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Trade, creativity and collaboration
in Central South Asia
2007 - 2010The New Silk Road, 2007-2010
By Carla Sorrell
The Silk Road evokes many images: a vast and
varied geographical area which includes densely
packed cities, sprawling mountains and barren
desert; a period in time stretching aver hundreds
Of years, with no definite beginning or end; an
eclectic mix of commodities, fram spices and silks
to more ephemeral stories; an averiand network
connecting cultures and enabling mobility. The Silk
Road, which was coined as recently as 1887 by a
German explorer, is easily romanticised, but was
realistically fraught with the harsh realities of living
for long periods of time in such challenging terrain.
The network of overland routes that made up
the Silk Road presentes travellers with multiple
Paths to choose from when travelling from East.
to West. Cities situated along significant trade
routes sprung to glory, and others developed to
meet the growing needs of traders and merchants,
Many of these cities stil retain the riches they
were once known for, but have become obscured
bya complex political landscape, war-torn and
misunderstood in contemporary culture.
Today, countries in Central Asia are critical to East-
West relations. Their role in industrial production
and manufacturing gives them international
significance and brings new focus to the region,
Despite the developed world's reliance on their
raw materials and workforce, their histary and
culture is largely obscured. For this reason the
British Council launched the New Sik Road
programme —to address misperceptions of the
region through creative dialogue. The aim of
the programme was not to recreate or analyse
the historic Sik Road, but to draw on notions of
trade and collaboration; to pair commercial and
creative activity, and to reinvent themes which
underpinned historical activity in the region
The New Silk Road programme has taken place in
Bangladesh, Kazakhstan, Pakistan, Uzbekistan and
Iran ~ five countries which have had their share of
Political upheaval. A recent month-long residency
in Pakistan proved challenging to UK partners,
many of whom declined because of the country's
internal strife, Textile designer Yemi Awosile
‘overcame trepidation from friends and family to
spend a month in Lahore and Karachi where, after
only a week, she was so inspired by the country
that she was already planning her return, In iran
only one workshop took place before the political
situation put a stop to further programmes.
Yemi’s residency in Pakistanis one of eight
creative exchanges between fashion and textile
designers in Central South Asia and the UK. These
Creative exchanges are brought together in a
booklet within this publication in which designers
share their impressions ofthe countries they
visited, their experiences and the people they
encountered along the way. The publication
includes an essay, A Brief History ofthe Sik Road,
by John Gillow, who has written extensively on the
history of textiles around the world, it also includes
a timeline of the New Sik Road programme,
from intial research tours undertaken by the
British Council to the most recent exhibition of
collaborative work by British fashion designers
Basso & Booke and the Yodgorlik sik mil in
Uzbekistan — the result of one creative exchange.
‘The New Sik Road programme will continue with
an exhibition of contemporary British fashion
design, which is currently in development.
It will draw on themes uncovered through
the recent programmes, and tour the
region as a platform for further discussion,
debate and creative partnerships,
August 2010,