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PREFACE

B Y D R . D A N I E L VA R H O LY,
P R E S I D E N T O F C O R P U S C H R I S T I WAT E R S H E D

On the Solemnity of the Epiphany in 2007, the work of Corpus Christi Watershed
officially began. Throughout, it has been a labor of prayer and trust, and a casting
of our nets into the deep waters: Duc In Altum (Lk 5:4). The labors become
especially worthwhile when we discover that we have made a successful catch,
which is to be found in the following Eucharistic Motets: they truly are a bountiful
catch for the Church and I trust will serve the Lord by inspiring and capturing the
attention of many souls who hear this music. Kevin Allen is a brilliant artist and a
living treasure for the Church. It is an honor for us to begin our commission of
publishing books of new liturgical music with him as our first artist in this field.

Corpus Christi Watershed is a 501(c)(3) non-profit apostolate dedicated to the


arts and creative media in the service of the contemplative life and the Church at
prayer. At Watershed, we seek to respond to the call of the Popes, and specifically
have allowed our course to be charted as an articulation of documents such as
Pope John Paul II's 1999 Letter to Artists written in anticipation of the Great
Jubilee of 2000 as a guide for Christian artists entering into the 21st Century. In
this letter he urges that “the Church needs art”:

In order to communicate the message entrusted to her by Christ, the Church needs art.
Art must make perceptible, and as far as possible attractive, the world of the spirit, of the
invisible, of God. It must therefore translate into meaningful terms that which is in itself
ineffable. Art has a unique capacity to take one or other facet of the message and
translate it into colours, shapes and sounds which nourish the intuition of those who
look or listen. (Par. 12)

These motets, set so beautifully by Kevin Allen, are an excellent example of such
art that the Holy Fathers have called artists to create. We are mindful of The
Constitution on the Sacred Liturgy Sacrosanctum Concilium: “The musical
tradition of the universal Church is a treasure of inestimable value, greater even
than that of any other art. The main reason for this pre-eminence is that, as
sacred song united to the words, it forms a necessary or integral part of the solemn
liturgy” (Par. 112). Artists such as Kevin Allen are the truly awaited fruits of the
inspired teachings of the Second Vatican Council. His music lives and breathes
within the living reality of the Church's liturgical traditions. It is at one and the
same time ever ancient and ever new, for the beauty of his melodic lines and
harmonization reflect something of the larger celestial beauty of the Beatific
Vision. This is the noble call of the sacred artist who is called to touch these
heavenly realities through the humble offering of his art that is faithful to the
Church and her sacred liturgies.

We have included numerous features in the publication that give flexibility for the
singer, for example we have Latin/English Psalm tones owing to the fact that the
Church desires the use of Latin during the sacred liturgy, but also allows for
English, and some choirs may not yet be ready for the Latin. The English Psalm
tones are a translation of the Latin, and are a good way for choir directors to begin
helping the choir and congregation to understanding the Latin, as the Church
wishes.

We took great care to have no page turns during individual pieces, and have set
Kevin Allen's music in appropriately beautiful fonts and scripts with clearly
written typesetting that enables ease of singing. We also have included faithful
translations of the Motets themselves. Any sacred musician can use this music to
help improve the liturgical life of parishes, schools, seminaries and religious
institutes. Watershed is offering this book of compositions at a reasonable price so
that many people may have the gift of accessing this beautiful new work.

Kevin Allen is a truly gifted composer by any standard of place or time. His vocal
lines are stunning and flow with a natural beauty that is truly universal and
profound in scope. As a living artist, he avoids the easy temptation of taking for
his model the commercialism of secular musical trends that are fleeting and
lacking in suitability for truly dignified liturgical worship. Instead, Kevin places
himself under the inspiration of masters such as Victoria and Palestrina. His
preferred composer as a model is Orlando Lassus, and Kevin Allen finds a sure
place in this inspired tradition.

As President of Corpus Christi Watershed, I am very happy that we are publishing


this book. It is an honor and a great grace to be able to encourage Kevin Allen in
his work and to share the fruits of his musical gifts with the Church.

Daniel Varholy, D.Phil.


Corpus Christi
Feast of Pope Saint Pius V, 2010
TABLE of CONTENTS

1. Desídero Mi Jesu 7. O Sacrum Convívium


. . . page 1 . . . page 28

2. O Salutáris Hóstia 8. Panis Angélicus


. . . page 5 . . . page 33

3. Anima Christi 9. Tantum Ergo


. . . page 9 . . . page 37

4. Dómine, Non Sum Dignus 10. Te Decet Laus


. . . page 15 . . . page 41

5. Sicut Novéllae Olivárum 11. Parátur Nobis


. . . page 19 . . . page 46

6. Ave Sacer Christi Sanguis 12. O Sanctíssima


. . . page 23 . . . page 51
In addition to being sung by SSA and TTB choirs, these pieces also work well for mixed choirs.
In this case, trebles sing the PRIMUS line, men sing the TERTIUS line, and high tenors and/or
low altos sing the SECUNDUS line.

Those who choose to perform these pieces with mixed choirs may appreciate the following pitch
suggestions. It will be noticed that sometimes the Psalm verses require no transposition. Some choirs may
choose to have the men and women alternate (one group singing the Latin, and the other singing the English).

 
1. Desídero Mi Jesu SUGGESTED TRANSPOSITION (for mixed choirs)

page 1              
 first 
first

Psalm tone verses
range range
pitch pitch

   
   


          
  
 
 

 
2. O Salutáris Hóstia SUGGESTED TRANSPOSITION (for mixed choirs)
 
page 5                    
 first range first

range Psalm tone verses
pitch pitch

     

 
 
               
  
 
 

 
3. Anima Christi

SUGGESTED TRANSPOSITION (for mixed choirs)

page 9     

         
 first range first

Psalm tone verses
pitch range


pitch

    
  

           
   
 
 
 
4. Dómine, Non Sum Dignus

SUGGESTED TRANSPOSITION (for mixed choirs)

page 15        
       
 first first
  
range range Psalm tone verses
pitch

pitch

    
 

    
         
    
 

5. Sicut Novéllae Olivárum


  
SUGGESTED TRANSPOSITION (for mixed choirs)

page 19     
         
 first range first

pitch pitch range Latin Psalm tone verses

 
   
  
          

    
 
                 
        

        
English Psalm tone verses

                 

 
6. Ave Sacer Christi Sanguis
SUGGESTED TRANSPOSITION (for mixed choirs)

page 23      
             
 first range first

range
pitch pitch Psalm tone verses


    
  

               
   

 
 
7. O Sacrum Convívium SUGGESTED TRANSPOSITION (for mixed choirs)
          
page 28   
 first
  
range first Latin Psalm tone verses
pitch range

pitch

   
   
    
      
  
 
 
  
                       
English Psalm tone verses

                         

8. Panis Angélicus
 
SUGGESTED TRANSPOSITION (for mixed choirs)

page 33   
 first
  
         
range first
pitch range Psalm tone verses
pitch

     
  
 
         
  
 
 

 
9. Tantum Ergo SUGGESTED TRANSPOSITION (for mixed choirs)
          
page 37       
 first
 
range first range
pitch pitch Psalm tone verses

     
  
         
    
   
 
 
 
10. Te Decet Laus SUGGESTED TRANSPOSITION (for mixed choirs)

page 41        
 first        
range first range Psalm tone verses
pitch pitch

   

 
 
  
        
     
 

11. Parátur Nobis


 
SUGGESTED TRANSPOSITION (for mixed choirs)

page 46       
 first

        
range first
pitch pitch range Psalm tone verses

    
   

 
  
          
  

 
12. O Sanctíssima SUGGESTED TRANSPOSITION (for mixed choirs)

page 51              
 first
 
range first
pitch pitch range Psalm tone verses

     



          
  
 
 
World-renowned vocalist Matthew J. Curtis has created more than fifty practice
videos for this collection, and Corpus Christi Watershed has made these videos
available online for free, to help choirs learn these beautiful pieces.

To take advantage of these free practice videos, or to purchase a CD recording of


MOTECTA TRIUM VOCUM, endorsed by the composer, please visit:

musicfortheliturgy.org/kevinallen
Motecta Trium Vocum 1. Desídero, Mi Jesu Kevin Allen, 2005

Desídero, mi Jesu, I desire, O my Jesus Fac, Jesu mi benígne, Make me, my kind Jesus,
Hoc Angelórum esu: That You would refresh me Accédam semper digne Always worthily approach
Ut me refícias: On this, the food of angels. Ad has divínas épulas. To this divine repast.

       
mp
       
Primus         
  
De - sí - de - ro, mi Je - su, de - sí - de - ro, de - sí - de - ro, des - sí - de -


mp
        

Secundus        
De - sí - de - ro, de - sí - de - ro, des - sí - de -

  
mp
   
Tertius
        
    

De - sí - de - ro, de - sí - de - ro, des - sí - de -

 
6

  
mp pp a tempo mf

rit.
            
 ro, mi Je     
- su, Hoc An -ge - ló - rum e - su: Ut me re - fí - ci - as: Fac, Je - su
 pp
                
mp mf
      
 - ro, mi Je 
- su, Hoc An -ge -ló -rum e - su: Ut me re - fí - ci - as: Fac, Je - su
 pp
 
mp mf

                  

  
ro, mi Je - su, Hoc An -ge -ló -rum e - su: Ut me re - fí - ci - as: Fac, Je - su

  
         
13 mf f
   
rit.

    
 mi be -ní 
- gne, Ac - cé - dam sem -per di - gne Ad has di - ví -nas é - pu - las.

   

mf f
                       
 mi be - ní - gne, Ac - cé -dam sem -per di - gne Ad has di - ví - nas é - pu - las.


                         
mf f
 

mi be - ní - gne, Ac - cé - dam sem -per di - gne Ad has di - ví - nas é - pu - las.

For free practice videos, visit: musicfortheliturgy.org/kevinallen


Hic cibus nutriméntum, Let this food a nutriment, Det grátiam dum spiro, Let it give grace while I breathe,
Hic potus aliméntum, Let this drink a nourishment, Sit in agóne diro In my final agony
Sit meae ánimae: Be unto my soul: pignus futúrae glóriae. Be it a pledge of future glory.

 mp
            

21

         
 Hic ci - bus nu - tri -mén

- tum, hic ci - bus, hic ci - bus, hic ci - bus nu - tri -mén -


mp
              

 
Hic ci - bus, hic ci - bus, hic ci - bus nu -tri -mén -

 
mp
   
               
Hic ci - bus, hic ci - bus, hic ci - bus nu - tri -mén -

 
27 mp pp a tempo mf
  
rit.
    
          
 tum, Hic po -tus a - li - mén - tum, Sit me - ae á - ni - mae: Det grá - ti -


       
mp pp mf

    
 tum,
      
Hic po -tus a - li - mén - tum, Sit me - ae á - ni - mae: Det grá - ti -


  
mp pp mf
         
         
tum, Hic po -tus a - li - mén - tum, Sit me - ae á - ni - mae: Det grá - ti -

   
  
33
mf
    
f
     rit. 
      
 -am dum spi - ro,

Sit in a - gó - ne di - ro pi - gnus fu - tú - rae gló - ri - ae.

   

mf f
                       
 am dum spi - ro, Sit in a - gó -ne di - ro pi - gnus fu - tú - rae gló - ri - ae.


                            
mf f

 
am dum spi - ro, Sit in a - gó - ne di - ro pi - gnus fu - tú - rae gló - ri - ae.

2
5f====’’=2p=’ =3p====5w===========================’’ ’ =======’’ =’ ’

Q uemádmodum desíderat cervus ad fontes

5f=========’’6p==’=5p’5.=====|===5w===========================’’=’
a-quá- rum, ita desíderat ánima mea

5f======’’=4p====’’2p=’=3p’3.===||====2p=’=3p==’’ 5w===================================’’ 6p===’’5p’5.=’ =|’ ’


ad te, De- us. 2. Si- tí- vit ánima mea ad Deum fortem, vi- vum;

5f====’’ 5w=========================================’’4p===’’ ’ 2p=’ =3p===||====’2p==3p===5w======’


quando véniam, et apparébo ante fáci- em De- i? 3. Fu- é- runt

5f==-======================================’’ ==’’ ’ 3p’3.===+=’==’’5w======================’’ 6p=’


mihi lácrimae meae panes die ac nocte, dum dícitur mihi quo-tí-

5f==-=’5p=’ 5p’5.==|==’’5w=’==========’’ 4p===2p==’3p’3.=====||===’’===2p===’’ 3p==’’ 5w=====’’==================’’


di- e: Ubi est De-us tu- us? 4. Haec re-cordátus sum, et effúdi

5f==-===================6p==5p’5.======|=====’’ 5w===========================’’ ===’’==========


in me ánimam me- am, quóniam transíbo in locum tabernáculi

5f==-=====’’4p=’ 2p==’3p=’ 3p’3.==||====2p===’’ 3p==’’ 5w==============’’ =3p’3.==+=’’5w==========’’======’’======


ad-mi-rá-bi-lis. 5. Usque ad domum De-i, in voce exsultatiónis

5f==-============’’ ’6p==’’ 5p’5.====|====’’ 5w=========4p==2p==’’=3p’3.=====||’ ===========’’=============


et confessi- ó- nis, sonus e-pu-lán-tis.

For free practice videos, visit: musicfortheliturgy.org/kevinallen




A

           
s the hart pants af - ter the foun -tains of wa - ter;

 

       
so my soul pants af - ter you, O God.


II.  
My

soul

has thirst - ed
  
af - ter
  
the strong liv - ing
 
God;

 

           
when shall I come and ap - pear be - fore the face of God?


III.  
My

tears

have been

my
 
bread day

and
 
night,

  

         
whilst it is said to me dai - ly: Where is your God?

 
IV.  
These things I
   
re - mem - bered, and poured out
   
my soul
 
in me:

                   

for I shall go o - ver in - to the place of the won -der - ful tab - er - nac - le.

 
V. 
E - ven
 
to

the house

of

God:

With
 
the

voice of

  

      
joy and praise; the noise of one feast - ing. Psalm 42: 2-5

4
Motecta Trium Vocum 2. O Salutáris Hóstia Kevin Allen, 2005

O salutáris hóstia, O Saving Victim, Uni trinóque Dómino, Eternal glory be


Quae coeli pandis óstium, that openest the gate of heaven; Sit sempitérna glória: to the Triune God,
Bella premunt hostília, hostile attacks oppress us, Qui vitam sine término who giveth us life without end
Da robur, fer auxílium. give us strength, bring us aid. Nobis donet in pátria. in our native land above.

   
          
 O
Primus

sa - lu - tá - ris hó - -

                  
 O
Secundus

sa - lu - tá - ris hó - - - - -

   


Tertius            

O sa - lu - tá - ris hó - sti - a, hó - -

    
8

             
 - sti - a, Quae coe - li pan - dis ó - sti - um, Bel - la

                   
 - sti - a, Quae coe - li pan - dis ó - sti - um, Bel - la

          

 -

  
sti - a, Quae coe - li pan - dis ó - sti - um, Bel - la

 
16

               
 pre - munt ho - stí - li - a, Da ro - bur, fer au - xí - li - um.

               

 
pre -munt ho - stí - li - a, Da ro - bur, fer au - xí - li - um.

  

           

pre - munt ho - stí - li - a, Da ro - bur, fer au - xí - li - um.

For free practice videos, visit: musicfortheliturgy.org/kevinallen


   

23

         
 U - - - ni tri - nó - que Dó - - -

                  
 U - - ni tri - nó - que Dó - - - - - -

   

           

U - ni tri - nó - que Dó - mi - no, Dó - - -

 
30

      
     
 - mi - no, Sit sem - pi - tér - na gló - ri -

               
 - mi - no, Sit sem - pi - tér - na gló - ri -

   

 
 -      
mi - no,

 
Sit sem - pi - tér - na gló - ri -

   
36

          
 a: Qui vi - tam si - ne tér - mi - no No - bis do -

           
 a:
  
Qui vi - tam si - ne tér - mi - no No - bis do -

   
          
a: Qui vi - tam si - ne tér - mi - no No - bis do -

 


42
  
          
 net in pá - tri - a. A - - - - - - men.
 
                  
 net in pá - tri - a. A - - - - - - men.
 
   
   
 
     
 
net in pá - tri - a. A - - - - - - men.

6
3d’ =’ 32C=’ 34P=’=’4w===============================6p==’5p=’ 4p==’5p’5.=’ |’ ’

E x- súrgat Deus, et dissipéntur ini-mí-ci e-jus;

3d==’’4w================================’’ ’ 5p==’’ 4p=’ 4p=’ 3p’ ’ ’43C4.2.=’ ’ ||’


et fúgiant qui odérunt eum a fá- ci- e e-jus.

3d=====’’ 32C==’34P===’’4w===================’’ 3p=’ 3p’3.==’’ +’=’ 4w=================’’ 6p==’’5p=’ 5p=’ 4p===’5p’5.==’’|’


2. Si- cut déficit fumus, defí-ci- ant; sicut fluit cera a fá-ci- e ig-nis,

3d==’’ 4w==========================’’5p===4p=’ 4p===’’3p==43C4.2.===||=====32C===’34P’ ==’’ 4w=============’’ =’


sic péreant peccatóres a fá- ci- e De- i. 3. Et ju-sti epuléntur,

3d=========================’’6p===’’5p===’’ 4p=’ =5p’5.=’ |=’ 4w================’5p===’’ 4p===’’3p=’ =3p’ =43C4.2.=’ ||’


et exsúltent in conspé-ctu De- i, et delecténtur in lae- tí- ti- a.

3d======’’ 32C==’’ 34P==4w==========================’’ 6p===’5p==’’ 5p==’4p=’ =5p’5.==|==’4w=================’


4. Can-tá-te Deo; psalmum dícite nó-mi- ni e- jus: iter fácite ei qui

3d=============’5p===’4p==’’ 4p===’’ 3p===43C4.2.====||=====’32C==’’ 34P==’’ 4w==================’’ =========’’ =’


ascéndit su- per oc-cá- sum. 5. Dó-mi-nus nomen illi; exsultáte in

3d========’’ 6p==’’5p=’ 4p==’’ 5p’5.==’’|=’ =4w===============’’ 5p===4p=’=4p==’’3p=’ =43C4.2.=====||=====’’ 32C==’’ 34P==’==’’


conspéctu e- jus. Turbabúntur a fá- ci- e e- jus. 6. Regna

3d===4w============6p=’ =5p===’’ 4p=’=5p’5.===|====’4w================’’==5p===’4p==’’4p===’’ 3p=’ =43C4.2.===||==’’


terrae, can-tá- te De- o. Psállite Dómino; psál- li- te De- o.

For free practice videos, visit: musicfortheliturgy.org/kevinallen


               


L
II. 
As
   


smoke
et God

van - ish - es,


a - rise, and let his en - e - mies be scat - tered:

         
and let them that hate him flee from be - fore his

              
so let them van - ish a - way:
face.

 
as wax

                   

melts be - fore the fire, so let the wick - ed per - ish at the pres - ence of God.

         
III.   

And

let the just feast, and re - joice be - fore God:

        

and be de - light - ed

with glad - ness.

IV.   

Sing

to God,

                   

sing a psalm to his name, make a way for him who as -cends up - on the west.

                  
V. 
The Lord is his name. Re - joice be - fore him: but the wick - ed shall be

               

trou - bled at his pres - ence.
VI. 
Sing to God, you king - doms

            

of the earth. Sing to the Lord: Sing to God. Psalm 68: 2-5, 33

8
Motecta Trium Vocum 3. Anima Christi Kevin Allen, 2006

Anima Christi, sanctífica me. Soul of Christ, sanctify me.


Corpus Christi, salva me. Body of Christ, save me.
Sanguis Christi, inébria me. Blood of Christ, inebriate me.
Aqua láteris Christi, lava me. Water from the side of Christ, wash me.
Pássio Christi, confórta me. Passion of Christ, strengthen me.
O bone Jesu, exáudi me. O good Jesus, hear me.
Intra tua vúlnera abscónde me. Within Thy wounds hide me.
Ne permíttas me separári a te. Permit me not to be separated from Thee.
Ab hoste malígno defénde me. From the wicked foe defend me.
In hora mortis meae voca me. At the hour of my death call me.
Et jube me veníre ad te. And bid me come to Thee
Ut cum sanctis tuis laudem te. That with Thy saints I may praise Thee
In saécula saeculórum. Amen. For ever and ever. Amen.

  mf 
Moderato
  
Primus   
         
 A - ni - ma Chri - sti, sanc - tí - fi - ca me. Cor -pus Chri -


mf
 
              

Secundus

A - ni - ma Chri - sti, sanc - tí - fi - ca me. Cor - pus


mf

  

    
        
Tertius

A - ni - ma Chri - sti, sanc - tí - fi - ca me. Cor - pus

           
7
   
 
 sti, sal - va me. San - guis Chri - sti, i - né - bri - a me.


                   
 Chri - sti, sal - va me, sal - va me. San -guis Chri - sti, i - né - bri - a me.


                

  
Chri - sti, sal - va me, sal - va me. San -guis Chri - sti, i - né - bri - a me.

For free practice videos, visit: musicfortheliturgy.org/kevinallen


  mp      
14

mf
        
     
 A - qua lá - te - ris, a - qua lá - te -ris

Chri - sti, la - va me.


mf

mp
                      
 A - qua lá - te - ris, a - qua lá - te -ris Chri - sti, la - va me.

  
mp mf
 
              
A - qua lá - te - ris, a - qua lá - te -ris Chri - sti, la - va me.

 p
20
  
            
 Pás - si - o Chri - sti, con - fór - ta me,

con - fór - ta me.


p
           
 Pás
    
- si - o Chri - sti, con - fór - ta me, con - fór - ta


  
p

   
         
Pás - si - o Chri - sti, con - fór - ta me, con - fór - ta me.

  f          
26
     
 
 O bo - ne Je - su, O bo - ne Je - su, ex - áu - di, ex - áu - di


               
f
  
 me. O bo - ne Je - su, bo - ne Je - su, ex - áu - di, ex - áu - di


 
f
    

          
O bo - ne Je - su, O bo - ne Je - su, ex - áu - di

10
            
32 mf
 
 
 me: In - tra tu - a vúl - - ne - ra


mf
                 
 me: In - tra tu - a vúl - ne - ra ab -scón -de



mf
 
 
              
me: In - tra tu - - - a vúl - ne - ra ab -

  mp
38
     
p
         
 ab -scón -de me. Ne per - mít -tas me se - pa - rá - ri a

 mp p
           
 me.  
Ne per - mít - tas me se - pa - rá - ri a


  
mp p
  
          

scón - de me. Ne per - mít -tas me se - pa - rá - ri a

   
44
mf
      
  
 te. Ab ho - ste ma - lí - gno de - fén -

 mf
   
           
 te. Ab ho - ste ma - - - lí - gno

 

mf
  
          
 
te. Ab ho - ste ma - lí - gno de - fén - de, de -

For free practice videos, visit: musicfortheliturgy.org/kevinallen


  rit.
49 a tempo
      
       
 - de me. In ho - ra mor - tis me - ae vo - ca

   
              
 de - fén - de me. In ho - ra mor - tis me - ae vo - ca


  
 -
              
fén - de me: In ho - ra mor - tis me - ae vo - ca

      
55
           

 me. Et ju - be me ve - ní - re ad te. Ut cum san - ctis tu - is

  
              
 me. Et ju - be me ve - ní - re ad te. Ut cum san -


     
             
me. Et ju - be me ve - ní - re ad te. Ut cum san -

        
62

        
 lau - dem te. In saé - cu - la sae - cu - ló - rum. A - men.

 

               
 ctis tu - is lau -dem te. In saé - cu - la sae - cu - ló - rum. A - men.


       
           
ctis tu - is lau -dem te. In sae - cu - ló - rum. A - men.

12
5d’ ==’2p===3p==’’5w============================’’ 6p===’’ 5p===5p’5.===|==

B 2. In Dómino laudábitur ánima me- a:


e-ne-dícam Dóminum in omni témpo- re;

5d’ ===’’5w====================’’ 4p===5p===’’ 3p==2p’2.====||’ ===========


semper laus ejus in o- re me- o.

5d’ ===’’ 2p====’3p==’5w==========================’’6p==’5p’5.====|===’5w==========================’’ =


áudiant mansuéti,

5d’ =’ 4p===5p==’3p==’’ 2p’2.===||==’====’2p==’’ 3p==’5w====================’6p===’’5p’5.===’’=|==’5w============’’ =


et laeténtur. 3. Magni- ficáte Dóminum me- cum, et exaltémus

5d’ ==============’’4p==5p==3p==’’=2p’2.==’’||===’’ 2p====3p==’’5w=========================’6p==’’5p===’’5p’5.=’ |’


nomen ejus in id-íp-sum. 4. Exqui- sívi Dóminum, et exaudí-vit me;

5d’ =5w=========================================’’ 4p===5p==3p===’’2p’2.====||====’’ 2p====3p===5w====


et ex ómnibus tribulatiónibus meis e-rí- pu- it me. 5. Ac-cé- dite

5d’ ======================’’6p===5p===5p’5.===|==5w=======================’’ 4p==’’ 5p===’3p===2p’2.==||=’


ad eum, et illumi-ná-mi- ni; et fácies vestrae non confundéntur.

5d’ ======2p==’’ 3p==’’ 5w====================================6p===’’ 5p===’’5p’5.====|===’’ 5w====’’ =====


6. Gu-stá- te et vidéte quóniam suávis est Dó- mi- nus; beátus

5d’ ===============’4p=’ =5p==’’ 3p==’’ 2p’2.====||==========================’’ =====================


vir qui spe-rat in e- o.

For free practice videos, visit: musicfortheliturgy.org/kevinallen


 
       


I
II. 
       
 

 his

 In the Lord shall my soul be


will


praise shall

bless


praised:

be
the

  
let

Lord

al - ways

the meek hear



at



in

and
all

my

  
times,


mouth.

re - joice.

             
III.  O

mag - ni - fy the Lord with me; and let us ex - tol his

  
     IV.        
 name to - geth - er.  I sought the Lord, and he heard me;

 
            V.     
 and he de - liv - ered me from all my trou - bles.  Come to him and

 
            
 be

en - light - ened: and your fac - es shall not be con - found - ed.


VI.                   
 O taste, and see that the Lord is sweet: bless -ed is the man that hopes in him.

Psalm 34: 2-6, 9


14
Motecta Trium Vocum 4. Dómine, Non Sum Dignus Kevin Allen, 2006

Dómine, non sum dignus ut intres sub tectum meum: sed tantum dic verbo, et sanábitur ánima mea.

Lord, I am not worthy that Thou shouldst enter under my roof: but only say the word, and my soul shall be healed.

 mf    
Primus            
 Dó - mi -ne, non sum di - gnus, non sum di - gnus ut

          
mf
    

Secundus

Dó - mi - ne, non sum di - gnus, non sum di - gnus ut

      
 
mf

   
Tertius
      
Dó - mi - ne, non sum di - gnus, non sum di - gnus ut

      
6
  
1. 2. mp
      
 in - tres sub
 
te - ctum me - um: um: sed tan - tum
mp
                
 in - tres sub

te - ctum me - um: um: sed tan - tum

    
mp
 
         
in - tres sub te - ctum me - um: um: sed tan -

 
11
    
      
 dic

ver - bum, sed tan - - tum dic ver - bum,

              

 dic ver -
 
- bum, sed tan - tum dic ver - bum,

   
 -        
       
tum dic ver - bum, sed tan - tum dic ver - bum,

For free practice videos, visit: musicfortheliturgy.org/kevinallen


  p   
18

               
 et sa - ná - bi - tur, et sa - ná - bi - tur á - ni - ma me - a,
p
  
               
 et sa - ná - bi - tur, et sa - ná - bi - tur á - ni - ma me - a,
p

 

             

et sa - ná - bi - tur, et sa - ná - bi - tur á - ni - ma

  
mf
   
24

mp
    

 á - ni - ma me - - - a, á - ni - ma me -

    
mp mf

             
 á

- ni - ma me - a, á - ni - ma me - a, á - ni - ma me -

 
mp mf

     


   
     
me - a, á - ni - ma me - a, á - - - - ni - ma

     
30
 
     
mp p
  
 a, á - ni - ma me - a, á - ni - ma me - a.

  
mp p
       
 - a,
  
me - a, me - a, á - ni - ma me - a.


mp p
    

       
me - a, me - a, me - a, á - ni - ma me - a.

16
5d’ ==1p===’3p==’’5w=================================’’ 6p==6p=’ 5p’5.==|=’

D 2. Qui ingré-ditur si-ne má-cu-la,


ó-mi-ne, quis habitábit in tabernácu-lo tu-o?

5d’ ==’’ 3p=====’5w=========================’’ 6p====4p=’=’ 5p==3p’3.==||’ ’ ’


aut quis requiéscet in monte sancto tu- o?

5d’ ==’=====1p==’’ 3p===’’5w===========’’ 6p===’’ 6p==’’ 5p==5p’5.==|=’ ’3p==’’5p==’’ 5p==’6p==’’4p==’’ 4p===5p==’’ 3p==’3p’3.==||’ ’
et o-pe-rá-tur ju-stí- ti- a.

5d’ ==’=====1p==3p===5w=========================’’6p==6p=’ 5p’5.===|=====’3p==’5w===================’’


3. Qui loquí-tur veritátem in cor-de su-o: qui non egit dolum in

5d’ =’ 6p=’==’’ 4p==’’ 5p==’3p’3.===||====’’ 1p===3p==’5w===============’’ 6p===6p==’5p’5.====|==’’ 3p==’’5w===========’=


lingua su- a. 4. Nec fe-cit próximo su-o ma-lum, et oppróbrium

5d’ ==’=========================’’ 6p==’4p===’4p===5p=’ 3p’3.====||===’’ 1p====3p==’5w===================’


non accépit advérsus pró-xi-mos su-os. 5. Ad ní-hilum dedúctus est

5d’ ==’=====================6p=’ 6p==’’5p’5.=-’|=’ 3p==5w=====================’’6p=====’4p==’5p==’3p==’3p’3.=’||’


in conspéctu ejus ma-lígnus; timéntes autem Dóminum glo-rí- fi-cat.

5d’ ==’=====’1p==3p==’5w===========6p==6p=’ 5p’5.=’|=’ 5p===’’6p===’’ 4p=’5p==3p’3.==||=====’’1p==3p=’ 5w=============


6. Qui ju-rat próxi-mo su-o, et non decí-pit. 7. Qui pecúniam suam

5d’ ================’’6p=’ 6p=’ 5p’5.==’’ |=’- ’ 3p====5w============================’’ 6p==’’4p==’’ 5p=’ 3p’3.==||==-’


non dedit ad usúram, et múnera super innocéntem non accépit.

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          
 ord, who

L II.  
 He

that
 
 Or


walks
who


with -
shall


out

shall
dwell



rest

blem - ish,
in



in
your


your


and
tab -



ho

works
er

-
- nac - le?


ly


jus - tice.

hill?



                
III.  He that speaks truth in his heart, who has not used de - ceit in his tongue.

                
IV.  Nor has done e - vil to his neigh bor: nor tak - en up a re - proach

          
 a - gainst his neigh - bors.
V.   
 In his sight the ma - lig - nant

               
 is brought to noth - ing: but he glo - ri - fies them that fear the Lord.

       
VI.  
 He

that swears to his neigh - bor, and de - ceives

not.

             
VII.  He that has not put out his mon - ey to u - su - ry,

          
 nor a - gainst
tak - en bribes the in - no - cent. Psalm 15: 1-5a

18
Motecta Trium Vocum 5. Sicut Novéllae Olivárum Kevin Allen, 2007

Sicut novéllae olivárum Ecclésiae fílii sint in circúitu mensae Dómini.


Like new olive plants to the Church are children around the table of the Lord.

 
Andantino

Primus             
 Si - cut no - vél - lae

     

   
 Si - cut
Secundus
   
no - vél - lae, si - cut no -


     

Tertius   


Si - cut no -


7
         
  



o - li - vá - - - - - - - rum,

                 
 vél - - - - - - - lae o - li - vá - rum,

  
         

vél - - - lae o - li - vá - rum,

    
13
         


 
Ec - clé - si - ae, Ec - clé - si - ae fí - li - i sint in

           
 Ec - clé - si - ae, Ec - clé - si - ae fí - - li -

    
         
Ec - clé - si - ae, Ec - clé - si - ae fí - -

For free practice videos, visit: musicfortheliturgy.org/kevinallen


   
19
       

 cir - cú - i - tu, cir - cú - i - tu,


                
 - - - i sint in cir - cú - i -

 
 
      
- li - i sint in cir - cú - i -

 
25
  
          
 cir - cú - i - tu, Ec - clé - si - ae fí - li - i sint in

      
    
 - tu,
 
cir - cú - i - tu, Ec - clé - si - ae fí - li - i

 
              
- tu, cir - cú - i - tu, cir - cú - i - tu, cir - cú - i -

   
31 rit.

            
 cir - - - cú - i - tu men - sae Dó - mi - ni.

               
 sint in cir - cú - i - tu

men - sae Dó - - mi - ni.

 

       
   
- tu men - sae Dó - - - - mi - ni.

20
7d’ =’ 54C=’ ’ 45P==’’ 5w============54C==’’46P===6p=====’’ 56P===’’ 5p==’’5p’5.====|’ ’ ’

B e- á- ti omnes, qui ti-ment Dó- mi-num,

7d’ ====54C==45P===’’ 5w=========’’ 43C=’ 45P==’4p==’’ 2p43C-3p===||’=====’’======


qui ámbulant in vi- is e- ius.

7d’ =====54C==’’ 45P===5w===========================54C==’’ 46P===’6p===’56P===’5p’5.==|===54C=’ -’45P===5w=====’’


2. La- bó- res mánuum tuárum qui- a mandu- cá- bis: be- á- tus es,

7d’ ===========’43C==’’45P==’’ 4p==’’ 2p43C-3p==||====54C==45P==’’ 5w==========54C==’46P==’’6p===56P===’’ 5p’5.====|=’===


et bene ti- bi e- rit. 3. U-xor tua sicut vi- tis a- búndans,

7d’ =54C=’ 45P==’5w========43C==’’45P==’’ 4p=’ 2p43C-3p=||==’’54C=’ 45P=’ 5w==================’’54C=’ 46P=’ 6p==’56P==’5p’5.=’ |’


in la-téribus do-mus tu-ae. 4. Fí- li- i tui sicut novél-lae o-li-vá-rum,

7d’ =54C==45P==’5w======’’43C==’’ 45P===4p==2p43C-3p==||==’’54C==’’ 45P==’’ 5w=========’’54C==’’ 46P==6p===’’56P==’’ 5p’5.===|’ ==


in circúitu men-sae tu-ae. 5. Ec-ce sic bene-di- cé-tur homo,

7d’ ===’’5p==’5p==’’ 43C===’45P==’4p=’ 2p43C-3p==||====54C==’’45P==’’ 5w===============54C==’46P==’’ 6p===’’56P=’ 5p’5.===|’ ==


qui ti-met Dóminum. 6. Be- ne-dícat tibi Dó-mi- nus ex Si- on:

7d’ =’54C==’’45P=’ ’ 5w========================================’’ 43C==’’ 45P==’’4p==’2p43C-3p==||===’54C==’’ 45P’


et ví- deas bona Jerúsalem ómnibus diébus vi- tae tu-ae. 7. Et vi-

7d’ ==’5w=’============’54C==46P====6p=’ 56P=’ 5p’5.==’’|=============’’ 43C=’ 45P==4p==2p43C-3p-=||


déas fílios fili-ó- rum tu-órum, pacem su-per Isrä- el.
N.B. This
tone starts on
B-natural and
ends on G-natural

For free practice videos, visit: musicfortheliturgy.org/kevinallen


         


B
      



the la - bors of your hands:


less - ed

   
that walk in
are


his

          
bless - ed are
all

ways.

you, and
they

II.
that

it shall be
 

fear

For

the

you

well with you.



Lord:

shall

eat

             
III. 
Your wife as a fruit - ful vine, on the sides of your house.

             
IV. 
Your chil - dren as ol - ive plants, round a - bout your ta - ble.

             
V. 
Be - hold, thus shall the man be bless - ed that fears the Lord.

             
VI. 
May the Lord bless you out of Si - on: and may you see

              

the good things of Je - ru - sa - lem all the days of your life.

               
VII. 
And may you see your chil -dren's chil - dren, peace up - on Is - ra - el.

Psalm 128: 1-6


22
Motecta Trium Vocum 6. Ave Sacer Christi Sanguis Kevin Allen

Ave sacer Christi sanguis, Hail sacred Blood of Christ, Ave potus salutáris, Hail saving Drink.
Iter nobis rectum pandis You open for us the right path Nullus unquam fuit talis No one has ever been
Ad aetérna gáudia. to eternal joys. Bonitátis cópia. such a source of goodness.

   mf
Moderato

Primus   
               
 A - ve sa - cer Chri - sti san - guis, I - ter no - bis re - ctum pan - dis
mf

                      

Secundus

A - ve sa - cer Chri - sti san - guis, I - ter no - bis re - ctum pan - dis

 mf
Tertius  

             
 
A - ve sa - cer Chri - sti san - guis, I - ter no - bis re - ctum pan - dis

        

7
          
mp
  

 
Ad ae - ter - na gau - di - a. A - ve po - tus sa - lu - ta - ris,
mp

                 

     
Ad ae - ter - na gau - di - a. A - ve po - tus sa - lu - ta - ris,



mp


      
  
   
  
Ad ae - ter - na gau - di - a. A - ve po - tus sa - lu - ta - ris,

   
14

rit.
      
        

 
Nul -lus un - quam fu - it ta - lis Bo - ni - ta - tis co - pi - a.

                          
 Nul - lus un - quam fu - it ta - lis Bo - ni - ta - tis co - - pi - a.


  
   
            
Nul - lus un - quam fu - it ta - lis Bo - ni - ta - tis co - pi - a.

For free practice videos, visit: musicfortheliturgy.org/kevinallen


Miserére mei, Christe, Have mercy on me, O Christ, Salva me ab omni malo, Save me from all evil,
Fiat mihi rivus iste May this stream be for me Fac me frui summo bono Make me enjoy the highest good
Peccatórum vénia. the pardon of my sins. In coelésti pátria. in the heavenly fatherland.

      
a tempo
22

        
mp
       
 Mi - se - re - re me - i, Chri - ste, Fi - at mi - hi ri - vus i - ste Pec - ca -

            
mp

             
 Mi - se - re - re me - i, Chri - ste, Fi - at mi - hi ri - vus i - ste Pec - ca - to -

  mp
      

            

Mi - se - re - re me - i, Chri - ste, Fi - at mi - hi ri - vus i - ste Pec - ca -

      

29
          
mf
  
 - to - rum ve
 
- ni - a. Sal - va me ab om - ni ma - lo, Fac me


mf

              

     
- rum ve - ni - a. Sal - va me ab om - ni ma - lo, Fac



mf

               
to - rum ve - ni - a. Sal - va me ab om - ni ma - lo, Fac me

   
36
    
rit.
 
       
 fru - i sum - mo bo - no In coe - le - sti pa - tri - a.


                       
 me fru -i sum -mo bo - no In coe - le - sti pa - - tri - a.

 
  
              
fru -i sum - mo bo - no In coe - le - sti pa - tri - a.

24
7d’ =’3p==’’45P===’5w======’’ ’6b-6p==5p====4p==’’5p’5.===|===’’5w===============’’

E c-ce Deus sal-vá-tor me- us;

agam, et non ti- mé- bo.


fiduciáliter

7d’ ==============’4p===’3p===’’ 45P===’’4p’4.===||=====’’ 3p==’45P==’’5w====’===’’


2. Qui- a fortitúdo

7d’ ===============6b-6p=’ 5p===4p===’5p==’’ 5p’5.==-|==5w===================’’4p===3p==45P==’’4p’4.===||’ ’ ’ ====


mea et laus me-a Dó-mi-nus, et factus est mihi in sa-lú-tem.

7d’ ======’’3p=’ 45P=’ 5p=’ 5p=’ 6b-6p===5p==5p===4p===5p=’5p’5.=’ |==5w===========’’ 4p==’’3p==’45P==’’ 4p’4.==||====’’3p===45P=’


3. Hauri- é-tis aquas in gáudi-o de fóntibus salva-tó- ris. 4. Et di-

7d’ ==5w======’’6b-6p=’ 5p’ =4p===5p’5.==|==’’ 5w====================================’’4p===’’3p==’’45P==’4p’4.==||’


cétis in di- e il- la: Confitémini Dómino et invocáte no-men e-jus.

7d’ ======3p==’45P===5w===========================6b-6p==’’ 5p==4p==’5p’5.===|====’5w===============’’ ==


5. No-tas fácite in pópulis adinventi-ó-nes e-jus; mementóte

7d’ ============================’4p===’’3p==’’45P==’4p’4.==’||=====’’3p==’’45P==’5w=======================’
quóniam excélsum est no-men e-jus. 6. Cantá-te Dómino, quóniam

7d’ =====’’6b-6p==’5p=’ 5p==’’ 4p===5p’5.==|=’ 5w=========================4p===3p==45P==’4p’4.=’ -||==’3p====’’ 45P=’ 5w=’


magní- fi-ce fe- cit; annuntiáte hoc in univér-sa terra. 7. Ampli- us

7d’ ====================’’ 6b-6p==’5p===4p==5p’5.==|==’5w===============’’4p==3p===’’45P===’4p===’4p’4.===||====


lava me ab iniqui-tá-te me- a, et a peccáto me- o munda me.

For free practice videos, visit: musicfortheliturgy.org/kevinallen



             


B
e - hold, God is my sav - ior, I will deal


           
 con - fi - dent - ly, and will not fear.


         
II.  Be - cause the Lord is my


                
 strength, and my praise, and he has be - come my sal - va - tion.


                  
III.  You shall draw wa - ters with joy out of the sa - vior's foun - tains.


                    
IV.  And you shall say in that day: Praise the Lord, and call up - on his name.


                    
V.  Make his works known a - mong the peo- ple: re -mem -ber that his name is high.


                     
VI.  Sing to the Lord, for he has done great things: show this forth in all the earth.


                    
VII.  Wash me yet more from my in - iq - ui - ty, and cleanse me from my sin.

Isaiah 12: 2-5 & Psalm 51


Pie pellicáne, Iesu Dómine, Lord Jesus, Good Pelican,
Me immúndum munda tuo sánguine. wash me clean with your blood,
Cuius una stilla salvum fácere One drop of which can free
Totum mudum quit ab omni scélere. the entire world of all its sins.

According to legend, the pelican will wound itself


to feed its young, if no other food can be found,
rather than see any one of them perish.

For free practice videos, visit: musicfortheliturgy.org/kevinallen


Motecta Trium Vocum 7. O Sacrum Convívium Kevin Allen

O sacrum convívium! in quo Christus súmitur: O sacred banquet! in which Christ is received,
recólitur memória passiónis ejus: mens implétur the memory of his Passion is renewed,the mind is filled
grátia: et futúrae glóriae nobis pignus datur. with grace, and a pledge of future glory to us is given.

  
Larghetto
p
Primus         


O sa - crum con - ví - -

 p
Secundus       

     
O sa - crum, O sa - crum con - ví - vi - um, con -

Tertius 
p
  

     
O sa - crum con - ví -

        
8 mf mp
          


- vi - um! in quo Chri - stus, in quo Chri - stus sú - mi - tur, in quo


mf

                
 ví - vi - um! in quo Chri - stus,

in quo Chri - stus sú - mi - tur,


 
mf


           
vi - um! in quo Chri - stus, Chri - stus sú - mi - tur,

28
   

16
      
mp
  

 Chri - stus sú - mi - tur, Chri - stus sú - mi - tur: re - có -

 mp mp
                    
 sú - - mi - tur, in quo Chri -stus sú - mi - tur: re - có - li -

 mp
 
mp


            
 
Chri - stus sú - mi - tur, in quo Chri - stus sú - mi - tur: re - có - li -

           
23
      

 - li - tur me mó - ri - a, me - mó - - ri - a, me -

 
             
 - tur,

re - có - - li - tur me - mó - ri - a, me -


 

          

tur, re - có - li - tur me - mó - ri - a, me - mó -

    
31
p
         

 
mó - ri - a pas - si - ó - - nis e - jus: mens


         
 mó - ri - a
        
pas - si - ó - - nis, pas - si - ó - nis e - jus:


   

       
-
     
ri - a pas - si - ó - nis e - jus, pas - si - ó - nis e - jus:

For free practice videos, visit: musicfortheliturgy.org/kevinallen


 
38

                
 
 im - plé - - tur grá - - - ti - a:

 p     
       


mens im - plé - tur grá - - - ti - a:

 p
        
   
mens, mens im - plé - tur grá - - ti - a:

       
45
          
mf
   
 et fu - tú - rae gló - - ri - ae,

 mf
                     
 et fu - tú - rae gló - - ri - ae,


 
mf

    
  
    
et fu - tú - rae gló - - - - - ri -

   
51
     
rit.
        
 gló - ri - ae
 
no - bis pi - gnus da - - - tur.

 
              
 gló - ri - ae no - bis, no - bis pi - gnus da - tur.


     

       
ae no - bis pi - - gnus da - tur.

30
7d’ =’ 54C==’’45P==’’5w===================54C==’46P=’ 6p====’56P===’5p’5.=====|=’ =

C on-fi- témini Dómino quó- ni- am bo-nus:

7d’ ===’54C’ ’ 45P=’ 5w============================’43C=’ 45P=’ 4p==’2p43C-3p=||


quó-ni- am in sæculum misericórdi- a e-jus.

7d’ =====’’54C==’’ 45P===’’5w==========’’ 54C==46P=’ ’6p====’56P==’5p==’’5p’5.==’|==’’ ’54C===’’45P==’’5p==’5p==’5p=’ 43C===’45P’=’ ’


2. Bo- num est confí-de- re in Dómi-no, quam confí-de-re in hó-

7d’ ==’’ 4p===’2p43C-3p=’||===’’54C==45P===’’5w========’54C=’ 46P=’ 6p====’56P==’5p===’5p’5.==|====’54C====’’45P=’ ’5p==’5p=’ 5p=’


mi- ne. 3. Bo-num est spe-rá- re in Dómi- no, quam spe-rá-re in

7d’ ===’43C==’’45P==’’4p===’2p43C-3p=’ ||===54C=’45P==’’5w==========’54C=’ 46P==6p===’56P=’ 5p’5.=’|==’’54C=’45P====5w========


prin-cí- pi- bus. 4. Be- á- ti immaculá- ti in vi- a, qui ámbulant in

7d’ =====’43C==’45P==’4p==’2p43C-3p’ =-=||====’’ 54C=’ 45P==5w========================’’54C=’- ’46P=’ 6p=’ ’56P==’5p’5.==|=’


le-ge Dómi-ni. 5. Be- á-ti qui scrutántur testimó- ni- a e-jus;

7d’ ’ 5w=================’’ ’ ’ 43C=’ 45P===’’ 4p=’ 2p43C-3p=’==’’||======’54C=’ ’45P=’ ’ 5w====================’’ ’ ’ ’


in toto corde exquí- runt e-um. 6. Non e-nim qui operántur

7d’ =54C==’’46P===’’6p==’’56P==’’5p’5.==|=’ 54C==’45P=’ 5w===========’’ 43C=’ 45P==’’ 4p==’’2p43C-3p==||==’’ 54C==’’ 45P==’5w========’


i- ni-qui- tá-tem in vi- is ejus ambu- lá-ve-runt. 7. In to-to corde

7d’ =====’’ 54C=’ 46P====6p==’’56P=’ 5p=’ 5p’5.==|==54C=’ 45P=’ 5w=================’43C=’ 45P==’’ 4p=’ 2p43C-3p=||
N.B. This
tone starts
on F-sharp
and ends on
me-o exqui- sí-vi te; ne repéllas me a mandá- tis tu- is. D-natural

For free practice videos, visit: musicfortheliturgy.org/kevinallen



         

   

G
 



to
 
con - fide

in
 




ive praise to

   
en - dures for

the Lord,
 
the Lord, for


ev - er.

ra - ther than
 
to
he

II.

is good:

 

   


have con - fi - dence in


for


It
his mer - cy


is good


man.


        
III. 
It is good to trust in the Lord,
       
ra - ther than to trust in princ - es.


          
IV. 
Bless -ed are the un - de - filed in the way,
       
who walk in the law of the Lord.


   
V.      

    
Bless - ed are they that keep his stat - utes: that seek him with their whole heart.
 



VI.  

  
For they that work in - iq - ui - ty,
    
have not walked in
  
his

ways.



VII.  

 
With my whole heart have
  
I
 
sought af - ter

you:

let me
 
not stray


 
    
from your com - mand - ments. Psalm 118: 1, 8-9 & Psalm 119: 1-3, 10

32
Motecta Trium Vocum 8. Panis Angélicus Kevin Allen

Panis angélicus The Bread of Angels Te, trina Déitas O Triune Deity,
Fit panis hóminum, becomes the Bread of men; Unáque, póscimus, we beseech Thee,
Dat panis coélicus the Bread of Heaven Sic nos tu vísita, that Thou visit us,
Figúris términum. puts an end to prefigurations; Sicut te cólimus, as we adore Thee;
O res mirábilis: O wondrous thing Per Tuas sémitas Lead us by Thy ways,
Mandúcat Dóminum consumes the Lord Duc nos quo téndimus, whither we direct our steps,
Pauper, servus the poor, the servant, Ad lucem to the light
et húmilis. and the lowly. quam inhábitas. wherein Thou dost dwell.

     
            
 Pa
Primus

- nis an - gé - li - cus fit pa - nis hó - mi - num Dat pa - nis

         

Secundus     
Pa - nis an - gé - li - cus fit pa - nis hó - mi -

 

Tertius           
Pa - nis an - gé - li - cus fit pa - nis hó - mi -

 
6

             
 caé - li - cus

fi - gú - ris tér - mi - num. O res mi -

        
   
 num Dat pa - nis
      
caé - li - cus fi - gú - ris tér - mi - num. O res mi -

        
          
num Dat pa - nis caé - li - cus fi - gú - ris tér - mi - num. O res mi -

   
11

        
      
 rá - bi - lis!

Man -dú -cat Dó - mi -num pau - per, ser - vus, et

                        
 rá - bi - lis! Man -dú - cat Dó -mi - num pau - - per, ser - -

          

         

rá - bi - lis! Man - dú -cat Dó -mi - num pau - per, ser - vus, et hú - mi - lis, et

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18

                 
 hú - mi - lis, hú - - - mi - lis! Te tri - na Dé - i - tas

             
 - vus,
 
et hú - mi - lis, hú - mi - lis! Te tri - na

        
          

hú - mi - lis, ser - vus, et hú - mi - lis! Te tri - na Dé - i -

  
25

                  


u - ná - que pó - sci - mus, Sic nos tu ví - si - ta si - cut te có - li -

                     
 Dé

- i - tas u - ná - que pó - sci - mus, Sic nos tu ví - si - ta si - cut te có -

 
                
-tas u - ná - que pó - sci - mus, Sic nos tu ví - si - ta si - cut te


31

                 
 mus:
               
Per tu - as sé - mi -tas duc nos quo tén - di -mus Ad

       
 - li - mus: Per tu - as sé - mi -tas duc nos quo tén - di - mus Ad

          

       
có - li - mus: Per tu - as sé - mi -tas duc nos quo tén - di - mus Ad

 
37

      
        
 lu - cem quam in - há - bi - tas, in - - há - bi - tas.

                   
 lu - cem quam in - há - bi - tas, in - há - bi - tas.

          

        

lu - cem quam in - há - bi - tas, in - há - bi - tas, in - há - bi - tas, in - há - bi - tas.

34
f’’ =’ 2p===3p==’5w==============================’6p==’’ 5p’5.====|====’’

T i-mé-te Dóminum, omnes sancti e- jus,

f’’ ====’’ 5w==================================’4p==’’ 2p==3p’3.==’’ ||==’


quóniam non est inópia timénti-bus e- um.

f’’ ====’’ 2p==3p==5w=======================’6p==’’5p’5.====|==’’5w================================’


2. Dí-vi-tes eguérunt, et esuri- é-runt; inquiréntes autem Dóminum

f’’ ========================’’ 4p==’’ 2p===3p’3.====||====’’ 2p==’3p==’’5w==================’’6p==’5p’5.==-||’ ’


non minuéntur om-ni bo-no. 3. Ocu- li Dómini super justos,

f’’ ==========================-’ 4p==2p===3p’3.======||=====’’ 2p===3p===’’5w=====================’’


et aures ejus in preces e- ó- rum. 4. Vul-tus autem Dómini super

f’’ ==============’6p=’ 5p’5.=’|=’ 5w================================’’4p=’2p==’’3p’3.===||====’2p====3p===


faciéntes ma-la, ut perdat de terra memóriam e-ó-rum. 5. Et man-

f’’ ==’’5w===============’6p==’’5p=’ 5p’5.==|==5w===============’’ 4p==’’ 2p==’3p=’ 3p’3.==||===2p====’3p=’ 5w=====’’


dávit núbibus dé-super, et jánuas caeli a-pé-ru- it. 6. Et plu- it illis

f’’ ===’’===================’6p===’’5p’5.==|==’’ 5w=====================’4p==’2p=’ 3p’3.===||====’’ 2p==’’3p==’’


manna ad manducándum, et panem caeli de-dit e- is. 7. Pa-nem

f’’ =’5w============================’6p===’’ 5p’5.=’ |==’5w=====================’’ 4p===’’2p===’’3p=’ 3p’3.==||’


angelórum manducávit ho-mo; cibária misit eis in abundán-ti- a.

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            
 ear the Lord, all

F
      
 
 to

 and have suf - fered hun - ger:


  
them that fear him.
you

           
his saints:

II.  

but they that seek the Lord shall not


for there


is


The rich have want - ed,

be
no

de - prived of
want


  
 an - y

good.
III.    
 The eyes of
 
the Lord are
 
up - on
 
the just:

       
 and his ears un - to their prayers. IV.          
 But the coun - te - nance of the Lord is

                    
 a -gainst them that do e - vil things: to cut off the re -mem -brance of them from the earth.

  
V.   And he
      
had com -mand - ed the clouds from a - bove,
    
and had o - pened the

       
    
 doors of heav - en. VI.    
And had rained down man - na up - on them to eat,

    
 and had giv - en
 
them the bread
 
of
 
heav - en.
VII.   Man ate

the

             
 bread of an - gels:
 Psalm 34: 10-11, 16-17
&
he sent them pro - vi - sions in a - bun - dance. Psalm 78: 23-25

36
Motecta Trium Vocum 9. Tantum Ergo Kevin Allen

Tantum ergo Sacraméntum Venerémur cérnui: Let us therefore, prostrate, adore so great a Sacrament,
Et antíquum documéntum Novo cedat rítui: and let the Old Law give way to the New Ordinance;
Praestet fides suppleméntum Sénsuum deféctui. let faith supplement the weakness of the senses.

   mp
Moderato

Primus      
           
 Tan -tum er - go Sa - cra - mén - tum Ve - ne - ré - mur cér - nu - i:


mp
                

Secundus     
Tan -tum er - go Sa - cra - mén - tum Ve - ne - ré - mur cér - nu - i:


Tertius       
mp

           

Tan -tum er - go Sa - cra - mén - tum Ve - ne - ré - mur cér - nu - i:

  mp
7
    
       
mf
      
 Et an - tí - quum do - cu - mén - tum No -vo ce - dat rí - tu - i: Prae -stet fi -

            

mp mf
     
 Et an - tí - quum do - cu - mén - tum No
   
- vo ce - dat rí - tu - i: Prae -stet

 mp
   
mf


   
       
   
Et an - tí - quum do - cu - mén - tum No -vo ce - dat rí - tu - i: Prae -stet fi - des

    
14
     mp

            
 - des sup -ple - mén - tum Sén -su -um de - fé - ctu - i. Ge - ni - tó - ri, Ge - ni -

       
mp
             
 fi

- des sup -ple -mén - tum Sén -su - um de - fé - ctu - i. Ge - ni - tó - ri, Ge - ni -

 

mp
     
               
sup - ple - mén - tum Sén - su - um de - fé - ctu - i. Ge - ni - tó - ri, Ge - ni -

For free practice videos, visit: musicfortheliturgy.org/kevinallen


Genitóri, Genitóque Laus et jubilátio, To the Father and to the Son be praise, glory,
Salus, honor, virtus quoque Sit et benedíctio: salvation, honor, power, and benediction also!
Procedénti ab utróque Compar sit laudátio. and to Him proceeding from Them both be equal praise.

  
21
    
mp
            
 tó - que Laus et ju - bi - lá - ti - o, Sa - lus, ho - nor, vir -tus quo - que


mp
                   
 tó - que Laus et ju - bi
    
- lá - ti - o, Sa - lus, ho - nor, vir -tus quo - que



mp

 
      
        
tó - que Laus et ju - bi - lá - ti - o, Sa - lus, ho - nor, vir -tus quo - que

       
28

    
mf
         
 Sit et be - ne - dí - cti - o: Pro -ce - dén - ti ab u - tró - que Com -par sit

  
 mf
             
 Sit
   
et be - ne - dí - cti - o: Pro -ce - dén - ti ab u - tró - que Com -par


   
mf
 
   
           
Sit et be - ne - dí - cti - o: Pro -ce -dén - ti ab u - tró - que Com - par

   
35
    
        
 lau - dá - ti - o. A - - - - - - - men.


                  
 sit lau -dá - ti - o. A - - - - - - - men.


 
     
          
  
sit lau -dá - ti - o. A - - - - - - - men.

38
5d’ ==1p===’3p==’’ 5w========================’’ 6p==6p==’’ 5p’5.==|==’’3p==’’5w=’

D ó-mi- ni est terra, et plenitú-do e- jus;

5d’ =====================================’6p===’4p==’’ 5p==’’ 3p’3.==||=’


terrárum, et univérsi qui hábi-tant in e- o.

5d’ =======’1p=’ 3p=’ 5w==========================’’ 6p==’6p==’5p’5.====|===3p===5w==================’’ =


2. Qui- a ipse super mária fundá-vit e- um, et super flúmina
orbis

5d’ ==========’’6p==’4p==’5p==’3p’3.======||=======’1p==’3p==’’5w================’6p=====’6p===’’ 5p===5p’5.==’’ |=


praepa-rá-vit e- um. 3. Quis ascéndet in mon-tem Dó- mi- ni?

5d’ =’ 3p=====5w==================6p====4p==’’ 5p==’’ 3p’3.====||=====’’1p===3p=’ 5w================’’=====


aut quis stabit in loco sancto e- jus? 4. Innocens mánibus et

5d’ =========6p===6p===’’ 5p’5.===|====’3p==’5w===============================’’5p=’ ’5p’5.=====+===’’5w===’’


mun-do cor-de, qui non accépit in vano ánimam su- am, nec

5d’ ====================’6p==’4p===4p==5p=’ 3p’3.===||=======’’1p=’ 3p==’’ 5w=======================6p==’’


jurávit in dolo pró-xi-mo su-o. 5. Hic accipiet benedictiónem a

5d’ ===’6p==’’5p==’’5p’5.=’- |==3p===’’ 5w===========================’’ 6p=’=’ 4p==’5p==’3p’3.===||=======’’1p===’’3p==’’


Dómi-no, et misericórdiam a Deo salu-tá- ri su- o. 6. Haec est

5d’ ==’5w=====================’’ 6p===’’ 6p==’5p’5.====|====’’3p=’ 5w=================’’ 6p=’ 4p==’5p==’’ 3p’3.=- ||-’


generátio quaerénti- um e- um, quaeréntium fáciem De- i Ja-cob.

For free practice videos, visit: musicfortheliturgy.org/kevinallen


 
           
 he

TII.


  
 the

           
earth


world,

 For he has found - ed it up - on the seas;


is

and

the Lord's and


all

they
the


that
full - ness there -


dwell

    
and has

there - in.

pre - pared it
of:

   
           
 up - on the riv - ers.

III.  Who shall as - cend in - to

   
             
 the moun - tain of the Lord: or who shall stand in his ho - ly place?


             
IV.  The in - no - cent in hands, and clean of

heart, who has not

   
              
 tak - en his soul in vain, nor sworn de - ceit - ful - ly to his neigh - bor.

 
              
 He shall re - ceive a bless - ing from the Lord, and mer - cy from

 
                 
 God his Sav - ior. V.  This is the gen - er - a - tion of them


                
 that seek him, of them that seek the face of the God of Ja - cob.

Psalm 24: 1-6

40
Motecta Trium Vocum 10. Te Decet Laus Kevin Allen

Te decet laus, Te decet hymnus. Thou art worthy of praise, Thou art worthy of hymns,
Tibi glória Patri et Fílio, cum Spíritu to Thee be glory: to the Father and the Son with the
Sancto in saécula saeculórum. Amen. Holy Ghost, world without end. Amen.

   
mf
 f
 
Primus       
 Te de - cet laus, te de - cet hym -


mf f
             

Secundus

Te de - cet laus, te de - cet hym -


Tertius   
mf f


      

Te de - cet laus, te de - cet hym -

 
7
 
     

mp
     
 - - - - nus. Ti - bi gló - - ri -


mp
            

  
- - - - - nus. Ti - bi gló -



mp


  

      
 
- - - - - nus. Ti - bi gló - ri -

   

14
 
mf

     
 a Pa - tri et Fí - li - o, cum Spí - ri -

    

mf
       
 - ri - a
  
Pa - tri et Fí - li - o, cum Spí - ri -



mf
  

        

a Pa - tri et Fí - li - o, cum Spí - ri -

For free practice videos, visit: musicfortheliturgy.org/kevinallen


       
20

         
 tu San - cto in saé - - cu - la saé - cu - lo -

   
                
 tu San - cto in saé - cu - la saé - cu - lo -

 
      
        
tu San - cto in saé - cu - la saé - cu - lo - - -

  
a tempo


26

mf
 
rit.
  
 - rum. A - - - - - - men.

 mf
                


- rum. A - - - - - - - - men.

 

mf
   
 -
    
 
rum. A - - - - - - - - men.

42
5f===’2p===’3p==’’ 5w====================’’ 6p===’’ 5p’5.=====|========’’

M agnus es, Dómine, in ae-tér-num,

5f===’’5w==========================’’ 4p====’2p==’’3p’3.===||========
et in ómnia saécula regnum tu- um.

5f=======’2p==’3p==5w=====================’’ 6p==’’ 5p==’5p’5.===|===’5w============================’’


2. Confi-témini Dómino, fílii Is-ra- ël, et in conspéctu géntium

5f==========’4p==2p==3p’3.=====||===’2p==’3p==’5w=====================================’6p===’5p’5.==|’
laudá-te e- um. 3. Ipse castigávit nos propter iniquitátes nostras,

5f==’5w============================================’4p====’2p==3p’3.====||=====’2p===3p==’’ 5w====’’
et ipse salvábit nos propter misericórdi- am su- am. 4. Be-ne-dícite

5f==============================’6p==’5p’5.===|==’’5w=’ ===================================4p=’
Dóminum omnes elécti e-jus: ágite dies laetítiae, et confitémi-ni

5f==2p==’3p’3.===||===’’ 2p=’ ’3p==’5w===============’’ ’ 6p=’ 5p’5.==|===’’5w==============================’


il-li. 5. Je-rú-salem cívitas De- i, castigávit te Dóminus in

5f========================’’4p==2p==’’3p’3.=====-=||====’’ ’2p==’3p==’’5w===========================’’
opéribus mánuum tu- á-rum. 6. Te de-cet hymnus, Deus, in

5f===’’ 6p==’’5p’5.===|==’’ 5w============================’’4p===’2p==’’ 3p==’3p’3.===||====’’===============


Si- on, et tibi reddétur votum in Je- rú- sa-lem.

For free practice videos, visit: musicfortheliturgy.org/kevinallen


 
       
 ou

YII.

 

 and

             

are


your king - dom
great

 Give glo - ry to the Lord, you chil -dren of Is - ra - el,



O


is
Lord,


un - to
for

 
all
ev


-

ag - es.
er,

 

and praise

 
              
 him in the sight of the Gen - tiles. III.  He has chas -tised us


                
 for our in - iq - ui - ties: and he will save us for his own mer - cy.

 
            
IV.  Bless the Lord, all his e - lect, keep days of joy, and give

  
         
 glo - ry

to

him.
V.  Je

- ru - sa - lem, cit - y of God,


           
 the

Lord has chas - tised you for the works of your hands.

 
           
VI.  A

hymn, O God, be - comes you in Si - on: and a vow


         
 shall be
 Tobit 13: 1, 3, 5, 10-11
&
paid to you in Je - ru - sa - lem. Psalm 65: 2

44
Et misericórdia tua subsequétur me
ómnibus diébus vitae meae; et ut inhábitem
in domo Dómini in longitúdinem diérum.

And your mercy will follow me all the


days of my life. And that I may dwell in the
house of the Lord unto length of days.

For free practice videos, visit: musicfortheliturgy.org/kevinallen


Motecta Trium Vocum 11. Parátur Nobis Mensa Kevin Allen

Parátur nobis mensa The table of the Lord is


Dómini advérsus omnes prepared for us against
qui tríbulant nos. those who oppress us.
In voce exultatiónis In a voice of exultation
résonent epulántes let the banqueters resound
in mensa Dómini. at the table of the Lord.


Moderato
p pp mp
Primus   
       


Pa - rá - tur, pa - rá - tur, pa -
p pp mp
     

Secundus      
Pa - rá - tur, pa - rá - tur, pa -

Tertius   
p pp mp
 
        
Pa - rá - tur, pa - rá - tur, pa -

 
8
    
 
 rá - tur no - bis men - sa, men -

             
 rá

- tur no - bis, no - bis, no - bis

 
      

rá - tur no - bis men - sa,

46

15
   
mp
   
  
 sa Dó - mi - ni ad - vér - sus om -


mp
        
 men - sa,
   
men - sa Dó - mi - ni ad - vér - sus om - nes, om -

 
mp


       
  
men - sa, men - sa Dó - mi - ni ad - vér - sus om -

 
22
         

 nes qui trí - bu - lant nos, qui trí - bu -

            
 -
  
nes qui trí - bu - lant, qui trí - bu - lant

 
    
   
nes, om - nes qui trí - bu - lant nos,

    
più mosso

   
29

mf
        
 lant nos, trí - bu - lant nos. In vo - ce
mf
            
     
nos, qui trí - bu - lant nos. In vo - ce


mf
 
        
qui trí - bu - lant nos. In vo -

For free practice videos, visit: musicfortheliturgy.org/kevinallen


          
36
  

 ex - sul - ta - ti - ó - nis

ré - so -nent

                   
 ex - sul - ta - ti - ó - - - - nis ré -

      
     
- ce ex - sul - ta - ti - ó - nis

 


42

           
 e
 
- pu - lán - tes, ré - so -nent e - pu - lán -

              
 - so -nent e - pu - lán
    
- tes, ré - so - nent e - pu - lán - tes in


      
        

      
ré - so -nent e - pu - lán - tes in men -sa Dó - mi -

 
rit.

    
47

       
 
 -tes in men - sa Dó - mi - ni, in men - sa Dó - mi - ni.

               
 men - sa Dó - mi - ni, in men - sa, men - sa Dó - mi - ni.

              
   
ni, in men - sa Dó - mi - ni, in men - sa Dó - mi - ni.

48
5d====’’2p===3p===’5w==================================3p’3.===+’’ -’

D aquam refectiónis e-du-cá-vit me.


ó-mi- nus regit me, et nihil mihi deé- rit:

5d====’5w================================’’ ’6p==’’5p’5.==’|==’’ 5w====’’


in loco páscuae, ibi me collo-cá-vit. Super

5d========================’’ 4p==’’ 5p==’’3p==’’2p===’’ 2p’2.===||==’’ 2p=’ ’ 3p===5w================’’6p==5p’5.=’ |-’


2. A-ni-mam meam convértit.

5d=====’’5w===============================================’’ 4p==’’5p===’’ 3p==2p’2.====||=====’2p===’’


Dedúxit me super sémitas justítiae propter nomen su- um. 3. Nam

5d===’3p==’’ 5w=====================================’’6p==’’ 5p’5.==’|=’ ’ 5p===’’ 5p==’’ 4p==’’ 5p===’3p==2p’2.==||’


et-si ambulávero in médio umbrae mor-tis, non ti-mé-bo ma-la.

5d==========’2p==’’3p=’ 5p====5p===’’5p==’’ 3p===’3p’3.==+==’5w======================’’6p=’ ’5p’5.==|==’5w=======’’


4. Quó-ni- am tu me-cum es. Virga tua, et báculus tu- us, ipsa me

5d====’’ 4p==’’ 5p==’3p==2p==’2p’2.=====||===’’ 2p===’3p====5w=====================’6p==’’5p’5.====|===5w=======’’


conso-lá-ta sunt. 5. Impinguásti in oleo caput me- um: et calix

5d========================’’ 4p======5p===3p==’2p==’2p’2.=====||======’’ 2p==’’ 3p==’’ 5w================’’


meus inébrians, quam praeclá-rus est! 6. Se-des tua, Deus, in

5d================’’6p===’5p==’’5p’5.==-|===5w========================’4p===’’ 5p==’’3p==’’2p’2.====||======’’
saéculum saé-cu- li; virga directiónis virga re-gni tu- i.

For free practice videos, visit: musicfortheliturgy.org/kevinallen


         
 he Lord rules me:


T
      
 He has brought me up, on
 
 He has


the

set



me

wa - ter


 
and


in

of

a
I

 
shall want noth - ing.


place

re - fresh - ment.


of
 
pas - ture.

             
II.  He has con - vert - ed my soul. He has led me on the paths

             
 of jus - tice, for his own name's sake.
 III.  For though I should walk

              
 in

the midst of the shad - ow of death, I will fear no e - vils.

         
IV.   
 For you are with me. Your rod and your staff, they have

             
 com - fort - ed

me.
V.  You have a - noint - ed my head with oil;

              
 and my

chal - ice which in - e - bri - ates me, how good - ly is it!

                
VI.  Your throne, O God, is for - ev - er and ev - er: the scep - tre of your

         
 king - dom is

a scep - tre of up - right - ness. Psalm 23: 1-5 & Psalm 45: 7

50
Motecta Trium Vocum 12. O Sanctíssima Kevin Allen, 1999
O Sanctíssima, O most holy one, Tu solátium Thou art our comfort
O Piíssima O most pitiful, et refúgium and our refuge,
Dulcis Virgo María O sweet Virgin Mary! Virgo Mater María! Virgin Mother Mary!
Mater amáta, Mother best beloved, Quidquid optámus, All that we long for,
Intemeráta Mother undefiled, per te sperámus; Through thee we hope for;
Ora pro nobis. Pray for us! Ora pro nobis. Pray for us!

 
Moderato
         
mf
Primus       
 O San - ctís - si - ma, O Pi -

 mf
               
    

Secundus

O San - ctís - si - ma, O Pi - ís - si - ma, O Pi -


Tertius   
      
mf
 
         

O San - ctís - si - ma, O San - ctís - si - ma, O Pi -

 
    
       
8
              
 ís - si - ma, O Dul -cis Vir -go Ma -rí - a, O Dul -cis Vir - go Ma -rí - a! Ma - ter a -


           
   
       
 ís - si - ma,

Dul - cis Vir - go Ma - rí - a! Ma - ter a -

 

 
     
           

    
ís - si - ma, Dul - cis Vir - go Ma - rí - a! Ma - ter a -

   
17

     
                
 má - ta, Ma - ter a - má - ta, In - te -me - rá - ta, In - te -me - rá - ta, In - te -me - rá ta,

   
                       
 má - ta, Ma - ter a - má - ta, In - te -me - rá - ta, In - te -me - rá - ta, In - te -me - rá ta,

  
        
       
   
 
  
má - ta, Ma - ter a - má - ta, In - te -me - rá - ta, In - te -me - rá - ta, In te -me - rá ta,

For free practice videos, visit: musicfortheliturgy.org/kevinallen


  p 
27
rit.
               
 O
R.  p
- ra pro no - bis, O - ra pro no - bis, O - ra pro

no - bis.

           
 O
     
- ra pro no - bis, O - ra pro no - bis, O - ra pro no - bis.
 
 
p

  
  
 
  
 
  
O - ra pro no - bis, O - ra pro no - bis, O - ra pro no - bis.

          
37
mf
           


Tu so - lá - ti - um, Et re - fú - gi - um,

                      
mf
  

         
Tu so - lá - ti - um, Et re - fú - gi - um, Et re - fú - gi - um,


 

mf
  
          

Tu so - lá - ti - um, Tu so - lá - ti - um, Et re - fú - gi - um,

        
45

                  
 Vir -go Ma - ter Ma - rí - a, Vir - go Ma -ter Ma - rí - a! Quid - quid op - tá - mus, Quid -
        
             


Vir - go Ma - ter Ma - rí - a! Quid - quid op - tá - mus, Quid -

   
           
         
Vir - go Ma - ter Ma - rí - a! Quid - quid op - tá - mus, Quid -

   
55

             
 quid op - tá - mus, per te spe - rá - mus; per te spe - rá - mus; per te spe - rá

mus; R.
 
             
 quid op   
- tá - mus, per te spe - rá - mus; per te spe - rá - mus; per

te spe - rá - mus; R.

    
      
 
quid op - tá - mus, per - te spe - rá - mus; per te spe - rá - mus; per te spe - rá - mus; R.

52
f==’’2p==’’3p==’’5w==========================’’ 6p===5p’5.===|===’5w===

E in honóre tu- o:
ructávit cor meum verbum bo-num: dico

f===================’’ 4p==’’ 2p==’3p’3.==-’ ||===’2p=’ 3p==’5w==========’’


ego ópera me-a re-gi. 2. Fí- li- ae regum

f================’’ ’ ’3p’3.==-+=--’5w===============================================’’6p==’’5p’5.=|’
ástitit regína a dextris tuis in vestítu deau-rá-to,

f===’’5w================’’ 4p==’2p==’3p’3.===||==’’ 2p==’3p=’ 5w========’6p==’’ 5p’5.==|==’5w==============4p==’’


circumdáta vari-e-tá-te. 3. Audi, fília, et vi- de, et inclína aurem

f===’’2p==3p’3.====||==’’ 2p==3p==’5w====================6p=’ 5p’5.===|=’ 5w===============’’4p==’’ 2p=’ 3p’3.=-||’


tu- am. 4. Et oblivíscere pópulum tu-um, et domum patris tu- i.

f=====’’ 2p===’3p===’5w=======================’===’3p’3.====+====’’5w===========================’’
5. Et concupíscet rex decórem tu- um, quóniam ipse est Dóminus

f==========6p==’5p’5.==-|=’=’ 5w==========’’ 4p====2p==’3p’3.====||====’’ 2p===’3p===5w===================’’


Deus tu- us, et adorá-bunt e- um. 6. Addu-céntur regi vírgines

f========’’ 6p==5p’5.====|====5w=======================4p==’’ 2p==’’ 3p’3.===||===’’ 2p==3p==’’5w==========’’


post e- am; próximae ejus afferén-tur ti- bi. 7. Affe-réntur in

f=========================’6p==’’ 5p’5.===|==’’ 5w======================’4p====’2p==’’3p’3.====||=====’’


laetítia et exsultati- ó-ne; adducéntur in templum re-gis.

For free practice videos, visit: musicfortheliturgy.org/kevinallen


 
       

M II.


    
 y

 The daugh - ters of

        

 
 I
heart



speak

kings have

has



my


ut - tered

de - light - ed

 

works

 
you


to


in
a



good


the

your

 

glo -
word:


king.


ry.


 The queen stood on your right hand, in gild - ed cloth - ing; sur - round - ed with

      
    
 va

- ri - e -
 
ty.
III.  Heark - en, O daugh - ter, and see,
 
              
 and in - cline your ear. IV.  And for - get your peo - ple and your

 
               
 fa - ther's house. V.  And the king shall great - ly de - sire your beau - ty;
 
           
 for

he is the Lord your God, and him they shall a - dore.

 
             
VI.  Af - ter her shall vir - gins be brought to the king: her neigh bors

 
          
 shall be
 
brought to

you.
VII.  They shall be brought with glad - ness


               
 and re - joic - ing:

they shall be brought in - to the tem - ple of the king.

Psalm 45: 2, 10-12, 15-16

54
World-renowned vocalist,
Matthew J. Curtis,
cares about your choir.
He’s recorded the
entire collection
of MOTECTA
TRIUM VOCUM
by Kevin Allen
in a series of
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musicfortheliturgy.org/kevinallen
A CD recording is also available.

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