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SCALE
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SCALA PENTATONICA MAGGIORE E MINORE
1 4
2 4
1 3
1 3
1 4
1 4
● ● ●●
2 4
2 4
1 4
1 4
2 4
2 4
● ● ●●
1 4
1 4
1 3
1 3
1 3
1 4
● ● ●●
2 4
2 4
1 3
1 4
1 4
2 4
● ● ●●
1 3
1 4
1 4
1 3
1 3
1 3
● ● ●●
SCALA BLUES
0 3
1 3 4
0 2
0 1 2
0 3
0 3
● ● ●●
1 3
1 2 3
1 4
1 4
1 3 4
1 3
● ● ●●
1 4
1 4
1 3 4
1 3
1 2 3
1 4
● ● ●●
1 3 4
1 3
1 2 3
1 4
1 4
1 3 4
● ● ●●
1 3
1 4
1 4
1 3 4
1 3
1 2 3
● ● ●●
SCALA MAGGIORE E MINORE
1 2 4
1 2 4
1 3
1 3 4
1 3 4
1 2 4
● ● ●●
1 3
1 3 4
1 3 4
1 2 4
1 2 4
2 4
● ● ●●
1 3 4
1 2 4
1 2 4
1 3
1 3 4
1 3 4
● ● ●●
1 2 4
2 4
1 3 4
1 3 4
1 2 4
1 2 4
● ● ●●
1 3 4
1 3 4
1 2 4
1 2 4
1 3
1 3 4
● ● ●●
SCALA MINORE ARMONICA
1 1 3 4
2 3
1 2 4
2 3
1 3 4
1 1 3 4
● ● ●●
1 2 4
3 4
1 3 4
1 1 3 4
1 2
1 2 4
● ● ●●
1 3 4
1 1 3 4
1 2
1 2 4
2 3
1 3 4
● ● ●●
1 2
1 2 4
2 3
1 3 4
1 1 3 4
2 3
● ● ●●
2 3
1 3 4
1 1 3 4
1 2
1 2 4
1 3 4
● ● ●●
SCALA MINORE MELODICA
1 2 4 4
2 4
1 2 4
1 3 4
1 3
1 1 3 4
● ● ●●
1 2 4
1 3 4
1 3
1 1 3 4
1 3
1 2 4
● ● ●●
1 3
1 1 3 4
1 3
1 2 4
1 3 4
2 4
● ● ●●
1 3
1 2 4
1 3 4
1 3
1 1 3 4
2 4
● ● ●●
1 3 4
2 4
1 1 3 4
1 3
1 2 4
1 3 4
● ● ●●
SCALA PENTATONICA DI DOMINANTE
1 3
2 4
1 4
1 3
1 4
1 3
● ● ●●
1 3
2 3
1 4
1 3
2 4
1 4
● ● ●●
1 4
1 3
1 3
1 4
1 3
1 4
● ● ●●
2 4
1 4
1 3
1 4
1 3
2 4
● ● ●●
1 3
1 4
1 3
1 3
1 4
2 3
● ● ●●
SCALA DIMINUITA
1 2 4
1 3 4
1 2 4
1 2 4 4
1 3 4
1 2 4
● ● ●●
1 2 4 4
1 3 4
1 2 4
1 3 4
1 2 4
1 1 3 4
● ● ●●
1 3 4
1 2 4
1 3 4
1 2 4
1 2 4 4
1 3 4
● ● ●●
SCALA ESATONALE
1 2 4
1 3
1 3
1 2 4
1 3
1 2 4
● ● ●●
1 3
1 2 4
1 3
1 3
1 2 4
2 4
● ● ●●
SCALA MAGGIORE ARMONICA
0 1 3 4
0 1 3
0 1
0 2 3
2 3
0 1 3 4
● ● ●●
1 2
1 3 4
2 3
1 2 4 4
1 2 4
2 3
● ● ●●
2 3
1 2 4 4
1 2 4
1 2
1 3 4
1 3 4
● ● ●●
1 2 4
2 3
1 3 4
3 4
1 2 4 4
1 2 4
● ● ●●
1 3 4
3 4
1 2 4 4
1 2 4
1 2
1 3 4
● ● ●●
SCALA AUMENTATA
1 1 4 4
1 2
1 2
1 2
2 3
1 1 4 4
● ● ●●
2 3
1 1 4 4
1 2
1 2
2 3
1 4 4
● ● ●●
1 2
2 3
2 3
1 1 4 4
2 3
3 4
● ● ●●
1 2
1 2
1 2
2 3
1 1 4 4
2 3
● ● ●●
ARPEGGI
ARPEGGIO TRIADE MAGGIORE
1
3
3
1 3
2
2
● ● ●●
4
1 4
1
1
3
4
● ● ●●
1
1
2
4
1 3
2
● ● ●●
3
4
1 3
2
1
4
● ● ●●
1 4
2
1
3
4
1 3
● ● ●●
ARPEGGIO TRIADE MINORE
1
2
3
3
1 4
1
● ● ●●
3
3
1 3
1
2
4
● ● ●●
1 4
1
1
3
3
1 4
● ● ●●
1
4
2
1 3
1
2
● ● ●●
3
1 4
0
1
4
3
● ● ●●
ARPEGGIO TRIADE DIMINUITA
1 4
2
1
1 4
● ● ●●
4
2
1 3
1 4
3
● ● ●●
1 4
1 4
3
2
1 4
● ● ●●
1 4
3
1
1 4
1 4
● ● ●●
2
1 4
1 4
3
2
● ● ●●
ARPEGGIO TRIADE AUMENTATA
3
1 4
1
2
3
4
● ● ●●
2
3
3
1 4
2
3
● ● ●●
1
2
2
3
1 4
2
● ● ●●
1 4
1
1
2
3
1 4
● ● ●●
ARPEGGIO TRIADE SOSPESA
1
4
3
1 3
1
1
● ● ●●
4
2 3
1
1
4
3
● ● ●●
1
1
3
3
1 3
1
● ● ●●
4
4
1 2
1
1
4
● ● ●●
1 3
1
0
3
3
3
● ● ●●
ARPEGGIO SETTIMA MAGGIORE
1
4
3 4
1 4
1 2
2
● ● ●●
3 4
1 4
1 1
1
3
3 4
● ● ●●
1 2
2
3
3 4
1 4
1 2
● ● ●●
3
3 4
1 3
1 2
2
4
● ● ●●
1 4
1 2
1
3
3 4
1 3
● ● ●●
ARPEGGIO SETTIMA DI DOMINANTE
1 4
3
1 3
1 4
2
1 4
● ● ●●
2 4
1 4
1
1 4
3
2 4
● ● ●●
1
1 4
2
1 3
1 4
2
● ● ●●
3
2 4
1 3
2
1 4
3
● ● ●●
1 4
2
1 4
3
2 4
1 3
● ● ●●
ARPEGGIO MINORE SETTIMA
1 4
2
1 3
3
1 4
1 4
● ● ●●
2 4
4
1 4
1 4
2
2 4
● ● ●●
1 4
1 4
1
1 3
3
1 4
● ● ●●
2
2 4
3
1 4
1 4
2
● ● ●●
3
1 4
0 3
1
1 3
3
● ● ●●
ARPEGGIO SEMIDIMINUITO
3
1 4
1 2
2
1 4
4
● ● ●●
2 4
3
1 4
3
1 4
1 3
● ● ●●
1 4
4
1 4
1 3
2
1 4
● ● ●●
1 4
1 3
1
1 4
3
1 4
● ● ●●
2
1 4
3
1 4
1 3
2
● ● ●●
ARPEGGIO SETTIMA DIMINUITA
1 4
3
1 4
2
1 4
1 4
● ● ●●
2
1 4
2
1 4
1 4
3
● ● ●●
1 4
1 4
2
1 4
2
1 4
● ● ●●
ARPEGGIO MINORE SETTIMA MAGGIORE
1
2
2 3
3
1 1 4
2
● ● ●●
3 4
4
1 1 4
1
2
3 4
● ● ●●
1 1 4
1
1
2 3
3
1 1 4
● ● ●●
2
3 4
3
1 1 4
2 4
3
● ● ●●
3
0 1 4
0
1
2 3
3
● ● ●●
ARPEGGIO DI DOMINANTE AUMENTATA
2 4
3
1 3
1 4
2
2 4
● ● ●●
1 3
1 4
1
2 4
3
2 4
● ● ●●
1
2 4
2
1 3
1 4
2
● ● ●●
3
1 2 4
1
2
2 4
3
● ● ●●
0 4
1
1 3
2
1 3
0 4
● ● ●●
ARPEGGIO DI DOMINANTE b5
1
4
2 3
1 3
2
1 4
● ● ●●
2 4
1 3
1
3
2 4
1 3
● ● ●●
1
1 4
3
2 4
1 3
2
● ● ●●
3
2 4
1 2
2
1 4
4
● ● ●●
0 2
1
3
2 4
1 3
0 2
● ● ●●
ARPEGGIO SETTIMA MAGGIORE b5
1
4
3 4
1 3
1 2
1
● ● ●●
3 4
1 3
1 1
1
3
3 4
● ● ●●
1 2
1
3
3 4
1 3
1 2
● ● ●●
3
4 4
1 3
1 2
1
4
● ● ●●
2 4
2 3
1
3
3 4
1 3
● ● ●●
ARPEGGIO SETTIMA MAGGIORE #5
2
3
2 3
1 4
1 2
3
● ● ●●
1 3 4
2
1 2
2
3
3 4
● ● ●●
1 2
2
2
2 3
1 4
1 2
● ● ●●
3
1 3 4
1
1 2
3
4
● ● ●●
0 4
0 1
1
2
2 3
0 4
● ● ●●
ACCORDI
TRIADE MAGGIORE
1 1 2
3 1 3
2 2 1
III VIII XII
1 1 2
1 2 1
1 3 3
V VIII XII
1 1 1
1 3 2
3 2 3
V IX XII
1 1 1
3 1 3
4 3 2
V X II
TRIADE MINORE
1 1 1
2 1 3
3 1 2
III VIII XI
1 1 3
3 1 1
2 3 2
IV VIII XII
1 1 1
1 4 2
2 3 4
V VIII XII
1 1 1
2 1 4
4 2 3
V X I
TRIADE DIMINUITA
1 3 1
3 1 3
4 2 1
I VII XI
2 1 4
3 2 1
1 4 3
IV VII XI
2 1 1
1 3 2
3 2 4
IV VIII XI
1 2 1
2 1 3
4 3 2
IV IX I
TRIADE AUMENTATA
1 1 1
3 3 3
2 2 2
IV VIII XII
1 1 1
1 1 1
2 2 2
V IX I
1 1 1
2 2 2
3 3 3
V IX I
1 1 1
2 2 2
3 3 3
VI X II
TRIADE SOSPESA
1 1 4
4 1 3
3 3 1
III VIII XII
2 1 2
1 4 1
1 3 4
V VIII XII
1 1 1
1 1 4
4 1 3
V X XII
1 1 1
4 1 1
1 4 1
V X III
QUADRIADI IN POSIZIONE FONDAMENTALE
4 4 2 4
2 1 1 2
3 3 3 3
1 1 1 1
III CΔ III C7 III C-7 II CØ
3 4 2 3
3 2 2 3
3 3 3 3
1 1 1 1
X CΔ X C7 X C-7 X CØ
3 4 1 1
2 1 1 1
4 3 3 2
1 1 1 1
VIII CΔ VIII C7 VIII C-7 VIII CØ
2 3 3 1
4 4 3 4
3 2 3 3
1 1 2 2
VIII CΔ VIII C7 VIII C-7 VII CØ
2 1 3 1
4 3 4 4
3 1 2 3
1 1 1 2
III CΔ III C7 III C-7 II CØ
QUADRIADI SETTIMA MAGGIORE
3 3 4 1
3 1 1 1
3 4 1 3
1 2 1 2
X I V VIII
4 3 4 2
2 1 1 1
3 4 3 4
1 2 2 3
III V IX XII
3 3 4 1
2 1 1 1
4 4 3 4
1 2 2 3
VIII X II V
2 4 1 1
4 3 4 1
3 1 2 1
1 2 3 3
VIII X I V
2 3 1 1
4 4 4 2
3 1 2 1
1 2 3 3
III V VIII XII
QUADRIADI SETTIMA DI DOMINANTE
4 4 2 1
2 1 1 1
3 3 1 2
1 2 1 1
X I V VIII
4 4 4 3
1 1 1 1
3 3 3 4
1 2 2 2
III V IX XII
3 3 4 1
1 1 1 1
4 4 3 3
1 2 2 2
VIII X II V
3 2 1 1
4 4 4 1
2 1 2 1
1 3 3 2
VIII X I V
1 2 1 1
4 4 4 3
1 1 2 1
1 3 3 2
III V VIII XII
QUADRIADI MINORI SETTIMA
2 4 4 1
2 1 1 1
3 3 3 1
1 1 2 1
X I IV VIII
2 4 4 4
1 1 1 1
3 3 3 3
1 2 2 2
III V VIII XII
1 3 4 1
1 1 1 1
4 4 3 4
1 2 2 3
VIII X I V
3 3 1 1
3 4 4 3
3 1 1 2
2 2 2 4
VIII X I IV
3 3 1 1
4 4 4 4
2 1 1 2
1 2 3 3
III V VIII XI
QUADRIADI SEMIDIMINUITI
3 2 4 4
3 1 1 1
3 3 2 3
1 1 1 2
X I IV VII
4 3 4 4
2 1 1 1
3 4 3 3
1 2 2 2
III V VIII XII
1 3 4 2
1 1 1 1
2 4 3 4
1 2 2 3
VIII X I IV
1 4 1 1
4 3 4 2
3 1 1 1
2 2 2 3
VII X I IV
1 3 1 1
4 4 4 4
3 1 1 1
2 2 2 3
II V VIII XI
QUADRIADI SETTIMA DIMINUITA
4 4 4 4
2 2 2 2
3 3 3 3
1 1 1 1
X I IV VII
4 3 4 4
1 1 1 1
3 4 3 3
2 2 2 2
II V VIII XII
3 3 3 3
1 1 1 1
4 4 4 4
2 2 2 2
VIII X I IV
1 1 1 1
3 3 3 3
1 1 1 1
2 2 2 2
VII X I IV
1 1 1 1
4 4 4 4
1 1 1 1
2 2 2 2
II V VIII XI
QUADRIADI MINORE SETTIMA MAGGIORE
2 3 4 1
4 1 1 1
3 4 3 1
1 1 2 2
X I IV VIII
3 3 4 3
2 1 1 1
4 4 3 2
1 2 2 4
III V VIII XII
2 3 4 1
3 1 1 1
4 4 3 2
1 2 2 3
VIII X I V
1 4 1 1
1 3 4 3
2 1 1 2
1 2 2 4
VIII X I IV
2 3 1 1
4 4 4 3
3 1 1 2
1 2 3 4
III V VIII XI
QUADRIADI SETTIMA MAGGIORE #5
3 4 4 1
2 1 1 4
4 3 1 3
1 2 2 2
X I V VIII
3 4 4 1
2 1 1 1
4 3 2 3
1 2 3 2
III V IX I
3 3 4 1
2 1 1 2
4 4 2 4
1 2 3 3
VIII X II V
3 3 1 1
3 4 4 1
3 1 2 2
1 2 3 3
VIII X I V
3 3 1 1
4 4 4 3
2 1 2 2
1 2 3 4
III V VIII XII
QUADRIADI SETTIMA MAGGIORE b5
4 3 4 2
3 1 2 1
2 4 2 4
1 2 1 3
X I IV VII
4 3 4 2
3 1 1 1
2 4 2 4
1 2 1 3
III V IX XI
3 2 4 2
3 1 1 1
3 4 2 4
1 3 1 3
VIII X II IV
1 4 1 2
4 2 4 2
3 1 3 1
2 2 2 4
VII X I IV
1 4 1 2
4 3 4 3
3 1 3 1
2 2 2 4
II V VIII XI
QUADRIADI SETTIMA #5
3 4 3 2
2 1 1 4
4 3 1 3
1 2 2 1
X I V VIII
3 4 4 1
1 1 1 1
4 3 2 2
1 2 3 1
III V IX XI
3 3 3 1
1 1 1 3
4 4 2 4
1 2 4 2
VIII X II V
4 2 1 1
3 4 3 1
2 1 2 3
1 3 4 2
VIII X I V
3 2 1 1
4 4 4 4
2 1 2 3
1 3 3 2
III V VIII XII
QUADRIADI SETTIMA b5
4 3 4 3
3 1 3 1
2 4 2 4
1 2 1 2
X I IV VII
3 3 4 3
1 1 1 1
2 4 2 4
1 2 1 2
III V IX IX
4 2 4 2
2 1 2 1
3 4 3 4
1 3 1 3
VIII X II IV
1 2 1 2
4 2 4 2
3 1 3 1
2 4 2 3
VIII X I IV
1 2 1 2
4 4 4 4
3 1 3 1
2 3 2 3
III V VIII XI
ACCORDI JAZZ FONDAMENTALI
4 4 4 3
3 3 3 4
2 1 1 1
2 2 2
1
III G13 II C9 III D-9 II CΔ9
1 4 1 4
4 3 3 3
3 1 1 1
2 2
2 2
III A-11 II C7#9 II C7b9 II G-6
4 3 4 1
2 1 3 2
1 1 2 4
3 2
1 3
III D-6/9 II C6/9 III G7#5 I Gsus4/9
1 3 1
1 4 4 4
1 1 3 3
1 2
1 2 2
1
V Dsus9 IV D-6 III D-11 I FΔ13
3 1 1 1
1 2 1 1
1 4 3 1
2 3 2 2
#11
II G6/9 II A9 I Gb9 II G6/9#11
MAPPA DEGLI INTERVALLI
E’ possibile creare una mappa, sulla tas3era della chitarra, in modo da visualizzare
tu8 gli intervalli rela3vi ad una qualsiasi nota.
La memorizzazione del disegno che segue 3 perme=erà di evitare tu=o il calcolo

teorico rela3vo alle possibili alterazioni di un intervallo e al numero di semitoni:
La le=era “F” indica la nota fondamentale, in questo caso Ab, rispe=o a cui vengono
calcola3 tu8 gli intervalli.
La perfe=a memorizzazione di questo schema perme=e di capire gli elemen3 di cui
è formato un accordo o una scala e facilita la visualizzazione dei gradi di una tonalità
sul manico della chitarra.
Questa mappa è rela3va a Ab, ma evidentemente è possibile u3lizzarla per tu=e le
note spostando i pun3 di riferimento.
Il modo migliore per memorizzarla è dividerla in due par3: quella con la nota
fondamentale sulla sesta corda e quella con la nota fondamentale sulla quinta
corda, come indicato dai re=angoli tra=eggia3.
MODULI
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SCALE

III VIII XII

III VIII XII

III CΔ III C7 III C-7 II CØ

III CΔ III C7 III C-7 II CØ

III V VIII XII

III V VIII XII

III V VIII XII

III V VIII XII

III V VIII XII

III V VIII XII

III V VIII XII

La memorizzazione del disegno che segue 3 perme=erà di evitare tu=o il calcolo

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