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WHAT JUNG
Really S A I D
1945-1995
50 YEARS OF P U B L I S H I N G
WHAT JUNG
Really SAID
E.A. BENNET
In tro d u ctio n by
ANTHONY STORR
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SCHOCKEN BOOKS, NEW YORK
Introduction / i
Collected Works / 8
Foreword / 9
Preface / 13
Acknowledgments / 14
1 S T A G E S IN J U N G ’ S C A R E E R
Basel University / 21
Word Association Experiments / 25
Complex Formation / 27
Freud and Jung Meet / 33
2 P S Y C H O L O G IC A L T Y P E S
Freud and Jung: An Interchange of Ideas / 37
The Parting of the Ways / 40
The Origin of Ju n g ’s Typology / 45
Introverts and Extra verts / 50
The Four Functions in Consciousness / 54
VI / W H A T JU N G R E A L L Y S A ID
3 U N C O N S C IO U S M E N T A L A C T I V I T Y
T h e Psychogenesis of Mental Illness / 58
Unconscious Mental Activity / 62
T h e Personal Unconscious / 63
T h e Collective Unconscious / 65
Archetype and Instinct / 66
T h e Hypothesis of the Collective Unconscious and its
Origin / 7 1
Ju n g ’s Empirical Outlook / 76
4 DREAM S
Tw o Dreams: Childhood and Old Age / 80
T h e Dream and the Dreamer / 82
Dream-analysis in Psychotherapy / 85
T ypes of Dream (a) Initial / 85
(b) Recurrent / 87
(c) Anticipatory / 89
Self-Regulation in Dreams / 91
Compensation: Mental and Physical / 94
Compensation in Analysis / 96
“ B ig” Dreams / 98
Amplification / 99
5 O U R IN N E R W O R L D
Dreams and Research / 103
Active Imagination / 106
Spontaneous A rt / n o
A Seminar by Ju n g / 1 1 2
Figures in the Unconscious: The Persona / 1 1 5
The Shadow / 1 1 7
The Anima / 119
The Animus / 128
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Contents / vii
6 T H E W ID E N IN G C I R C L E O F J U N G ’ S
TH O UGH T
Hypnotism / 137
The Complex in Treatment / 139
7 PRESEN T AND FU T U R E
Confrontation with the Unconscious / 162
The Undiscovered Self / 165
T he Personality as a Whole: Conscious and
Unconscious / 169
Individuation as a Process. T h e Self / 1 7 1
References / 175
Index / 18 1
INTRODUCTION
A N TH O N Y STORR
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2 / INTRODUCTION
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THE COLLECTED
W O R K S OF C . G . J U N G
8
FOREWORD
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10 / WHAT JUNG R E A L L Y SAID
13
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ACKNOWLEDGMENTS
14
WHAT JUNG
R eally S A I D
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ABBREVIATIO NS USED
JUNGS CAREER
BASEL UNIVERSITY
Jung, born in 1875, lived in Switzerland all his life. His
father, a protestant parson, was in charge of the church at
the Rhine Fall near Schaffhausen. Later the family moved
to Basel where Carl Gustav was at school until 1895 when
he became a medical student at the University of Basel.
As his final medical examinations approached he wanted to
specialize but reviewed the possibilities without reaching
a decision. Surgery attracted him but this was not practic
able because it required expensive post-graduate study
beyond his father’s means. Ju n g had to earn an income as
soon as possible, and it seemed likely that a post in a general
hospital would be the first step in Jiis medical career.
However, matters developed differently. An apparently
trivial event gave him a clear lead in an unexpected
direction.
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COMPLEX FORMATION
PSYCHOLOGICAL TYPES
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U N C O N S C IO U S
M E N T A L A C T IV IT Y
ju n g ’s e m p ir ic a l o u tlo o k
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4
DREAMS
(b) Recurrent
Recurrent dreams are frequent in youth, but they occur
at any age and may persist for years. Broadly speaking
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(c) Anticipatory
This applies particularly to the group of dreams which
seem to anticipate the future. “ But just as our conscious
thoughts often occupy themselves with the future and its
possibilities, so do the unconscious and its dreams.
There has long been a general belief that the chief
function of dreams is prognostication of the future. In
antiquity, and as late as the M iddle Ages, dreams played
their part in medical prognosis.” 58
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SELF-REGULATION IN DREAMS
Ju n g ’s nearest approach to a theory of dreams is that the
psyche is a self-regulating system, that is, a compensatory
mechanism operates between the conscious and the un
conscious. T his is a principle in dream interpretation
which has stood the test of time and has been accepted
widely by psychotherapists. In studying a patient’s dream
the therapist should always consider what conscious
attitude may be compensated by the dream. Jung, of
course, made it clear that compensation could not be
observed as an automatic process in every single dream.
It was necessary to study a series of dreams and in looking
over them the process of compensation might be observed.
As was pointed out earlier (p. 84) the circumstances of
the dreamer’s everyday life must be kept in mind all the
time, for compensation, an automatic process, is taking
place in the natural course of events, and the dream must
be seen in relation to the conscious attitude.
Compensation, like any other adaptation in the mind
and body, may be upset, and when that occurs unhappi
ness in the form of anxieties and other' distress of mind
appears. Jung gives credit to Alfred Adler for introducing
the concept of compensation into the psychology of the
neurosis. Adler considered that an individual having a
feeling of inferiority compensated for this by developing
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c o m p e n s a t io n : m e n t a l and p h y s ic a l
COMPENSATION IN ANALYSIS
“ b ig ” d ream s
AMPLIFICATION
and the dream is the goal. Since the complex is the hidden
emotional content of the dream, it determines the structure
of the dream and so cannot be separated from it; but
complexes often become personified in our dreams and
naturally they are not recognised. T h ey appear as un
known people with easily described characteristics, so-
called splinter or broken-off bits of the psyche, operating,
as it were, on their own. In addition to these personal
features we find, though not in every dream, archetypal
material relevant to the compensatory aim of the dream.
We ask for the dreamer’s impressions of the dream:
what strikes him as significant; what is the atmosphere of
the dream— was it agreeable, alarming, interesting or
featureless? In this way through his associations about the
items in the dream we see in what context the dream lies.
T h is simple method of finding out about each part of
the dream is known as amplification. B y its use the dreamer
is able to see the dream in the setting of other events in
his life, and at the same time the analyst learns something
more of the dreamer. T h is is how we would approach
any unknown phenomenon. A t the same time we should
ask ourselves the question, mentioned earlier: What
conscious attitude does the dream compensate? A s the
doctor is presumed— by the patient— to know what the
dream means, he should explain that he does not know
and that his only way of finding out is through the
participation of the patient in the treatment.
It should be noted that amplification is carried out on a
conscious level. T h is is in contrast to the therapeutic
procedure of free-association, devised by Freud, in which
the patient, relaxing on a couch, speaks of the first thing
that comes into his mind and so allows the unconscious to
Dreams / 101
OUR I N N E R W O R L D
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T
ACTIVE IMAGINATION
Through the analysis of dreams an effort was made to
understand in what way the ego, the focussing point in
consciousness, was related to the contents of the un
conscious. Fantasy and imagination are not always
differentiated in Ju n g ’s writings and this can be confusing.
Imagination is usually described as the process of forming
a picture in the mind of something not perceived by the
senses— an experience everyone has had. Ju n g sometimes
used the word “ fantasy” in this sense; but as a rule the
intended meaning was obvious from the context. He
Our Inner World / 107
SPONTANEOUS ART
Painting or modelling is a valuable adjunct to psycho
therapy. T o apply paint and to find a picture developing
has the quality of a creative act which comes as a series of
surprises to the artist. Those who have never tried
spontaneous painting cannot judge its effects. It is by
no means a new idea and it was widely used long before
Ju n g was born. And such work really is spontaneous:
there is no going by rules, beyond learning how to mix
the paint. Once this stage is over, natural endowment
Our Inner World / 111
A SEMINAR BY JUNG
THE PERSONA
A constant interchange occurs between the conscious and
the unconscious and there is no fixed division between
them. We cannot anticipate our thoughts; quite apart
from our conscious wishes unexpected thoughts appear.
Also, that which is conscious today may be forgotten or
repressed tomorrow. This pattern of thought is the
experience of everyone. Nevertheless we retain our
identity, our awareness of ourselves; our belief that we
know our own mind; our assumption that in spite of
everything we are the person we think we are. This, how
ever, is not necessarily true for other people. T h ey may
not have the sense of continuity concerning us that we
possess. Different characteristics appear at different
times: to the onlooker at his place of work a man may be
cheerful, forthcoming, and warm-hearted. But in another
environment, such as his home, he may be exactly the
reverse. “ Which, then, is the true character, the real
personality?” writes Jung. “ . . . even in the normal
individual character-splitting is by no means an im
possibility.” 71
T o begin with the healthy infant is completely natural,
without affectation. He accepts and rejects regardless of
the feelings of others. As he develops he becomes conscious
of other people, and learns by imitation how to conduct
himself in a community. Children vary considerably, and
so the degree of imitation, and its onset, will be different
in every child.
Jung distinguished imitation from identification which
is unconscious imitation. Should a son identify himself too
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THE SHADOW
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THE ANIMA
in much the same way. After two or three years the boy
must become a little man, have his hair cut and put aside
his feminine clothes. In certain circumstances this may
be difficult for the boy or alternatively he may accept the
masculine role almost too thoroughly and everything
feminine may become taboo. Nevertheless he cannot
alter his nature completely. There remains in him his
feminine side, and if this be repressed in favour of
masculinity, his anima may appear in irrational moods,
in peevishness or bad temper, and not infrequently in
sexual deviation, often associated with immature emotional
development. All these irregularities are disturbances of
the normal operation of the feminine side of men. When
understood in this way they become comprehensible as
symptoms due to repression of a part of himself. In other
words, such manifestations are an unconscious effort to
bring about self-regulation through compensation.
Ju n g considered this attempt at compensation was of
special importance in the second half of life, that is from
about the age of thirty-six onward. During the first
part of life the man is making his way and developing his
career, concerned with the family and other interests
which demand conscious rational adaptation. He thinks
clearly and acts without effort. He is unaware that his
anima exists because it finds easy and natural expression
in friendships with girls. T his is healthy in adolescence
and in the twenties, but not if it continues year after year,
as it often does. Such projections can, of course, lead to
disaster, and the man may learn by bitter experience that
he cannot disregard parts of his normal make-up without
penalty. Ju n g writes: “ In dealing with the shadow or
anima it is not sufficient just to know about these concepts
Our Inner World / 123
THE ANIMUS
Since the girl and the boy as members of the same family
have a similar environment, it is to be expected that the
girl’s image of the other sex will come to be formed,
mutatis mutandis, on the same framework as the boy’s.
We have then the girl’s experience of her father, who
becomes an all-important image in her mind. Upon this
background she will probably build her ideas about men.
He is the first man she meets and, by choice or in
voluntarily, he becomes the model or standard by which
she assesses men. Supplementary to this source of the
masculine side of herself, there is the cumulative impres
sion from conversations she hears about men— conversa
Our Inner World / 129
C I R C L E OF J U N G STHOUGHT
HYPNOTISM
At the Burghôlzli he had responsibility for patients and
their treatment and, like his colleagues, he undertook
research. Soon he began to give lectures and demonstra
tions for medical students who attended the practice
of the hospital. This suited him exactly; he was launched
on the career of his choice and his hope and ambition
was to dissipate some of the mystery surrounding mental
illness and to discover what was going on in the minds of
patients with mental disturbances.
Speaking broadly there were two groups of patients:
first, the severely disturbed, suffering from psychosis,
many of whom were incurable. Their treatment was
limited to custodial care and attention to physical health.
Secondly there were those with less severe illness, with
symptoms of morbid anxiety, phobias, obsessions, and
other forms of neurosis, some psychopaths, and some
with sexual deviations. An effort was made to give active
treatment to the second group, although at that time no
one knew what had brought on the illness or what the
symptoms meant. They were helped, in the hospital
and in the out-patient clinic, by simple psychotherapy in
the form of good advice, encouragement, and perhaps
sedation. Jung learnt a lot from talking with these patients.
M any of them improved, no doubt because of the en
couragement and support they received.
In his early years at the Burghôlzli Ju n g spent some
months, in 1902, doing post-graduate study in Paris at
the Salpêtrière Hospital under Professor Pierre Janet,
whose original work on hysteria and other neuroses
impressed him. Janet had used hypnosis extensively, and
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ju n g ’s in t e r e s t in alch em y
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7
P R ESEN T AND FUTURE
FOREWORD
1. Types, p. 530.
CHAPTER I
2. C.W ., Vol. I, p. 3.
3. M .D.R., p. h i .
4. B B C Broadcast, 19 55. Quoted in C .G .J., p. 147.
5. C.W ., Vol. 8, p. 99.
6. ibid., pp. 9 6-97.
7. C.W ., Vol. 10, p. 544.
8. Jones, Ernest, Sigmund Freud—-Life and Work (Lon
don: Hogarth Press, 1 9 5 5 ) , II, 48, 53. Published in
the U.S. by Basic Books, New York, under the title,
The L ife and Work o f Sigmund Freud.
9. C.W ., Vol. 3, p. 3.
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chapter 2
12. M .D .R ., p. 14 7.
13. ibid., pp. 14 7 -4 8 .
14. Types, p. 601.
15. Jung, C. G ., Contributions to Analytical Psychology
(London: Kegan Paul, Trench, Trubner & Co. Ltd.,
19 2 8 ), pp. 2 3 1 - 3 2 . Re-published in C.W . as Vol. 15 ,
The Spirit in Man, Art, and Literature.
16. Dalbiez, Roland, Psychoanalytic M ethod and the D oc
trine of Freud (London: Longmans, Green & Co.,
Ltd.), II, 10 2 -3 .
17. M .D .R ., p. 162.
18. C.W ., Vol. 5, chap. V III.
19. ibid., p. 420.
20. Jones, op. cit., II, 165.
2 1. M .D .R ., p. 15 3 .
22. ibid., p. 15 3 .
23. Wittels, Fritz, Sigmund Freud, His Personality, His
Teaching and His School (London: Allen & Unwin,
19 2 4 ) , p. 178.
24. C.W ., Vol. 4, “ Freud and Jung: Contrasts,” pp. 3 3 4 - 3 5 ,
337- 38.
25. C.W ., Vol. 7, pp. 4 0 -4 3.
26. ibid., p. 272.
27. ibid., p. 273.
28. Types, p. 10.
29. ibid., p. 14.
30. ibid., p. 547.
ch apter 3
chapter 4
54. C .G .J., p. 10.
55. C.W ., Vol. 16, p. 1 5 1.
56. ibid., p. 142.
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chapter 5
chapter 6
83. M .D .R., p. 1 1 3 .
References / 179
84. ibid., p. 1 2 1.
85. ibid., p. 1 3 1.
86. ibid., p. 158.
87. C.W ., Vol. 16, p. 37.
88. C.W .. Vol. 7, p. 45.
89. ibid., p. 62.
90. C.W ., Vol. 16, p. 164.
9 1. ibid., p. 165.
92. ibid., p. 166.
93. M .D .R., p. 203.
94. C.W ., Vol. 16, p. 116 .
95. Jung, C. G ., “ Fundamental Psychological Concep
tions,” p. 17 3 .
96. C.W ., Vol. 16, p. 233.
97. M .D.R., p. 194.
98. ibid., p. 195.
99. ibid., pp. 19 6 -9 7.
100. C.W ., Vol. 12, pp. 3 6 -3 7 .
10 1. C.W ., Vol. 7, p. 2 18 .
102. C.W ., Vol. 10, pp. 18 4 -8 5 .
103. C.W ., Vol. 8, pp. 39 5-9 6 .
chapter 7
1 15 . ibid., p. 305.
116 . ibid., p. 275.
117 . ibid., pp. 284, 286.
11 8 . ibid., p. 2 9 1.
11 9 . C.W ., Vol. 9, Part I, p. 2 75 .
120. C.W ., Vol. 8, p. 292.
12 1. C.W ., Vol. 7, pp. 1 7 5 -7 6 .
12 2 . Neumann, Erich, The Origins and History o f Con
sciousness, with a Foreword by C. G . Jung (London:
Routledge and Kegan Paul Ltd., 19 5 4 ). (N ew York:
Bollingen Foundation, 19 5 4 .)
INDEX
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182 / Index