussed in
this second unit have you experienced? Explain briefly
ACTIVIDAD 2
How would you assess listening? Mention at least 3 informal ways and 3 formal ways
33
AUTOEVALUACIÓN 2
2. Listening for every spoken word, relying on native language subtitles, and non-
purposeful listening are some of the __________ barriers learners are predisposed
to.
a) Strategic b) Affective c) Habitudinal
a) Belief barriers
b) Material barriers
c) English proficiency barriers
a) Effective listeners
b) Busy listeners
c) Ineffective listeners
a) Considerate
b) Efficient
c) Inefficient
a) Strategic
b) Formal
c) Informal
34
9. _________ Are formal ways to assess listening.
10. Some learners consider that other language skills such as vocabulary or
grammar development are more important than using strategies to improve
listening comprehension . This is an example of _____________________
a) Material barriers
b) Belief barriers
c) Habitudinal barriers
Verify your Answers in the Answer Key at the end of this guide.
35
TERCERA UNIDAD
Estimado Participante:
En esta Tercera Unidad, se estudiará la naturaleza de la producción oral,
las estrategias que se pueden usar para desarrollarlas y se estudiará también el
enfoque Académico cognitivo de aprendizaje de las lenguas y su tratamiento de
esta habilidad lingüística
OBJETIVOS ESPECIFICOS
CONTENIDO TEMATICO
36
TEMA 1
37
Routines
Information Interactional
Routines Routines
Contain frequently
Languages
recurring types of
produced for
informatin
Social Purposes
structures
38
David Nunan (1990) Proposed a rearrangement of this scheme. He suggested that
rather than being two different categories of event, the informational and interactional
functions represented two different dimensions of interaction.
Table
INFORMATION
S
E Job interview
R
V Booking a
I restaurant
C
E Buying stamps
Enrolling in
school
etc.
S
O Dinner party
C
I Coffee break
A
L
The genre theory proposes that different speech events result in different types
of text, and that these texts are differentiated in terms of their overall structure
and also by the kinds of grammatical items that are typically associated with them.
Probably the most common type of speech event in casual conversations typically
begins with an introduction followed by an orientation.
Leer de :
Nunan, David (1999): Second Language Teaching & Learning. Heinle & Heinle
Publishers Boston-USA (pgs.225 to 246)
39
TEMA 2
STRATEGIES FOR DEVELOPING SPEAKING SKILLS
Minimal responses are predictable, often idiomatic phrases that conversation participants
use to indicate understanding, agreement, doubt, and other responses to what another
speaker is saying. Having a stock of such responses enables a learner to focus on what
the other participant is saying, without having to simultaneously plan a response.
Instructors can help students develop speaking ability by making them aware of the scripts for
different situations so that they can predict what they will hear and what they will need to say
in response. Through interactive activities, instructors can give students practice in managing
and varying the language that different scripts contain.
2.3 Using Language to Talk About Language
Language learners are often too embarrassed or shy to say anything when they do not
understand another speaker or when they realize that a conversation partner has not
understood them. Instructors can help students overcome this reticence by assuring them
that misunderstanding and the need for clarification can occur in any type of interaction,
whatever the participants’ language skill levels. Instructors can also give students strategies
and phrases to use for clarification and comprehension check.
By encouraging students to use clarification phrases in class when misunderstanding occurs,
and by responding positively when they do , instructors can create an authentic practice
environment within the classroom itself. As they develop control of various clarification
strategies, students will gain confidence in their ability to manage the various communication
situations that they may encounter outside the classroom.
40
Para profundizar entrar en los siguientes vínculos:
http://www.sid.ir/en/VEWSSID/J_pdf/13112011640406.pdf
http://www.moe.gov.om/Portal/sitebuilder/sites/EPS/English/MOE/bap
roject/ch18.pdf
41
TEMA 3
a. Videotape (or audiotape, if video is not available) performance of task. In the
following class session, set up the video player so students can watch it
individually. Ask students to complete a handout after watching or listening to their
speaking activity.
42
b. Assign peers to help each other evaluate their performance on
the speaking task. Pairs or groups can be asked to observe fellow
students and encourage self-evaluation
3. Remind students that evaluation is an important phase of strategy use
because it gives us valuable information on whether the strategies we
used worked well or not. With this knowledge we can make wiser choices
in using strategies in the future.
4. After all students have evaluated themselves, conduct a class discussion,
or summarize the comments students have made on worksheets to point
out how students used the strategies effectively to reduce the
F. Expansion
1. Ask students to come up with other situations in which they can use the
strategies focused on in this lesson
2. Remind students that part of being a strategic learner is knowing when it is
appropriate to apply a previously practiced strategy to a new learning
task. Give them an image, such as a toolkit, to carry with them as they
continue to pursue their goals in learning English.
3. Give an assignment to encourage transfer of the focus strategies to a
new task.
3.2 STRATEGIC APPROACH TO A SPEAKING TASK
Strategic Approach to a
Speaking task
Before Speaking While Speaking After Speaking
Set a goal Use imagery Check goal
Plan Monitor Self-evaluate
Self-talk Problem –solve (self- Plan for
correct)
Use imagery Take risks Improvement
Rehearse
Leer :
Uhl Chamot, Anna et al(1999): The Learning Strategies Handbook. Addison-
Wesley, Longman, New York,USA
Para profundizar entrar a los siguientes vínculos:
http://iteslj.org/Articles/chou-Socioaffective.html
http://jillrobbins.com/articles/LSIrobbins.html
ACTIVIDADES RECOMENDADAS
Una vez finalizado el estudio de la Tercera Unidad, es recomendable que realice las
actividades propuestas en esta Guía Académica del participante.
INTERACTIVIDAD A TRAVES DE LA PLATAFORMA VIRTUAL
43
Ingrese frecuentemente al campus virtual que se encuentra en la siguiente dirección :
Http://euded.unfv.edu.pe/ para obtener mayor información sobre los temas tratados (
documentos digitales, artículos, etc.) , conocer los anuncios que se publican semanalmente y
participar en los chats, foros; además puede conocer a sus compañeros e intercambiar
conocimientos y experiencias de estudio.
ACTIVIDAD 3
1. Prepare a How-to-Speech. You may want to explain how to do something or
demonstrate how to do something using objects. Providing visual aids can be helpful.
Possible topics:
a. How to prepare your favorite dish.
b. How to use and program a cellular phone.
c. How to use a computer program.
d. How to be successful in life.
e. How to learn a foreign language.
2. Imagine you are a participant of an informal panel discussion. You and your
partners prepare an argument on a given topic, for example:
44
AUTOEVALUACIÓN 3
Match the terms in the box with their correspondent definitions or descriptions
45
12.____________________________________ Check one’s comprehension during
listening or reading and check one’s oral or written production while it is taking
place.
Verify your answers in the Answer Key at the end of this Guide
46
CUARTA UNIDAD
Estimado Participante:
En esta Cuarta Unidad se presentan modelos de autoevaluación de la producción oral y
diversas actividades para promover la producción oral en clase de una manera natural.
OBJETIVOS ESPECIFICOS
El Estudiante- Participante identificará como realizar una Autoevaluación de su
producción oral.
El Estudiante-Participante conocerá diferentes tipos de Actividades para la
producción oral en clase.
CONTENIDO TEMATICO
1. Discussions 9. Reporting
2. Role Play 10. Playing Cards
3. Simulations 11. Picture Narrating
4. Information Gap 12. Picture Describing
5. Brainstorming 13. Find the difference
6. Story Telling
7. Interviews
8. Story completion
47
TEMA 1
SAMPLE 1 :
1. What will you say to yourself before you give your speech in our next class?
2. Draw a picture of what you will imagine… before and during your speech
3. (complete after delivering the speech ) What did you think about during your
speech?
Any problems?
What will you do better next time?
5. Which of the strategies that we talked about was the most helpful to you?
48
SAMPLE 2 :
1. What positive self-talk can you use to prepare for the presentation?
I can tell
myself____________________________________________________
I can tell
myself____________________________________________________
I can tell
myself____________________________________________________
I can tell
myself____________________________________________________
2. What positive self- talk can you use during the presentation ?
I can tell
myself___________________________________________________
I can tell
myself___________________________________________________
I can tell
myself___________________________________________________
I can tell
myself___________________________________________________
___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
___________________________________________________________________
Leer :
Uhl Chamot, Anna et al (1999): The Learning Strategies Handbook. Addison-
Wesley, Longman NY USA
49
http://aasl.ala.org/assistandindtf/images/f/fa/5self-Assessment.doc
https://www.teachers.cambridgeesol.org/ts/digitalAssets/118613_assessing_spea
king_presentation_S...
50
TEMA 2
This activity fosters critical thinking and quick decision making, and students learn
how to express and justify themselves in polite ways while disagreeing with the
others. For efficient group discussions, it is always better not to form large groups,
because quiet students may avoid contributing in large groups. The group members
can be either assigned by the teacher or the students may determine it by themselves,
but groups should be rearranged in every discussion activity so that students can work
with various people and learn to be open to different ideas. Lastly, in class or group
discussions, whatever the aim is, the students should always be encouraged to ask
questions, paraphrase ideas, express support, check for clarification, and so on.
2. ROLE PLAY
One other way of getting students to speak is role-playing. Students pretend they
are in various social contexts and have a variety of social roles. In role-play activities,
the teacher gives information to the learners such as who they are and what they
think or feel. Thus, the teacher can tell the student that “You are David, you go to the
doctor and tell him what happened last night, and … “(Harmer, 1984)
3. SIMULATIONS
Simulations are very similar to role-plays but what makes simulations different than role
plays is that they are more elaborate. In simulations, students can bring items to the
class to create a realistic environment. For instance, if a student is acting as a singer, she
brings a microphone to sing and so on. Role plays and simulations have many
advantages. First, since they are entertaining, they motivate the students . Second, as
Harmer (1984) suggests, they increase the self-confidence of hesitant students, because
in role play and simulation activities, they will have a different role and do not have to
speak for themselves, which means they do not have to take the same responsibility
4. INFORMATION GAP
In this activity, students are supposed to be working in pairs. One student will have the
information that other partner does not have and the partners will share their information.
Information gap activities serve many purposes such as solving a problem of collecting
information. Also, each partner plays an important role because the task cannot be
completed if the partners do not provide the information the others need. These activities
are effective because everybody has the opportunity to talk extensively in the target
language.
51
5.BRAINSTORMING
On a given topic, students can produce ideas in a limited time. Depending on the context,
either individual or group brainstorming is effective and learners generate ideas quickly
and freely. The good characteristics of brainstorming is that the students are not
criticized for their ideas so students will be open to sharing new ideas.
6. STORY TELLING
Students can briefly summarize a tale or story they heard from somebody beforehand, or
they may create their own stories to tell their classmates.
Story telling fosters creative thinking. It also helps students express ideas in the format of
beginning, development, and ending, including the characters and setting a story has to
have. Students also can tell riddles or jokes. For instance, at the very beginning of each
class session, the teacher may call a few students to tell short riddles or jokes as
an opening. In this way, not only will the teacher address student’ speaking ability, but
also get the attention of the class.
7. INTERVIEWS
Students can conduct interviews on selected topics with various people. It is a good idea
that the teacher provides a rubric to students so that they know what type of questions
they can ask or what path to follow, but students should prepare their own interview
questions. Conducting interviews with people gives students a chance to practice their
speaking ability not only in class but also outside and helps them becoming socialized.
After interviews, each student can present his or her study to the class. Moreover, students
can interview each other and “introduce” his or her partner to the class.
8. STORY COMPLETION
This is a very enjoyable, whole-class, free-speaking activity for which students sit in a
circle. For this activity, a teacher starts to tell a story, but after a few sentences he or she
stops narrating. Then each student starts to narrate from the point where the previous one
stopped. Each student is supposed to add from four to ten sentences. Students can add
new characters, events, and descriptions and so on.
9. REPORTING
Before coming to class, students are asked to read a newspaper or magazine and, in
class, they report to their friends what they find as the most interesting news. Students
can also talk about whether they have experienced anything worth telling their friends in
their daily lives before class.
10.PLAYING CARDS
In this game, students should form groups of four. Each suit will represent a topic . For
instance:
Diamonds: Earn money
Hearts: Love and relationships
Spades: An unforgettable memory
Clubs: Best teacher
Each student in a group will choose a card. Then, each student will write 4‐5 questions
about a topic to ask the other people in the group. For example:
52
If the topic “Diamonds: Earning Money” is selected, here are some possible questions:
Is money important in your life? Why?
What is the easiest way of earning money?
What do you think about lottery? Etc.
However, the teacher should state at the very beginning of the activity that students are
not allowed to prepare yes‐no questions, because by saying yes or no, students get little
practice in spoken language production. Rather, students ask open‐ended questions to each
other so that they reply in complete sentences.
Leer de:
Ur, Penny(1996): A course in Language Teaching:Practice and Theory. CUP,UK.
(Pags 120 to 135)
Harmer, Jeremy(2009): How to Teach English. Pearson Longman, England.(Pags
123 to 132)
53
ACTIVIDADES RECOMENDADAS
Una vez finalizado el estudio de la Cuarta Unidad es recomendable que realice las Actividades
propuestas en esta Guía Académica del Participante.
INTERACTIVIDAD A TRAVÉS DE LA PLATAFORMA
Ingrese frecuentemente al Campus Virtual que se encuentra en la siguiente dirección:
http://euded.unfv.edu.pe/ para obtener mayor información sobre el tema (documentos digitales,
artículos, etc.) Conocer los anuncios que se escriben semanalmente y participar en los chats y foros.
Además puede conocer a sus compañeros e intercambiar conocimientos y experiencias de estudio.
ACTIVIDAD 4
Answer:
1. Why is it a good idea to evaluate yourself after participating in a speaking activity?
______________________________________________________________________
______________________________________________________________________
______________________________________________________________________
______________________________________________________________________
______________________________________________________________________
______________________________________________________________________
2. Which activities would you include in your class to promote speaking? Why?
______________________________________________________________________
______________________________________________________________________
______________________________________________________________________
______________________________________________________________________
______________________________________________________________________
______________________________________________________________________
54
AUTOEVALUACIÓN 4
I. Choose the best alternative
1. This activity fosters critical thinking and quick decision making, and students learn
how to express and justify themselves en polite ways while disagreeing with the
others
a) Role Play b) Discussion c) Brainstorming
2. In this activity students have different pieces of information about the same subject
and have to share this information in order for them both together all the
information they need to perform a task.
a) Information‐gap b) Simulations c) Story Telling
3. Students pretend they are in various social contexts and have a variety of social
roles . The teacher gives information to the learners such as who they are and what
they think or feel.
a) Picture Narrating b) interviews c) Role Play
4. For this activity students can work in pairs and each couple is given two different
pictures. Ss in pairs discuss the similarities and / or differences in the pictures.
a) Find the Difference b) Picture Describing c) Playing Cards
5. Activities whre Students pretend a real‐life event in the classroom, such as checking in
at an airport, ringing a helpline, etc.
II. Look at the following activities, what are they examples of ?
1. Each group has a picture which all its members can see. They have two minutes to
say as many sentences as they can that describe it; a secretary marks a tick on a
piece of paper representing each sentence. At the end of the two minutes , groups
55
report how many ticks they have. They then repeat the exercise with the second
picture, trying to get more ticks than the first time.
________________________________
2. The teacher tells a group of students :”You are the Managing Committee of a
special school for blind children. You want to organize a summer camp for the
children, but your school budget is insufficient. Describe how you might raise the
money.
______________________________
Verify your answers in the Answer Key at the end of this Guide
56
ANSWER KEY
UNIT ONE
1. ( F) 2. ( T ) 3. ( T ) 4. ( T ) 5. ( F ) 6. ( T ) 7. ( F ) 8. ( T ) 9. ( T ) 10. ( T)
UNIT TWO
1. ( B ) 2. ( C ) 3. ( B ) 4. ( B ) 5. ( A ) 6. ( A ) 7. ( B ) 8. ( C ) 9. ( A ) 10. ( B
)
UNIT THREE
UNIT FOUR
I. 1. ( b ) 2. ( a ) 3. ( c ) 4. ( a ) 5. ( b) 6. ( c )
57
GLOSSARY
1. approach General theories related to language teaching and learning.
A: Did y’see Theo last night? He was as pleased as a Lizard with a gold tooth
B: Sorry? What do you mean by that exactly?
7. classroom discourse The distinctive type of discourse that occurs in
classrooms. Special features of classroom discourse include unequal power
relationships, which are marked by unequal opportunities for teachers and pupils
to nominate topics, take turns at speaking, etc. It has been noted that the typical
pattern of interaction in all sorts of classrooms is one in which the teacher asks
a question to which he or she already knows the answer, one or more pupils
respond, and the teacher evaluates the response.
8. coherence The extent to which discourse is perceived to “hang together” rather
than being a set of unrelated sentences or utterances.
9. cohesion The formal links that mark various types of interclausal and
intersentential relationships within discourse. Examples:
Identity relationship: A: Do you know my brother Pete?
58
Meaningfully in a target language. Early approaches downplayed the importance
of grammar, some even advocating the abandonment of any focus on form. More
recent approaches acknowledge the centrality of grammar [ and try and teach
learners the relationship between grammatical form and communicative
meaning.]
12. communicative competence The ability to apply grammatical, discourse and
cultural knowledge to communicate effectively in particular contexts for particular
purposes.
13. comprehensible input Messages addressed to the learner that, while they
may contain structures and grammar that are beyond the learner’s current
competence, are made understandable by the context in which they are uttered.
According to Krashen’s Comprehensible Input Hypothesis, acquisition occurs
when learners understand messages that are just beyond their current stage of
development.
14. context The linguistic and experiential situation in which a piece of language
occurs. The linguistic environment refers to the words , utterances, and sentences
surrounding a piece of text. The experiential environment refers to the real-world
context in which the text occurs.
59
22. discourse analysis The analysis of naturally occurring samples of written
or spoken language with a focus on the communicative functions performed
in the course of the communication. Discourse analysis is sometimes contrasted
with text analysis, which analyzes the formal, linguistic properties of a text.
23. EAP ( English for Academic Purposes ) Courses and programs of study for
helping learners develop the skills needed for speaking and writing for
academic English, for example, writing essays and reports, taking part in tutorial
discussions, giving academic presentations.
24. EFL ( English as a foreign language ) The teaching and learning of English
in communities where it is not widely used for communication.
25. ESL ( English as a second language ) The teaching and learning of English
in communities where it is widely used for communication by the population
at large. These days the distinction between ESL and EFL is widely regarded
as an oversimplification.
26. ESP ( English for Specific Purposes ) Courses designed around the specific
needs of particular groups of learners, for example “English for computer
engineers,” “English for accountants.” ESP sometimes contrasts with EGP
(English for General Purposes).
27. functions The things people do through language, for example, apologizing
complaining, instructing.
28. genre A purposeful, socially constructed oral or written communicative event,
such as a narrative , a casual conversation, a poem, a recipe, or a description.
Different genres are characterized by a particular structure or stages, and
grammatical forms that reflect the communicative purpose of the genre in
question.
29. group work Tasks are exercises completed by learners working in small,
cooperative groups. Group work is particularly important in communicative
language teaching.
30. illocutionary force The functions performed by an utterance or piece of
language. The illocutionary force of an utterance can only be understood if
we know the context in which the utterance occurs.
Example: The statement “There’s a dog out the back.” Could, depending on the
context, be a description, a warning, an explanation, an invitation, and so on.
31. information gap tasks Pair or group work tasks in which participants have
access to different information. In order to complete the task, the information
must be exchanged. Such tasks are hypothesized to promote acquisition by
encouraging the negotiation of meaning.
32. interactional hypothesis According to this hypothesis, language is acquired
as learners actively engage in attempting to communicate in the target
60
language. The hypothesis is consistent with the experiential philosophy of
“learning by doing.” Acquisition well be maximized when learners engage in
tasks that “push” them to the limits of their current competence.
33. interlocutor effect The effect that the other members of a conversation
have on what the speaker says.
34. interpersonal task A communicative task in which the main purpose is to
socialize rather than to obtain goods and services.
35. intonation Raising and lowering voice pitch to convey aspects of meaning
. Intonation is one of the suprasegmental aspects of pronunciation.
36. learning strategy The mental and communicative processes that learners
deploy to learn a second language. For example, memorizing.
37. locutionary force The propositional ( as opposed to functional or
illocutionary) meaning of an utterance or statement.
38. meaningful drill A language drill in which the student is required to
understand the meaning of the utterance in order to produce a correct
response. Meaningful drill contrasts with mechanical drill, in which
understanding is not required in order to produce a correct response.
39. modality The dimension of an utterance that allows speakers or writers to
reveal their attitude toward the propositional content or the illocutionary force
of an utterance. Modality is most commonly achieved through modal verbs
such as may, might, should, ought.
40. motivation In language learning, the psychological factors determining the
amount of effort a learner is prepared to put into language learning.
41. negotiation of meaning The interactional work done by speakers and
listeners to ensure that they have a common understanding of the ongoing
meanings in a discourse. Commonly used conversational strategies include
comprehension checks, confirmation checks, clarification requests.
42. pragmatics The study of the way language is used in particular contexts
to achieve particular ends.
43. pronunciation The ways in which sounds are produced. Features of
pronunciation are divided into segmental phonology (individual sounds) and
suprasegmental phonology (stress, rhythm, and intonation)
44. propositional meaning The formal meaning of an utterance without
reference to its function within a discourse. Propositional or locutionary meaning
contrasts with pragmatic or illocutionary meaning.
Example: Propositionally, the utterance, “The window is open,” is an existential
statement about the state of an entity, i.e., a window. The illocutionary force of this
utterance ( which can only be recovered from the context in which it occurred) may be: a
request ( “it’s awfully cold in here, would you mind shutting the window?”; a suggestion (
61
A: I can’t get out of the room, the door is stuck fast. B: The window is open, why don’t
you climb out?), and so on.
45. speech act An utterance seen in terms of its propositions ( meanings ) and functions.
The propositional meaning is known as locutionary force, and the functional meaning is
known as the illocutionary force.
62
BIBLIOGRAFIA
1. Harmer, Jeremy (2009): How to Teach English. Pearson Longman, England.
2. Kalkstein H & Maurer, N (2008): Listening and Speaking. Heinle & Heinle
Publishers, Boston – USA.
3. Lewis, Michael & Hill Jimmie ( 1985 ) :Practical Techniques for Language
Teaching- Language Teaching Publications, England.
4. Nunan David (1999): Second Language Teaching Learning. Heinle & Heinle
Publishers, Boston – USA.
5. UHL Chamot, Anna & OMalley, J.Michael (1994) The CALLA Handbook
Implementing the Cognitive Academic Language Learning Approach. Addison-
Wesley Publishing Company, New York – USA.
6. UHL Chamot, Ana et al (1999): The Learning Strategies Handbook. Addison-
Wesley Longman, New York – USA.
7. UR, Penny (1996): A Course in Language Teaching: Practice and Theory.
Cambridge University Press, Great Britain.
WEBGRAFIA
Speaking
www.teachingenglish.org.uk/teaching-speaking
www.cambridge.org/other_files/downloads/esl/booklets/Richards-Teaching-
Listening-Speaking.pdf
http://iteslj.org/Techniques/Kayi-Teaching-speaking.html
www.slideshare.net/jesler/teachingspeaking
www.standford.edu/dept/CTL/Newsletter/
http://www.tesol.org/enhance-your-career/career-development/beginning-your-
career/teaching-english...
Listening
www.nclrc.org/essentials/listening/liindex.htm
www.cambridge.org/other_files/downloads/esl/booklets/Brown-Teaching-
Listening.pdf
http://www.nclrc.org/essentials/listening/goalslisten.html
http://slideshare.net/samuraitheologian/hd-browns-principles-for-teaching-
listening-skills
http://english.tyhs.edu.tw/xoops/htmltyhs/teach_source101/02plan.pdf
63