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Searched for : mise en scene
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Results : 26 document(s) with 173 instance(s)
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File : Andrew Sempere - (PhD) Computational Shifts in Theatrical Space.pdf

Title : Computational Shifts in Theatrical Space
Subject :
Author : Sempere, Andrew James
Keywords :

Page:  13

L’auteur dans la mise en scène by Clémentine Colpin.............................. 114 Figure 4.22: Ruth, the

Page:  110

L’auteur dans la mise en scène by Clémentine Colpin, featuring HeartCollector. At this point

Page:  111

L’auteur dans la mise en scène was the inherent criticism of data-as-self

File : Dinulovic TIPOLOGIJE POZORIŠNOG PROSTORA.pdf
Title : Zbornik Radova.indb
Subject :
Author :
Keywords :

Page:  24

Histoire de la mise en scène dans le théâtre religieux du moyen age i

File : Dorita Hannah, Architecture of Alienation - The Double Bind and Public Space.pdf
Title : Idea_2005.indd
Subject :
Author :
Keywords :

Page:  7

of the fractured mise en scene. Revealing the technology and revealing the architecture are
File : Eric Parry-Context_ Architecture and the Genius of Place-Wiley (2015).pdf
Title : Context: Architecture and the Genius of Place
Subject :
Author : ERIC PARRY
Keywords :

Page:  142

an ever-changing mise en scène of regulars, chance encounters and the unattached who,
File : Juhani Pallasmaa-The Eyes of the Skin_ Architecture and the Senses-Wiley
(2012).pdf
Title : The Eyes of the Skin: Architecture and the Senses
Subject :
Author : Juhani Pallasmaa
Keywords :

Page:  60

Art is memory’s mise-en-scène’, and ‘Art is made by the alone

File : Nigel Coates-Narrative Architecture_ Architectural Design Primers series-Wiley
(2012).pdf
Title : Narrative Architecture
Subject :
Author : Coates, Nigel
Keywords : EBC Converted

Page:  20

– a naturalistic mise en scène for the families that lived, and hopefully flourished,
File : Axel Stockburger_(Phd) The Rendered Arena. Modalities of Space in Video and
Computer Games 2006.pdf
Title : Microsoft Word - final_as_ac.doc
Subject :
Author : diskret
Keywords :

Page:  71

a stage, a mise-en-scene – in short a space. Non-verbal sets

Page:  108

information within their mise-en-scene; or they provide resources for emergent narratives” (
File : Andrew Rollings, Dave Morris-Game Architecture and Design_A New Edition-
New Riders Publishing(2004).pdf
Title : 00 3634_FM_Intro
Subject :
Author : uschugl
Keywords :

Page:  10

An Example of Mise En Scene 219 Games as Entertainment 222 The Way Forward

Page:  249

used in cinema: mise en scene, which is the organization of images in space,

an example of mise en scene. Case Study 8.4 An Example of Mise En

An Example of Mise En Scene About halfway through Appeal’s Outcast, there is an

remarkable case of mise en scene. To bring us close to both hero and

horror. Theater uses mise en scene but not montage. Novels use montage as a

Page:  250

they cannot employ mise en scene without evoking montage, because the order of describing

intense emotion, and mise en scene creates setting, ambience, and reflective emotion. What about

evidently uses only mise en scene. This is because montage requires the viewer to

Page:  930

architecture, 100, 102 mise en scene, 219 misjudging the market, 731, 733 player/gameplay

Page:  944

functionality, 306-307 mise en scene, 219-220 case study 8.4, 219 misinterpretation of

Page:  945

case study 8.4, mise en scene, 219 incorporating interface, 149 patches, 717 personalization, 155
File : Michael Nitsche-Video Game Spaces_Image, Play, and Structure in 3D Worlds-
MIT Press(2008).pdf
Title : Video Game Spaces: Image, Play, and Structure in 3D Worlds
Subject : TEAM DDU
Author : Michael Nitsche
Keywords :

Page:  90

through an elaborate mise-en-scène and camera movement. Unlike montage, which lets the

Page:  117

for an optimized mise-en-scène in game spaces as in fi lm sets.

Page:  124

where framing and mise-en-scène are very dynamic and diffi cult to Cinema

Page:  161

can shape the mise-en-scène through its control over the space and the

Page:  309

bande, 141–142 Mise-en-scène, 81, 108, 115, 152 Mobile camera, 82–84,
File : Bernard Perron, Mark J.P. Wolf-The Routledge Companion to Video Game Studies-
Routledge (2013).pdf
Title : The Routledge Companion to Video Game Studies
Subject :
Author : Perron, Bernard.,Wolf, Mark J. P.
Keywords :

Page:  145

contribute to the mise-en-scène and, in certain genres, aid in identifying friend

Page:  147

devoted to the mise-en-scène of the game world. For instance, a large

a game world’s mise-en-scène. Modern video games also have non-diegetic musical
File : Bernard Perron, Mark J.P. Wolf-The Video Game Theory Reader 2-Routledge
(2008).pdf
Title : The Video Game Theory Reader 2
Subject : 9780415962827
Author : Bernard Perron and Mark J. P. Wolf (edt)
Keywords : # Publisher: Routledge
# Number Of Pages: 456
# Publication Date: 2008-11-07

Page:  372

exploit elements of mise-en-scène in terms of the arrangement and movement of

File : Ian Bogost-How to Talk about Videogames-Univ Of Minnesota Press (2015).pdf
Title : How to Talk About Videogames
Subject :
Author : Ian Bogost
Keywords :

Page:  116

sometimes contrasted with mise-en-scène, the establishment of a scene through sets, props,

other nondialogic means. Mise-en-scène can communicate emotional intangibles through the repleteness
of

Heavy Rain uses mise-en-scène extensively: the visual situation of the mall (

chapter. But cinematic mise-en-scène still must be communicated through editing. In film,

it is not mise-en-scène that makes the “Father and Son” chapter

File : Lev Manovich-The language of new media-MIT Press (2002).pdf
Title : Microsoft Word - Manovich.doc
Subject :
Author :
Keywords :

Page:  226

techniques of cinematography, mise-en-scene and editing self-consciously displayed and paraded for
File : Manovich, Lev-Software takes command _ extending the language of new media-
Bloomsbury Academic (2013).pdf
Title : Software Takes Command
Subject :
Author : Manovich, Lev
Keywords :

Page:  289

into four categories: mise-en-scène, cinematography, editing, and sound.20) When a whole
File : Eskelinen, Markku-Cybertext poetics _ the critical landscape of new media literary
theory-Bloomsbury Academic_Continuum (2012).pdf
Title : Cybertext Poetics
Subject :
Author : Eskelinen, Markku
Keywords :

Page:  229

information within their mise-en-scene; or they provide resources for emergent narratives. (

Page:  411

film techniques – mise-en-scène, cinematography, editing and sound – contribute to its

File : HRVOJE TURKOVIĆ, Razumijevanje filma, Grafički zavod Hrvatske, Zagreb,
1988.pdf
Title : Razumijevanje filma
Subject :
Author : Turković, Hrvoje
Keywords :

Page:  30

filmova pisalo “Mise-en-scéne: taj i taj” umjesto uobičajenog “Režija taj

Page:  112

na sceni (mise-en-scéne). Drugi termin mizankvadrat, kao i mizankadar uveo je

File : Lev Manovich-Software Takes Command-Bloomsbury Publishing (2013).pdf
Title : 9781623568177_txt_print.indd
Subject :
Author :
Keywords :

Page:  288

into four categories: mise-en-scène, cinematography, editing, and sound.20) When a whole
File : Fundamentals Of Architectural Design In Comparison To Filmmaking 2006.pdf
Title : Microsoft Word - 000.doc
Subject :
Author : okann
Keywords :

Page:  4

features of narrative, mise-en scene and editing/montage. First of all, the end

order, form, narrative, mise-en scene, editing, montage, film form. iv

Page:  9

Physical Elements – Mise-en Scene Correspondence ... 77 4.3. Relational Elements – Editing

Page:  13

Madsen’s approach to Mise-en Scene (Source: author)

………………………………………………………………… 47 3.2.3 Roy Paul Madsen’s

Page:  14

s approach to Mise-en scene and xiv Cinematographic Properties (Source: author)

………………………………………………………………… 54

with respect to Mise-en Scene (Source: author)

………………………………………………………………… 80 4.3.1 Relational Elements enhanced

Page:  15

composition of narrative, mise-en scene and editing / montage process. The first one,

The latter one, mise-en scene can be defined as ‘putting in the

Page:  16

three processes, narrative, mise en scene and editing / montage. 1.1 Relationships: Architecture and

Page:  23

counterpart of the mise en scene and the consolidative counterpart of the editing /

Page:  24

shoot” which is mise-en scene and “how to present the shot” which

three subparts; narrative, mise en scene and editing / montage. Narrative can be defined

Page:  25
 the following phase, mise-en scene, is constructed by the organization of the materials

of it. Therefore, mise-en-scène which is a French theatrical term refers to

and figure behavior. Mise-en scene, the representation of the elements within the frame

To analyze the mise-en-scène of a given shot, in other words the

the process of mise-en scene, editing, which is one of the most important

Page:  26

production processes, narrative, mise-en scene and editing / montage, the impacts of organizational

Page:  31

processes of scenario, mise-en scene and editing / montage including the elements and

Page:  33

power of the mise-en scene, “and the strength found in its relationship

matrix of narrative, mise-en scene and editing / montage under the control of

Page:  34

with respect to mise-en scene and editing / montage, the design principles generated

Page:  52

main headings narrative, mise-en scene and editing / montage. 38

Page:  61

Madsen’s approach to Mise-en Scene Movements by the subject before the camera 47

duller color Lighting MISE-EN SCENE / CINEMATOGRAPHY Control of the Viewer’s Attention
Dominance

Page:  65

techniques such as mise-en scene, cinematography, editing and sound. Bordwell and Thompson consider

the relation of mise-en scene to the narrative system of a film, Bordwell

great variety of mise-en scene possibilities and cinematographic properties through an entire film.

They believe that mise-en scene is based on a systematical scheme covering setting,

arrangement of the mise-en scene elements, their functions, and the constitution of motifs

Page:  66

Non-narrative Associational Mise-en Scene Cinematography Editing Film Form Stylistic System
Patterned and

Page:  68
 Thompson’s approach to Mise-en scene and Cinematographic Properties 54 Setting Costume & Make

Movement Aspects of Mise-en scene Space & Time The Range of Tonalities Photographic

Page:  69

• Narrative • Mise-en scene • Editing / montage Instead of making a

Page:  70

by the term mise-en scene – the frame of the screen which functions

Page:  71

this study Narrative Mise-en Scene Editing / Montage 57 Idea Story Synopsis Treatment

Page:  72

Therefore, mise-en scene can be taken into consideration with the terms

analytical details of mise-en scene, it is intended to make an analysis on

Page:  73

than the individual mise-en scenes from which it is created.”43 As seen,

Page:  76

the term of mise-en scene including all the visual and topological conditions of

Page:  80

narrative; generates with mise-en scene and gets its final shape with the components

for final appearance) Mise-en Scene Relational Elements (Organizational Elements) Montage/Editing 6

Page:  91

Physical Elements –Mise-en Scene Correspondence It is the fourth scene of ‘

Page:  92

elements, and ‘mise-en scene’ for cinema. The projections of the physical elements

Page:  93

the elements of mise-en scene with qualitative properties can be examined within this

the case of mise-en scene, the correct selection of elements for an intended

Page:  94

with respect to Mise-en Scene 80 Fundamental Elements of Architectural Design Physical Elements

Elements of Filmmaking Mise-en Scene Shape Qualitative properties: The elements of setting and
Page:  95

the elements of mise-en scene with quantitative properties for the case of cinema.

Page:  99

positional elements’ of mise-en scene. In architecture, the physical properties of elements are

Page:  102

the elements of mise-en scene come together to emphasize the narrative elements, to

Page:  103

relations in the mise-en-scene.28 In the second example (figure 4.2.8),

narrative elements. But mise-en-scene also plays a role. Size diminution and cast

Page:  110

the process of mise-en scene, are brought together one after another in order

of cinematography and mise-en scene. Therefore, the basic aim of this continuity system

the products of mise-en scene under their relative importance, functional or symbolic role

Page:  117

four aspects of mise-en scene (lighting, setting, costume, and the behavior of

Page:  118

movement in the mise-en scene, camera position and movement, the rhythm of sound,

Page:  121

composition of narrative, mise en scene and editing / montage process. While making such

Page:  122

physical elements – mise-en scene, and relational elements – editing / montage in

File : Ilija Barisic, Filmski diskurs u videoigrama – Modaliteti vizualnog izlaganja novih
medija, 2017.pdf
Title :
Subject :
Author : Ilija
Keywords :

Page:  9

and sounds, ambience, mise-en-scene and other viewing conditions) also direct the interventional
File : (Theater--theory_text_performance) Artaud, Antonin_ Jannarone, Kimberly_
Artaud, Antonin-Artaud and his doubles-University of Michigan Press (2012).pdf
Title : Theater : Theory/Text/Performance : Artaud and His Doubles
Subject :
Author : Jannarone, Kimberly(Author)
Keywords :

Page:  75

Metaphysics and the Mise en Scène” (TD, chap. 2), Artaud approaches the artwork

Page:  77

metaphysics and the mise en scène”; and proposes a breathing system based on the

Page:  97

the French call mise-en-scène: “putting in place.” New designs for theater

Page:  113

importance of the mise-en-scène,37 their privileged aesthetic experiments ultimately appeared irrelevant

Page:  164

supremacy of the mise en scène.”35 Meyerhold, as Edward Braun points out, adhered

Page:  165

the play: The mise-en-scène must be inspired by a kind of double

Page:  169

Its Double: “Mise en scène properly speaking . . . must be regarded

Page:  174

unconscious.”58 Artaud’s mise-en-scène for Victor attempted to bring his catastrophic vision

Page:  188

role of the mise-en-scène and focusing on violent physical effects enable the

Page:  189

Jarry Theater, the mise-en-scène as “the point of departure for all

elevation of the mise-en-scène represents several things: the triumph of the director

Page:  241
 André Veinstein, La mise en scène théâtrale et sa condition esthétique [Paris: Flammarion,

Page:  243

Suprématie de la mise en scène” (Mèredieu, C’était Antonin Artaud, 419). See also

37. “La mise en scène doit s’inspirer de cette sorte de double courant

Page:  244

225atement la mise en scène de ce spectacle: les trouvailles de M. Antonin

Page:  247

Cahier de la mise en scène des Cenci.” 19. TDR 16, 135, modified with

Page:  267

Jules, 97–98 mise-en-scène, 56, 58, 78, 145, 146, 149–51, 153,

Page:  271

161; production as mise-en- scène, 170; self-abandonment, 121–25; use of synaesthesia,

File : Antonen-Arto-Pozoriste-i-njegov-dvojnik-O-pozoristu-i-filmu.pdf
Title :
Subject :
Author :
Keywords :

Page:  155

II. Projet de mise en scene pour La Sonate des Spectres de Strindberg. -

File : Antonin Artaud-The Theater and Its Double-Grove Press (1994).pdf
Title : Microsoft Word - The Theater and Its Double - By Antonin Artaud.rtf
Subject :
Author : Erez Gonen
Keywords :

Page:  7

Metaphysics and the Mise en Scene III. The Alchemical Theater IV. On the Balinese

Page:  8

the expression "mise en scene" has been retained throughout, for Artaud's use of

Page:  34

Metaphysics and the Mise en Scene In the Louvre there is a work by

Page:  41

if the words mise en scene are not applied to the idea of artistic

Page:  42

it is the mise en scene that is the theater much more than the

which subordinates the mise en scene and production, i.e., everything in itself that

Page:  44

province of the mise en scene. In a Marx Brothers' film a man thinks

Page:  46

entirely to the mise en scene considered as a language in space and in

Page:  47

(or the mise en scene, which, in the system I have just expounded,

Page:  53

themselves to the mise en scene of a certain number of moral truths. I

Page:  64

existed for this mise en scene where everything that is a conception of the

Page:  69
 a matter of mise en scene, and quite inferior in comparison with the text.

Page:  70

identified with the mise en scene considered: 1. as the visual and plastic materialization

language of the mise en scene as the pure theatrical language, we must discover

Page:  74

sorcery that the mise en scene must be considered, not as the reflection of

Page:  94

cold, etc. THE MISE EN SCENE: The typical language of the theater will be

constituted around the mise en scene considered not

Page:  106

theater and the mise en scene that "in considering the mise en scene

in considering the mise en scene as an autonomous art one risks committing still

in considering the mise en scene as only a subservient and minor art to

long as the mise en scene remains, even in the minds of the boldest

Page:  108

concern for the mise en scene. For by taking pains with the mise en

pains with the mise en scene, which in a play is the truly and

if the term mise en scene has taken on, through usage, this deprecatory sense,

work of the mise en scene assumes a kind of intellectual dignity from the

Page:  113

belongs to the mise en scene as well as what belongs to the author,

Page:  121

Even if the mise en scene did not have to its credit the language

words, any mute mise en scene, with its movement, its many characters, lighting, and

the theater, the mise en scene is much more than that. For besides creating

means, the pure mise en scene contains, in gestures, facial expressions and mobile attitudes,

Page:  124

require of the mise en scene and not of the text the task of

Page:  130
 For Cortez, a mise en scene of sea and tiny battered ships, and Cortez

destiny. Magic, magical mise en scene evoking the Gods.

Page:  150

between the marvelous mise en scene of "our autonomous intellectual operations" which Valery
File : Geoff King, Tanya Krzywinska-Tomb Raiders and Space Invaders_ Videogame
Forms and Contexts-I. B. Tauris (2006).pdf
Title : Tomb Raiders and Space Invaders: Videogame Forms and Contexts
Subject : I. B. Tauris
Author : Geoff King, Tanya Krzywinska
Keywords : 1845111087
9781845111083
1850438145
9781850438144

Page:  184

reflected in the mise-en-scene and colour palettes of games that lean in

File : Misko_Suvakovic_Pojmovnik_suvremene_umjetnosti.pdf
Title : Pojmovnik suvremene umjetnosti
Subject :
Author : Miško Šuvaković
Keywords : 9537159043

Page:  764

The Unconscious as Mise-en-Scene", iz Murray, T. (ed.), Mimesis, Masochism &

Page:  773

"Introduction: The Mise-en-Scene of the Cultural", iz Murr2. MusI Music, Sound.

Page:  778

on Barba's Intercultural Mise-en-scene," 1VR, vol. 33, no. 3, New York, 1989.
File : Pamela-Howard-What-is-Scenography-Theatre-Conc-Bookos-org-pdf.pdf
Title : What is Scenography?
Subject : Arts, Language and Literature
Author : PAMELA HOWARD
Keywords :

Page:  83

weight to the mise en scène of The Rose Tattoo. The exterior of the

Page:  85

clear and beautiful mise en scène. For the first time we saw the power

Page:  92

The direction or mise en scène clarifies and enhances the spoken or sung words.

Page:  93

part of the mise en scène—putting the staging into place, expressed through the

Page:  97

that of the mise en scène in which the production was clearly attributed to

Both the European mise en scène and the British new plays movement shared a

Page:  99

prop-making. The mise en scène is validated when the direction, the use of

Page:  146

creators of the mise en scène. The acceptance of the word “scenography, or

Page:  147

part of the mise en scène there has to be a structure that enables

Page:  153

73–4; European mise en scène 75–6;roles 7–45;unified setting 76–

File : Roland Barthes- Image Music Text, Fontana Press, 1977.pdf
Title :
Subject :
Author :
Keywords :

Page:  196

must realize the mise en scene imposed by the use of speech under the

articulatory breathing). This mise en scene develops as follows. Either the speaker chooses in