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Sarah Benesch
City University of New York - College of Staten Island
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Pennycook, A. (1989). The concept of method, interested knowledge, and the
politics of language teaching. TESOLQuarterly,23, 589-618.
Schniedewind, N. (1983). Feminist values: Guidelines for a teaching methodology in
women's studies. In C. Bunch & S. Pollack (Eds.), Learning our way: Essays in
feminist education(pp. 248-260). Trumansburg, NY: Crossing Press.
Taubman, P. (1982). Gender and curriculum: Discourse and the politics of sexuality.
Journal of CurriculumTheorizing,4(1), 12-87.
Weiler, K. (1988). Womenteachingfor change.South Hadley, MA: Bergin & Garvey.
ThinkingCritically,ThinkingDialogically
SARAH BENESCH
Collegeof StatenIsland, City Universityof New York
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NOT TEACHING CRITICAL THINKING:
A POLITICAL CHOICE
Atkinson (1997), Atkinson and Ramanathan (1995), and Ramanathan
and Kaplan (1996a, 1996b) share the view that critical thinking is
acquired through an unconscious process of socialization during child-
hood and that it cannot, therefore, be taught in schools, especially at the
postsecondary level. They also believe that native-English-speaking stu-
dents enrolled in U.S. colleges have been socialized as critical thinkers
whereas their nonnative-speaking counterparts enrolled in those institu-
tions may not have been. So, according to these authors, nonnative-
speaking students should not be asked to engage in critical reading and
writing tasks because "L1 students are better prepared to handle them
than L2 students" (Ramanathan & Kaplan, 1996b, p. 231). The argu-
ment that critical thinking is harder for L2 students than for L1 students,
if not impossible for the former group, appears frequently in these
authors' writing:
Perhaps the major problem with introducing such non-overt social practices
[critical thinking skills] into the classroom is that they are hard-if not
impossible-to teach. (Atkinson, 1997, p. 77)
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topics, approach to inquiry, and so on. So, rather than seeking ways to
avoid imposing, those who oppose teaching critical thinking might ask,
How is my teaching driven by my ideology? Instead, by not acknowledg-
ing that their choice to reject critical thinking is as political as deciding
to be a critical teacher, the authors can tacitly claim neutrality for their
position.
Although the opponents of critical thinking do not discuss their
choices from an ideological viewpoint, Atkinson (1998) outlines a clear
political position. In a response to his critics, Atkinson states his belief
that for humans to become aware of how they think would lead to
"disastrous consequences; mundane life can proceed only when its vast
tacit machinery remains by and large under wraps" (p. 133). In taking
this position, Atkinson excludes students from examining their thinking
and behavior and possibly challenging the status quo. Critical teachers
take an opposing political position, encouraging students to consider
and question processes of daily life so that their thinking and behavior
will be informed.
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"reflective social practice" (Gieve, 1998, p. 124), questioning and per-
haps changing conventional attitudes and practices rather than unwit-
tingly accepting the status quo. Along with positing consciousness as
central to critical thinking, Gieve also counters Atkinson's claim that
critical thinking is a uniquely Westernor U.S. middle-classphenomenon,
by distinguishing monologic and dialogic critical thinking. Monologic
critical thinking, on which U.S. skills-basedschool curricula are often
based, is "defined by the informal logic movement" (p. 126). Dialogic
critical thinking, on the other hand, is "aform of dialogical discourse in
which the taken-for-grantedassumptions and presuppositions that lie
behind argumentation are uncovered, examined, and debated" (p. 125);
Gieve adds that this type of thinking is a powerful tool for dissent across
cultures and classes, notjust in the West or among the middle class. Note
that Gieve's description of dialogic critical thinking suggests the third
part of Ramanathanand Kaplan's (1996b) definition of critical thinking:
"Developing the ability to look for hidden assumptions and fallacies in
everydayarguments"(p. 226). Left out of their definition, though, is the
dialogic exchange Gieve promotes: examining and debating assump-
tions. That is, dialogic critical thinking includes a thorough study and
consideration of various viewpoints. The opponents of critical thinking
overlook these features, portraying it instead as a monologic transmis-
sion of Westernwaysof thinking to impressionable students.Yet,as Spack
(1997) points out, students are not simply products of their home
cultures and passive recipients of the target culture; "they are also
creators of culture" (p. 772). That is, student agency is part of the L2
teaching and learning equation, as can be seen in the following example
of a classroom discussion among actively engaged students.
2 Matthew Shepard was an openly gay 22-year-old student enrolled at the University of
Wyoming, Laramie. On October 7, 1998, he went to a bar frequented by gay and straight
students and workers. Two young local men, Russell Henderson and Aaron McKinney, posing
as homosexuals, offered Shepard a ride. They drove him to an isolated rural area, tied him to
a fence, and beat, burned, and robbed him. Shepard was discovered 18 hours later, still tied up.
He died 5 days later.
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from an ideological viewpoint, I am committed to fighting injustice and
inequality in society and the classroom. Therefore, when this hate crime
was reported, I felt compelled to raise it with my students.
Second, there had been an on-line, universitywide discussion about
how to respond to the murder. Gay faculty stressed the importance of
"coming out" to students, mainly to create a safe climate for gay students
who may have been terrified by the brutal crime. Others offered
testimonials about the tolerant attitudes expressed by their students. And
one writing teacher wondered how to respond to blatantly homophobic
statements made by young men in her class in connection to the murder.
Missing were suggestions about how to go beyond initial reactions to
encourage sustained conversation in which a greater range and depth of
positions could be explored, a goal I hoped to achieve.
Third, a few young men in my class had previously mentioned using
physical violence when confronted about their race or ethnicity. There-
fore, I suspected they might find violence an acceptable way of dealing
with homosexuality and was prepared to help them question that
response. Finally, I did not assume that all of my students were necessar-
ily heterosexual and wanted to create a climate of acceptance so that
issues related to sexual orientation could be addressed.
Rather than summarize the entire discussion, I focus on one assump-
tion that emerged and was treated dialogically: that heterosexual men
are justified in responding to the presence of homosexual men with
anger or violence to assert a traditional notion of masculinity. This
assumption was initially unstated but was gradually articulated as the
discussion progressed, beginning withJoon's3 dismissal of the topic when
I distributed a newspaper article about the murder: "That homo guy!" As
the students read it silently, he continued, muttering, "I hate that ....
Gay people ... I'm gonna kill myself!" After discussing the disputed facts
of the Shepard murder, including whether Shepard had approached his
attackers at the bar or whether they had initiated conversation with him,
Roger told of once being approached by a gay coworker: "I wanted to
punch him, but I had to keep my job." Then Eva told of being
approached by a gay woman at a dance club, allowing the students to
consider why Roger had felt threatened whereas Eva had not. Why had
he wanted to beat the guy up whereas she had laughed it off and even felt
flattered? Joon declared that if he were approached by a man, he would
beat him up. When asked why, he said that being admired by a man
would embarrass him, an important admission that led Roger to offer,
'You worry that it's something about you. What do they see in me?"
These contributions were the beginning of a deeper consideration of
fear of homosexuality, including concerns about being perceived as gay
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and about becoming gay. Roger explained that beating up his coworker
would have proven to others that he was not gay. Returning to the
Shepard case, Lissa wondered whether his murderers had been moti-
vated by a need to resolve their own conflicted feelings: "Maybe they
couldn't deal with him being so open and they were ashamed. 'I'm a
macho cowboy man.' Could they be hiding something?" Joon asked,
"Could someone change from being straight to being gay?" leading
Roger to offer more information about his coworker: He had been
married and had a child but had recently fallen in love with a man. Then
Roger shared his confusion about whether he should maintain a distance
from his coworker or accept him as a friend.
Two other men, one Sri Lankan and one Chinese, told of how they
had curtailed public affection toward male friends because of the fear of
being viewed as homosexual, in the context of U.S. homophobia. The
first no longer had dinner with male friends in restaurants as he had
done in Sri Lanka ("Some people might think we're gay"), and the
second no longer held hands with male friends as he had done in China,
explaining that he had never heard of homosexuality before coming to
the United States. Several of the men animatedly discussed the loss of
closeness with their male friends as a result of these restrictions. The
women reported that they faced few such restrictions, pondering the
reasons for a greater tolerance of overt closeness between women than
between men in the United States.
During the discussion, I played two roles: conversation facilitator and,
more judiciously, intervener. As conversation facilitator, I listened, took
notes, and asked occasional questions to encourage elaboration. As
intervener, I asked the students to examine certain assumptions further.
That is, teaching critical thinking is neither an unguided free-for-all nor
a didactic lecture but a balance between extended student contributions
and gentle challenges by the teacher.
I intervened twice in this class discussion. In the first intervention, I
asked the students to question the assumption on which many of their
contributions seemed to be based: that homosexuals are primarily
interested in making sexual overtures to and converting heterosexuals.
Could this notion be based on fears some students had already raised
rather than on a real threat? I asked. My other challenge was to ask the
students to consider the social origins of their fears as well as alternatives
to killing or beating up someone as a way of dealing with those fears. The
two interventions were intended to connect the Shepard case, experi-
ences and concerns students had described, and more abstract notions
of tolerance and social justice.
This brief description shows that critical dialogue can help students
explore their views and those they might not have previously been
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exposed to. Although one lesson or course cannot wipe out homophobia
or other dangerous attitudes, the students in this class were asked to
consider alternatives to intolerance and violence as reactions to differ-
ence, values I communicate to all my students, knowing that they may or
may not choose to adopt them. Still, I note that, during the discussion,
the young men in my class who initially expressed contempt for
homosexuals concluded that their scorn was based in fear and embar-
rassment. That understanding may have been the first step toward a
greater appreciation of human complexity.
CONCLUSION
The current debate about critical thinking is not a harmless academic
exchange but a political discussion with serious implications about what
should and should not be taught in EAP and L2 composition classes.
EAP's pragmatic ideology underlies the view that nonnative-speaking
students' "immediate writing needs in their academic classes" (Atkinson
& Ramanathan, 1995, p. 560) should be the exclusive focus of instruc-
tion. A dialogic approach to critical thinking, on the other hand, does
not choose between immediate needs and the development of social
awareness, believing that they can and should be taught simultaneously.
A critical EAP teacher responds to the demands of content courses while
encouraging students to question academic life and society (Benesch,
1993, 1998, in press).
According to Atkinson (1998), the habitual activities and thoughts of
everyday life are better left "under wraps" (p. 133). By contrast, Brookfield
(1987), a self-proclaimed critical teacher, posits awareness as a central
feature of teaching:
ACKNOWLEDGMENTS
I thankRobertAttanasioand BrianMorganfor their feedback.
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THE AUTHOR
Sarah Benesch is associate professor of English and ESL coordinator at the College of
Staten Island, City University of New York. She has edited two collections of essays,
Ending Remediation:LinkingESL and Contentin HigherEducation(TESOL) and ESL in
America:Mythsand Possibilities(Heinemann).
RE;ERENCES
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