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Harmonized Chequered Tessellation onto Origami Surfaces

SUHEffi HA#EE
Tokolo Asao Araki Yoshiaki

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Little Bird

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Katsuta Kyohei

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Diamond Cubic Renzuru (Cranes)

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Minami ltsuki

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Registration Open for the 24th Origami Tanteidan Convention .J00=
E^ffiffi+á (JOAS)
The Purpose of Japan Origami -\cademic societl
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2. Japan Origami Academic Soc¡ety. 7 á ,

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Chapter 1: Name and Purpose


Article l: Name
l This society is to be called Nihon Origami Gakkai in Japanese.
2. This society is to be called Japan Origami Academic Society in English.
3. The abbreviated name of this society is JOAS.

Article 2: Purpose
1. The purpose of JOAS is to promote studies of origami, diffusion of origami, and both
domestic and international association of all origami-lovers.
2. The studies of origami mentioned above includes designing, designing techniques,
criticism, mathematical studies, educational studies, history, bibliography, studies of the
intellectual property rights, studies of industrial and commercial design, and so on.
3. The diffusion of origami mentioned above includes widening appreciation of origami,
expansion of the community of origami-lovers, scouting and rearing the origami talent, and
so on

OIF U ÉOffJ*=tE svMaoLS FoR FoLDTNG


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§,f UfiÉ üJ'f U ñÉ +tr¡t=fr6 ffit)ffiá wffit)
Line indicat¡ng Line indicating Fold paper 2lt á Pleat fold
va¡ley fold mountain fold torwards fuiak n; i: crease ife

rc"{ Etátf
-} woe6
t}
U 4
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Turn paper Pull out
liEá§g12 á A masn¡f¡ed v¡ew ¿26 # L?,§¡t cut
Rotál¡o¡ A hidden line Push paper in

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Little Bird (P.26) ár+{¿¡. D *rh\, z zh\ ó1Éa77'v)7'v) l¿t,t¿Lt ,)tsF} t/<4.<< r¿é r\.
by Katsuta Kyohei (Elai¿:ltlñEÉ.) Comments : Hojyo Takashi
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MAGA Z IN E
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*,. 169
P.4
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Modular Origami Quartette
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Kawamura M¡yuki

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Brilliant Cut

P.8 $Dh\A+X**fr
Origami Odds and Ends
?*<'ÉH
Yamaguch¡ Makoto

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New Pupil

P.13 ffiiFülffilffiO P.16 +Ffift8=gEoñ:tflEDr5 IhffiHÉ


Hojyo Takash¡

tf DffiroEf"l From the Bookshelves of the JOAS Library

Harmonized Chequered Tessellation trüffi ETd}f D f;ft J tr ñHT4'F D frft J


onto Origami Surfaces "The Beauty of Origami" and "The Graceful of Origami"

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Tokolo Asao Araki Yosh¡aki Nish¡kawa Se¡j¡
Here We Are, THE ORRRIGAMI TANTEIDAN

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P.26 rJrHi Miniature Cranes from Senbazuru Orikata

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Paper Folders on File

Katsuta Kyohe¡
Ull¿.Íp,
Kade Chan
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Marcio Noquchi
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P.3s Eh:E+FDt¿UtsHt!
Crease Pattern Challenge!
P.7 +frDfrfr,A'HiB frffi*r+
Fuse Tomoko
9-ltrÉ7t§ffi=trEE
Diamond Cubic Renzuru (Cranes)
Origami and lts Neighbors

P.36 óDEU TAáÍEÉ


Matsumoto Kazuyo
É'Éf Orisuzi ("Fold-Creases")
Minami ltsuki
P.37 +FffiE^E++ ÉÍ,II iH
Maekawa Jun
Every Minute Origami
'.20 t UiJi..7 t l.-#v 7 U -
Origami Photo Gallery
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Models Based on Diagrams and Crease
P.40 2t A$D Rabbit Ear

Patterns of This Issue #24E,+fr tfr#{H E


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Comments : Hoiyo Takashi Convention
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It is a feature of brilliant cut that the light coming from abcve rs reflected in
t¡¡fia¡oá
Kawamura Miyuki
inside and comes out again from the top. Paper does not trans'nit lrght. but if
you make this model with paper that reflects light well, you wilL fee a sense of
transparency. lt is nice to make this model from foil paper with a v¡rc:" :+ 2lo
3 cm, place it in a bright place and look from a little away.

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DIAMOND STRAP
<3OtlñEo)/¿bl)ffifrfrü4 7'l Paper size for 30 modular model.
2: 14.5 fg¿.q3.<ñE¿j.1]¿< ót:tt¡!\ / Too shorr to assemble a model.
25/12 : 15.5 ------é& )8RL\ü4 7 / Proper size.
2: 15 -89 á.óá§lEBla]¿< FIfrV, / Too long but it can be assembled.

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l t!.t¿tJ+frD ?t§::Él¿+fiD ztf<-j,Él¿llfiá" lfrD L|ltc*lYi Ztf-:Ét¿+frá.
EA2üá" EA.2\Já" Fold two tYh'L¿hfrá" Fold two
Fold one layer Fold two layers layers up. Fold the flap layers up.
and unfold. and unfold. into half.

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2.1cm x l5.5cm ta<+ft?=t
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Fold strongly
and unfold.
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Fold one layer and unfold. Do the same on the other side.
I

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Fold along the second
line from the left. @ffi _La2+\t¿ü+fr0 LtJá"
@ h' D tfr D á&2 ll tc ó Afft
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Fold two layers up. Fold strongly and unfold.

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Fold two layers up.
Fold along the second line from the right atlq.
/@ Fold strongly
and unfold.

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A magnified view. l-)

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MM Do the same on
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lnside reverse fold.

the other side.


Stand the four flaps up.

@ H¿;IEUOtst,
HT#I¿EHfrD"
+ffi7)ÉtÉHfr1" Do the same on
@ Fold the front wall. the back wall too.
+*Éllá¿\YElr /s 6 5.*= a . +*Tü+ÍD"
ffiltffiYtt¿t¿á. Mountain fold along
Open the center part to flat. the center line.
The left and right parts become
a box shape.

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Q0 oo the same on 4 *g¡Vn\áFztr<,í¿ * ¿ ó /eá t 5.
the other side ÉÉth,Í',0>lvlfrD.
@ (n^*^ A magnified view'
7U'y I
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Fold the center part into a fan
shape, and make a cover fold.
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Strap
+, ;
@ -roüffi b@-@¿ tEffi r¿iÍá.
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Do the same steps @ to @ on the
other end.
The DIAMOND STRAP module
Flüto7>t 30lHlFD#-t
You need 30 modules.
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Fold the left end so that the strap part is flat.

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lnside reverse fold. Do the
same on the upper corner.
b--fraffi+) -ÉE*r(: ¿Ét ¿{,'.
Insert it all the way into the space
ta, t_ @-.-@LlEffil¿}Ía.
Do the same steps
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end. \---=---
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Fold the bacf< \\-
corner to the rightl-i--z
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The entire view.
6
s Zco>h l{á+*oEffiú)Tl¿Ét ¿ü.
lnsert the two corners under the center disk

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Pull the module until lnsert the third
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lnsert a strap
a-'y lá
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Insert the
fourth
module.
@

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Open a
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Fold the strap, insert it through Ftz)L¿báa-'y loTA.
the slit and put into the under ( (:(tt¿,t3-.
the center disk. Passing through the slit, go under
the next module and put the strap up

30t fE
3O modules

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on the surface
</
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DIAMOND STRAP

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lnsert the sixth strap
The seventh
through the fifth slit
and make a triangular
window. lnsert the
62úrDa-'y l. other modules on the
The sixth module. same way.

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The theoretical values of the paper shape for which the assembled side becomes a flat surface
and the ratio used for actual model makinq. Depending on the paper thickness etc., it is necessary
to use a paper slightly longer than the theóretiial valué.
ffifl)fr7l Shaoe of face IE;ñlÉ/ Theoretical value Fflf;@ülZlActual paper shape
Éfrfr, / Square 1:23/4 Zcm x 1Zcm
É 5 frtr,/ Regular pentagon 1. 31/4 + 2,/5 25/1Zcm x I 5.5cm

You can make only the center part and use it for decoration.

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Follow step 0J
óT*18!j,\+Íó. Decoration part
-l
r to Fold two flaps backward
with I : 2paper. at the point of the end
of the center disk.

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and gaps such as cover folding : Put the four corners
^n<HvDllr,tá"
and blintz folding, etc. :
of the part in the slit. t2thxg
l2 modules

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Model and Diagrams

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The Origami Tanteidan Digest
Table of contents
The objective of the Origami Tanteidan Digest is
to share the articles on Origamí Tantéidan
magazine and provide an English summary of (Page7)origamiand lts Neighbors
(Page 13) Close-up
most (but not all) text. The numbers indicateij as
(Page '16) From the Bookshelves of the JOAS Library
"Page xx" refer to the page numbers of the (Page 18) Here We Are, THE ORRRIGAMI fANfEtDAN
original articles in the magazine. While not all (Page 36) Orisuzi ( "Fold Creases" )
content is translated, it should give you an idea (Page 37) Shirokujichu ( "Origami Around the Clock" )
about what the article is about. We hópe you will (Page 39) Paper Folders on File
enjoy. Let us know if there is anyth¡ng we can do (Page 40) Rabbit Ear lnformation
to improve or any further comments. Please
contact our editorial department at: Translated by Marcio Noguchi
webman@origami.grjp

(Page 7)origamiand lts Neighbors "Origami is beyond any national borders, it is


#88 - Taking up the baton about sharing fun and joy regardless of race,
ByTomoko Fuse gender, age or occupation." I may sound a boring
speech, but they truly practiced it. That w¡fl
At the end of February, I received obituary news revive in our heart. I remember the warm
of Mark Kennedy from the US and John Smith atmosphere and the soft smile of both of them. I

from UK. Both of them did leave their unique pray for their souls.
marks in the origamiworld.
Makoto Yamaguchi, who informed me about the (Page 13) Close-up
death, said "Mark was loved by everyone around
Development of Harmonized Checkered
the world". Iagree. His pin badges and Emblem, based on Origami
accessories are well known. Although he made a
lot of them and sold them, for sure he has given 9y A!.ao Tokolo, Yoshiaki Araki Japan
as many, or probably more, as gifts. Even though
Tessellation Association
I always knew he would play some tricks, I wou-ld Asao Tokolo - Born in Tokyo in 1969. Learned
startle with surprise. I last met Mark at the 50th architecture from childhood, studying under
BOS convention. Just as expected, he gave me an Egashira Shin. ln September 11, 2001, he began
envelope with a gimmick that would make a creat¡ng patterns with the theme "connection"
noise and pop out. Like on a sketch comedy, and continues his activities in the boundary areas
Mark and I as well as allthe others around us of art, architecture and design. Based on iimple
would laugh endlessly. I am sad to think that we geometric principles, we also produce coat of
will no longer be able to see him at various arms and patterns that can be reproduced with a
conventions and his sparkling shiny pin badges. ruler and compass, as well as
John Smith always had a smile on his face as if designing/producing three-dimensional objects
thinking of a joke. Those who do not know of applying similar principles.
him should visualize the shogi (Japanese chess)
player Hifumi Kato. I think they have a similar
Yoshiaki Araki - Born in Tokyo in 1973.
Completed the Graduate School of Policy and
expression. Because it was difficult for John to Media, Keio University, policy and media PhD.
attend the BOS convent¡on, but he sent a video Specialized in mathematics of tiling (tessellation).
message, and talked about good memories and Conducts educational activities at workshops
expectations for the future. I had not had a using puzzles. As a collaborative researcher of
chance to have close conversations with h¡m, he ERATO ltami Molecular Nanocarbon Project, he is
was a long member and critical individual of BOS involved in the design research of nanocarbons.
together with the late David Lister. I will miss his Two years after their announcement, the Tokyo
presence, which was almost like a fixture at all 2020 Olympic and Paralympic Games emblems
conventions. (Figure 1)can now be seen everywhere in the
When an origami friend dies, I feel the time city. ln January of 2018, a checkered pattern
flowing. Both of them had certainly passed the origami was released a trademarked item. This
baton to the origami world. lt is said that: article will present an interview with the designer
and artist of the emblem and his assistant K,
rectangles is also the same 2: .,f 3:1. At last, let's
about the connection between the emblems and make a rectangle from a diamond shape. Please
origami. fold the corners together for find the midpoint of
I Folding the rectangle of the emblem the sides of the diamond.
Araki (A):The emblem is made up of many A: The square can be folded into a smaller square
squares. using the midpoint creases.
Tokolo (T): The Olympic and Paralympic Games K: For the other rhombs fold the opposite sides
emblem are both made of the same 45 types of 3 on a straight line, then fold connecting the
kinds of rectangles. middle points (Fig.6).
A: They are rectangles, but one of the three types A: Greatl The square, TV screen rectangle, and
is a square. The thicker rectangle seems familiar... strip rectangles can be created in that way!
Assistant K (K): The ratio of the TV screen is I Checkered pattern origami paper
almost the same. A:Origami paper with a pattern like the emblem
A: Then, what is the remaining long narrow was released (Figure 7).
rectangle? K: So, in this origami paper, the previous three
K: lt feels like you want to hold it vertically with kinds of rectangles are arranged side by side in
your hand. an arrangement other than the one used in the
A: I want to hold a brush on the other hand. emblem.
K: Oh, it also looks like a paper strip of the T: Please try folding a crane [using that paper].
Tanabata [Festival]. A: Oh, the pattern connects when paper edges
T: (Laugh). Even if there are differences in shape, align, right! (Fig.8).
we chose the shapes with the wish to build up K:Yes, because the rectangles are arranged in a
strength together. periodical sequence. ln connection to the
A: lt is perfect with the image of the Olympic and "Harmonized Checkered Emblem" I am calling
Paralympic Games which is made up by different this "Checked Pattern" origami.
people from different countries, culture and ways T: lt's fun to fold the Fortune Teller.
of thi n ki ng. A: lf you move your fingers... and open or close
K: To get to know better the three types of the Fortune Teller, the pattern does not get
rectangles, making origami is the best approach. broken! (F¡9. 8)
Let's start from the original rhombus which will K: I would like to see many folders folding various
be the base for the rectangles (Fig. 2). models and experience the pleasure of
A: So, we have to simply fold some origami, connecting [the pattern].
right? That is something I can do. A: lt is wonderful to be able to realize the
K:The three rhombuses can be made by cutting "connected world" aimed at the Olympic and
with scissors. Paralympic Games by simply folding origami.
A: Actually, the square is also a rhombus with an
internal angle of 90 degrees.
I Checkered Pattern Crease Pattern
K:Yes, the arrangement of the rectangles in both
A: lt looks like there could be further
of emblems is determined by the rhombuses.
developments possible with the Checkered
Pattern Origami.
A: When it was found that the emblem was
T: For example, what happens when creased
created based on mathematics, it became a topic
along the pattern ofthe checkered pattern?
on the lnternet, right after the announcement of
K: 5o, in other words, make the pattern itself
the Harmonized Checkered Emblem.
become the CP.
K: Place the rhombuses you made at one vertex
A: Since it is hard to actually fold it, let's simulate
and align them.
A: lt is possible to make a lot more than one can
on the computer. All we have to do is to
think of (Figure 3).
determine whether mounta¡n or valley fold by
color on the edges of the pattern and upload the
K: There are I80 possibilities of arrangements
data fi1e...
around one vertex.
K:Oh, this is unexpected! (Figure 9).
T: The ratio of the internal angles of the three
T: l'd liketo see other folding methods too.
diamonds are 3: 2: 1.
A:There seems to be many other combinations
A: The inside angles of these rhombuses are 90
of folds possible, which sounds like an interesting
degrees,60 degrees, 30 degrees respectively (Fig.
problem.
4). We can certainly see that there are various
K: So, how about asking the help of the Origami
combinations of these angles that will create flat
patterns.
Tanteidan detectives?
T: Please, join us and create a new shape with a
T: ln terms of the area and height of the
checkered pattern!
rhombus, the ratio is2: J 3:1 (Figure 5).
K: The ratio of the area of the three kinds of List of Figures:
Figure 1: Tokyo 2020 Olympics . Paralympics of Origami" ( "Shurei no Origami" in Japanese, or
Emblem. "Graseful" for short) are gorgeous model
Figure 2: How to make three types of rhombuses collections that not only creative artists from
which form the rectangular arrangement of the Japanese but also from around the world
checkered pattern. Video: contributed their masterpieces in response to
https://www.youtu be.com/watch ?v=JZDXe3eyF Makoto Yamaguchi's callfor models. lam
6c extremely honored and excited about the
1. Create three crease on the horizontal and inclusion of my own model.
vert¡cal (quarters) Published in 2015, "The Beauty of Origami"
2. Pivot from point A and fold so that the point B included a collection of several models difficult
lies on line C to find on books on the shelves of general book
3. Pivot from point D and fold so that the point E stores. Then, the second volume "The Graceful of
lies on line F Origami" was published in 2017, narrowing down
4. Pivot from point G and fold so that the point H the number of models, and increasíñg the
lies on line I complexity levels and number of steps. The list of
5. Pivot from point.J and fold so that the point K the models is provided below, include many long
lines on line L cherished and nostalgic ones for those who had
6. Using the scissors, cut line segments AM, GM, been subscribers of "OrigamiTanteidan "
JM into three rhombuses Newsletter s¡ "Qsart€rly ORU" Magazines. On
Figure 3: Three types of rhombus spreading the other hand, it should also constitute a
examples that form the rectangular arrangement composition of models that may lead to
of the checkered pattern discoveries and new awareness, for those who
Figure 4: Relationship of interior angles of three started origami recently. Also, it should please
types of rhombuses that form the rectangular those who became interested in origami, and the
arrangement of the checkered pattern diagrams of models were not available any
Fi-gure 5: Relationship between area and height longer since they were already out-of-print,
of three kinds of rhombuses that form the including "Crane Extraterrestrial" ( "Tsuru
rectangular arrangement of the checkered Seijin" ) or "King Ghidora" .
pattern "The Beauty of Origami" Model Compilation (50
Figure 6: How to make three types of rectangles models)
that make up the group checkered pattern "Triceratops" by Makoto Yamaguchi, "Mammoth"
Figure 7: Checkered pattern origami paper by Makoto Yamaguchi, "Pteranodon" by Makoto
(licensed product)
Yamaguchi, "Archaeopte ryx" by Makoto
Figure 8:Models created using checkered pattern
Yamaguchi, "Stag Beetle" by Makoto Yamaguchi,
origami paper: Crane and Fortune Teller "Samurai Helmet Beetle" by Makoto Yamaguchi,
Figure 9: An example of a three-dimensional "Hercules Beetle" by Makoto Yamaguchi,
shape created as a CP ofa checkered pattern "Makoto-Butterfly" by Michael LaFosse,
"Parakeet" by Makoio Yamaguchi, "Toucan" by
(Page 16) From the Bookshelves of the
Makoto Yamaguchi, "Cardinal" by Roman Diaz,
JOAS Library "Swan" by Yoshio Tsuda, "Emperor Penguin" by
Book #61: "The Beauty of Origami" and
Quentin Trollip, "Fish Skeleton" by Makoto
"The Graceful of Origami" by Yamaguchi Yamaguchi, "Spiral Shell" by Toshikazu Kawasaki,
Makoto "Yellowtail (Farmed)" by Kyohei Katsuta,
Article by Takashi Hojyo "Dolphin" by Fumiaki Kawahata, "Mouse" by
Takashi Hojyo: Born in Tochigi prefecture Makoto Yamaguchi, "Box-like Cat" by Makoto
currently lives in Tokyo. Board member of Japan Yamaguchi, "Rabbit" by Ronald Koh, "Papillon" by
Origami Academic Society (JOAS). Has Hideo Komatsu, "Panther" by Makoto Yamaguchi,
determined a good folding sequence, "Panda" by Makoto Yamaguchi, "Lion" by David
so
currently working on the diagram for "shibaraku" Brill, "Horse" by David Brill, "Hippo" by Robert J.
albeit a slow process... Lang, "Giraffe" by Gen Hagiwara, "African
ln this series, we introduce publication items of Elephant" by Chuya Miyamoto, "Griffon" by
interest from among the materials in the Japan Makoto Yamaguchi, "Cerberus" by Makoto
Origami Academic Society UOAS) library. You can Yamaguchi, "Angry Fish" by Bernie Peyton,
search the origami library's collection on the
"White Rabbit in the Wonderland" by Keigo
Origami Tanteidan website. For details, please Matsuda, "Tsuru Seijin" by Shinji Sasaide,
"Northern Dragon" by Takashi Hojyo , "Tri-horn
visit http://origami.g rjplLibrary / .
Dragon" by Chuya Miyamoto, "Reaper" by
"The Beauty of Origami" ( "Tansei no Origami" in
Noboru Miyajima, "Pegasus" by Satoshi Kamiya,
Japanese, or "Beauty" for short) and "The Graceful 'High heels" by Makoto Yamaguchi, "Geta"
(wooden clogs) by Yoshio Tsuda, "Makoto Rose"
final work on the introduction pages and as well
by Makoto Yamaguchi, "Boots" by Makoto as folding diagram pages. However, l' m not
Yamaguchi , "Santa Claus Tetrahedron Box" by necessarily recommending to fold based on the
Makoto Yamaguchi, "Pierrot Clown" by Seiji CP, but rather as "a picture that makes it easier to
Nishikawa, "Book" by Martin Wall, "Akabeko" grasp and understand the structure of the
(legendary cow from the Aizu region of Japan) by
model". ln addition, both books have included a
Makoto Yamaguchi, "samurai Helmet" by Makoto "Glossary" and "Artist Profile" at the end of the
Yamaguchi, "Mt. Fuji" by Akiko Yamanashi, "Key book, which together with the CP makes the
to Love" by Francis Ow, "Nuts and Bolts" by David composition and content description feel not too
Brill. excessive in terms of the "maniac atmosphere".
"The Graceful of Origami" Model Compilation (28 For those who are already interested in origami,
models) they should embrace the various information as
"Karasu Tengu" by Satoshi Kamiya, "Kaikotsu-kun an opportunity to learn more.
2 - revised version" by Takashi Hojyo, "Fairy" by As written by Mr. Yamaguchi on the
Yoshihisa Kimura, "Rockhopper Penguin" by "lntroduction" of "Graceful" , "lt is the most
Makoto Yamaguchi, "Swallow" by Sipho Mabona, emotional to publish lssei Yoshino's
"Owl" by Yoshio Tsuda, "Little Bird" by Hideo Tyrannosaurus skeleton ", that is the main model
Komatsu, "Corrie" by Ouchi Koji, "Poodle" by of this book. Published in 1993 by Origami
Roman Diaz, "Dalmatian" by Makoto Yamaguchi, House, the "Tyrannosaurus complete skeleton"
"Chipmunk" by Kyohei Katsuta, "Raccoon" by has been out of print for a while. But with
Quentin Trollp, "Butterfly" by Makoto Yamaguchi, "Graceful", it is now finally possible to obtain the
"Longhorn Beetle" by Seiji Nishikawa , "Hercules diagram through a regular route, and also as a
Beetle" by Satoshi Kamiya, "Crane-kaiju Tsurura" book sold at general book stores. I would like you
by Shinji Sasaide, "Black Dragon" by Yoshihisa to thoroughly enjoy the long diagram of the
Kimura, "Godzilla (2016)" by Satoshi Kamiya, model covering 43 pages from the beginning to
"King Ghidora" by Keiichi Kozasa, "Pegasus" by the end.
Fumiaki Kawahata, "Reading the Newspaper" by I would like to share some personal memories, as
Herman van Gouberqen, "Rose crane" by Satoshi I learned about the existence of the Origami
Kamiya, "HydrangeJFold " by Shuzo Fu;imoto, Tanteidan (Detectives) Group, the predecessor of
"Bubble Eye Goldfish" by Ronald Koh, "Swiss the Japan Origami Academic Society, because of
Army knife" Jun Maekawa, "Anomalocaris" by a poster of "Tyrannosaurus Skeleton" that was
Fumiaki Kawahata, "Tyrannosaurus Rex Skeleton" affixed to the entrance of Origami House. I

by lsseiYoshino. immediately bought the back numbers of the


Both books are basically the same in its overall newspaper, and I was crazy and moved forward
structure, with each model including a five-level w¡th Origami. lt is a sophisticated design, unique
complexity indicattor. Both of the books contain as a composite modular modelthat is difficult to
in the first half part, models relatively simple to achieve with single sheet of paper. lt was a
fold, centered on Makoto Yamaguchi's designs. complex feeling of incompatibility and rationality
Even for those that "are inexperienced in origami when combining different parts to be assembled
who picked up this book at a bookstore is together, which I had never felt with modular
strongly attracted to and complimented by a models available thus far. The techniques and
more complex model selection of the second shapes that are possible because it ¡s a 21-piece
half" , which would be a matter of progressing composite incorporating in its vigor. ln addition
while learning basic skills and making progress to that, despite it is designed with the same
possible. On the other hand, "Beauty" has a paper size for all units, it produces a very
section conta¡ning basic information, the outline well-balanced body configuration. Moreover, it
of supplementary information (such as "How to reminds me when of origami diagrams "when
choose paper ", "About tools", "Wet folding", Japan was in the dawn of a diagrams created on
"About glue for shaping"), while such sections are computer". So, that was quite impressing.
omitted in "Graceful". Considering the degree of Three-dimensional steps that appeared
complexity of the models included, for the frequently are also illustrated with the necessary
complete beginner of origami the progression and sufñcient amount of precise information
from the "Beauty" to the "Graceful" would be a details. Particularly in the three-dimensional step
suggested sequence. So, although it may be seen of "tail-bones 1 to 4", which is at a level that
as a Spartan approach, I recommend both books those with experience in diagramming should be
in a set for those who are currently able to appreciate the "headaches when drawing
inexperienced, but likely to become addicted" such steps over and over". Despite being 27 years
(independent of the age). old since it was first made public, it has become a
For all the models, the CP on both photos of the diagram that does not age, even at the present
moment. carefully cut thin and folded.
ln addition, there were some other models that Trivia 2: Each of the four corners (with 24
left a strong impression. I will list "Reading the cranes) of the "Hyakkaku" takes one day for me
Newspaper", "Black Dragon", "Horse", "Lion". to fold, so 4 days to complete.
Those works are models that require a sense of
The tiny "Senbazuru Orikata" presented here
delicate shaping after completion, not finishing
just by folding as shown in the diagram. I wa! attracted a lot of public attention in the
general exhibition at the Nagoya convention
intrigued since the time they were presented on
last year. Mitsuhiro Ema, living in Hamamatsu
another medium before it was listed in "Beauty"
City, created it. The precision of this model can
and "Graceful'. lt is deeply emot¡onal to thínk
that ¡t is an era when they can be presented be seen in the color gravure, so I will explore
together in such a way. the secrets of its creation.
Up to this point, lhave been a very biased OTiny OrigamiJ
towards my personal way, hobbies / trends. But Origami includes unique expressions such as
of course, "Beauty' and "Graceful" contains oversized origami or tiny origami. Models that
several models that can be completed by are much larger or smaller than normal are
following the diagram with high degree of íntriguing and viewed with great admiration
accuracy. You can go back and forth between and surprise probably because of the relation
various models: single sheet or modular, simple to the premises that they achieve their
or complex, curved finish... etc. ln doing so, many representational shape just by folding. They
say that it is a world full of unknown territories stimulate the imagination related to the
and various attractiveness, which does not make expression based on the way it is constructed.
you feel like you understand as simply as: There are some secrets that can't be
"Origami is xxx", which I hope that it will be a understood with the oversized or tiny, larger or
catalyst for people to have different feelings. smaller than normal. Lately, extremely small
List of Figures: origami-- created based on science and
Figure 1:The Beauty of Origami technology techniques such as folding with
Figure 2: The Graceful of Origami cells or with molecules -- are popular.
Figure 3: Example of three-dimensional step of However, models that folded just by the hands
the Tyra n nosau rus Skeleton. and fingers are breathtaking and generate
"Wows!" lt is rare to find individuals that uses
(Page 18) Here We Are, THE ORRRIGAMI the technique of micro folding to fold
TANTEIDAN "Senbazuru Orikata" using extremely small
Miniature Cranes from Senbazuru Orikata origami paper. I can only imagine that folding
By Seiji Nishikawa tiny cranes without breaking their connections
should wear out one's nerves.
This section willexplore a wide range of topics lln case of Mitsuhiro Emal
related to origamí and introduce you to some I Could you tell me your age and occupat¡on?
little interesting trivia facts. We also accept l' m 42 years old, and I work at the post off ce.
questions, and additional information from I When did you start folding tiny cranes?
readers. Please, feel free contact us via email When lwas a high school student, I would tear
webma n6loriga m i.g r.jp. pieces of paper to fold in my free time. Then I

Mitsuhiro Ema - Born in Shizuoka prefecture in tried to fold senbazuru cranes. When I was in
1975.1n 1998, he folded the (then) smallest 2nd to 3rd year at high school I started folding
Japanese orígami crane in Japan with a 4 mm senbazuru cranes with a 10 mm square paper.
square. Appeared in "Terebi Champion . Hand I When did you start folding Renzuru
dexterity championship (TV TOKYO)" connected cranes as a theme?
"Mezamashi doyoubi (Fuji TV)", "Arashi ni I folded "lmoseyama" around 2003, but it was
Yagare NW)" among others. about 2008 when I thought about trying the
Seiji Nishikawa - Born in Nara Prefecture in "Hiden Senbazuru no Orikata" .
1963. ln '1989, together with Yoshihisa Kimura I How many out of the 49 types did you fold?
and the late Issei Yoshino, took part "Origami lfolded all the 49 types.
Dinosaurs 3 artists Exhibition". He later I What is your favorite Senbazuru no Orikata
appeared as champion of "Terebi Champion model? And why?
1st Nat¡onal Origami Championship (TV Although I have not specially thought about it,
TOKYO)", "Tamori Club (TV Asahi)", "Watashi no I was commissioned to produce Renzuru, or
Himitsu (My Secret) (NHK)" and others. when lam asked for models for photo
Trivia 1: The connections of the Senbazuru are shooting, I often fold the "Tsurifune" (Fishing
boat). I think that it is a model that easy to see no Ondo" and events at Kuwana, Tokyo and
that it is connected by a single piece of paper Shizuoka TV stations events, industrial trade
and also because the final model actually fairs in Hannover, Germany and events on
hangs beautifully. introduction of Japanese culture in ltaly and
I ls there any techniques involved in the Milan.
folding procedure of the cranes? I Are there any finishing treatment involved?
The procedure is the traditional method of I don' t apply anything.
folding twice into a triangle. I also fold the I You made a rainbow colored thousand
peta l-folds after creatin g pre-creases. paper cranes, with a line threading through. ls
I How long is does it take to produce one? there anything devised or difficulties to
Because lcan' t fold a complete model produce such a threading?
without taking a break, I am not totally sure of When connecting cranes folded with 4 mm
the actual elapsed time. But I estimate that the square paper, I thread about 20 cranes using a
"Tsurifune" and the "Seigaiha" would take sewing thread and needle for silk. ln the case
some 3 to 5 hours. Each of the four corners of crane folded with 3 mm square paper, I use
(with 24 cranes) of the "Hyakkaku" takes one the needle point of the silk sewing needle to
day for me to fold, so 4 days to complete. punch through the back (center) of the crane
I Regularly, what is the size you use? How and then thread through the sewíng line. I
small was the smallest one? posted a video demonstrating the threading:
I usuallyfold a crane based on a 5 mm square. I https://www.face book.com/1 00006 1 63834657
tried a 2 mm square, but because I can' t fold /vid eos/vb. 1 00006 1 63834657 / 1 6327 82206937
it well, 3 mm square would probably be the 225/?type=3
smallest. My "Renjuru" connected cranes are I Do you like origami models other than
mostly based on 5 mm square, with 10 mm micro-folded cranes, or anything you would
square for the large cranes, and 3 mm for the like to challenges to micro-fold?
small ones. I don' t know much about Origami other than
I I know you fold almost entirely with your origami cranes, but I truly embrace what lwas
fingers. But what kind of tools do you use told: "if you can fold cranes, then you can fold
when you need them? anything." So, I will try fold micro origami by
I usually fold individual cranes just with my using digrams from a book.
fingers. But for the renzuku connected cranes, I I Have you had other hobbies or
use tweezerS. entertainments in the past?
I How long does your concentration last I like watching sports, historical exploration,
during a day? museums and art museum tours as well as
lfold one crane and rest a bit. For a single collecting unusual objects.
crane, it would take me about 10, 15 m¡nutes. I What is the most ¡mportant thing that have
But, because I tend to fold watching TV, the in mind when folding the tiny thousand paper
folding would usually stop. So, it is not a really cra nes?
a feeling of immersion. Rather, I am not very I think that it is important to fold each crane
good with folding silently in quiet places. carefully. And lthink it is about giving
I What kind of paper do you use? continuity to it. However, if you try too hard,
"Kami no Ondo" (paper temperature) custom there will be moments when it will be
hand-made washi solid color (1000/o impossible to continue. So, it is important that
Mitsumata) from Nagoya. you do not try too hard.
I also use ordinary Yuzen paper. "Chou Usu I What did you find particularly enjoyable in
Origami Soft" (Ultra-thin Origami Soft) for 3 doing the tiny thousand paper cranes? And
mm or smaller cranes. what was hard?
I Are there any special paper treatment to be I usually do not think much about the goal and
aware of,.) take my time to fold. lt is difficult when I have
For senbazuru that requires folding one crane to work hard in case there is a due date.
from two squares, one on top of another, I However, it is fulfilling when the audience is
shave offthe paper with a cutter to make it pleased with the miniature folding cranes and
thinner so I have to be careful to make it even thousand origamicránes that I make.
so that it will not tear. I What will you want to challenge in the
I What kind of exhibits have you done in the future?
past? I would like to be able to fold micro folded
Local "Yamasato Aruki" event, or Nagoya "Kami crane more beautifully. Also, I would like to
make various things tiny, including origami. usually very restlessness" and so on. I also feel
I Summary I happy to see parents and children become
immersed and having fun together.
During the interview, I watched closely the
folding of one crane that was completed I like the origami as the square sheet of paper
without hesitation, between the fingers. The transforms into a figure step by step. However, at
Cranec that disappears in his fingers are times it is OK to teár it. Or to glue, cut, crumple,
shaped crisply. Please check the video: unfold. And make noises: bang! Observe the
(https://youtu.be/lNQ5Qkd4tNw). lt was shadows and reflections of the crease lines. A
indeed interesting to know about the thinning feeling like: "Really amazing!" , "l want to try it]" ,
"Wow-, I d¡d it!" Or also: "l can' t make it." , "Let
of the paper by shaving off the paper for the
me see, lthink lcan help" , "Here,that is what
Senbazuru for the crane made from two you have to do" . Feel pleased and say: "That' s
overlapping squares, but it does sound like a great" . Or frustrated and give-up. But later, try it
tremendous amount of hard work. lt is ónce again. Fold while talking or thinking about
unbelievable to think that the cranes are sometñing completely unrelated. Folding to
connected through just a few fibers without keep the hánds occupied. I feel very happy when
breaking apart. Alio,it was interesting that his a person' s eyes shimmer when I give them a
foldingls ilone while watching TV. Although model that I folded thinking about them.
Mitsuñ¡ro Ema said that it is not a feeling of
immersion, there are some research indicating
that better concentration is possible when (Page 37) Shirokujichu ( "OrigamiAround
there are some environmental sounds. the Clock" )
Anyway, I find it important to create your own Two Thousand
self, wouldn' tyou agree? By Jun Maekawa, Japan Origami Academic
(Editorial note: Photographs on page 22)a Sóciety (JOAS), board chair
I will be taking over the "Origami Zanmai" section
(Page 36) Orisuzi( "Fold Creases" ) from Seiji Nishikawa, giving continuity to his
articles.And since4( E ) comesafter3 ( (the
Benefits of Origami - )
Japanese title of Nishikawa-san' s section,
By Kazuyo Matsumoto
Zanmai, meaning ambition, is wr¡tten = Bt ), I

playing with origamisince I was a child. And


I like thoughtofvarioustitleswitha( E ):E É A É
even as an adult, I have many opportunities to ( "Sh-ikuhakku" , the four and eight kinds of
play with children, so I always keep origami that I
suffering,fromBuddhism),8 E E tr
can use for something. ( "Shimeñsoka" , Surrounded by enemies on all
The encounter with creators who teach four sides), EÉ E9É ( "Shikakushimen" , square,
wonderful models is a pleasure. Once, I showed formal). At the end, I decide d for "tfr!¡ff El^ ffi +"
the Yoda, which I folded in a class with Fumiaki (Origami "shirokujichu" , or Origamiaround the
Kawahata himself, to a boy who was originally clock, or literally 4 times 6, or 24 hours).
not interested in the origami. This time, lwould like about things that
"l want to fold this model!" accumulate unnoticed with time. They are: age,
"Well,let' s start with something simpler." gray hair, weight, LDL cholesterol, etc. And also,
"Nol I want to fold the Yoda!" of course origami PaPer.
"All right. So, let' s fold it together." For example, each time you part¡cipate at
I can'- t forget his face of amazement, after a convention, you receive the Toyo's 60 color pack
fulfilling reiult after 2 hours of folding, and his with 220 sheets of origami paper. lt is a necessity
mothers surprise and Praise. for a convention, but it is rare to use it all. ln my
I oncetold a friend, who is a school teacher case, I had more than 20 packs in my closet,
dealing with a difficult student, that maybe mostly unused ones. That alone would account
origamimight help. After some time, I received a to about 4,000 sheets. Further examination
phóto from her, with a note "l received a revealed that I had a total of 15 sheets of 15 to 18
graduation present from a student" . lt was the cm paper, 2,000 sheets of 24 cm or more, 3,000
Éabbit by (eigo Matsuda. So, I send back a sheets of 7.5 cm or smaller, 2,000 sheets of A4's
picture oi the Rabbit folded by Keigo M.atsuda and kraft paper. I had roughly over 20,000 sheets
himself, and she was impressed. The difficult of origamipaper.
student was progressing well at going to school. tt is rilnd blowing if lthink that they are all
I want to fold itl When the parents see the waiting to be folded. ln order to fold it all when
concentration of the child, you can hear them alive, f calculated that I had to use about two
saying "l wish they could study with as.similar pieces a day. Calculating it, I have to honestly
foius', "l can' t believe their focus as they are confess that I got excited to realize that "lt's not
totally impossible!" However, I realize that OHow do you see Origami developing in the
origami paper, like daisies in a vacant land, just futu re?
simply grows uncontrollably. So, I realize that my OOrigami is the future trend of every single
original calculation is somewhat unrealistic. industry, not only in art form but in practical form.
The infinite-loop: "When we have things in One of the strong point of origami is that you can
abundance, we can' t come up with forms to transform big object to small object, reducing the
consume properly" -+ "Goin9 to a specialty ship, I size by folding techniques. This technique is
will buy much more than necessary" is an valuable, suitable for the industries such as
empirical rule that proves that negligence is our medical, product design, space exploration and
biggest enemy. fashion. One of the examples is that by using the
Dumbfounded by the 20,000 sheets of paper, I folding techniques, we can make the medical
decided to actively consume them, using at equipment size smaller and put inside our body,
events, distributing to friends. I heard of a rule reducing the size of the wound created.
that says that "when throwing away or using OWhat are your thoughts of your role for the
something, it is necessary to be done with some future of Origami.
valid reason" . But, if I distribute them, that I will (DAs a product designer, I would like to try my
also help spread the joy of origami. best to use the techniques of origami into to the
product design field. Aim to create a new kind of
(Page 39) Paper Folders on File experience for the customers that their life will
File#72 - Kade Chan be more convenient when all products can be
lnterviewed by Marcio Noguchi collapsed and expanded again.
OHow do you posit¡on yourself with regards to
Kade Chan - Born in 1993,lives in Hong Kong. your responsibilities (if any) in international
Member of the Hong Kong Origami Association. origami, and future activities?
He is the creator of "Fiery Dragon ver. 2" (diagram
OAfter joining the OAC (Origami Authors and
published on issue 152 of the Tanteidan Creators) as a regular member, lunderstand
Magazine), among other masterpieces.
copyrights protection is very important to the
iWhen and how did you get started with origami artists, most of the origami artists don't
Origami? know how to protect their intellectual properties
(Dl started folding paper since 2005 when I was when someone using their original origami
12. Remember that I found a diagram of the design in commercial way but without putt¡ng
Bahamut Dragon which is designed by Satoshi any credits on it. ln the future I position myself as
Kamiya. At that time I was wondering how can a a consultant of origami copyrights infringement,
piece of uncut paper can transform to such a trying my best to help the artists in needed.
complex modeljust by folding, lt amazed me a
OOutside of Origami, do you have any hobbies?
lot. I posted the ñnished model picture of the OApart from origami, l'm also a Muaythai (Thai
Bahamut (which was folded by myselfl online to boxing) player. lwas planning to get my
the social media platforms, some members of the coaching license, however, I ended up gett¡ng a
Hong Kong Origami Society saw that, and then driver license ¡nstead. Though, unfortunately
invite me to join the society, it's the start of my there aren' t many parking places in Hong Kong,
origamilife. so it is difficult for a young like me to own a car.
OWhat are your objectives in folding origami. OWhat is the relation between Muaythai (Thai
What do you have in mind? boxing)and Origami?
OOrigami to me is a trad¡tional Japanese art that (Dl started practicing Muaythai since 2015 when I
creat¡ng unlimited possibility in a limited space, was graduated from university. My friend Jacky
by folding we can transform 2D to 3D, and Chan from Hong Kong Origami Society
express our thinking to the real life. introduced me his gym and the Muaythai
lCan you describe your history of your act¡vit¡es courses, I realized that these years I spent all the
with Origami in Hong Kong? time on origami, totally forgot physical growth is
OWhen lwas 12 after joining the Hong Kong very important too, my body become very
Origami Society, I started teaching origamito the skinny, so I want to practice a sport which can
public, the first workshop was in the Hong Kong help to change my body situat¡on. Origami and
Scíence Museum, teaching some origami Muaythai are similar,. they are also requiring full
dinosaurs. Until now, I have organized more than concentrat¡on, or you will be defeated.
500 workshops in the past 12 years. Most of the Photos:
workshops are free to the public, my aim is to Photo (Left)- Godzilla
promote origami as an art form, encouraging Photo (Center)- Fiery Dragon
original designs, not just a kid's activity. Photo (Right)- Alien
[Location] Toyo University (concurrently with the
Origami Tanteidan Convention)
[Dates] 8/10 (Friday) - August 12 (Sunday)
* Admission free . Reqistration for the convention
not required
ln addition to contests based on the popularity
vote, we will establish this year new individual
prizes by origami masters. A different perspective
from popularity voting, we would like to make it
a great opportunity to show the diverse origami
models by students. Apart from the traveling
exhibition, some ICOA models will be displayed
this summer at an exhibition to be held this
Call for the 12th JOAS origami design summer in Shoo city in Okayama Prefecture.
contest Some other exhibitions will be planned, as soon
I JOAS Special Award:Theme="Wind" as they are confirmed.
I JOAS Chinese Zodiac Award: "Boar" IRegistration]
I Origami House Award: Free theme We are looking for two categories of creative
.One prize applicable to one person .Composite models and study models. The creation models
and multiple pieces allowed . ln principle cut not are models designed by the applicant, while the
allowed ' Either flat or three-dimensional models study models are models created by another
will be accepted creator and folded based on a diagram in a book
'Limited to unpublished creative models. Please or crease pattern. There are no limits of models
see the website for detailed information on that can be submitted, including also those that
application conditions: had been displayed in the past.
http://origa mi.g r.j p/Convention/24thlindex.html Those interested in exhibiting, please send the
#compet¡tion following information to the following address
O Registration form: Download from Origami bef ore July 21 (Saturday):
Tanteidan home page "Convention Page" mai lto:icoa@origami.grj p
I Deadline for submission: Must arrive by Friday, A. Creative models:
)uly 27,2018. 1. Creator's name for each models and contact
I Judging and award ceremony: lt will be held details.
during the "Origami Tenteidan Convention" 2. School name and grade (as of FY2018).
organized by the Japan Origami Academic 3. Title of the model.
Society UOAS), Tokyo in August 2018. 4.Size of the model (Advanced notification is
required for items exceeding 30 cm x 30 cm x
I Cuide to Registration for ICOA 30 cm).
Exhibition 2018 5. Method of delivery (hand delivery, shipping via
post-off ce). Please include a picture of the model
We are looking for models for the 4th ICOA
showing how it should look like.
exhibition to take place this year. The 6. Whether you wish your model to be returned
lnternational Collegiate Origami Association
back.
(ICOA) is an association of the japan Origami
Academic Society (JOAS), that aims giving / Modular /
7. Style (Single Sheet/Square/No cuts
Composites and number of sheets used and
cont¡nuity the origami group activities of paper size, shape, etc.)
universities and looking to grow globally. Last
B. Model description (if available, max of 50
year, which was the 3rd event, we held
characters)
exhibitions with great visibility in conjunction
with the conventions at Nagoya, Osaka and Saga, B. Study models:
after the start in Tokyo in August. At each ln addition to the items of A:
convention venue we held a contest based on 9. Creator' s name and source
popularity vote of the exhibition visitors. We 10. Photographs for judging (a picture that
have collected more than 500 votes at three allows the complete model to be seen. File
venues, in Tokyo, Nagoya and Osaka. naming convention: "<School Name>_ <lD>")
x The photos will be u§ed for judging, only for the
[Overview of 2018 exhibition]
This year we are also planning a tour of the study models.
exhibition in Shizuoka, Kansai and Kyushu, after We will send you detailed application
the start with the 4th Exhibirion in Tokyo. requirements and "application sheet" separately
The 4th Tokyo Exhibition
to exhibition applicant and ICOA members.
Please send inquiries using the above contact can also join. lf you are interested please contact
e-mailaddress. us at the address below.
mailto:icoa@origa mi.g rjp
[Awards]
A. Popularity contest
Voting by exhibition visitors will take place at Call for diagrams for the 24th Origami
four venues: Tokyo, Shizuoka, Kansai and Saga. Tanteidan convent¡on collection
The one with the largest number of total number O We are asking for your contribution for
of votes at the four venues will be declared the diagrams to become available along the summer
winner. For each venue one visitor will be convention collection book. We look forward the
allowed to cast one vote, and general visitors also diagrams for your models.
will be allowed to vote. The creator of the most O Eligibility: None. Amateur or professíonal, no
popular model (with most of the votes) will age limits. lt is not necessary to be a subscriber of
receive a prize of 50,000 Yen presented by the Tanteidan magazine or be a member of the
Origami House. Because votes are collected at Japan Origami Academic Society (JOAS).
each tour site, only the models donated to the Regardless of the number of published model,
travelling collection will be elligible. we will present one complimentary "24lh
B.lndividualAwards Tanteidan Origami convention book" (pending
Origami masters will select outstanding models the condition of minimum number of pages
individually and recognize them. A prize of contributed). ,
30,000 Yen will be awarded to the creator of the O Conditions. Original or variations, limited to
selected model by each of the masters.lndividual unpublished diagrams. (ln the case of variations,
awards will be selected and awarded at the please specify also the name of the original
Tokyo Exhibition. Models that will be returned to creator, so, permission is also required). The
the creators will also be eligible. The individual submission should be done based on digital
awards by the following three masters are data.
available at the present time. The following are O lnstructions to submit diagrams: check the
the selection criteria of each master, so please OrigamiTanteidan website " Convention Page" .

submit your creation! http://o ri ga m i.g rj p/Convention/24thl


(Seiji Nishikawa Award) I Deadline for submission: June 30, 2018
(Saturday)
Selection Criteria: Systematic (creases, whether
stra¡ght or curved) establishing a "mitate"
representational shaping - that search fresh a 24th Origami Science, Mathematics,
Education and Research Meeting
expressions. The selection my result in "No
winner" . Honorable mention possible (10,000 This time, we will connect the origami local area
yen). group Kyushu Tomonokai remotely over the
(Takashi Hojyo Awardl
lnternet, and a presentation from Kyushu will
also be planned. There are no restrictions to
Selection Criteria: Models will be evaluated with participate, so please join us. lt is a unique
emphasis on design and finishing techniques of opportunity to learn about the scientific research
finished form. Human figures will be the main of origami prior to the 7th Origami Science
targets for selection. Mathematics and Education (OSME) international
(Fumiaki Kawahata Award)
conference (September 5th-7th) at Oxford. We
Selection Criteria: Models will be evaluated with are currently looking for presenters.
an emphasis on innovat¡ve ideas on C Date and time: Saturday, June 16 (Sat) 10:
representation and expression. The style of the 00-1 7: 00
model does not matter. lf it is expressive and Venue: JOAS Hall (1-33-8 Hakusan, Bunkyo
challenging, existing techniques (like color
C
ward, Tokyo)
changes)are also OK.
* New individual awards may be offered in the C Presenters wanted (until Sunday, June 3rd)
Please send the following detals by e-mail to
future. We will inform you in the new issues, as webman@origami.grjp
soon as they are confirmed.
Subject of the e-mail: "Request to present at the
[Callfor new members] 24th the Origami Research Meeting "
ICOA is recruiting new students.
Mail Body: Name, contact information,
i El¡gibility: Current college students presentation t¡tle, presentation summary (up to
(grad/undergrad students .technical school 200 letters), planned presentation time (30
students). You can choose to join as part of a minutes or less)
local origami group or individually. Students who O please check our website for details.
do not belong to a local group as well as alumni http://www.origami.g rjplOSME/1 806.html
10
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