ECEP Tia aie Ctr Iron WRSRCY NCH RCanT AY CTE TSS Ecton see AOE tL) Coma FEATURING. ALL NEW SANDWICH EFFECTS: Sate SLICE TWO . S ie f . SLICE FOUR fred. Needs 1d NS - : GRAB 7 oO RIR Rs ETc} KICK Pe aaa ree Drom Reich Rel ee MAGIC AS ART + MYLES NAKOUZI ena acl Lae DLL beret on iA anel THE R3MAN CHALLENGE... (Pe Coe an Pee lara Brat on ha JOURNAL ENTRIES 004: A TIME FOR CHANGE Crh] Cree el tel ay ae 7DEDICATED TO JAKE GREEN FOR SAVING MY LIFE DECEPTION |DI-SEP SH-N| ‘THE ACTION OF DECEIVING SOMEONE ATHING THAT DECEIVES A RANGE OF ELABORATE DECEPTIONS DECEPTION NOUN 1 - DECEPTION DECEIT, DECEITFULNESS, DUPLICITY, DOUBLE-DEALING, FRAUD, CHEATING, TRICKERY, CHICANERY, DEVIOUSNESS, SLYNESS, WILINESS, GUILE, BLUFF, LYING, PRETENSE, TREACHERY; INFORMAL CROOKEDNESS, MONKEY BUSINESS, MONKEYSHINES. 2 TRICK, DECEIT, SHAM, FRAUD, PRETENSE, HOAX, FAKE, BLIND, ARTIFICE; STRATAGEM, DEVICE, RUSE, SCHEME, DODGE, MACHINATION, SUBTERFUGE; CHEAT, SWINDLE; INFORMAL CON, SETUP, SCAM, FLIMFLAM, BUNCO. DECEPTION (ALSO CALLED BEGUILEMENT, DECEIT, BLUFF, OR SUBTER- FUGE) ISTHE ACT OF CONVINCING ANOTHER TO BELIEVE INFORMATION THAT IS NOTTRUE, OR NOTTHE WHOLE TRUTH AS IN, CERTAIN TYPES OF HALE-TRUTHS. DECEPTION INVOLVES CONCEPTS LIKE PROPAGANDA, DISTRACTION AND/OR CONCEALMENT. FICTION, WHILE SOMETIMES MANIPULATIVE, IS NOT A DECEPTION UNLESS IT IS PORTRAYED AS PARTIALLY TRUTHFUL ORASTHE WHOLE TRUTH. IN MANY CASES IT IS DIFFICULTTO DISTINGUISH DECEPTION FROM PROVIDING UNINTENTIONALLY WRONG INFORMATION. ONE OFTHE REASONS FOR THIS ISTHAT A PERSON OR AN ENTIRE ORGANIZATION MAY BE SELF-DECEIVED. DECEPTION IN PSYCHOLOGICAL EXPERIMENTATION ‘THE USE OF DECEPTION IN PSYCHOLOGICAL EXPERIMENTATION ISA METHODOLOGICAL PROCEDURE WHERE THE RESEARCHERS PURPOSELY MISLEAD OR MISINFORM THE PARTICIPANTS ABOUTTHE TRUE NATURE OFTHE EXPERIMENT. THE PROCESS OF CONCEALING INFORMATION FROM THE PARTICIPANTS IS OMISSION ANDTHE PURPOSELY MISLEADING OF THE PARTICIPANTS ABOUT WHAT IS BEING STUDIED IS COMMISSION. THE USE OF DECEPTION IS RESERVED ONLY FOR WHEN IT IS ABSOLUTELY NECESSARY TO PRESERVE THE NATURAL- NESS OF THE PARTICIPANTS’ BEHAVIOR.THE UNDERGROUND JOURNALS OF MAGIC sy DANIEL MADISON @ VOLUME TWO : CARD SANDWICH EFFECTS JUNE 2009 ee OS 5 e «te % Ss +. oe oe #° MAGIC DEAD: IT ISTHE MABICIANS’ RESPONSIBILITY TO PERSUADE HIS SPECTATORS TO BELIEVE OTHERWISE DECEPTIONS IS A MONTHLY JOURNAL DEDICATED TO THE IMPROVEMENT OF THE ART OF MAGIC TAKEN DI- RECTLY FROM THE STUDIES OF DANIEL MADISON FROM THE YEAR 2000 TO PRESENT DAY. DECEPTIONS WILL STUDY, EXPLORE & EXCERCISE IDEAS & CONCEPTS OF MODERN MAGIC & SUBTERFUGE. EACH ISSUE WILL FOCUS ON A DIFFERENT AREA OF THE ART TEACHING NEW, EXCLUSIVE & RELATED CLOSE-UP MAGIC EFFECTS. EACH VOLUME WILL BE PACKED WITH PROFESSIONAL INSIGHT, TEACHINGS & GUIDANCE WITH FULL TRAINING IN SLEIGHT-OF-HAND, SUBTERFUGE, DECEPTION & PSYCHOLOGICAL ILLUSION; HOSTING THOUGHTS, ADVICE & BONUS EFFECTS FROM FRIENDS & INDUSTRY PROFESSIONALS, RECOMMENDATIONS FOR RELATED EFFECTS, & ULTIMATELY OFFER THE READER A. NEW RESOURCE FOR MODERN MAGIC. MAGIC IS DEAD; IT ISTHE MAGICIANS’ RESPONSIBILITY TO PERSUADE HIS SPECTATORS TO BELIEVE OTHERWISE. WITH YOUR HELP, DANIEL NOW INVITES YOU INTO HIS MOST PERSONAL WORK EVER. KEEP MAGIC ALIVE, WELCOME TO DECEPTIONS, VOLUME 2. PLEASE NOTE THAT DECEPTIONS ASSUMES THAT YOU, THE READER ALREADY HAS A BASIC KNOWLEDGE OF MAGIC & SLEIGHT OF HAND & ASSUMES THAT YOU WILL UNDERSTAND BASIC SLEIGHT-OF-HAND TERMS. FOR FURTHER HELP & GUIDANCEYOU CAN EMAIL USAT DECEPTIONS@MAGICIsDEAD.con JT MORE ABOUT THE AUTHOR, VISIT DANIELMADISON.co.uK MENLO BNP kaoly