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mong several points of convergence in the lives of Frederick Douglass
and Herman Melville, an especially notable one centers on the nation’s
capital and the Federal Government. Both men were well-known
authors and public figures who traveled to Washington several times before
and during the Civil War; and in 1872, Douglass moved to the Federal City
with his family for what proved to be the rest of his life. Both men had political
ties in Washington and sought to use them to gain political appointments
or influence on matters of personal interest or public policy: Melville four
times between 1846 and 1864, and Douglass even more often as a frequent
consultant, lobbyist, and spokesman on matters affecting African Americans
for more than three decades. Both met or corresponded with Charles Sumner,
the powerful abolitionist Senator from Massachusetts, and sought his support
or assistance: Melville on personal matters and Douglass on matters of public
interest. Both met Lincoln in the White House and formed first-hand impres-
sions of the president: Melville on a single occasion during an open house,
and Douglass several times as an invited guest or petitioner. And both men
conversed with Ulysses S. Grant, in Melville’s case when Grant was in charge
of the Army of the Potomac, and in Douglass’s when Grant was President.
Clearly, they both moved in rarified political circles, or were capable of such,
when the need arose.
Despite the advantages of class and his family’s political connections,
Melville never succeeded as an office-seeker, and in fact made only fitful
attempts in that direction. He was a writer and thinker, not an orator-politician
like his brother, and took only indirect interest in promoting larger social
causes (or himself). He did, however, make imaginative use of his brief
sojourns to the city, in several late chapters of Mardi (1849) and—following
a final visit in 1864 to witness the war first-hand—a handful of Civil War
poems from Battle-Pieces; or Aspects of the War (1866). By contrast and as few
in the nation’s history have ever done, Douglass succeeded in a wide variety
of political roles, as a journalist, spokesman on race, political activist, and
Journal compilation
C 2008 The Melville Society and Wiley Periodicals, Inc.
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C H R I S T O P H E R S T E N
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2 Melville’s letters to Buchanan and Marcy survive but not the one to President Polk, though a
portion of it is quoted in the letter to Buchanan. See Correspondence, ed. Lynn Horth (Evanston
and Chicago: Northwestern University Press and The Newberry Library, 1993), 41-44.
3Hershel Parker, Herman Melville: A Biography, 1819-1851, 2 vols. (Baltimore: Johns Hopkins
University Press, 1996), 1: 484-85.
4Herman Melville, White-Jacket, or The World in a Man-of-War, ed. Harrison Hayford, Hershel
Parker, and G. Thomas Tanselle (Evanston and Chicago: Northwestern University Press and The
Newberry Library, 1970), 290; hereafter cited as NN WJ.
5 Herman Melville, Mardi and a Voyage Thither, ed. Harrison Hayford, Hershel Parker, and G.
Thomas Tanselle (Evanston and Chicago: Northwestern University Press and The Newberry
Library, 1970), 516-17; hereafter cited as NN Mardi.
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other.6 Douglass himself had suggested a deeper connection between the two
practices the previous year, in a January 26, 1849, editorial, “Flogging in the
Navy,” for The North Star, when he argued that flogging was “but an off-shoot
of the system of slavery” (as qtd. in Wallace 85).
A decade or so later, in 1861, his public career waning, Melville was
back in Washington looking for employment again, this time as a foreign
consul in Florence, or Glasgow, or the Sandwich Islands. Although he had
attended two “levees” at the White House, where he stood in line and shook
the President’s hand—Lincoln, he said, worked “hard at it like a man sawing
wood at so much per cord”— and had the substantial support of Charles
Sumner, the staunch anti-slavery Senator from Massachusetts and friend of
Frederick Douglass, Melville could not otherwise get his foot in the door in
Washington. Having confessed in a letter to his wife that “as yet I have been
able to accomplish nothing in the matter of the consulship—have not in fact
been able as yet so much as even to see anyone on the subject,” he went
on to reveal how he had been spending his time, sunning himself on a park
bench across from the White House, and then joked grimly, “I am boarding
in a plain home—plain fare, plain people—in fact all plain but the road to
Florence.”7 Shortly thereafter, Melville received word that his father-in-law,
Lemuel Shaw, the Massachusetts Supreme Court Justice who made the decisive
ruling supporting the Fugitive Slave Law of 1850, was deathly ill, and Melville
immediately headed for home after writing Sumner that he had been called
away, with no plan to return. Ironically, Melville did finally land a job with the
Federal Government a few years later, in late 1866. It was hardly a prestigious
foreign-service appointment such as he had sought earlier, but a modest if
reasonably well-paying one, in his home of New York City. There he became
a district inspector in the customs office of the ports of lower Manhattan, a
patronage job he held for almost 20 years, until he retired in 1885.8 Melville
presumably derived a fair amount of literary capital from his 1861 trip to the
Federal City, using several of the scenes and landscapes he observed there in
his collection of Civil War poems. But it is hard to be sure because he also made
a third visit, this one in April of 1864, in the last months of the war, when he
came down to Washington from New York with his brother Allan to see the
fighting on the front lines first hand. For once the letters of his supporters—
again Senator Sumner (who vouched for Melville as “a loyal citizen & my
friend”) and Secretary of War Edwin Stanton—helped to accomplish his hope,
and he was issued a pass to “visit the Army of the Potomac” in the area
known as the Wilderness, near Culpeper, Virginia, less than a day’s ride from
Washington (Parker 2.562-63). Traveling out into the Virginia countryside
with a small scouting party, said to be within a very distant view of the Capitol
Dome, he met with young Colonel Charles Russell Lowell (James’s nephew)
and his young wife, Josephine, who had accompanied him—a surprisingly
common domestic arrangement in this period and in this war. Josephine was
the sister of Robert Gould Shaw, the late leader of the famous African American
54th Regiment from Massachusetts, for which Frederick Douglass served as
recruiter and whose sons, Lewis and Charles, were among the first to join.
In July of 1863, the Regiment had been much in the news, having performed
heroically despite heavy losses in the assault on Fort Wagner in South Carolina,
proving, in Douglass’s words, the black man’s “ability to meet the foe in the
open field” and his worthiness to be treated as the equal of white soldiers.9
Melville accompanied Charles Lowell and others in an unsuccessful overnight
effort to capture the elusive rebel John Mosby, an event reported in Melville’s
poem, “The Scout toward Aldie.” He apparently had a face-to-face talk with
Ulysses S. Grant, commander of the Northern Army, headquartered near the
Army of the Potomac, not far from Culpeper Station; the meeting is suggested
in “Chattanooga (November 1863)” and its brief appended note, and later
confirmed in his wife Elizabeth’s informal memoir. Melville’s uncle Thomas
Melvill lived in Galena, Illinois, Grant’s hometown, and Grant was an avid
reader, so, as Parker speculates, the poet and the general would have had a
good deal to talk about, if in fact they ever got beyond the subject of the war
and Grant’s experience defending the national capital (Parker 2.572-73).
8 See Stanton Garner, “Herman Melville and the Customs Service,” in Melville’s Evermoving Dawn:
Centennial Essays, ed. John Bryant and Robert Milder (Kent, Ohio: Kent State University Press,
1997), 276-93.
9 Frederick Douglass, Life and Times of Frederick Douglass (1893); rpt. in Douglass: Autobiographies
(New York: The Library of America, 1996), 781; hereafter cited as Autobiographies.
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While Melville wrote several poems for Battle-Pieces that drew from the
experience of his 1864 trip to Washington, three in particular—“The Conflict
of Convictions,” “The Scout toward Aldie,” and “Lee in the Capitol”—rely on
the imagery of the city, the symbolic center of the War between the States. All
three poems feature the Capitol building’s new “iron dome,” which was finally
completed in 1863 in the midst of the War and at Lincoln’s urging when the
statue of Freedom was placed on its top. For Melville and others, who saw
the country change during and after the conflict into a new “power state,”
as Robert Penn Warren has said, the iron dome—which replaced a wooden
one—ironically became a symbol of this important turning point in the nation’s
history.10 The Union had been preserved by the Civil War, as Lincoln had
deeply wanted, but it had been preserved at a price; the sleeping giant had
been awakened. In “The Conflict of Convictions,” the most apprehensive of
these poems, Melville warned of the emergence of a new power structure that
in the years to come would diminish the freedoms laid down by the founding
fathers—a fear that Douglass would later see realized in the post-War era:
10Herman Melville,Selected Poems of Herman Melville, ed. Robert Penn Warren (New York:
Random House, 1967), 353-54 (see note).
11“The Conflict of Convictions” (1860-61), The Poems of Herman Melville, ed. Douglas Robillard
(Kent, Ohio: Kent State University Press, 2000), 56; hereafter cited as Poems.
about “the slow coach at Washington.”12 Lincoln, who was struggling to keep
the border states in the Union and mollify his fellow Republicans, was initially
reluctant to alter the status of black people—unless it were to colonize them
in Africa. But within months of taking office, he was showing signs of new
thinking, first forbidding Union soldiers from returning fugitive slaves to their
owners, then signing a bill outlawing slavery in the Federal City, and finally
issuing a proclamation declaring that all slaves in any rebel state would be free
at the start of 1863 (Bontemps 226-27). For once, Douglass was ecstatic with
developments in Washington and immediately embarked on a speaking tour
intended for black audiences in celebration of this milestone event. By contrast,
Melville had little to say about emancipation; his only poem on the subject of
slavery or emancipation in all of Battle-Pieces is a brief, sympathetic portrait,
“Formerly a Slave” (based on a sketch by Elihu Vedder), wherein he imagines
the “reverie” of an older freed slave woman who looks into the future with the
confidence that “Her children’s children . . . shall know / The good withheld
from her . . . ” (Poems 129).
Following emancipation, Lincoln had also signed a bill making it pos-
sible for free blacks to enter into military service, but the States initially
resisted. The one exception was Massachusetts, where Governor John An-
drew petitioned to raise two regiments of black soldiers (Bontemps 228-30).
Douglass, who had been appealing in his Monthly to “Men of Color” to enlist
in the Union cause,13 was at last asked by the head of the North’s recruitment
effort, George Luther Stearns (an abolitionist and one of the backers of John
Brown), to help recruit black volunteers. Recruiting was hard, in part because
of the widespread antagonism toward blacks, as evidenced in the draft riots
in New York (the ugly, atavistic atmosphere of which Melville captured in
his poem, “The House-top,” in Battle-Pieces) and elsewhere in the summer
of 1863. But the greatest obstacle was the fear that black soldiers would be
killed as insurrectionary slaves if taken prisoner by the Confederate Army.
Once this became official policy in the Rebel Army, Douglass was quick to
call for strong countermeasures, and on August 1, 1863, he wrote a letter to
Stearns expressing his “discouragement” at “the attitude of the government
at Washington” for its failure to protect black fighting men and otherwise
put them “upon an equal footing” with other soldiers (Autobiographies 782).
He soon learned that Lincoln had signed an order stipulating that “for every
soldier of the United States killed in violation of the laws of war a rebel soldier
12Arna Bontemps, Free at Last: The Life of Frederick Douglass (New York: Dodd, Mead, 1971),
224-25.
13 See “Men of Color, to Arms!” which appeared in Douglass’ Monthly in March 1863; reprinted in
Autobiographies 778-80.
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14 As qtd. in William S. McFeely, Frederick Douglass (New York: Norton, 1991), 227-28. For full
text, see Douglass’s open letter to George Luther Stearns, Douglass’ Monthly, August 1, 1863), in
Philip S. Foner, ed., The Life and Writings of Frederick Douglass, 4 vols. (New York: International
Publishers, 1950).
15 Douglass noted with “the deepest interest and profoundest satisfaction” that the President was
no longer determined to save the Union at any price, and “showed a deeper moral conviction
against slavery than I had ever seen before in anything spoken or written by him.” For him, the
evidence of this was Lincoln’s proposal for an aggressive effort behind the lines of the Confederacy
to inform slaves of Emancipation and urge them to head north for freedom. Douglass was to
organize “a band of scouts, composed of colored men,” whose job it would be to go into the rebel
states and “carry the news of Emancipation, and urge the slaves to come within our boundaries”
(Life and Times, in Autobiographies 796-97). In the end, nothing came of the plan. However,
confirmation of Lincoln’s continuing regard for Douglass came on the occasion of his second
inauguration, when Douglass tried to attend a White House reception to offer his congratulations
to the president. Initially prevented from entering because of his race, Douglass stood his ground
and, with the help of an acquaintance, got word to the president about his plight, at which point
he was ushered into the White House where Lincoln greeted him warmly. It was the last time the
two were to meet.
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the rights of black people was virtually at an end. Douglass seems to have
been misled by Hayes’s false promises, but he had every reason to feel the
president had treated him with favor and respect when he selected him to be
U. S. Marshal for the District of Columbia—”the first appointment requiring
Senate approval to be given to a black man.” This was an especially attractive
job for Douglass because it offered the chance to make secondary federal
appointments from among the nation’s freedmen; to promote the employment
of black civil servants; and to build up the city’s black middle class. However,
Douglass failed to see that his own appointment was part of a clever plan of
the new president’s “to conceal the cessation of truly significant federal action
in behalf of black people.” Before long, as betrayals of black hope mounted,
including the abandonment of the rights of black Southerners and Hayes’s
withdrawal of federal troops from Louisiana and South Carolina, he came to
see that Reconstruction was over (McFeely 289-90, 299).
Douglass, of course, had his opponents, as well as his supporters, from
the time he was first mentioned as U. S. Marshal for the District of Columbia.
Efforts to derail his confirmation proved unsuccessful, but there was a mem-
orable incident involving a public lecture he gave in Baltimore that led to a
concerted effort to remove him from office. Nothing came of the incident fi-
nally, but it deserves mention because the subject of the offending performance
was a speech, “Our National Capital,” in which Douglass admitted “calling
attention to some of [the city’s] ridiculous features.” Speaking diplomatically,
Douglass began his portrait by noting “many complimentary things . . . giving
[the city] all credit for its good points.”17 Washington, he acknowledged,
was “the honored place where the statesmen of the nation assemble to shape
the policy and frame the laws”; it was also “a glorious symbol of civil and
religious liberty, leading the world in the race of social science, civilization,
and renown.” But because of its history and location, Washington, “compared
with other parts of the country, has been, and still is, a most disgraceful and
scandalous contradiction to the march of civilization.” And then he let loose:
Sandwiched between two of the oldest slave states, each of which
was a nursery and a hot-bed of slavery; surrounded by a people
accustomed to look upon the youthful members of a colored man’s
17 Douglass’s address, which was delivered on May 8, 1877, at Baltimore’s Douglass Institute,
is reprinted in full in Blassingame and McKivigan, 4.443-74. In a head note, Blassingame and
McKivigan point out that Douglass presented the same lecture in Washington a year or so earlier,
but it did not provoke the same outcry as the Baltimore event, since in the latter case Douglass
had just been confirmed as U. S. Marshal for D. C. and the public hostility to his appointment was
still lingering. It was mostly Washington newspapers, including the Evening Star and the National
Republican, and the New York press that joined in the call for Douglass to be removed from his
new office.
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family as a part of the annual crop for the market; . . . the inhabitants of
the national capital were, from first to last, frantically and fanatically
sectional. It was southern in all its sympathies, and national only in
name. . . . Slavery was its idol, and like all idol worshippers, its people
howled with rage, when this ugly idol was called in question.
his back yard where he would repair to vent his anger—Douglass was not about
to counsel extreme responses or solutions to such dispiriting developments.
“[G]overnment is better than anarchy,” he told an audience in Lincoln Hall
in Washington, following the Supreme Court’s 1883 decision; “and . . . patient
reform is better than violent revolution.” The problem, he recognized, in this
case at least, was the independence of the Supreme Court, what he called “the
autocratic point in our government. No monarch in Europe,” he went on to
say, “has a power more absolute over the laws, lives, and liberties than that
Court has over our law, lives, and liberties.”18 It was a warning about the
growing power of the Federal Government but also its surrender of power
regarding civil liberties to the states; it also recalls the warning of Herman
Melville, who in “The Conflict of Convictions” had worried about the increase
in government power symbolized in the new iron dome on the Capitol in 1864,
a building that Melville, with outrage and shame, reminds us in Mardi “was the
handiwork of slaves” (Mardi 528).
Despite the huge setback to the civil rights of black people brought
on by the Supreme Court, Douglass retained a certain faith in the Federal
Government—the executive branch, perhaps, most of all—to keep alive what
Melville called the “Founders’ dream” of freedom for all people. For him,
Washington was still the city of hope, the place where he served his people and
his country, and so it remained until the end of his life. By contrast, Melville,
clearly taking a more distant, majoritarian view of history, saw complication
and diminished personal freedom in the growing power of the Federal Gov-
ernment in Washington. Though profoundly sympathetic to the slave and
the ex-slave (as seen repeatedly in his prose Supplement to Battle-Pieces), he
was not so wedded to the cause of a particular people as Douglass, nor so
optimistic about what of benefit the Federal Government could accomplish. In
“The Conflict of Convictions” he viewed growing “Dominion” over individual
sovereignty and the resulting flight of the “Founders’ dream” as the price the
country had to pay for saving the Union through civil war. For him, the Federal
City, like the Government it stood for, was on course to become an ominous
site of centralized power, the capital of a nation that was no longer an exception
in the world’s history but one that was fast becoming like other nations, past
and present. Warned Melville, “Age after age shall be / As age after age has
been . . . .” (Poems 56).
18 “This Decision Has Humbled the Nation: An Address Delivered in Washington, DC, on
22 October 1883”; rpt. in Frederick Douglass Papers, 5: 115. See also Autobiographies 969-71.
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