American & European Paintings & Prints

SKINNER
American & European Paintings & Prints

Sale 2517B September 24, 2010 Boston
including Photography & Sculpture
specialists in charge
Robin S. R. Starr Kathy Wong Elizabeth C. Haff

Department Director 508.970.3297 508.970.3258
508.970.3259
American & European Paintings & Prints Department - 508.970.3206

General Inquiries: paintings@skinnerinc.com
auction 2517B
Friday, September 24, 2010
Prints & Photography at 12 noon
Paintings & Sculpture at 4 p.m.
63 Park Plaza
Boston, Massachusetts
preview
Wednesday, September 22, 2010 12 to 5 p.m.
Thursday, September 23, 2010 12 to 8 p.m.
Friday, September 24, 2010 9 to 10:30 a.m.
absentee bidding
Tel: 617.874.4318
Fax: 617.350.5429
Online: www.skinnerinc.com
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cover : 669 ( detail ) ; frontispiece : 476 ; inside back cover : 433 ; back cover : 500
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table of contents
1 Auction & Specialist Information
2 Web Site & Online Bidding
4-5 Event Announcements
9 Prints & Photography - Lots 1-287
121 Paintings & Sculpture - Lots 300-675
343 Glossary of Terms
344 Artist Index
350 Conditions of Sale
351 Absentee Bid Form
352 Company Directors & Specialty Departments
353 Administrative Staff & Client Services
355 Map & Driving Directions
356 Parking & Accommodations
357 Dining
359 Catalogue Subscription Form
Please Note: All lots sold subject to our Conditions of Sale.

Please refer to page 352 of this catalogue for the full terms and conditions governing your purchase.
Copyright © Skinner, Inc. 2010

All rights reserved
SKINNER presents a
Fine Art Gallery Walk
Presented by Robin Starr, Director of Skinner’s
Paintings Department
Thursday, September 23, 2010
5:30 p.m. Reception/6:00 p.m. Gallery Walk
63 Park Plaza
Boston, MA
R.S.V.P. 617.350.5400
Reservations are Limited
Gallery Walk held in conjunction with a preview of Skinner’s

September 24th auction of American & European Paintings & Prints
Upcoming Auction

January 28th, 2011
Boston, MA
William Louis Sonntag (American, 1822-1900), The Falls at Sunset
Consignment Deadline:
October 29th, 2010
For more information please contact our

Paintings & Prints department at 508.970.3206
or email paintings@skinnerinc.com
www.skinnerinc.com
8
Session I
Prints & Photography
Lots 1-287
to be sold Friday, September 24th, 2010 at 12 noon

10
2
1. 2.
Clinton Adams (American, b. 1918) Yaacov Agam (Israeli, b. 1928)
Window Series IV, 1960, edition of 18. Signed and dated “Clinton Untitled, edition of 99. Signed “Agam” in resin/ink l.r., numbered
Adams ‘60” in pencil l.r., numbered and titled “13/18...” in pencil l.l., “73/99” in resin/ink l.l., dedicated “To Steve Agam Huston 27 April
with dry stamp. Lithograph on black and olive on paper, image size 1982” on the backing. Color screenprint on mirrored glass, sight size
13 x 9 1/2 in. (33.0 x 24.0 cm), framed. 15 1/4 x 17 1/2 in. (38.5 x 44.3 cm), framed.
Condition: Not examined out of frame. Condition: Not examined out of frame.
$500-700
Provenance: Purchased from The Annex Galleries, Santa Rosa,
California, 1999.
$800-1,200 3.
Yaacov Agam (Israeli, b. 1928)
Untitled, edition of 90. Signed “Agam” in pencil l.r., numbered “VII/

XC” in pencil l.l. Color screenprint on cream paper, image size 8 1/2
x 12 1/2 in. (21.5 x 31.7 cm), framed.
Condition: Not examined out of frame.
$400-600
online bidding at www.skinnerinc.com 11

6
4. 5.
Yaacov Agam (Israeli. b. 1928) Josef Albers (American/German, 1888-1976)
Untitled, edition of 99. Signed “Agam” in blue felt tip pen (or similar) Lot of Three Images from HOMAGE TO THE SQUARE: TEN
l.c., numbered “1/99” in same l.c. Agamograph, sight size 15 x 14 WORKS; Tenuous, Equivocal, and Shielded, 1960, edition of 250
1/4 in. (38.1 x 36.0 cm), framed. (Danilowitz, 156.3, 156.4, and 156.7). Each unsigned and with a
Condition: Not examined out of frame. label from the Retina Gallery, Cambridge, on the reverse. Color
$400-600 screenprints on paper, image sizes 11 x 11 in. (28.0 x 28.0 cm),
framed.
Condition: Rippling, not examined out of frames.
Provenance: Through the family of Eleanor Kanegis Levin, co-owner

of Kanegis Gallery in Boston from 1953 to 1961, and the Retina
Gallery in Cambridge from 1968 to 1971.
$1,000-1,500
6.
Josef Albers (American/German, 1888-1976)
Lot of Three Images from TEN VARIANTS, Variant VII, Variant

IX, and Variant X, 1967, edition of 200 (Danilowitz, 173.7, 173.9,
and 173.10). Each initialed and dated “JA ‘66” in pencil l.r. and
titled and numbered in pencil l.l., X with label from the Retina Gallery,
Cambridge, on the reverse. Color screenprints on paper, image sizes
to 10 x 14 in. (25.4 x 35.5 cm), framed.
Condition: Rippling (especially to IX), not examined out of frames.

$1,200-1,800
12 additional information and photos at www.skinnerinc.com

7
7. 8.
Josef Albers (American/German, 1888-1976) Pierre Alechinsky (Belgian, b. 1927)
I-S LXXb, 1970, edition of 125 (Danilowitz, 206). Monogrammed Serpent de terre, edition of 60. Numbered, titled, and signed
and dated “JA’70” in pencil l.r., titled and numbered “...54/125” in “20/60...Alechinsky” in pencil beneath image. Etching with soft
pencil l.l. Screenprint in yellow/ochre on paper, image size 12 x 12 ground in red and black on paper, plate size 9 3/8 x 7 in. (23.7 x
in. (30.4 x 30.4 cm), framed. 17.7 cm), framed.
Condition: Margins 4 1/4 inches or more, not examined out of frame. Condition: Margins over 2 inches with deckled edges, not examined
$600-800 out of frame.

$300-350
9.
Irving Amen (American, b. 1918)
Slaughtered Houses #2, 1953, edition of 10. Signed and dated

“Irving Amen ‘53” in pencil l.r., titled and numbered “...10/3” in pencil
l.l. Woodcut on paper, image size 16 x 21 in. (40.5 x 53.3 cm),
framed.
$200-300

9A
9A. 10.
American School, 20th Century Emilo Amero (Mexican, b. 1910)
Coastal Waters of the Caribbean. Signed “Hoffman” in pencil l.r. Where. Signed “E. AMERO” in pencil l.r. Lithograph on paper,
Color monotype on paper, image size 5 x 6 7/8 in. (12.5 x 17.4 cm), image size 12 1/4 x 10 1/4 in. (31.0 x 25.9 cm), framed.
framed. Condition: Not examined out of frame.
Condition: Margins 3/4 inches or more, unobtrusive toning. $200-250
$200-300
11.
Karel Appel (Dutch, 1921-2006)
Untitled (Abstract), edition of 200. Signed “appel” in pencil l.r.,

numbered “72/200” in pencil l.l. Color lithograph on paper, image
size 15 1/4 x 19 in. (38.5 x 48.2 cm), framed.
Condition: Subtle toning, scattered foxing, not examined out of
frame.
$300-500
10 11

12 14
12.
Alexander Archipenko (American/Ukrainian, 1887-1964)
Bathers, 1950, edition of approximately 100, published by

Associated American Artists (Karshan, 32). Signed “Archipenko”
in red pencil l.r., identified on a label from AAA on the backing.
Lithograph in brick red on paper, image size 12 3/4 x 9 in. (32.3 x
22.7 cm), unmatted, shrink-wrapped.
Condition: Subtle toning, not examined out of wrap.
$200-250
13.
John Taylor Arms (American, 1887-1953)
Lot of Two Architectural Views: Chapiteau Gothique, 1926, first

state of two, edition of 270 (Fletcher, 185); and Stone Tapestry,
San Isidoro, Leon, 1933, edition of 139 (Fletcher, 267). Both
signed and dated “John Taylor Arms...” in pencil l.r., dedicated to
Samuel Chamberlain in pencil l.l., and identified in the plate. Etchings
on paper, plate sizes to 11 5/8 x 3 in. (29.4 x 7.5 cm), matted,
unframed.
Condition: Margins 1 1/4 inches or more, soiling and toning (almost
exclusively to Chapiteau.)
$500-700
14.
Lot of Two Italian Views:
John Taylor Arms (American, 1887-1953), La Torre del Mangia,

Siena, 1927, trial proof I, before the edition of 115 (Fletcher, 192);
and Louis Wolchonok (American, 1898-1973), Venetian Canal,
edition of 100. Both signed in pencil l.r. and inscribed in pencil l.l.
Etchings on paper, plate sizes to 15 x 8 in. (38.0 x 20.3 cm), framed.
Condition: Toning, latter with mat burn, not examined out of frames.
$200-300
13

15
15.
Hans (Jean) Arp (French, 1886-1966)
Dreams and Projects, published in 1952 by Curt Valentin, New

York, edition of 320, unbound, containing two sets of the twenty-
eight woodcuts (one printed on Arches, the other on Japan paper).
Signed “Arp-” in pencil and numbered “3” on the colophon, signed
and numbered “Arp- 3/25” in pencil on the folder for the set on Japan
paper. Sheet sizes 11 1/4 x 9 in. (28.5 x 22.8 cm), presented in the
original slipcover.
Condition: Extremely subtle toning, minor transfer staining to some of
the Arches sheets, ex libris label from Nelson A. Rockefeller to interior
folder of slipcase.
Provenance: Ex-collection of Nelson Aldrich Rockefeller, New York;

purchased from Coleart, Inc., New York, 1977; the estate of Mary
Lee Ingbar, Cambridge, Massachusetts.
$2,000-3,000

16.
Mario Avati (French, 1921-2009)
Lot of Two Japanese-themed Still Lifes: Le Japonais

du Pere Sagot, 1974, proof edition of 16; and L’endroit
du decor, 1981, proof edition of 13. Both signed
“AVATI” in pencil l.c., dated in pencil l.r., and numbered
and titled in pencil l.l. Color mezzotints on paper, plate
sizes to 11 1/4 x 15 in. (28.5 x 38.0 cm), framed.
Condition: Not examined out of frames.
$300-500
17.
Mario Avati (French, 1921-2009)
Lot of Two Shelf Still Lifes: Le caporal ordinaire, 1980,

proof edition of 11; and Pain et confiture, 1982, proof
16 edition of 11. Both signed “AVATI” in blue pencil l.c.,
dated in blue pencil l.r., and numbered and titled in blue
pencil l.l. Color mezzotints on paper, plate sizes to 11 x
15 3/4 in. (27.8 x 40.0 cm), framed.
$300-500
18.
Peggy Bacon (American, 1895-1987)
The Rival Ragman, 1936-38, edition of 139 (Flint, 130).

Signed “Peggy Bacon” in pencil l.r., titled in pencil l.l.
Etching on paper, plate size 5 7/8 x 8 7/8 in. (14.8 x 22.5
cm), framed.
$1,000-1,500
17
18

20
20.
Albert Winslow Barker (American, 1874-1947)
Lot of Two Images: Hauling the Log, edition of 50; and The Old
Cart, 1933, edition of 52. Both signed “Albert W. Barker” in pencil
l.r. and inscribed in pencil l.l. Lithographs on paper, image sizes to
19
12 x 8 5/8 in. (30.4 x 21.7 cm), matted, unframed.
Condition: Margins 1 inch or more.
$400-600
19.
Yannick Ballif (British, b. 1927)
21.
Tina Barney (American, b. 1945)
Nagasaki, 1967. Signed and dated “Y Ballif 67” in pencil (within the
image) l.r., inscribed “E.A.” in pencil (within the image) l.l., identified
SWIMMING, text by Tina Howe, published in 1991 by the Library
on a label from the Carl Siembab Gallery, Boston, on the backing.
Fellows of the Whitney Museum of Art, edition of 175. Signed
Etching with aquatint in red and black on paper, plate/sheet size 29
“Tina Barney & Tina Howe” in pencil on the colophon page. Nine
3/4 x 22 1/4 in. (75.5 x 56.4 cm), framed.
chromogenic prints in a quarter-leather binding, 13 x 17 in. (33.0 x
Condition: Deckled edges, subtle toning.
43.0 cm), presented in cloth portfolio case (worn/losses).
$400-600
Condition: Discoloration to spine of binding.
$4,000-6,000
21

22A
22.
Leonard Baskin (American, 1922-2000)
22 The Strabismic Jew, 1955 (Fern & O’Sullivan, 259). Signed

and dated “Leonard Baskin 1955” in pencil l.r., titled in pencil l.l.,
dedicated “for Florence + Sam-” in pencil l.c. Woodcut in black and
red on paper, image size 40 3/4 x 24 in. (103.4 x 60.8 cm), framed.
Condition: Toning, foxing, cockling, not examined out of frame.
Provenance: Gift from Baskin to Sam Lockshin, Northampton,

Massachusetts, then to the present owner.
$400-600
22A.
Lot of Two Images: Bird, edition of 200, etching with aquatint; and
The Cry, c. 1960, edition of 300, issued by the New York Graphics
Society, woodcut. Both signed “...Baskin” in pencil l.r. and numbered
in pencil l.l. Image sizes to 17 1/2 x 14 5/8 in. (44.5 x 37.0 cm),
framed.
Condition: Subtle toning, not examined out of frames.
$300-500
23.
Birdman, 1969, edition of 110 (Fern & O’Sullivan, 520). Signed

“Leonard Baskin” in pencil l.r., numbered “6/110” in pencil l.l. Etching
on paper, plate size 23 5/8 x 17 1/2 in. (60.0 x 44.4 cm), framed.
Condition: Subtle rippling, not examined out of frame.
Provenance: Gift from Baskin to Sam Lockshin, Northampton,

Massachusetts, then to the present owner.
$300-500
23

25
24
24.
Lot of Three Figures: Prophetic Man/Prophetic Image, c. 1968,

edition of 100 (Fern & O’Sullivan, 511); Soutine, c. 1970 (Fern &
O’Sullivan, 585); and Profile of an Artist, edition of 50. Each signed
“Baskin” in pencil l.r. and numbered in pencil l.l. Etchings on paper,
plate sizes approximately 8 3/4 x 6 1/2 in. (22.0 x 16.5 cm), one
matted, all unframed.
Condition: Margins over 2 inches and with most edges deckled,
Artist light struck.
$200-250
25.
Indian Faces, 1974, edition of 100 (Fern & O’Sullivan, 642). Signed
“Baskin” in pencil l.r., inscribed “A.P.” in pencil l.l., signed and dated
in the matrix, dry stamp l.l. Color lithograph on paper, image size 26
1/2 x 34 3/4 in. (67.0 x 88.4 cm), unmatted, unframed.
Condition: Handling marks and creases.
Provenance: Through the collection of printer Herb Fox.

$700-900
26.
Universal Man, 1974-75, edition of 200 (Fern & O’Sullivan, 656).

Signed “Baskin” in pencil l.r. and inscribed “A.P.” in pencil l.l. Color
lithograph on paper, sheet size 42 x 29 3/4 in. (106.8 x 75.6 cm),
unmatted, unframed.
26 Condition: Minor handling marks and creases.
Provenance: Through the collection of printer Herb Fox.

$600-800

27.
Max Beckmann (German, 1884-1950)
Bildnis Georg Swarzenski, 1921, edition of about 30 (Hofmaier,

188Bb). Signed “Beckmann” in pencil l.r. Lithograph on paper,
image size 15 7/8 x 8 3/8 in. (40.2 x 21.2 cm), framed.
Condition: Pale foxing, not examined out of frame.
Provenance: From the family of Georg Swarzenski (curator at the

Museum of Fine Arts, Boston, 1939-1956) to the family of the present
owner.
$1,000-1,500
27
28.
Hans Bellmer (German, 1902-1975)
Image from DIALOGUES, 67, published by Éditions Louis Broder,

Paris, edition of 50 (Denoël, p. 72). Signed “Bellmer” in pencil l.r.,
numbered “12/50” in pencil l.l. Engraving on paper, plate size 5 1/4 x
4 1/2 in. (13.2 x 11.3 cm), framed.
Condition: Margins over 3 inches with deckled edges, not examined
out of frame.

$300-350
28

29 30
29. 30.
Frank Weston Benson (American, 1862-1951) Frank Weston Benson (American, 1862-1951)
The River, 1916, published state, edition of 104 (Paff, 90). Signed Off Pea Island, 1921, published state, edition of 150 (Paff, 206).
“FrankWBenson.” in pencil l.l., numbered “112” in pencil l.r. Etching Signed “FrankW.Benson.” in pencil l.r., identified on labels including
on paper, plate size 9 7/8 x 7 7/8 in. (9.4 x 12.3 cm), framed. one from The Prunell Galleries, Baltimore, on the backing. Etching on
Condition: Possible mat burn, toning, pale fox marks, not examined paper, plate size 6 7/8 x 10 7/8 in. (17.3 x 27.5 cm), framed.
out of frame. Condition: Subtle rippling, not examined out of frame.
$500-700 $800-1,200
31.
Frank Weston Benson (American, 1862-1951)
Yellowlegs in Sunlight, 1928, published state, edition of 150 (Paff,

285). Signed “FrankWBenson” in pencil l.l., initialed and dated in the
plate. Drypoint on paper, plate size 9 7/8 x 7 3/4 in. (25.0 x 19.5
cm), framed.
$700-900
31

33
33.
Bunch of Bluebills, 1931, published state, edition of 300 (Paff, 312).

Signed “FrankWBenson.” in pencil l.l. Drypoint on paper, plate size 3
3/4 x 4 7/8 in. (9.4 x 12.3 cm), framed.
32 Condition: Possible mat burn, not examined out of frame.
$300-350
32.
Frank Weston Benson (American, 1862-1951) 34.
Thomas Hart Benton (American, 1889-1975)
Pintails Passing, 1930, published state, edition of 150 (Paff, 300).
Signed “FrankW.Benson.” in pencil l.l. Drypoint on paper, plate size A Drink of Water, 1937, edition of 250, published by Associated
15 x 9 7/8 in. (38.0 x 25.0 cm), framed. American Artists (Fath, 15). Signed “Benton” in pencil l.r. and in the
Condition: Not examined out of frame. matrix, identified on a label from AAA on the backing. Lithograph on
$400-600 paper, image size 10 x 14 1/4 in. (25.4 x 36.0 cm), framed.
Condition: Toning (primarily to upper half), not examined out of
frame.
$1,000-1,500
34

35.
Edmund Blampied (British, 1886-1966)
Fairy Tales, 1931, edition of 100. Signed “E.

Blampied” in ink l.c., numbered “65/100” in ink l.l.,
signed and dated in the plate, identified on a label
from J. Assenheim & Son, New York, on the backing.
Etching on paper, plate size 7 7/8 x 10 3/4 in. (20.0 x
27.2 cm), matted, unframed.
Condition: Margins 1 inch or more, subtle staining to
margins.
$700-900
36.
Ilya Bolotowsky (American/Russian, 1907-1981)
Untitled, edition of 150. Signed “Ilya Bolotowsky”

35 in pencil l.r., numbered “11/150” in pencil l.l. Color
screenprint on paper, image size 11 7/8 x 23 3/4 in.
(30.0 x 60.2 cm), framed.
$200-300
37.
Georges Braque (French, 1882-1963)
L’Essor II, 1961, edition of 100 plus proofs, published

by Maeght, Paris (Vallier, 162). Signed “G Braque”
in pencil l.r., numbered “96/100” in pencil l.l., initialed
within the matrix. Lithograph in mauve and black on
paper, image size 8 1/4 x 10 1/4 in. (20.9 x 26.0 cm),
framed.
Condition: Margins 2 inches or more, subtle rippling,
not examined out of frame.
$2,000-3,000
36
37

38.
Norbertine Bresslern-Roth (Austrian, 1891-1978)
Leaping Antelope. Signed “Bresslern-Roth.” in pencil l.r.,

inscribed “handdruck.” in pencil l.l. Color linocut on paper,
image size 8 1/4 x 9 in. (21.0 x 22.8 cm), framed.
Condition: Subtle toning, not examined out of frame.
$300-500
38
39.
Félix Hilaire Buhot (French, 1847-1898)
Une matinee d’hiver au quai de l’Hotel Dieu, 1876,

probably the sixth state of fifteen (Bourcard & Goodfriend,
123). Signed and inscribed “epreuve d’artiste Felix Buhot...”
in pencil l.r., titled in pencil l.l., artist’s owl stamp l.c., signed
and inscribed in the plate. Etching and drypoint on paper,
plate size 9 1/2 x 12 5/8 in. (24.0 x 32.0 cm), matted,
accompanied by frame.
Condition: Toning, mat burns, pale foxing, annotations to
margins.
$300-350
39
40.
Félix Hilaire Buhot (French, 1847-1898)
Westminster Palace, 1884, sixth state of seven (Bourcard

& Goodfriend, 155). Signed “Felix Buhot...” in pencil l.c.,
artist’s owl stamp l.c., signed, dated, and identified in the
plate. Etching on paper, plate size 11 1/4 x 15 3/4 in. (28.5
x 40.0 cm), framed.
$1,500-2,500
40

41
41. 42.
Charles William Cain (British, 1893-1962) Alexander Calder (American, 1898-1976)
The Hunter/A Still Life, edition of 100. Signed “Charles W. Cain” Untitled (Balloon Forms), edition of 200. Signed “Calder” in pencil
in ink l.r., numbered “17.100.” in ink l.l. Mezzotint with drypoint on l.r., numbered “75/200” in pencil l.l. Color lithograph on paper, image
cream laid paper, plate size 7 x 10 in. (17.7 x 25.4 cm), matted, size 22 1/4 x 18 1/2 in. (56.4 x 47.0 cm), framed.
unframed. Condition: Not examined out of frame.
Condition: Margins over 1 1/4 inches with deckled edges, $400-600
annotations to verso.
Provenance: The Blanton Museum of Art, Austin, Texas. 43.

$150-200 Alexander Calder (American, 1898-1976)
Beastie, from FLYING COLORS, 1974. Monogrammed and dated

in the matrix, dry stamped “The Flying Colors Collection...” l.r.,
identified on a label from the Obelisk Gallery, Boston, on the reverse.
Color lithograph on paper, image size 17 x 22 3/4 in. (43.0 x 57.8
cm), framed.
Condition: Subtle soiling, not examined out of frame.
$200-300
42 43

44.
Edgar Chahine (French, 1874-1947)
Demoiselle au tennis, 1899, edition of approximately 70 (Tabanelli,

32). Signed “Edgar Chahine” in umber ink l.l., titled in pencil l.c.,
identified on an exhibition label (see below) on the reverse. Drypoint
on paper, plate size 15 x 6 in. (38.1 x 15.2 cm), framed.
Condition: Margins 1/2 inch or more, rub to image l.l., subtle toning,
Exhibitions: Images of Women: 19th Century French Prints, Utah

Museum of Fine Arts, University of Utah, January 8–February 19,
1978.
$800-1,200
45.
Samuel V. Chamberlain (American, 1895-1975)
Lot of Two Impressions: Remnants of Gothic Lace Work, Pont

Audemer, c. 1926, edition of 50 (Chamberlain & Kingsland, 39).
Both signed “Samuel Chamberlain” in pencil l.r., one numbered
“13/50” in pencil l.l., the other an impression from the cancelled plate,
inscribed beneath the image in pencil. Drypoints on paper, plate
sizes 9 x 4 1/2 in. (22.8 x 11.3 cm), one matted, both unframed.
Provenance: Through the family of the artist.

$150-200
46.
Lot of Two Views of Menton: Fishing Boats, Menton, c. 1927,

proposed edition of 50 (Chamberlain & Kingsland, 56); and Menton
Tenements, c. 1927, proposed edition of 50 (Chamberlain &
44 Kingsland, 57). Both signed “Samuel Chamberlain” in pencil l.r.
and numbered in pencil l.l. Lithographs on chine collé, image sizes
approximately 10 x 15 1/2 in. (25.5 x 39.3 cm), accompanied by a
mat, both unframed.
Condition: Margins 1 inch or more with creases near edges, toning,
red pencil annotations to margins.
N.B. Although the intention of the artist was to create editions of fifty
impressions each, just over half of these were pulled, and most of
those pulled were destroyed in 1928.
$200-250
45
46

47.
Lot of Two Views of Bruges: Cour du Marché, Bruges, trial proof

(Chamberlain & Kingsland, 65); and Hôpital Saint Jean, Bruges,
edition of 100 (Chamberlain & Kingsland, 76). The latter signed
“Samuel Chamberlain” in pencil l.r. and numbered in pencil l.l., both
inscribed in pencil l.l. Drypoints on paper, plate sizes to 8 1/2 x 9 1/4
in. (21.5 x 23.4 cm), matted, unframed.
Condition: Margins 1 inch or more with creases near edges, toning,
annotations to margins.

$200-300
47
48.
Sailors Home from the Sea, 1928, edition of 100 (Chamberlain &
Kingsland, 67). Signed “Samuel Chamberlain” in pencil l.r., numbered
“14/100” in pencil l.l. Drypoint on paper, plate size 7 x 10 in. (17.8 x
Condition: Margins 1 3/4 inches or more.

$150-200
48
49.
Lot of Three Views of Old Williamsburg: The Capitol,

Williamsburg, 1938, first state, a unique impression (Chamberlain
& Kingsland, 134); The Governor’s Palace, Williamsburg, 1938,
trial proof (Chamberlain & Kingsland, 135); and The Raleigh Tavern,
Williamsburg, 1938 (Chamberlain & Kingsland, 136). Each signed
“Samuel Chamberlain” in pencil l.r. and inscribed in pencil l.l.
Drypoints on paper, plate sizes approximately 10 x 14 1/2 in. (25.5 x

$200-300
49

50 52
50. 51.
Jean Charlot (American/French, 1898-1979) Asa Cheffetz (American, 1897-1965)
Snake Dance, 1952, edition of 250 plus proofs (Morse, 554). Signed Winter Weather, published by Associated American Artists. Signed
“Jean Charlot” in pencil l.r. Lithograph on paper, image size 13 1/4 x “Asa Cheffetz-” in pencil l.r., initialed in the block, identified on a label
9 3/4 in. (33.5 x 24.5 cm), matted, unframed. from AAA on the backing. Wood engraving on paper, image size 5 x
Condition: Margins over 2 inches with deckled edges, toning to 9 in. (12.5 x 22.5 cm), matted, shrink-wrapped.
edges of sheet. Condition: Not examined out of wrap.
$300-500 $200-250
52.
Antoni Clavé (Spanish, 1913-2005)
King with Pipe, edition of 95. Signed “Clavé” in pencil l.r., numbered
“70/95” in pencil l.l. Color lithograph on paper, sight size 26 x 20 in.
(66.0 x 50.8 cm), framed.
$300-500
51

53
53.
Lot of Two Landscape Views: 54
Samuel Colman (American, 1832-1920), The Olive Trees of the

Riviera; and Hendrik Dirk Kruseman van Elten (Dutch, 1829-1904),
The Cottage by the Sea. Both signed in pencil l.r. and signed in the
plate. Etchings on silk, plate sizes approximately 10 3/4 x 15 in. (27.0
x 38.0 cm), matted, unframed. 54.
Condition: Subtle rippling and staining. Howard Norton Cook (American, 1901-1980)
$600-800
Acapulco Girl, alternatively titled Cocoanut Palm, 1932, edition of
30 (Flint, 172). Signed and dated “Howard Cook imp 1932” in pencil
l.r. Wood engraving on paper, image size 10 x 8 in. (25.4 x 20.3 cm),
matted, unframed.
Condition: Margins approximately 1 inch, margins with minor staining
or soiling.
$1,000-1,500
55.
Le Corbusier (French/Swiss, 1887-1965)
Plate 14 from UNITÉ, 1953, edition of 130. Signed “Le corbusier” in

pencil l.r., numbered “65/130” in pencil l.l. Initialed and dated in the
plate. Color etching and aquatint on cream paper, plate size 16 1/2 x
12 1/2 in. (41.9 x 31.7 cm), framed.
out of frame.

$500-700
55

56.
Plate 20 from UNITÉ, 1953, edition of 130. Signed “Le corbusier” in

pencil l.r., numbered “65/130” in pencil l.l. Initialed and dated in the
plate. Color etching and aquatint on cream paper, plate size 16 1/2
x 12 1/2 in. (41.9 x 31.7 cm), framed.
out of frame.

$500-700
57.
Plate Five from PETITE CONFIDENCES, 1957, edition of 130.

Initialed and dated in the plate, identified on a label from the Retina
Gallery, Cambridge, on the backing. Lithograph on paper, image size
21 x 17 1/4 in. (53.3 x 43.7 cm), framed.

$800-1,200
56
58.
John Wesley Cotton (American, 1868-1931)
Lot of Two Views: Herder with Sheep at the Edge of a Wood,

second edition of 25; and Pont St. Boniface, Bruges, second state,
edition of 10. Both signed “J.Cotton” in pencil l.r. and inscribed
in pencil l.l. Color etchings with aquatint on paper, plate sizes
approximately 11 x 15 in. (27.8 x 38.0 cm), framed.
Condition: Unobtrusive toning, not examined out of frames.
$300-500
57
58

59
59.
John Steuart Curry (American, 1897-1946)
Manhunt, 1934, edition of approximately 100 (Czestochowski, C-24).

Signed “John Steuart Curry” in pencil, titled and dated “...1934” in
pencil l.l. Lithograph on BFK Rives paper with partial watermark,
image size 9 3/4 x 12 7/8 in. (24.6 x 32.5 cm), matted, unframed.
Condition: Margins 5/8 inches or more with deckled edges.
$1,000-1,500
60.
Ronnie Blaise Cutrone (American, b. 1948)
This is a Free Country, 1990. Signed, titled, and dated “...Ronnie

Cutrone 90” l.r., identified on a label from Martin Lawrence Limited
Editions, Inc., on the backing. Silkscreen and acrylic on cloth
(American flag), 60 x 36 in. (152.4 x 91.4 cm), framed.
Condition: Crack to Plexiglas frame, not examined out of frame.
$2,000-3,000
60

62.
Richard Diebenkorn (American, 1922-1993)
M, 1984, published by Gemini G.E.L. in 1986, edition of 60 plus

proofs (Gemini, G.E.L., 15.2). Initialed and dated “RD 84” in pencil
l.r., numbered “4/60” in pencil l.l., identified on a label from the
Obelisk Gallery, Boston, affixed to the backing. Color lithograph on
paper, image size 18 1/8 x 13 7/8 in. (46.0 x 35.0 cm), framed.
$4,000-6,000
61
61.
Eugène Delacroix (French, 1798-1863)
Un forgeron, 1833, second or third state of six (Strauber, 19).

Unsigned, inscribed “l’epreuve...1r etat..30 et 31 mai 1927” in pencil
on verso. Aquatint on paper, plate size 9 x 6 3/8 in. (22.7 x 16.0
cm), framed.
Condition: Aquatint work outside of the image, breaks/losses to
sheet at plate mark, foxing.
$300-500
62

63.
Werner Drewes (American/German, 1899-1985)
Portrait of the Architect Leistikow, 1928, edition of 10

(Jentsch, I.140). Signed and dated “W. Drewes -28” in pencil l.r.,
monogrammed and dated within the plate, annotated in lower
margin. Etching on paper, plate size 10 1/8 x 5 1/8 in. (25.5 x 13.0
cm), matted, unframed.
Condition: Repaired losses and tears to left margin and just into
image, pale toning and staining.
N.B. Hans Leistikow was an editor of Das Neue Frankfurt, an

architecture and design journal.
$200-300
63
64.
Raoul Dufy (French, 1877-1953)
La Belle-Enfant ou L’Amour à Quarante Ans, by Eugene Monfort,

published in 1930 by Ambroise Vollard, Paris, total edition of 390,
unbound, containing sixteen etchings and seventy-eight plates within
the text. Numbered “EXEMPLAIRE No 161” opposite title page,
labeled “Nelson A. Rockefeller EX LIBRIS” on the inside front cover.
Printed on Arches paper, sheet sizes 13 x 10 in. (33.0 x 25.4 cm), in
original paper folder, presented in a (later) linen portfolio box.
Condition: Subtle toning.
Provenance: Ex-collection of Nelson Aldrich Rockefeller, New York;

purchased from Coleart, Inc., New York, 1977; the estate of Mary
Lee Ingbar, Cambridge, Massachusetts.
N.B. The lot is accompanied by a copy of Monroe Wheeler’s Modern

Painters and Sculptors as Illustrators (The Museum of Modern Art:
New York, 1936).
$1,000-1,500
64

65.
Albrecht Dürer (German, 1471-1528)
The Elevation of Saint Mary Magdalene, 1501/04 (Hollstein, 237;

Meder 237d). Monogrammed in the block. Woodcut on laid paper,
Condition: Trimmed to borderline of the image, horizontal creases to
image, subtle abrasions to image l.c.
$600-800
66.
Christ Nailed to the Cross, from the SMALL PASSION, c. 1511,

after the Latin edition (Hollstein, 148; Meder 148). Monogrammed in
the block. Woodcut on laid paper, image size 5 x 3 7/8 in. (12.6 x
Condition: Trimmed to or just into the borderline, subtle toning and
soiling, annotations in pencil and ink to verso.
$400-600
67.
The Betrothal of the Virgin, from the LIFE OF THE VIRGIN, c.

1511, Latin edition (Hollstein, 193; Meder 193). Monogrammed in the
block. Woodcut on laid paper, image size 11 5/8 x 8 in. (29.5 x 20.4
Condition: Thread margins, adhered to backing at corners, subtle
toning and soiling.
$800-1,200
65
66
67

68.
Eastern European School, 20th Century
Bird Woman, 1947. Indistinctly signed and dated “...47” in pencil

l.r., inscribed “AP” in pencil l.l. Drypoint in red on paper, plate size 8
7/8 x 5 7/8 in. (22.4 x 15.0 cm), framed.
Condition: Margins 1 inch or more, mat burns, toning, foxing, glue
residue to margins and verso.
$250-300
69.
Fritz Eichenberg (American, 1901-1990)
Homage to Daumier, edition of 50. Signed “Fritz Eichenberg” in

pencil l.r., titled and numbered “...1/50” in pencil l.l. Wood engraving
on paper, image size 14 1/8 x 12 in. (35.6 x 30.5 cm), matted,
unframed.
$150-250
70.
Fritz Eichenberg (American, 1901-1990)
The Poet (Carl Sandberg), 1982, edition of 50. Signed “Fritz

Eichenberg” in pencil l.r., titled in pencil l.l., numbered “28/50” in
pencil l.c. Wood engraving on paper, image size 7 1/2 x 6 in. (19.0 x
15.2 cm), framed.
$200-300
68
69 70

71 72
71.
Max Ernst, illustrator (German, 1891-1976)
La Brebis Galante, by Benjamin Peret, published in 1949 by

Éditions Premières, Paris, edition of 300, containing three etchings
plus twenty-one pochoir illustrations. Signed “Max Ernst” in ink and
numbered “74” opposite the title page. Sheet sizes 9 1/4 x 7 1/2 in.
(23.4 x 19.0 cm), paper-bound with cloth-covered slipcase.
Condition: Very minor wear, staining to edges of pages.
Provenance: From the estate of Mary Lee Ingbar, Cambridge,

Massachusetts.
$2,000-3,000
72.
Wharton Harris Esherick (American, 1887-1970)
The Washington Press, edition of 42. Signed “Wharton Harris

Esherick” in pencil l.r., titled in pencil l.l., numbered “2/42” in pencil
l.c., initialed in the block, dedicated “To Frank - Wharton 1934” in
lower margin. Woodcut on paper, image size 5 1/4 x 5 1/4 in. (13.3
x 13.3 cm), unmatted, unframed.
Condition: Margins approximately 1/2 inch, foxing, unobtrusive
toning.
$200-300
73.
Lot of Two Sporting Views:
Churchill Ettinger (American, 1903-1985), Marsh Gunner; and

Kathe Olshausen-Schonberger (German, b. 1881), Moose. Both
signed in pencil l.r., the former titled in pencil l.l., the latter identified
on labels on the reverse. Etchings on paper, plate sizes to 14 7/8 x
12 in. (37.7 x 30.5 cm), framed.
Condition: Subtle toning and rippling, not examined out of frames.
$400-600
73

74.
Lyonel Feininger (American/German, 1871-1956)
Cathedral (Large Block), 1923, from the posthumous edition of 100,

published in 1964 by Associated American Artists, New York (Prasse,
W144 ii). Unsigned, numbered “47/100” in pencil l.l., Feininger dry
stamp l.r. Woodcut on fine paper, image size 12 x 7 1/2 in. (30.5 x
Condition: Margins over 2 1/2 inches, subtle toning.
$400-600
74A.
Lyonel Feininger (American/German, 1871-1956)
Ships and Stars, c. 1946 from the posthumous edition of 100

published in 1964 by Associated American Artists (Prasse, W178).
Unsigned, numbered “31/100” in pencil l.l., Feininger dry stamp l.r.
Woodcut on fine paper, image size 5 1/2 x 9 in. (14.0 x 22.8 cm),
matted, unframed.
$300-500
74
74A

75
75.
Eric Fischl (American, b. 1948)
DOG, BOY, WOMAN/A Suite of Five Images, 1992, edition of 25,

printed by Dan Welden, Sag Harbor, New York. Each signed “Eric
Fischl” in pencil l.r., numbered “10/25” in pencil l.l., and with printer’s
dry stamp l.r. Multiple plate solar intaglios on paper, sheet sizes 22
1/4 x 30 in. (56.4 x 76.2 cm), framed.
Condition: Deckled edges, not examined out of frames.
N.B. The lot is accompanied by the original portfolio cover plus

two books: Peter Schjeldahl’s Eric Fischl (Art in America, New York,
1988); and Scenes and Sequences; Recent Monotypes by Eric Fischl
(Hood Museum/Dartmouth College, Hanover, New Hampshire, 1990).
$5,000-7,000

76
76.
Janet Fish (American, b. 1938)
Still Life with Grilled Cheese and Crossword, 1983, proof edition
of 20. Signed and dated “Janet Fish 83” in pencil l.r., numbered “AP 78
VIII/XX” in pencil l.l., identified on a label from the Kristina Wasserman
Gallery, Providence, on the reverse. Aquatint in black and grays on
paper, plate size 9 1/4 x 12 in. (23.5 x 30.5 cm), framed. 78.
Condition: Not examined out of frame. Naum Gabo (British/Russian, 1890-1977)
$300-500
Opus 5, alternatively titled The Constellations, 1950-51, edition of
42 (Williams, p. 57). Signed, dedicated, numbered, and dated “Gabo
77. To Clarice and Willard Thorp N. Gabo 24/8..51” in pencil l.r., titled in
William Russell Flint (Scottish, 1880-1969) pencil l.l. Woodcut in brown on fine paper, image size 9 1/2 x 8 in.
(24.0 x 20.3 cm), framed.
Nursemaids in the Piazza, Venice, 1929. Signed “WRussell Flint” Condition: Subtle creasing/cockling near edges, not examined out of
in brown ink l.r., inscribed “XXIII” in brown ink l.l. Drypoint on paper, frame.
plate size 9 1/4 x 14 in. (23.4 x 35.5 cm), framed.
Condition: Subtle rippling, not examined out of frame. N.B. Willard L. Thorp (1900-1992) was an educator and economist,
$300-500 and served in the administrations of Franklin D. Roosevelt, Harry S.
Truman, and John F. Kennedy. He helped draft the Marshall Plan.
Clarice Brows Thorp was his second wife.
$1,000-1,500
77

79
79.
Emil Ganso (American, 1895-1941)
Spring, edition of 75. Signed “Ganso” in pencil l.r., numbered and 80

titled “Ed 75...” in pencil l.l. Color lithograph on paper, image size 11
1/2 x 16 1/8 in. (29.2 x 40.8 cm), matted, unframed.
Condition: Margins 1 inch or more with all but the right edge
deckled, nick to right edge near lower corner, several fox marks,
annotations to margins.
$150-200
80.
Gerald Kenneth Geerlings (American, 1897-1998) 81.
R.C. Gorman (American, 1932-2005)
SALUTE TO NEW YORK/A Portfolio of Ten Images, 1976, edition
of 90. Each signed “Gerald K. Geerlings” in pencil l.r., and inscribed Navajo Weaver, 1985, edition of 200 plus proofs. Signed and dated
in pencil l.l., many titled and/or dated within the matrix. Lithographs “R.C. Gorman 1985” in pencil (within the image) l.l., numbered “XI/
on paper, sheet sizes 17 x 12 5/8 in. (43.0 x 32.0 cm), one matted, XX” in pencil (within the image) l.r. Color lithograph on paper, image/
all unframed. sheet size 25 x 34 in. (63.5 x 86.3 cm), framed.
Condition: Margins approximately 1 1/2 inches, each sheet with two Condition: Not examined out of frame.
deckled edges. $600-800
$500-700
81

82 83
82. 83.
R.C. Gorman (American, 1932-2005) Red Grooms (American, b. 1937)
Alma, 1985, edition of 200 plus proofs. Signed and dated “R.C. The Guggenheim: 10 Independents, 1971 (Alexander & Cowles,
Gorman 1985” in pencil (within the image) l.l., numbered “89/200” in 12). Signed and identified in the matrix. Color lithograph on paper,
pencil (within the image) l.r. Color lithograph on paper, image/sheet image/sheet size 38 3/8 x 26 in. (97.3 x 66.0 cm), hinged to a
size 36 x 29 in. (91.4 x 73.5 cm), framed. backing, unframed.
Condition: Not examined out of frame. Condition: Very minor handling marks/creases.
$600-800
Provenance: The Blanton Museum of Art, Austin, Texas.
$400-600
84.
Sir Francis Seymour Haden (British, 1818-1910)
A Water Meadow, 1859, final (fourth) state before the plate was
canceled (Schneiderman, 23). Unsigned, identified on a label from
Associated American Artists on the backing. Etching on paper, plate
size 6 x 9 in. (15.2 x 22.8 cm), framed.
$150-200
84

86
85
85.
William Lee Hankey (British, 1869-1952)
Mother and Child. Signed and inscribed “W Lee Hankey

in del et imp.” in pencil l.c., artist’s dry stamp l.c. Etching
on paper, plate size 10 x 6 1/8 in. (25.4 x 15.5 cm), framed.
Condition: Subtle toning, unobtrusive mat burn, not
examined out of frame.
$200-300
87
86.
Le Repos. Signed “W. Lee Hankey...” in pencil and with the artist’s 87.
dry stamp l.c., monogrammed within the plate. Drypoint on paper, William Lee Hankey (British, 1869-1952)
plate size 9 3/4 x 11 5/8 in. (24.7 x 29.5 cm), matted, unframed.
Condition: Margins 1 inch or more, annotations to lower margin and Le Matin. Signed “W. Lee Hankey...” in pencil and with the artist’s
verso, minor soiling to margins. dry stamp l.c., monogrammed within the plate. Drypoint on paper,
plate size 9 3/4 x 11 3/4 in. (24.7 x 29.8 cm), matted, unframed.
Provenance: The Blanton Museum of Art, Austin, Texas. Condition: Margins over 1 1/4 inches, annotations to lower margin
$300-500 and verso, minor soiling to margins.

$300-500

88.
Tragedienne. Signed “W. Lee Hankey...” in pencil and with the

artist’s dry stamp l.c. Drypoint on paper, plate size 11 x 8 3/4 in.
(27.8 x 22.0 cm), matted, unframed.
Condition: Margins over 1 1/4 inches, annotations to lower margin
and verso.

$300-500
89.
Keith Haring (American, 1958-1990)
The Kutztown Connection, 1984, published by the New Arts

Program. Signed “K.Haring” in red felt tip pen within the image,
identified within the matrix, publisher’s dry stamp l.r. Offset
lithographic poster on paper, image size 31 x 18 1/2 in. (78.5 x 47.0
Condition: Subtle toning at edges.
$700-900
90.
Hans Hartung (German, 1904-1989)
Untitled, edition of 114, published by Erker-Presse, St. Gallen.

Signed “Hartung” in pencil l.r., numbered “55/114” in pencil l.l.,
publisher’s dry stamp l.l. Lithograph in blue-black on paper, image
size 12 1/2 x 10 3/8 in. (31.5 x 26.3 cm), framed.
88
out of frame.

$200-250
89 90

91.
Frederick Childe Hassam (American, 1859-1935)
Sunset, Constable’s Hook, 1915 (Cortissoz/Clayton, 18).

Monogrammed and inscribed “imp” in pencil l.r., monogrammed and
dated in the plate. Etching on paper, plate size 4 7/8 x 6 7/8 in.
(12.3 x 17.4 cm), framed.
Condition: Gentle rippling, not examined out of frame.
Provenance: Cyril Joseph Bowdring, Washington, D.C., to a private

collection by family descent.
$2,000-3,000
92.
Old Lace/A Cos Cob View, 1915 (Cortissoz/Clayton, 56).

91 Monogrammed and inscribed “imp” in pencil l.r., monogrammed,
identified, and dated in the plate, faint collector’s stamp l.r., identified
on a label from The Leonard Clayton Gallery, New York, affixed to the
backing. Etching on paper, plate size 6 7/8 x 6 7/8 in. (17.3 x 17.5
cm), framed.

$1,500-2,500
93.
House on the Main Street, Easthampton, 1922 (Cortissoz/

Clayton, 213). Monogrammed and inscribed “imp” in pencil l.r.,
monogrammed, identified, and dated in the plate, identified on a label
from Kennedy & Co., New York, affixed to the backing. Etching on
paper, plate size 6 x 12 1/4 in. (15.2 x 31.0 cm), framed.

$1,200-1,800
92
93

94
94.
Albert William Heckman (American, 1893-1971)
Wind and Rain. Signed “Albert Heckman” in pencil l.r., titled in

pencil l.l. Lithograph on paper, image size 8 7/8 x 14 1/2 in. (22.5 x
36.7 cm), framed.
Condition: Toning, mat burn, not examined out of frame.
$300-350 95
95.
Albert Hirschfeld (American, 1903-2003)
96.
Buster Keaton in The Navigator, edition of 100. Signed Albert Hirschfeld (American, 1903-2003)
“HIRSCHFELD” in pencil l.r., numbered “69/100” in pencil l.l., dry
stamp l.l. Color lithograph on paper, image size 19 x 16 1/4 in. (48.2 The Kennedy Years - Major World Leaders and Events, edition
x 41.2 cm), unmatted, unframed. of 175. Signed “HIRSCHFELD” in pencil l.r., numbered “97/175” in
Condition: Good. pencil l.l., dry stamp l.l. Lithograph on paper, image size 13 1/4 x 23
$500-700 3/4 in. (33.5 x 60.0 cm), unmatted, unframed.
Condition: Good.
N.B. The work features images of Kennedy’s election and

inauguration in 1960, General Fidel Castro and the Bay of Pigs, the
space race, Chancellor Konrad Adenauer, General Charles de Gaulle,
Chou En-lai, Chiang Kai-shek, and Nikita Khrushchev.
$700-900
96

97.
I’ll Take Romance, edition of 300. Signed

“HIRSCHFELD” in pencil l.r., numbered “13/300” in
pencil l.l., dry stamp l.l. Lithograph on paper, image
size 14 x 25 1/4 in. (35.5 x 64 cm), unmatted,
unframed.
Condition: Good.
N.B. The work features three famous dance

couples: Cyd Charisse and Gene Kelly, Ginger
Rogers and Fred Astaire, and Debbie Reynolds and
Donald O’Connor.
$500-700
97
98.
1776, edition of 100. Signed “HIRSCHFELD”

in pencil l.r., numbered “80/100” in pencil l.l.
Lithograph on paper, image size 15 x 20 1/2 in.
(38.0 x 52.0 cm), unmatted, unframed.
Condition: Good.
N.B. The work features the characters from the

1997 Broadway production of 1776 including
Brent Spier as John Adams, Paul Michael Valley
as Thomas Jefferson, and Pat Hingle as Benjamin
Franklin.
$500-700
98
99.
Carnegie Hall, 100th Anniversary, edition of 250.

Signed “HIRSCHFELD” in pencil l.r., numbered
“203/250” in pencil l.l., dry stamp l.l. Lithograph in
black and ochre on paper, image size 18 1/4 x 25
5/8 in. (46.3 x 65.0 cm), unmatted, unframed.
Condition: Good.
N.B. N.B. The work features a broad group of

performers who appear at Carnegie Hall: Marion
Anderson, The Beatles, Leonard Bernstein, Maria
Callas, Pablo Casals, Van Cliburn, Aaron Copland,
Judy Garland, Benny Goodman, Jascha Heifetz,
Vladimir Horowitz, Liza Minnelli, Leontyne Price,
Mstislav Rostropovich, Arthur Rubenstein, Frank
Sinatra, Isaac Stern, Toscanini, and Tchaikovsky..
$800-1,200
99

101.
Jacques Hnizdovsky (American/Ukrainian, 1915-1985)
Apples in a Basket, 1971, edition of 150 (Tahir, 112). Signed, titled,

inscribed, dated, and numbered “Hnizdovsky...1971 149/150” in
pencil l.c. Woodcut with hand-coloring on Japan paper, image size 8
x 9 7/8 in. (20.3 x 25.0 cm), framed.
Condition: Crease to right side (just into image), not examined out of
frame.
$200-250
102.
Jacques Hnizdovsky (American/Ukrainian, 1915-1985)
100
Blackberries, 1978, edition of 150. Signed, titled, dated, and
numbered “Hnizdovsky...1978 98/150” in pencil l.c., monogrammed
in the block. Woodcut with hand-coloring on Japan paper, image
100. size 6 3/4 x 7 5/8 in. (17.2 x 19.3 cm), framed.
Jacques Hnizdovsky (American/Ukrainian, 1915-1985) Condition: Minor creases (probably from printing), not examined out
of frame.
Ram, 1961, edition of 30 (Tahir, 33). Signed “Hnizdovsky” in pencil $200-250
l.l., titled, inscribed, and dated “...1961 (trial proof)” in pencil l.r.
Woodcut on Japan paper, image size 24 x 17 1/2 in. (60.8 x 44.4
cm), framed.
Condition: Margins approximately 1 inch, not examined out of frame.
N.B. A copy of Abe M. Tahir, Jr.’s Hnizdovsky Woodcut, 1944-1975:

A Catalogue Raisonné (Pelican Publishing Company; Gretna, 1976)
accompanies the lot.
$300-500
101 102

103
103. 104.
Jacques Hnizdovsky (American/Ukrainian, 1915-1985) Edward Hopper (American, 1882-1967)
Lily of the Valley, 1985, edition of 150. Signed, titled, and Night Shadows, 1921, edition of approximately 500, published
numbered “Hnizdovsky...85/150” in pencil l.c., monogrammed and by the New Republic, New York (Zigrosser, 22; Levin, 82). Signed
dated in the block. Woodcut on paper, image size 8 1/2 x 11 5/8 in. “Edward Hopper” in pencil l.r., label from Associated American Artists
(21.5 x 29.5 cm), framed. affixed to the backing. Etching on wove paper, plate size 6 7/8 x 8
Condition: Margins 1 inch or more, not examined out of frame. 1/4 in. (17.5 x 21.0 cm), framed.
$200-250 Condition: Margins over 1 1/2 inches with deckled edges, margins
glued to facing mat, mat burn, toning, small loss to corner of margin
u.l., glue residue to upper edge on verso.
$12,000-18,000
104

105
105. 107.
Lester George Hornby (American, 1882-1956) Felix Stanislas Jasinski, engraver (Polish, 1862-1901), After
Edward Burne-Jones (British, 1833-1898)
Faneuil Hall from Quincy Market, edition of 40. Titled, inscribed,
and signed “...40 imps. L.G.Hornby” in pencil beneath the image, The Golden Stair, 1894, published by Arthur Tooth and Sons,
signed and inscribed “BOSTON” in the plate. Etching on paper, plate London and New York. Signed “F. Jasinski” in pencil l.r. and
size 4 7/8 x 7 3/4 in. (12.3 x 19.5 cm), framed. “Edward Burne-Jones” in pencil l.l. Engraving on paper, image size
Condition: Not examined out of frame. 25 x 10 3/8 in. (63.4 x 26.3 cm), framed.
$600-800 Condition: Not examined out of frame.
$1,000-1,500
106.
Peter Hurd (American, 1904-1984)
The Shepherd’s Home, edition of 260. Signed “Peter Hurd” in

pencil l.r., numbered “184/260” in pencil l.l. Color lithograph on
paper, image size 19 x 29 7/8 in. (48.2 x 75.6 cm), framed.
Condition: Unobtrusive toning and mat burn, not examined out of
frame.
$300-500
106 107

108.
Jasper Johns (American, b. 1930)
Silver Cicada, 1981-82. Unsigned. Offset lithograph in grays on

paper, image/sheet size 9 x 7 3/4 in. (22.8 x 19.5 cm), matted,
unframed.
Condition: Hinged at upper corners.
$300-350
109.
Jacob Jordaens (Flemish, 1593-1678)
Mercury Slaying Argus, 1652, before the addition of the publisher’s

address (Hollstein, 7 i/ii). Identified within the plate, unidentified
collector’s mark on the reverse. Etching on laid paper, plate size 9 x
10 in. (22.8 x 25.4 cm), matted, unframed.
Condition: Margins over 5/8 inches, unobtrusive toning and staining,
pinhole to image (within the shadow on Mercury’s cloak), foxing
(more prevalent to verso).

$700-900
110.
Philip Kappel (American, 1901-1981)
Boat Builders, Essex. Signed “Philip Kappel” in pencil l.r., titled

108 in pencil l.l. Etching on paper, 10 x 8 in. (25.4 x 20.3 cm), matted,
unframed.
Condition: Margins 1 1/2 inches or more with deckled edges.
$300-500
109
110

111.
Alex Katz (American, b. 1927)
Image from ADA FOUR TIMES, 1979-80, edition of 120 (Maravell

117). Numbered and signed “29/120 Alex Katz” in pencil (within the
image) l.l. Color lithograph with screenprint on paper, image/sheet
$500-700
112.
Donald Castell Kelley (American, b. 1928)
Lips, 2005. Signed, titled, inscribed, and dated “Donald C. Kelly...

monoprint 05” in pencil beneath the image. Color monoprint on
$300-500
113.
Rockwell Kent (American, 1882-1971)
Girl on Cliff, alternatively titled The Abyss, 1930, edition of 1750

(Jones, 57). Signed “Rockwell Kent” in pencil l.r. Wood engraving on
Provenance: Purchased from Keith Sheridan, Inc., New York, 1999.

$400-600
111
112 113

114.
Rockwell Kent (American, 1882-1971)
Eternal Vigilance is the Price of Liberty, 1945, edition of 100

(Jones, 135). Signed “Rockwell Kent” in pencil l.r., titled within
the matrix. Lithograph on paper, 13 7/8 x 10 in. (35.2 x 25.5 cm),
framed.
$1,200-1,800
115.
Robert Kipniss (American, b. 1931)
Summer Passage, 1979, edition of 150 plus proofs (Lunde, 182).

Signed “Kipniss” in pencil l.r., numbered “37/150” in pencil l.l.
Lithograph in black and blue on paper, image size 13 7/8 x 17 in.
(35.2 x 43.0 cm), framed.
$300-350
114
116.
Marguerite Kirmse (American, 1885-1954)
Lot of Two Images: The Reception Committee and Train Time.

Both signed “Marguerite Kirmse” in pencil l.r., titled in pencil l.l., and
identified on labels from Carson Pirie Scott & Co., Chicago, on the
reverse. Etchings on paper, plate sizes approximately 7 x 9 in. (17.7
x 22.5 cm), framed.
Condition: Subtle toning and rippling, not examined out of frames.
$600-800
115
116

117.
Hans Kleiber (American/German, 1887-1967)
Lot of Two Wagon Train Views: Wagon with Oxen and

Scouts Watching the Wagons. Both signed “Hans Kleiber”
in pencil l.r. and monogrammed within the plate. Etchings
on paper, plate sizes approximately 3 1/2 x 4 7/8 in. (8.8 x
12.3 cm), unmatted, unframed.
Condition: Deckled edges, unobtrusive toning and fox
marks, soiling to edges, Scouts with staining to upper
margin.
$500-700
117
118.
Lot of Two Duck Hunting Scenes: Marsh Gunners at

Dawn and Hunter and Dog by the Water’s Edge. Both
signed “Hans Kleiber” in pencil l.r. Etchings on paper, plate
sizes approximately 4 3/4 x 6 1/2 in. (12.0 x 16.3 cm),
unmatted, unframed.
Condition: Margins approximately 1 inch with deckled
edges, subtle soiling to margins.
$400-600
118
119.
Lot of Three Bird Images: Magpies in Flight, Red

Wings and Marsh Grass, and Chickadee Feeding Her
Fledglings. Each signed “Hans Kleiber” in pencil l.r.
and monogrammed within the plate. Etchings on paper,
plate sizes to 5 3/4 x 3 5/8 in. (14.5 x 9.2 cm), unmatted,
unframed.
Condition: Margins over 1 inch with some edges deckled,
subtle soiling to margins, handling and other soft creases.
$400-600
119

120
120.
Lot of Two Images of Ducks: Over Winter’s Fields and Ducks

Alighting on a Winter Stream. Both signed “Hans Kleiber” in pencil
l.r. and monogrammed within the plate. Etchings with aquatint on
paper, plate sizes to 3 5/8 x 5 3/8 in. (9.2 x 13.6 cm), unmatted,
unframed.
Condition: Margins over 1 inch with some edges deckled, several
pale fox marks.
$400-600
121.
Lot of Three Views in the Rockies: Elk in Winter, Herder and

Sheep Before a Broad Panorama, and The Vista from the Shade
Tree. Each signed “Hans Kleiber” in pencil l.r. and monogrammed
within the plate. Etchings on paper, plate sizes approximately 3 1/2 x
5 in. (8.8 x 12.5 cm), unmatted, unframed.
Condition: Margins over 1 inch with deckled edges, subtle soiling,
Vista with stain (some into image).
$400-600
121

122
122.
Jeff Koons (American, b. 1955)
Bread With Egg (Yellow), 1995, edition of 30. Initialed, numbered,

and dated “...7/30 ‘95” in marker on the underside. Tempera-painted
hydrocal multiple, 2 3/8 x 5 3/4 x 5 1/4 in. (6.0 x 14.5 x 13.3 cm).
Condition: Minor wear.
Provenance: Purchased in 1995 at a benefit for the Armitage

Foundation, New York.
$3,000-5,000

124
123 123.
Max Kuehne (American, 1880-1968)
Lot of Four Views of Spain: Basque Fishing Port, Toward

Evening - Toledo, Countryside - San Lorenzo, and Motrico,
Spain. The first signed “Max Kuehne” in pencil l.r., the other three
unsigned, all four stamped “Kuehne” in red on the reverse, and titled
in pencil l.l. Etchings on laid paper, plate sizes to 9 7/8 x 6 7/8 in.
Condition: Margins over 2 inches, subtle staining/soiling to edges.
$400-600
124.
Otto August Kuhler (American, 1894-1976)
Mississippi Evening, c. 1926, edition of 25. Signed “O Kuhler”

in pencil l.r., titled and annotated in lower margin. Etching on
laid paper, plate size 7 7/8 x 10 1/2 in. (19.8 x 26.5 cm), matted,
unframed.
Condition: Margins over 1 3/4 inches.
$400-600
125.
Lawrence Kupferman (American, 1909-1982)
Back-Bay Houses, 1938. Signed “Lawrence Kupferman” in pencil

l.r., titled in pencil l.l., inscribed and dated “2nd state - 1/3/38” in
pencil l.c. Drypoint on paper, 12 3/8 x 9 in. (31.3 x 22.8 cm), framed.
$200-300
125

126.
Clare Veronica Hope Leighton (American, 1901-1989)
The Net Menders, edition of 300. Signed “Clare Leighton” in pencil

l.r., numbered and titled “11/300...” in pencil l.l. Wood engraving
on fine paper, image size 6 1/2 x 4 3/4 in. (16.4 x 11.4 cm), matted,
unframed.
Condition: Cockling (primarily near hinges at upper corners), margins
over 1 inch.
N.B. This may be the same as the work Net Mending: Toulon, of
1926, although the Boston Public Library catalogue raisonné gives
the edition size of this work as 75.
$300-350
127.
Sol LeWitt (American, 1928-2007)
Wavy Brushstrokes No. 3, 1995, edition of 35, published by

Riverhouse Editions, Steamboat Springs, Colorado. Signed and
numbered “Lewitt 30/35” in pencil l.r., publisher’s dry stamp l.r.
Color aquatint on paper, image/sheet size 35 x 35 in. (88.8 x 88.8
cm), framed.
Condition: Deckled edges, subtle rippling, not examined out of
frame.
$2,500-3,500
126
127

130
128
128.
Roy Lichtenstein (American, 1923-1997) 129.
Walter Ronald Locke (American, b. 1883)
As I Opened Fire.../A Triptych, 1966, large open edition (Corlett,
App. 5). Unsigned, identified in text on the reverse of each sheet. Windswept Palmettos, Florida, 1945. Signed “W.R. Locke” in
Offset color lithographs on paper, sheet sizes 25 1/4 x 20 3/4 in. pencil l.r., titled in pencil l.l. Etching on paper, plate size 9 1/4 x 10
(64.0 x 52.6 cm), unmatted, unframed. 7/8 in. (23.4 x 27.5 cm), framed.
Condition: Very minor handling marks and creases. Condition: Not examined out of frame.
$700-900 $200-250
130.
Louis Lozowick (American/Russian, 1892-1973)
Oil Country, 1936, edition probably of 200 or less, published by the

American Artists Group, New York (Flint, 137). Monogrammed in the
matrix. Lithograph on paper, image size 12 3/8 x 7 3/8 in. (31.4 x
N.B. The lot is accompanied by the publisher’s text.

$600-800
129

131.
Maximilien Luce (French, 1858-1941)
Londres, le Parlement, 1896. Signed “Luce” in pencil l.r., signed

and dated in the block, annotated l.l. Wood engraving on paper,
image size 7 1/2 x 9 1/2 in. (19.0 x 24.0 cm), hinged to a backing,
unframed.
Condition: Margins over 1 inch with nicks, tears, and creases, soiling.
$700-900
131
132.
William Douglas Macleod (British, 1892-1963)
Lot of Three Vistas: Gibraltar, Church at Ronda, and The Last of

the Ary Prison. Each signed “W. Douglas Macleod” in ink or pencil
l.r., the first two inscribed in ink l.l. Drypoints on paper, plate sizes to
9 1/2 x 15 1/8 in. (24.0 x 38.3 cm), matted, unframed.
Condition: Margins 1 inch or more with deckled edges, annotations
to lower margins and versos.

$200-250
132
133.
Emmanuel Radensky, called Man Ray, illustrator (American,
1890-1976)
La Logique Assassine, written by Henry Miller, published in

1975 by Luciano Anselmino, Paris, edition of 100 plus proofs,
unbound frontispiece plus a multiple titled Enigme III comprised of
a flannel blanket tied with twine and presented in a Plexiglas box.
Monogrammed “MR” in pencil and numbered “44/100” in pencil
l.l. on the frontispiece, identified on the colophon page, text signed
“Henry Miller” in ink. 20 5/8 x 14 3/4 in. (52.3 x 37.5 cm), presented
in a cloth-covered portfolio box with inset printed panels.
Condition: Wear to box.
Provenance: Purchased from Sergio Tosi Stampatore,

Viareggio, Italy, 1982; the estate of Mary Lee Ingbar, Cambridge,
Massachusetts.
$600-800
133

134.
Franz Marc (German, 1880-1916)
Tierlegende, 1912, probably the third state of three, published

1918 (Lankheit, 831). Unsigned, identified on a label from the Retina
Gallery, Cambridge, on the backing. Woodcut on paper, image size
7 3/4 x 9 1/2 in. (19.6 x 24.0 cm), framed.

$500-700
134
135.
John Marin (American, 1872-1953)
Downtown, The El, 1921, from the edition of approximately 500,

after steel facing on the plate, published by the New Republic, New
York (Zigrosser, 134). Signed “John Marin” in pencil l.l., signed and
dated in the plate. Etching on paper, plate size 6 7/8 x 8 7/8 in.
(17.5 x 22.4 cm), framed.
$1,000-1,500
135
136.
André Masson (French, 1896-1987)
Image from MIROIR DU POÈTE, 1960, edition of 50 (Cramer &

Saphire 43). Signed “André Masson” in pencil l.r., numbered “12/50”
in pencil l.l. Color aquatint on paper, plate size 5 3/8 x 4 1/2 in. (13.5
x 11.4 cm), framed.
Condition: Margins 1 inch or more, not examined out of frame.

$250-300
136

137.
Henri Matisse (French, 1869-1954)
Lot of Two Images from VISAGES, by Pierre Reverdy, 1946, total

edition of 250 (Duthuit books, 11). Unsigned. Lithographs printed in
brown on cream wove paper, image sizes approximately 12 1/2 x 9
in. (31.7 x 22.6 cm), framed.
Condition: Light struck, deckled right and lower edges, not examined
out of frames.
$2,000-2,500
138.
James McBey (British, 1883-1959)
Hermon - Cavalry Moving on Damascus, 1918-21 (Hardie, 207).

Signed “James McBey” in ink l.r., inscribed “IX” in ink l.l., signed,
137 dated, and inscribed in the plate, identified on a label from Frederick
Keppel & Co., New York, on the backing, and with a Lyman Allen
Museum label on the backing. Etching on paper, plate size 8 7/8 x
15 in. (22.4 x 38.0 cm), framed.
$150-200
138

139.
Florence McClung (American, 1896-1994)
Corn Husker, c. 1940, edition of approximately 25.

Signed “Florence McClung” in pencil l.r., titled in pencil l.l.
Lithograph on paper, image size 11 1/2 x 16 3/8 in. (29.2
x 41.5 cm), matted, unframed.
Condition: Margins over 1/2 inch, deckled lower edge,
minor soiling.
$300-500
139
140.
Blanche McVeigh (American, 1896-1970)
Adobe Houses, 1941, edition of 50. Signed “Blanche

McVeigh” in pencil l.r., titled and inscribed “...50 prints”
in pencil l.l. Aquatint on paper, plate size 9 3/4 x 14 in.
Condition: Margins 1/2 inch or more with a deckled
lower edge.
$300-500
140
141.
J. Jay McVicker (American, b. 1911)
Nocturne, 1941, edition of 25. Signed and dated

“McVicker ‘41” in pencil l.r., titled in pencil l.c., numbered
“25/25” in pencil l.l. Aquatint on paper, plate size 9 7/8 x
14 3/4 in. (25.0 x 37.4 cm), matted, unframed.
Condition: Margins approximately 2 inches with two
deckled edges.
$400-600
141

142
142.
J. Jay McVicker (American, b. 1911)
Prairie Elements, 1947, edition of 50. Signed and dated “McVicker

47” in pencil l.r., titled in pencil l.c., numbered “5/50” in pencil l.l.
Aquatint on paper, plate size 9 7/8 x 15 5/8 in. (25.0 x 39.5 cm),
matted, unframed. 143
Condition: Margins approximately 2 inches with deckled lower edge.
$500-700
143.
Jean François Millet (French, 1814-1875) 144.
Peter Winslow Milton (American, b. 1930)
La Baratteuse, 1855 (Delteil, 10). Unsigned. Etching on paper,
plate size 6 3/4 x 4 3/8 in. (17.0 x 11.0 cm), matted, unframed. American Interiors I: Family Reunion, 1984, edition of 175.
Condition: Thread margins, pale mat burn and foxing, annotations Signed and dated “PWMilton 84” in pencil l.r., titled and numbered
and old hinges to verso. “...11/175...” in pencil l.l. and l.c. Etching and engraving on paper,
plate size 19 7/8 x 35 5/8 in. (50.4 x 90.3 cm), framed.
Provenance: A Massachusetts estate. Condition: Unobtrusive rippling, not examined out of frame.
$300-500 $1,000-1,500
144

145
145. 145A.
Joan Miró (Spanish, 1893-1983) Joan Miró (Spanish, 1893-1983)
Image from FUSÉES, 1959, edition of 65 plus proofs (Dupin, 261). Lot of Two Images: Image from DERRIERE LE MIROIR, 1956
Signed “Miró” in pencil l.r., inscribed “H.C.” in pencil l.l. Color etching (Cramer, 34); and Image from PEINTURES SUR CARTONS, 1965
with aquatint on paper, plate size 5 x 7 in. (12.5 x 17.5 cm), framed. (Cramer, 102). Both unsigned. Color lithographs on paper, image
Condition: Margins over 2 1/4 inches, subtle toning, rub or crease to sizes to 14 1/2 x 21 1/2 in. (36.8 x 54.5 cm), framed.
corner l.r., not examined out of frame. Condition: Both with central vertical crease (from publication), subtle
rippling, not examined out of frames.
Provenance: Through the family of Eleanor Kanegis Levin, co-owner $800-1,200
$1,000-1,500
145A

146
146.
Joan Miró (Spanish, 1893-1983)
La Calebasse, 1969, edition of 75 plus proofs (Dupin, 488). Signed

“Miró” in pencil l.r., numbered “66/75” in pencil l.l. Color etching with
carborundum on cream paper, sheet size 40 x 27 3/4 in. (101.5 x
70.3 cm), framed.
Condition: Deckled edges, very pale staining, minor handling
creases, not examined out of frame.
$15,000-25,000

147.
Image from JOAN MIRÓ I CATALUNYA, 1970, edition of 225

(Mourlot, 507). Signed “Miró” in pencil (within the image) l.r.,
numbered “61/225” in pencil (within the image) l.l. Lithograph on
paper, image/sheet size 10 1/2 x 10 1/8 in. (26.5 x 25.5 cm), framed.
Condition: Hinges disadhered, not examined out of frame.
$500-700
147
148.
L’Exposition Miro el Tapis de Tarragona, 1970 (Mourlot, 686).

Dedicated and signed “a moncha i Joseph ...amb tot l’afecte Miró”
in colored pencil l.c., monogrammed in the matrix. Color lithograph
on paper, image size 25 1/2 x 19 1/2 in. (64.6 x 49.5 cm), unmatted,
unframed.
Condition: Subtle staining, toning to edges and verso, unobtrusive
handling creases.
$1,000-1,500
148

151
150.
Zoran Antonio Music (Italian, 1909-2005)
Cavallini, 1953, edition of 250 (Schmücking, 38). Signed “Music”

149 in pencil l.r., numbered “135/250” in pencil l.l. Color lithograph on
paper, image size 14 x 21 in. (35.5 x 53.3 cm), framed.
Condition: Toning, staining, gentle rippling, not examined out of
frame.
$800-1,200
149.
Otto Mueller (German, 1874-1930)
151.
Waldlandschaft mit kleinen Figuren II, 1919, edition of 60 (Karsch, Zoran Antonio Music (Italian, 1909-2005)
74). Signed “Otto Mueller” in pencil l.r., numbered “24/60” in pencil
l.l. Lithograph on paper, image size 15 1/2 x 11 1/2 in. (39.3 x 29.2 Le bac, 1950, edition of 200 (Schmücking, 51). Signed “Music” in
cm), unmatted, unframed. pencil l.r., numbered “11/200” in pencil l.l., partial dry stamp visible l.l.
Condition: Margins 2 inches or more, toning, staining, mat burn, Color lithograph on paper, image size 15 1/4 x 19 1/2 in. (38.7 x 49.5
tears to left margin (none into image), horizontal crease plus additional cm), framed.
creases to upper and left margins, tape/hinging residue to verso. Condition: Toning, scattered foxing, gentle rippling, not examined out
$1,000-1,500 of frame.
$800-1,200
150

152
152.
Zoran Antonio Music (Italian, 1909-2005)
Motivo dalmata, 1955, edition of 200 (Schmücking, 58). Signed

“Music” in pencil l.r., numbered “53/200” in pencil l.l. Color lithograph 153
on paper, image size 13 7/8 x 19 7/8 in. (35.3 x 50.5 cm), framed.
Condition: Toning, staining, gentle rippling, not examined out of
frame. 154.
$800-1,200 Lot of Two Scenes of Mexico:
Pablo Esteban O’Higgins (American/Mexican, 1904-1983),

Mercado en Cuautla, and Alfredo Zalce (Mexican, 1908-2003),
Logging. Both signed in pencil l.r. Color lithographs on paper,
image sizes approximately 11 1/2 x 14 in. (29.0 x 35.5 cm),
unmatted, unframed.
153. Condition: Margins over 1 1/2 inches, unobtrusive toning.
Joseph Norman (American, b. 1957). $300-350
Patty’s Little White Lies/A Suite of Five Works 1988, edition

of 7. Each numbered, titled, signed, and dated “4/7...J. Norman
1988” in pencil beneath the image. Lithographs on paper, image
sizes approximately 26 x 19 1/4 in. (66.0 x 48.8 cm), framed.
Literature: Joseph Norman: Works on Paper [exhibition catalogue],

July 17–August 29, 1992, Rhode Island School of Design,
Providence, Rhode Island, no. 24-29.
Exhibitions: Joseph Norman: Works on Paper, July 17–August 29,

1992, Rhode Island School of Design, Providence, Rhode Island.
$800-1,200
154

155.
Claes Oldenburg (American, b. 1929)
N.Y.C. Pretzel, 1994, open edition (Axson & Platzker, 250.4).

Stamped with title, artist, and date on the reverse, stamped
with artist’s initials on the reverse. Color screenprint on shaped
corrugated cardboard, 6 3/4 x 6 3/8 in. (17.0 x 16.0 cm).
Condition: Extremely minor wear.
N.B. The pretzels feature six different salt patterns in their printings.
$300-500
155
156.
Edward Penfield (American, 1866-1925)
On Snow Shoes to the Barren Grounds..., for HARPER’S

MAGAZINE, 1896. Signed and identified within the matrix. Color
lithograph on paper, image size 17 3/4 x 11 in. (45.0 x 27.7 cm),
unmatted, unframed.
Condition: Mounted on linen, toning.
$200-250
157.
Joseph Pennell (American, 1860-1926)
In the Piazza, Pistoia, 1883 (Wuerth, 77). Signed “Joseph Pennell”

in pencil l.r., inscribed and dated in the plate. Etching on paper, plate
size 5 1/2 x 8 1/4 in. (14.0 x 20.8 cm), matted, unframed.
Condition: Margins approximately 1 1/2 inches, subtle toning.
$150-200
156
157

158.
Joseph Pennell (American, 1860-1926)
St. Paul’s Pavement, London, 1905, from the 1910 edition

(Wuerth, 366). Unsigned. Etching on paper, 8 1/2 x 11 in.
(21.5 x 27.9 cm), framed.
Condition: Margins 2 inches or more with deckled lower edge,
mat burn, unobtrusive staining, annotation to lower margin,
stamped “PRINTED IN AUSTRIA” on the reverse.
$500-700
158
159.
Gabor F. Peterdi (American, 1915-2001)
Combat, 1939, edition of 50. Signed and dated “Peterdi ‘39”

in pencil l.r., titled in pencil l.c., numbered “30 - 50” in pencil l.l.,
monogrammed in the plate. Engraving on paper, plate size 11
5/8 x 15 5/8 in. (29.5 x 39.5 cm), framed.
Provenance: Through the family of Eleanor Kanegis Levin,

co-owner of Kanegis Gallery in Boston from 1953 to 1961, and
the Retina Gallery in Cambridge from 1968 to 1971.
$400-600
159
160.
Gabor F. Peterdi (American, 1915-2001)
Price of Glory, 1947, edition of 30. Signed “Peterdi” in pencil

l.r., titled and numbered “...3-30” in pencil l.l. Engraving on
Condition: Minor creasing (possibly from printing) l.l., not
$300-500
160

161
161. 162.
Gabor F. Peterdi (American, 1915-2001) Lot of Sporting Print-Related Items:
Lot of Two Images: Glowing Tree, 1958, edition of 30, color Alfred Conway Peyton (American, 1875-1936), Bob Whites in
etching with aquatint; and Wings of the Ocean, 1958, edition of 30, Flight, etching in brown; and Aiden Lassell Ripley (American,
etching with aquatint printed in blue-black. Both signed and dated 1896-1969), Snipe at Dawn, etching with aquatint. Both signed in
“Peterdi 58” in pencil l.r., titled in pencil l.c., and numbered in pencil pencil l.r., plate sizes to 9 x 12 in. (22.7 x 30.4 cm); with two volumes
l.l. Plate sizes to 22 1/2 x 31 5/8 in. (57.0 x 80.3 cm), framed. by John T. Ordeman, William Schaldach: Artist Author Sportsman
Condition: Toning and staining (especially to the latter), not examined (John T. Ordeman, St. Petersburg, Florida), 1988, and To Keep
out of frames. a Tryst with the Dawn: An Appreciation of Roland Clark (John T.
$800-1,200 Ordeman, Henderson, North Carolina), 1989.
Condition: Good.
$1,000-1,500
162

163.
Pablo Picasso (Spanish, 1881-1973)
Tête de femme, de profil, from LA SUITE DES SALTIMBANQUES,

1905, printed in 1913, edition of 250 (Bloch, 6). Unsigned, dedicated
“...from Marie Swarzenski...” in annotations to verso. Drypoint on
Van Gelder Zonen paper with watermark, plate size 11 1/2 x 9 3/4 in.
(29.2 x 24.6 cm), framed.
Condition: Wide margins with deckled edges, foxing, image gently
light struck.
Provenance: From the family of Georg Swarzenski (curator at the

Museum of Fine Arts, Boston, 1939-1956) to the family of the present
owner.
$5,000-7,000
163
164.
Table des eaux-fortes, from LE CHEF-D’OEUVRE INCONNU, from

the reduced plate without the remarques, 1931 (Bloch, 94; Geiser,
135ii). Signed “Picasso” in pencil l.r., inscribed or annotated “H.C.” in
pencil l.l. Etching on cream BFK Rives with partial watermark, plate
size 10 7/8 x 7 3/4 in. (27.5 x 19.5 cm), unmatted, unframed.
Condition: Deckled right edge, toning, mat burn.
$3,000-5,000
164

165.
Image from ESCRITO, 1947, edition of 50 (Bloch, 466). Inscribed,

signed, and dated in the plate, annotated “HC 9/13” along the lower
edge. Etching on paper, plate size 13 x 8 in. (33.0 x 20.3 cm),
hinged to a backing mat, unframed.
Condition: Pressed fold to left margin 1/2 inch outside of the plate
mark, soiling, thinned spot along right edge (verso).
N.B. The work is accompanied by a small brochure from Vorpal

Galleries and by a Mylar or similar mat.
$1,000-1,500
166.
Bird with Tuft/A Turned Round Ashtray, 1952, edition of 500

(Ramie, 173). Inscribed “EDITION PICASSO” and stamped “EDITION
PICASSO” and “MADOURA” on the underside. Earthenware clay
with flat black and white enamel glazes, diameter 5 3/4 in. (14.5 cm).
Condition: Pitting to surface, minor surface grime.
Provenance: Purchased from Madoura Workshop, Summer 1968.

$800-1,200
165 167.
La danse des faunes, 1957, edition of 1000 (Bloch, 830; Mourlot,

291). Stamped signature, dated and inscribed within the matrix.
Lithograph in black and cream on paper, image size 16 1/8 x 20 3/4
in. (40.8 x 52.6 cm), framed.
Condition: Subtle toning, scattered foxing, not examined out of
frame.
$2,000-3,000
166 167

168
168. 170.
Pablo Picasso (Spanish, 1881-1973) Pablo Picasso (Spanish, 1881-1973)
Lot of Two Images from A LOS TOROS AVEC PICASSO: La Bunch with Apples/A Round/Square Plate, 1956, edition probably
Pique and Les Banderilles, 1961 (Bloch, 1014 & 1016). Both of 400 (see Ramie, 305-307). Dated within the impression, stamped
dated and inscribed in the matrix, both identified on a label from the “EMPREINTE ORIGINAL DE PICASSO” and “MADOURA” on the
Galerie Moderne at Brentano’s, New York, affixed to the backing. underside. Earthenware clay with umber, white, blue, and yellow/
Lithographs on paper, images sizes approximately 8 x 10 in. (209.0 x green glazes, diameter 9 3/4 in. (24.6 cm).
25.5 cm), framed. Condition: Scattered pitting to surface, minor surface grime.
Condition: Toning, staining, not examined out of frames.
$500-700 Provenance: Through the family of Eleanor Kanegis Levin, co-owner
169.
Pablo Picasso (Spanish, 1881-1973) N.B. While the printing relates to the three Ramie entries referenced
above, there are subtle differences. The glazing is a combination of
Le Picador II, from A LOS TOREROS AVEC PICASSO, 1961 Ramie 305 and 307.
(Bloch, 1017). Unsigned, dated (twice) within the matrix. Color $1,000-1,500
lithograph on paper, image size 8 1/4 x 10 5/8 in. (21.0 x 27.0 cm),
framed.
Condition: Toning, not examined out of frame.
$400-600
169 170

171.
Mily Possoz (Portuguese, 1889-1967)
Petite marchande de fleurs, c. 1930, edition of 75. Signed “Mily

Possoz” in pencil l.l., numbered “41/75” in pencil l.r. Color etching
with drypoint and roulette on paper, plate size 15 7/8 x 13 in. (40.2 x
33.0 cm), framed.
Condition: Minute abrasion to image l.r., subtle toning, not examined
out of frame.
$600-800
171
172.
Terri Priest (American, b. 1928)
Jericho, U.S.A., 1973, edition of 50. Numbered, titled, signed, and

dated “2/50...T. Priest ‘73” in pencil (within the image) l.r. Color
screenprint on paper, sight size 24 3/4 x 19 1/2 in. (62.8 x 49.5 cm),
framed.
$600-800
172

173
173.
Robert Rauschenberg (American, 1925-2008)
Howl, from the SEVEN CHARACTERS Series, 1982, a series of

70 unique collage pieces (Gemini, RR82-10; Old Gemini, 1035).
Signed and dated “RAUSCHENBERG 82” in pencil l.r., stamped with
Chinese character and “HOWL” on the reverse, stamped “© Gemini
G.E.L.” and inscribed “RR82-10” in pencil on the reverse. Cast
paper, fabric collage, and mixed media construction, 42 1/2 x 30 1/2
in. (107.8 x 77.4 cm), presented in a Plexiglas box.
Condition: Good.
Provenance: Purchased from Jacqueline Silverman, Beverly Hills,

California, 1983; to the estate of Mary Lee Ingbar, Cambridge,
Massachusetts.
$6,000-8,000

174
174.
Odilon Redon (French, 1840-1916)
Tête d’enfant avec fleurs, 1897 (Mellerio, 169). Signed “ODILON

REDON” in pencil l.r., identified on a label from Frederick Keppel &
Co., New York, affixed to the backing. Lithograph on chine volant,
image size 9 7/8 x 8 3/4 in. (25.0 x 22.0 cm), framed.
Condition: Margins over 1 3/4 inches, gently light struck, subtle
cockling, mild unpressed creases, annotation to margins and verso.
$12,000-15,000

175.
Rembrandt van Rijn (Dutch, 1606-1669)
The Artist’s Mother with her Hand on her Chest, Small Bust,
1631, probably an 18th century impression (Hind, 50; Bartsch/
Hollstein, 349 ii/ii). Initialed and dated in the plate. Etching on laid
paper, plate size 3 3/4 x 2 5/8 in. (9.4 x 6.6 cm), matted, unframed.
Condition: Margins approximately 2 mm, annotations and glue
residue to verso.
$500-700
176.
The Holy Family, c. 1632, a late posthumous impression (Hind, 95;

Bartsch/Hollstein, 62). Initialed in the plate. Etching on paper, 3 3/4
x 2 3/4 in. (9.4 x 6.8 cm), framed.
Condition: Margins 1 mm or more, gentle rippling, not examined out
of frame.
N.B. A certificate and receipt from Associated American Artists

accompany the lot.
$500-700
177.
Christ Crucified Between the Two Thieves: An Oval Plate, c.

1641, a posthumous impression (Hind, 173; Bartsch/Hollstein, 79 ii/
ii). Unsigned. Etching on paper, oval format 5 1/4 x 3 7/8 in. (13.3 x
9.8 cm), framed.
Condition: Margins 1 mm or more, gentle rippling, subtle staining,
175
N.B. A certificate from Associated American Artists accompanies the
lot.
$500-700
177
176

178.
The Flight into Egypt: A Night Piece, 1651 (Hind, 253; Bartsch/
Hollstein, 53 vi/vi). Unsigned, Baron A. Freiherr von Lanna (Prague,
1836-1909) collector’s mark to verso (Lugt, 2773). Etching on thin
cream laid paper with foolscap watermark, plate size 5 x 4 3/8 in.
Condition: Thread margins, pale pin point foxing, annotations and
hinging residue to verso.
$4,000-6,000
178
179.
Abraham’s Sacrifice, 1655 (Hind, 283; Bartsch/Hollstein, 35, i/i).

Signed and dated in the plate, Henry Danby Seymour (London, 1820-
1877) collector’s mark to verso (Lugt, 176). Etching on stiff cream
laid paper, plate size 6 1/8 x 5 1/8 in. (15.6 x 13.1 cm), matted,
unframed.
Condition: Margins approximately 2 mm, rich impression with
drypoint burr visible in foreground.
$12,000-18,000
179

182
182.
John T. Ross (American, b. 1921)
180
Provincetown Beach, 1962, edition of 100, published by Associated
180. American Artists. Signed and dated “John Ross ‘62” in pencil l.r.,
Félicien Joseph Victor Rops (Belgian, 1833-1898) titled in pencil l.c., numbered “91/100” in pencil l.l. Color collograph
on paper, image size 16 1/2 x 23 in. (41.8 x 58.3 cm), framed.
Satan semant l’ivraie, c. 1906 (Bory, 520). Stamped l.r., faint Condition: Not examined out of frame.
remarque visible l.l. Color soft ground etching on paper, plate size 11 $500-700
7/8 x 8 1/4 in. (30.0 x 21.0 cm), framed.
$2,000-2,500 183.
Georges Rouault (French, 1871-1958)
181. La Sybille de Cumes, edition of 250 (Wofsy, 86). Numbered

James Rosenquist (American, b. 1933) “92/250” in pencil within the image l.r., signed within the matrix.
Color lithograph on paper, image size 24 1/2 x 18 in. (62.0 x 46.0
15 Years Magnified Through a Drop of Water, 1972-73, edition cm), matted, unframed.
of 50 plus proofs, published by ULAE (Glenn, 63). Numbered, titled, Condition: Brown paper tape to upper edge (into image), annotations
signed, and dated “16/50...Rosenquist 1972-73” in pencil beneath within image l.r.
the image. Color lithograph on paper, image size 18 1/4 x 14 1/2 in. $1,000-1,500
(46.3 x 36.8 cm), framed.
Condition: Deckled edges, not examined out of frame.
$500-700
181 183

184
184. 185.
Georges Rouault (French, 1871-1958) Georges Rouault (French, 1871-1958)
Nègre portant une valise, from RÉNCARNATIONS DU PÈRE Femme fière, from LES FLEURS DU MAL III, 1938, edition of 250
UBU, 1918, published 1932, total edition of 530 plus proofs (Wofsy, (Wofsy, 276). Initialed and dated in the plate. Color aquatint on
296). Initialed and dated in the plate, label from the Elaine Baker paper, plate size 12 1/4 x 8 1/4 in. (31.0 x 20.8 cm), framed.
Gallery, Boca Raton, on the backing. Etching with aquatint on paper, Condition: Gentle rippling, not examined out of frame.
plate size 8 1/2 x 12 in. (21.5 x 30.4 cm), framed. $800-1,200
$250-300
186.
Ed Ruscha (American, b. 1937)
Vanish, 1973, edition of 50 (Walker Art Center, 68). Numbered,

signed, and dated “34/50 Edward Ruscha 1973” in pencil l.l.,
identified on a label from Graphic 1 and Graphics 2, Boston, on the
backing. Lithograph printed in grays on paper, image/sheet size 20 x
28 in. (50.8 x 71.0 cm), framed.
Condition: Deckled edges, rubs to surface at lower edge, not
$4,000-6,000
185
186

187
187.
Ed Ruscha (American, b. 1937)
BLANK SIGNS/Portfolio of Four Images, 2004, edition of 35 plus

proofs, published by Editions Jacob Samuel and Lapis. Each signed,
dated, and numbered Ed Ruscha 2004 31/35” in pencil l.r., and with
publisher’s “JS” dry stamp l.r. Etchings with aquatint (each in black
and a second color) on paper, plate sizes 7 7/8 x 7 7/8 in. (19.8 x
19.8 cm), framed.
N.B. The lot is accompanied by the original cloth-bound portfolio

cover and justification page.
$8,000-12,000

188
188.
Anne Ryan (American, 1889-1954)
Boy and Colt, 1945, edition of 18. Signed and dated “A Ryan 45.”
in pencil l.r., titled in pencil l.l. Color woodcut on black paper, image
size 10 x 15 3/4 in. (25.4 x 40.0 cm), matted, unframed.
Condition: Margins 3 inches or more, subtle rubs minute losses to
189
upper edges of sheet.
$300-500
189.
Kiyoshi Saito (Japanese, 1907-1992)
Lot of Two Images: Ryoan-Ji Kyoto, 1960, edition of 200; and

Okuno-Hosomichi Ungan-Ji Kurohane, 1965, edition of 150.
Both signed “Kiyoshi Saito” in ink within the image and titled, dated,
and numbered in pencil l.c. Color woodcuts on paper, image sizes
approximately 21 x 15 1/4 in. (53.3 x 38.6 cm), matted, unframed.
Condition: Deckled edges with unobtrusive creases, Okuno with
toning, staining, and mat burn.
$500-700
190.
Junichiro Sekino (Japanese, 1914-1988)
Child and Cat at a Table. Signed “Junichiro Sekino” in pencil (within

image and with chop) l.r. Color woodcut on paper, image size 22 1/4
x 22 1/4 in. (56.5 x 56.5 cm), framed.
Condition: Unobtrusive rippling, not examined out of frame.
$300-500
190

190A.
Anton Schutz (German/American, 1894-1977)
The Bustling City, 1927. Signed “A. Schutz” in pencil l.r., signed
and dated within the plate. Etching on paper, plate size 13 3/4 x 10
1/4 in. (34.8 x 26.0 cm), framed.
Provenance: Estate of Mary Lee Ingbar, Cambridge, Massachusetts

$250-350
191.
Joseph Simpson (British, 1879-1939)
Lot of Three Portraits: The Priest, 1925, edition of 60; A Rose,

1926, edition of 75; and Betty, 1927, edition of 75. Each signed
“Joseph Simpson” in pencil l.r., numbered in pencil l.l., and titled in
annotations to the lower margin. Etchings on paper, plate sizes to 14
x 9 7/8 in. (35.5 x 25.0 cm), matted, unframed.
Condition: Margins over 1 inch, most with deckled edges and with
pinholes near edges.

$400-600
190A 192.
David Alfaro Siqueiros (Mexican, 1896-1974)
Image from PRISON FANTASIES, 1973, edition of 70. Signed

“DASiqueiros” in pencil l.r., numbered “LVII/LXX” in pencil l.l. Color
lithograph on Japan paper, image size 17 7/8 x 13 3/4 in. (45.3 x
Condition: Margins over 1/2 inch with two edges deckled.
$300-500
191
192

194
195.
Harry Sternberg (American, 1904-2002)
Thomas Hart Benton, 1944. Signed and identified in the matrix.

Color screenprint on paper, image size 18 5/8 x 12 1/4 in. (47.2 x
31.0 cm), framed.
$400-600
193
193.
Raphael Soyer (American, 1899-1987)
Protected, 1938, edition of 250 (Cole, 55). Titled and signed “...
Raphael Soyer” in pencil beneath the image, signed in the matrix.
Lithograph on paper, image size 13 3/8 x 6 1/4 in. (34.0 x 15.8 cm),
matted, unframed.
Condition: Margins 1 inch or more with a deckled lower edge.
$1,000-1,500
194.
Casting Office, 1945, edition of 250 (Cole, 65). Titled and signed
“...Raphael Soyer” in pencil beneath the image, signed in the matrix.
Lithograph on paper, image size 9 3/4 x 12 3/4 in. (24.5 x 32.3 cm),
matted, unframed.
Condition: Margins approximately 1 inch, subtle staining.
$1,000-1,500
195

196
196. 198.
Graham Sutherland (British, 1903-1980) Antoni Tàpies (Spanish, b. 1923)
Warning Camp, 1924, edition of 50 (Tassi, 9). Signed “Graham Ciseaux dans le cercle, 1976, proof edition of 15. Signed “...
Sutherland” in pencil l.r. Etching on paper, plate size 5 x 6 in. (12.6 x Tàpies” in pencil l.r., numbered “H.C. V/XV” in pencil l.l. Etching and
15.3 cm), matted, unframed. aquatint in black, gray, and brick on paper, plate size 20 1/4 x 13 in.
Condition: Margins 1 inch or more, annotations to lower edge, pale (51.3 x 33.0 cm), framed.
foxing and mat burn. Condition: Deckled edges, subtle rippling, not examined out of
$500-700 frame.
$500-700
197.
Graham Sutherland (British, 1903-1980)
Turning Form, 1948, edition of 60 plus proofs (Tassi, 50). Signed

“Graham Sutherland” in pencil l.r., dated within the matrix. Color
lithograph on paper, image size 15 1/4 x 22 1/4 in. (38.5 x 56.4 cm),
framed.
Condition: Unobtrusive toning, not examined out of frame.
$700-900
197 198

199 201
199. 200.
Robert Therrien (American, b. 1947) Francisco Toledo (Mexican, b. 1940)
Mesa Verde, text by Evan S. Connell, published in 1992 by the Alacrana, 2004, total edition of 27. Signed “Toledo” in pencil l.l.,
Library Fellows of the Whitney Museum of Art, edition of 100. Signed numbered “19/20” in pencil l.r. Color etching with drypoint and
“R.T.” and “Evan S. Connell” and numbered “36/150” all in pencil aquatint on paper, plate size 10 3/4 x 19 1/4 in. (27.2 x 48.8 cm),
on the colophon page. Hand-painted etching in a vellum binding by framed.
Claudia Cohen, 13 x 9 1/2 in. (33.0 x 24.2 cm), presented in cloth Condition: Subtle rippling, not examined out of frame.
portfolio case (worn). $300-500
Condition: Subtle discoloration to binding.
$1,000-1,500
201.
Henri de Toulouse-Lautrec (French, 1864-1901)
Yvette Guilbert, from LE CAFE CONCERT, 1893, total edition of

550 (Adriani, 17). Monogrammed within the matrix. Lithograph in
olive on paper, image size 10 x 8 1/8 in. (25.4 x 20.7 cm), framed.
$700-900
200

202
202. 203.
John Henry Twachtman (American, 1853-1902) Victor Vasarely (French/Hungarian, 1908-1997)
Mill in Holland, c. 1884-89, edition of about 25 (Baskett, 19). Torony III, edition of 300. Signed “Vasarely-” in pencil l.r., numbered
Inscribed “JHT per AT” in pencil l.r., identified on a label from “257/300” in pencil l.l. Color screenprint on paper, image size 35 1/2
Associated American Artists on the backing. Etching on paper, plate x 19 1/2 in. (90.0 x 49.5 cm), framed.
size 5 x 6 5/8 in. (12.5 x 16.7 cm), framed. Condition: Not examined out of frame.
Condition: Unobtrusive mat burn, not examined out of frame.
$1,000-1,500 Provenance: Purchased from Circle Gallery, New York, 1989.
$400-600
204.
Victor Vasarely (French/Hungarian, 1908-1997)
Quami, 1969, edition of 125. Signed “Vasarely-” in pencil l.r.,

numbered “104/125” in pencil l.l., identified on a label from the
Harkus Krakow Gallery, Boston, on the backing. Color screenprint
on paper, image size 6 3/4 x 6 3/8 in. (17.0 x 16.0 cm), framed.
Condition: Pale foxing (almost exclusively to lower margin), not

$300-500
203 204

206
205
205.
Untitled (Blue and Gold Hexagon), edition of 150. Numbered

and signed “IX/CL Vasarely-” in pencil (within the image) l.c. Color
screenprint on paper, sight size 29 1/2 x 25 1/4 in. (75.0 x 64.0 cm),
framed.
$400-600
206.
Untitled, edition of 250. Signed “Vasarely-” in pencil l.r., numbered

“142/250” in pencil l.l. Color screenprint on paper, image size 26 x
25 3/4 in. (65.7 x 65.3 cm), framed.
$600-800
207.
Roger Vieillard (French, 1907-1990)
Temple de la liberté, 1938, edition of 40. Signed and numbered

“R. Vieillard 11/40” in pencil l.l., dated and titled in pencil l.r. Etching
on laid paper, plate size 9 1/4 x 7 in. (23.4 x 17.7 cm), unmatted,
unframed.
Condition: Margins over 2 inches with deckled edges, unpressed
horizontal crease.
$250-350 207

208
208.
Maurice de Vlaminck (French, 1876-1958)
Une église dans le Vexin, from MAURICE DE VLAMINCK by

George Duhamel, 1927, published edition of 875 (Walterskirchen,
121). Unsigned. Etching on paper, plate size 4 x 5 3/9 in. (10.0 x
Condition: Subtle toning.

$300-500
209.
Andy Warhol (American, 1928-1987)
Lincoln Center Ticket, 1967, edition of 500 (Feldman & Schellmann,

II.19). Unsigned, identified within the matrix. Color screenprint on
paper, sight size 44 x 23 3/8 in. (111.8 x 59.4 cm), framed.
Condition: Gentle rippling, minute creases within image, not
$1,000-1,500
209

210
210.
Plate Seven from FLASH - NOVEMBER 22, 1963, 1968, edition of

200 (Feldman & Schellmann, II.38). Numbered and signed “186/200
Andy Warhol” in blue ballpoint pen on the reverse. Screenprint in
creams and silver on paper, image/sheet size 21 x 21 in. (53.3 x 53.3
cm), framed.
Condition: Minute wear to corners, sheet hinged near upper corners.
Provenance: Purchased at Graphics 1 and Graphics 2, Boston, in

1971 (a copy of the receipt accompanies the lot).
$4,000-6,000
211.
Edward Kennedy, 1980, edition of 300 plus proofs (Feldman &

Schellmann, II.240). Numbered and signed “118/300 Andy Warhol”
in pencil (within the image) l.r. Screen print with diamond dust on
paperboard, sight size 39 1/2 x 31 1/4 in. (100.2 x 79.3 cm), framed.
Condition: Subtle rippling and handling creases, minute nicks/rubs to
left edge near lower corner, not examined out of frame.
$6,000-8,000
211

213
212
212. 213.
Neil Welliver (American, 1929-2005) Stow Wengenroth (American, 1906-1978)
Sky in Cora’s Marsh, 1987-88, edition of 90. Signed “Welliver” in Lock House/A Lambertville, New Jersey, View, 1942, edition of 40
pencil l.r., numbered “69/90” in pencil l.l., identified on a label from (Stuckey, 118). Signed “Stow Wengenroth” in pencil l.r., inscribed
the Alexandre Gallery, New York, on the backing. Color woodcut on “Ed/40” in pencil l.l. Lithograph on paper, image size 11 1/4 x 16 1/2
paper, image size 27 1/4 x 29 7/8 in. (69.0 x 76.0 cm), framed. in. (28.5 x 41.8 cm), matted, unframed.
Condition: Not examined out of frame. Condition: Margins approximately 1 inch with deckled edges.
$2,500-3,500 $600-800
214.
Stow Wengenroth (American, 1906-1978)
Serenity, 1951, edition of 100 (Stuckey, 199). Signed “Stow

Wengenroth” in pencil l.r., inscribed “Ed/100” in pencil l.l. Lithograph
on paper, image size 11 3/4 x 17 7/8 in. (29.8 x 45.3 cm), matted,
unframed.
Condition: Margins approximately 1 inch with deckled edges, subtle
mat burn.
$300-500
214

215.
James Abbott McNeill Whistler (American, 1834-1903)
Black Lion Wharf, 1859, third state of three (Kennedy, 42).

Signed and dated in the plate, identified on a label from
Associated American Artists on the backing. Etching on
$2,500-3,500
215
216.
The Pool, 1859, third state of four (Kennedy, 43). Signed

and dated in the plate, identified on a label from Julius G.
Haas, New York, on the reverse. Etching on paper, plate
Condition: Toning and staining, not examined out of frame.
$500-700
216
217.
The Forge, 1866, fourth state of four (Kennedy, 68).

Signed and dated in the plate. Etching and drypoint on
paper, plate size 7 1/2 x 12 1/2 in. (19.0 x 31.7 cm),
framed.
Condition: Rippling, not examined out of frame.
$1,000-1,500
217

218.
Vauxhall Bridge, 1861, second state of two (Kennedy, 70).

Signed and dated in the plate, a label from Doll and Richards,
Boston, on the backing. Etching on paper, plate size 2 5/8 x 4
1/2 in. (6.5 x 11.3 cm), framed.
Condition: Margins over 1/2 inch, not examined out of frame.
$200-300
218
219.
Sketching #1, 1861, fourth state of five (Kennedy, 86). Signed

and identified in the plate. Etching on paper, plate size 4 3/4 x 6
1/2 in. (12.0 x 16.5 cm), unmatted, unframed.
Condition: Margins approximately 1 inch, subtle toning near
edges.
$700-900
219
220.
The Smiths Yard, 1895, from the 1897 published edition of

3000 (Spink, Stratis, & Tedeschi, 124). Monogrammed within the
matrix. Lithograph on paper, image size 7 3/8 x 6 1/8 in. (18.5 x
Condition: Loss to corner u.l., subtle toning, minor handling marks
and creases, annotations to margins.
$300-500
220

221
221.
Grant Wood (American, 1891-1942)
Seed Time and Harvest, 1937, edition of 250, published by

Associated American Artists (Czestochowski, W-4). Signed and
dated “Grant Wood - 1927” [sic] l.r., identified on a label from AAA
on the backing. Lithograph on paper, image size 7 1/2 x 12 1/4 in.
(18.9 x 31.0 cm), framed.
Condition: Unobtrusive mat burn, subtle toning, not examined out
of frame.
$2,000-3,000
222.
Thomas Waterman Wood (American, 1823-1903)
Thinking it Over, 1884. Signed “T.W Wood-” in pencil l.r., signed

and dated within the plate. Etching on paper, plate size 14 x 9 3/4
Condition: Margins 1 1/2 inches or more, losses to upper corners
(well outside of the image), pale foxing.
$600-800
222

223
223.
Zao Wou-Ki (Chinese, b. 1921)
Les maisonettes, 1974, edition of 65 (Ågerup, 68). Signed (in

Chinese) in pencil l.r., numbered “36/65” in pencil l.l. Etching
in three colors on paper, plate size 12 7/8 x 16 in. (32.5 x 40.5
cm), framed.
Condition: Margins over 2 1/2 inches with a deckled upper
edge, mat burn, tape residue to upper margin, subtle toning,
staining to verso.
$1,000-1,500
224.
Toshi Yoshida (Japanese, 1911-1995)
Irozaki, Evening, c. 1960. Signed “Toshi Yoshida” in pencil

l.r., titled in pencil l.l., identified within the block. Color woodcut
on paper, image size 9 3/4 x 13 3/8 in. (24.6 x 34.0 cm),
framed.
224 $200-250
225.
Henry Ziegler (American, b. 1889)
The Comet. Signed “Henry Ziegler” in pencil l.r., titled in pencil

l.l., dedicated “To my friend Owen Culbertson from the artist”
in pencil l.c. Aquatint on paper, plate size 12 5/8 x 18 5/8 in.
Condition: Subtle toning, rippling and creasing to image, glue
and residue to verso.
$200-300
225

Photography
226.
Ansel Adams (American, 1902-1984)
White House Ruin, Morning, Canyon de Chelly National

Monument, Arizona, 1949. Signed “Ansel Adams” in pencil
on the mount. Gelatin silver print, 9 1/4 x 7 in. (23.4 x 17.7
Condition: Good.
$2,000-3,000
227.
Ansel Adams (American, 1902-1984)
San Francisco from San Bruno Mountain, California,

c. 1953. Signed “Ansel Adams” in pencil on the mount,
identified and stamped with artist’s stamp on the reverse of
the mount. Gelatin silver print, 14 5/8 x 18 7/8 in. (37.2 x
47.8 cm), framed.
Condition: Minute rub to edge at corner l.r.
$6,000-8,000
226
227

228
228.
Ray Belcher (American, b. 1944) 229
Garden of the Gods, 1979. Signed “R. Belcher” in pencil on the

mount l.r., signed, titled, and dated on the mount along the lower
edge. Gelatin silver print, 7 5/8 x 9 5/8 in. (19.3 x 24.3 cm), matted,
unframed.
Condition: Good.
$500-700
229.
James Clinton Bones (American, b.1943)
Evening Light on the Rim of the Grand Canyon of the Colorado

River, Arizona, first print. Signed “Jim Bones” in pencil on the
mount, titled and identified in an inscription on the reverse of the
backing, artist’s stamps on the same. Dye transfer print, 12 7/8 x 10
Condition: Good.
$500-700
230.
Moonrise over Indian Ridge, San Juan Mountains, Colorado.

Signed “Jim Bones” in pencil on the mount, titled and identified in
an inscription on the reverse of the backing, artist’s stamps on the
same. Dye transfer print, 12 7/8 x 10 in. (32.5 x 25.4 cm), matted,
unframed.
Condition: Good.
$500-700
230

232
232.
Polly Brown (American, b. 1941)
231 Rose and Jason, Fall River, 1983. Signed “Polly Brown” in ink l.r.,
titled and dated in ink l.l. Gelatin silver print, image size 11 7/8 x 18
Condition: Rippling near edges.
$400-600
231.
233.
Snow on Green Tundra, Sting Pass, Colorado, c. 1979, second Paul Caponigro (American, b. 1932)
(photographer’s) print. Signed “Jim Bones” in pencil on the mount,
titled and identified in an inscription on the reverse of the backing, El Moro, Vic Gallup, 1975. Signed “Paul Caponigro” in pencil on the
artist’s stamps on the same. Dye transfer print, 12 7/8 x 10 in. (32.5 mount l.r., titled and dated on the reverse of the mount. Gelatin silver
x 25.4 cm), matted, unframed. print, 8 x 10 in. (20.3 x 25.4 cm), matted, unframed.
Condition: Good. Condition: Good.
$500-700 $500-700
233

234.
Claudia Cebrian (Argentinean/American, 20th/21st Century)
Untitled (Lily). Signed “C Cebrian” in ink within the image l.r. Color
photograph, sight size 39 3/4 x 29 1/2 in. (100.7 x 74.8 cm), framed.
$800-1,200
235.
Walter Chappell (American, 1925-2000)
City of Rocks, New Mexico, 1981. Signed “Walter Chappell” in

pencil on the mount l.r., titled and dated on the reverse of the mount.
Gelatin silver print, 12 7/8 x 9 3/4 in. (32 .5 x 24.5 cm), matted,
unframed.
Condition: Good.
$400-600
236.
234
Wild Mountain Plaza Blano, New Mexico, 1983. Signed “Walter
Chappell” in pencil on the mount l.r., titled and dated on the reverse
of the mount. Gelatin silver print, 10 5/8 x 13 1/4 in. (27.0 x 33.5
Condition: Minute rub to corner u.r.
$400-600
235 236

237
237.
Seastone Garden, Salt Point, California, 1986. Signed “Walter

Chappell” in pencil on the mount l.r., titled and dated on the reverse
of the mount. Gelatin silver print, 8 5/8 x 12 5/8 in. (21.8 x 32.0 cm),
unmatted, unframed.
Condition: Good
$400-600
238.
Linda S. Conner (American, b. 1944)
Mesa Verde, 1978. Titled, dated, and signed “...1978 Linda S.

Conner” in pencil on the reverse. Gelatin silver print, 8 x 10 in. (20.3
x 25.4 cm), matted, unframed.
238 Condition: Minor rippling.
$400-600
239.
White Sands, New Mexico, 1982. Titled, dated, and signed “...1982
Linda S. Conner” in pencil on the reverse. Gelatin silver print, 8 x 10
Condition: Minor rippling.
$300-500
239

240.
Transportation Panel, Dinatan, New Mexico, 1987. Titled, dated,

and signed “...1987 Linda S. Conner” in pencil on the reverse.
Gelatin silver print, 8 x 10 in. (20.3 x 25.4 cm), matted, unframed.
Condition: Minor rippling.
$300-500
240
241.
Marie Cosindas (American, b. 1925)
Still Life with Flowers, 1961. Signed and dated “MARIE COSINDAS
61” in pencil on the mat, artist’s studio stamps on the reverse. Gelatin
silver print, sheet size 11 1/2 x 10 1/2 in. (29.2 x 26.7 cm), framed.
Provenance: Estate of Blair Lent, Cambridge, Massachusetts.

$150-300
241
242.
Susan Crocker (American, b. 1940)
New Mexico ‘89 Acoma, 1989. Signed and titled “Susan Crocker...”
in pencil on the reverse. Gelatin silver print, sheet size 19 7/8 x 16 in.
Condition: Good.
$300-500
242

243
243. 245.
William E. Dassonville (American, 1879-1957) Willard Van Dyke (American, 1906-1986)
View from Monterey. Unsigned. Gelatin silver print, 6 1/2 x 9 1/2 Edward Weston at Work, Point Lobos, c. 1930,
in. (16.4 x 24.0 cm), matted, unframed. edition of 50. Signed, numbered, and titled “Willard Van Dyke
Condition: Subtle toning, glue residue and stain to the reverse. 4/50...” in pencil on the reverse of the mount, artist’s label affixed
$500-700 to the same. Gelatin silver print, 9 x 7 in. (22.8 x 17.7 cm), matted,
unframed.
Condition: Minor disadhesion of print from mount l.l.
244. $400-600
Michael Donnelly (American 20th/21st Century)
Lot of Two Images from the BLUR SERIES, 2003. Signed,

dated, and titled “MICHAEL DONNELLY 2003...” on the backing.
Photographs mounted to aluminum backed with a strainer, 70 x 54
1/2 in. (177.8 x 138.4 cm), mounted, unframed.
Condition: Minor wear/disadhesion to edges.
$1,500-2,500
244 245

246.
Willard Van Dyke (American, 1906-1986)
Ansel Adams at 683 Brockhurst, c. 1932. Titled and signed “...

Willard Van Dyke” in pencil on the reverse of the mount. Gelatin silver
print, 9 3/8 x 7 1/4 in. (23.7 x 18.3 cm), matted, unframed.
Condition: Good.
$400-600
247.
Harold Eugene Edgerton (American, 1903-1990)
Untitled (Happy Terrier). Signed “Harold Edgerton” in ink on the

reverse. Gelatin silver print, 10 x 8 in. (25.4 x 20.3 cm), unmatted,
unframed.
Condition: Good.
$800-1,200
246
248.
Stone Henge at Night. Signed and inscribed “Strobe lamp at

1500 ft above Stonehenge...Harold Edgerton MIT...” in pencil on the
reverse, artist’s stamp on the reverse. Gelatin silver print, 8 x 10 in.
Condition: Good.
$1,500-2,500
247
248

249.
Untitled (Green Drops), 1982. Signed, dated, and inscribed “60/

sec...Harold Edgerton MIT 1982” in ink on the reverse. Color
photograph, 10 x 8 in. (25.4 x 20.3 cm), unmatted, unframed.
Condition: Tape residue to verso.
$1,000-1,500
250.
TEN DYE TRANSFER PHOTOGRAPHS/A Portfolio, published

249
1985, edition of 300. Each signed “Harold Edgerton” and numbered
“5/300” in pencil on the reverse, set identified on the colophon page.
Dye transfer prints, sheet sizes 16 x 20 in. (40.5 x 50.6 cm), matted
and presented in the original portfolio box.
Condition: Good.
$20,000-25,000
250

251
251. 253.
Mary Jeannette Edwards (American, 1906-1974) Camillus Sidney Fly (American, 1849-1901)
Untitled (Hands in Sand). Signed “Mary Jeannette Edwards” in Lot of Two Images: General Crook’s Camp and Scene in
pencil on the mount l.r. Gelatin silver print, 7 1/8 x 7 7/8 in. (18.0 x Geronimo’s Camp, the Apache Outlaw…, 1886. Both identified
20.0 cm), matted, unframed. (the former in an inscription, the latter with affixed text) on the reverse
Condition: Pale staining to image, mount toned and brittle with tears/ of the mount, both with artist’s stamp or label on the reverse of the
losses to edges. mount. Albumen prints, 5 1/4 x 8 ½ in. (13.2 x 21.5 cm), matted in a
$700-900 common mat, unframed.
Condition: Unobtrusive toning, wear to edges especially at corners.
$200-250
252.
Robert Frank (American, b. 1924)
New Mexico, 1956. Signed “Robert Frank.” in ink l.r., titled in ink l.l.,
annotated on the reverse. Gelatin silver print, 11 x 14 in. (28.0 x 35.5
Condition: Minute stains to lower margin.
$400-600
252 253

254.
William A. Garnett (American, b. 1916)
Clouds over Desert, Blyth, California, 1947. Signed “Garnett”

in pencil on the mount l.r., signed, titled, and dated on the
reverse of the mount, artist’s stamp on same. Gelatin silver
print, 10 7/8 x 13 7/8 in. (27.5 x 35.0 cm), matted, unframed.
Condition: Good.
$300-500
254
255.
Monument Valley, Utah, 1956. Signed “Garnett” in pencil on

the mount l.r., signed, titled, and dated on the reverse of the
mount, artist’s stamp on same. Gelatin silver print, 10 7/8 x 13
7/8 in. (27.5 x 35.0 cm), matted, unframed.
Condition: Good.
$400-600
255
256.
Reflection of the Sun, Low Tide, Georgia Coast, 1965.

Signed, titled, and dated on the reverse of the mount, artist’s
stamp on same. Cibachrome print, 10 1/2 x 14 in. (26.5 x 35.5
Condition: Good.
$300-500
256

257
257. 259.
Laura Gilpin (American, 1891-1979) Laura Gilpin (American, 1891-1979)
Big and Little Shiprock, 1934. Signed “Laura Gilpin” in pencil u.l., Canyon de Chelly, 1964. Signed or inscribed and dated “Laura
identified on the artist’s label affixed to the reverse of the mount. Gilpin 1964” in pencil, identified on a label from the artist on the
Gelatin silver print, 11 x 14 in. (28.0 x 35.5 cm), matted, unframed. reverse. Gelatin silver print, 9 7/8 x 8 in. (25.0 x 20.3 cm), matted,
Condition: Subtle crease to upper edge, soiling and abrasions to unframed.
mount. Condition: Minute retouched rub near the horizon u.l.
$400-600 $400-600
258.
Laura Gilpin (American, 1891-1979)
Picuris Church, 1961. Unsigned, identified on the artist’s label

affixed to the reverse of the mount. Gelatin silver print, 11 x 13 3/8
Condition: Good.
$400-600
258 259

260
260. 261.
Paul Ickovic (Czech, b. 1944) Gerald Incandela (American, b. 1952)
Subway Passer-by. Signed and inscribed “PIckovic A/P” in ink Study for “Dollars,” 1982. Titled, signed, and dated “...G.
l.r. Gelatin silver print, image size 14 ¾ x 22 in. (37.4 x 55.8 cm), Incandela’82” in red felt tip (or similar) within the image l.r. Brushed
unmatted, unframed. developer on photographic paper, 24 x 20 in. (61.0 x 50.8 cm),
Condition: Minor handling creases. unmatted, unframed.
$1,000-1,500 Condition: Unobtrusive handling creases.
Provenance: Whitney Museum Benefit Auction, c. 1999, for the

Drawing Center.
$600-800
262.
John S. Johnston (British/American, c. 1839-1899)
Lot of Five Yachting Images: Defender, 1895; Defender/Figures

on Deck, 1895; Defender and Valkyrie III, 1895; Start of Cabin
Catboats, 1898; and Cabin Cats, After Start, 1898. Each titled,
dated, and identified within the image. Albumen prints on paper,
approximate sizes 6 1/2 x 8 1/4 in. (16.5 x 21.0 cm), unframed.
Condition: Minor wear/nicks to edges, subtle toning, mild rippling.
$800-1,200
261
262

265
264.
Ernest Knee (American, 1907-1982)
263
Navajo Canyon of Abiquiu. Signed “Ernest Knee” in pencil on the
mount l.r. Gelatin silver print, 7 3/8 x 9 1/2 in. (18.5 x 24.0 cm),
matted, unframed.
263. Condition: Annotations to reverse of the mount.
John S. Johnston (British/American, c. 1839-1899) $400-600
Lot of Five Yachting Images: Mayflower, Puritan, Wanderer,

Vencedor, and Open Catboat Start, 1898. Each titled and identified 265.
within the image. Albumen prints on paper, approximate sizes 6 1/2 Edwin Hale Lincoln (American, 1880-1940)
x 8 1/4 in. (16.5 x 21.0 cm), unframed.
Condition: Minor wear/nicks to edges, subtle toning, mild rippling. Birches in Winter. Signed “Edwin H. Lincoln” in ink on the
$800-1,200 supporting sheet. Platinum print, 9 1/4 x 7 3/8 in. (23.4 x 18.7 cm),
unmatted, unframed.
Condition: Toning, foxing and soiling to supporting sheet.
$800-1,200
264

266
266. 267.
O. Winston Link (American, 1914-2001) David Lubbers (American, b. 1947)
Main Street, Stanley, Virginia, 1957, probably a later printing. Willard and Murray Van Dyke, White Cliffs near Abiquiu, New
Purportedly signed on the reverse. Gelatin silver print, sight size 15 x Mexico, August 1981, 1981. Signed “Lubbers” in pencil on mount
19 in. (38.0 x 48.5 cm), framed. l.r., titled in pencil on mount l.c. Gelatin silver print, 10 x 12 5/8 in.
Condition: Not examined out of frame. (25.4 x 32.0 cm), matted, unframed.
Condition: Good.
N.B. The lot is accompanied by an autographed 1998 calendar, $400-600
Night Train, by O. Winston Link.
$2,000-3,000
267

268
268.
Vik Muniz (Brazilian, b. 1961)
Under the Bed, 2005, edition of 40. Numbered and signed “27/40
Vik Muniz” in pencil on text page. Ambrotype and letterpress, both
components 4 x 5 in. (10.2 x 12.5 cm), presented in a closeable
walnut frame.
Provenance: Purchased from Barbara Krakow Gallery, Boston, 2007.

$1,500-2,500
269.
Joan Myers (American, b. 1944)
Monument Valley Bush, 1979, printed 1981. Signed and dated

“Joan Myers, 1979” in pencil l.r., titled in pencil l.l., signed, dated, and
identified in an inscription on the reverse. Platinum-palladium print,
Condition: Good.
$300-500
269

272
270
270. 271.
Joan Myers (American, b. 1944) Olivia Parker (American, b. 1941)
San Miguel, New Mexico, from ALONG THE SANTA FE TRAIL, Site II, Deer, 1981, printed 1982. Titled, signed, dated, and
1981. Signed and dated “Joan Myers, 1981” in pencil l.r., titled inscribed “...Olivia Parker © 1981...” in ink beneath the image.
in pencil l.l., signed, dated, and identified in an inscription on the Gelatin silver print, 14 x 11 in. (35.5 x 27.8 cm), matted, unframed.
reverse. Platinum-palladium print, image size 12 7/8 x 10 3/8 in. Condition: Minor rippling near upper edges, annotations to verso.
(32.5 x 26.3 cm), matted, unframed. $400-600
Condition: Good.
$300-500
272.
John Pfahl (American, b. 1939)
Lot of Two Images of Utah: Great Lake Angles, Great Salt

Lake, Utah, 1977, edition of 25; and Moonrise, 1977. The former
titled, numbered, signed, and dated “...4/25 Pfahl ©1977” in ink
on the reverse, the latter dated and signed in ink on the reverse.
Chromogenic prints, 8 1/2 x 11 in. (21.5 x 27.8 cm), matted,
unframed.
Condition: Good.
$500-700
271

273.
Eliot Porter (American, 1901-1990)
Sea/Summer. Titled in red pencil on the reverse,

inscribed (possibly in the artist’s hand) with artist’s
name and address on the reverse, fragmentary
label on the reverse. Gelatin silver print, 9 3/4 x 7
3/4 in. (24.7 x 19.5 cm), matted, unframed.
Condition: Subtle toning, minute nicks to edges.
$600-800
273
274.
Meridel Rubenstein (American, b. 1948)
Lot of Two Images: Edith’s House, 1993; and

Untitled, 1993. The former dedicated, signed,
dated, and titled “for Tom with mil gracias Meridel
Rubenstein 11/93...” in pencil on the reverse,
the latter dated and signed in pencil beneath the
image. Gelatin silver or platinum prints, sheet
sizes to 20 x 16 in. (50.8 x 40.5 cm), matted,
unframed.
Condition: Subtle (unpressed) horizontal creases
or ripples to former, subtle toning to latter.
$200-250
274

275
275. 276.
Aaron Siskind (American, 1903-1991) Aaron Siskind (American, 1903-1991)
Bad Lands 72, 1970. Signed “Aaron Siskind” in ink l.r., titled and Olmec Villahermosa 20, 1973. Signed “Aaron Siskind” in ink l.r.,
dated in ink l.l., annotated on the reverse. Gelatin silver print, image titled and dated in ink l.l., annotated on the reverse. Gelatin silver
size 8 1/8 x 9 5/8 in. (20.5 x 24.3 cm), unmatted, unframed. print, image size 9 5/8 x 9 1/2 in. (24.3 x 24.0 cm), unmatted,
Condition: Minor staining to lower margin and verso. unframed.
$2,000-3,000 Condition: Good.
$1,000-1,500
276

277.
Aaron Siskind (American, 1903-1991)
California 1, 1975. Signed “Aaron Siskind” in ink l.r., titled and dated
in ink l.l., annotated on the reverse. Gelatin silver print, image size 9
3/4 x 9 3/4 in. (24.7 x 24.7 cm), unmatted, unframed.
Condition: Good.
$1,000-1,500
277
278.
Michael A. Smith (American, b. 1942)
Cedar Breaks National Monument, Utah, 1975. Signed “Michael

A. Smith” in pencil on the mount l.r., dated “1975” in pencil on the
mount l.l., titled in an inscription on the reverse of the mount. Gelatin
silver print, 7 5/8 x 9 5/8 in. (19.3 x 24.3 cm), matted, unframed.
Condition: Crease and abrasions to mount.
$300-500
278
279.
Edward Steichen (American, 1879-1973)
Balzac, Toward the Light, Midnight, 1908, from CAMERA WORK,

number 3. Unsigned, annotated on the reverse and the reverse of
the backing. Photogravure on tissue affixed along the upper edge
to a backing sheet, sheet size 8 3/8 x 11 1/2 in. (21.3 x 29.0 cm),
matted, unframed.
Condition: Toning along the upper edge.
$1,000-1,500
279

280.
Edward Steichen (American, 1879-1973)
Moonlight/The Pond, c. 1906, from CAMERA WORK, number

14, 1906. Unsigned, identified on a loan label from the Museum
of Fine Arts/Museum of New Mexico, Santa Fe, on the backing.
Photogravure on tissue affixed along the upper edge to a
backing sheet, sheet size 8 3/8 x 11 ½ in. (21.3 x 29.0 cm),
matted, unframed.
Condition: Toning along the upper edge.
$1,000-1,500
280
281.
Charles Henry Traub (American, b. 1945)
Untitled (Wooded Hillside). Signed “ChasTraub” in pencil on

the reverse. Gelatin silver print, image size 8 7/8 x 10 7/8 in.
Condition: Good.
$300-500
281
282.
Charles Henry Traub (American, b. 1945)
Untitled (Vines and Wood). Signed “ChasTraub” in pencil on

the reverse. Gelatin silver print, image size 8 5/8 x 10 7/8 in.
Condition: Good.
$300-500
282

283
283. 284.
Edward Weston (American, 1886-1958) Edward Weston (American, 1886-1958)
Rock - Point Lobos, 1929, edition of 50. Signed and dated Mountains, New Mexico, 1933, edition of 50. Signed and dated
“Edward Weston 1929” in pencil on the mount, initialed and “Edward Weston 1933” in pencil on the mount l.r., numbered “1/50”
numbered “EW 8/50” in pencil on the mount, titled in an inscription in pencil on the mount l.l., inscribed “New Mexico” in pencil on the
on the reverse of the mount. Gelatin silver print, 7 1/8 x 9 3/8 in. reverse of the mount. Gelatin silver print, 7 5/8 x 9 5/8 in. (19.3 x
(18.0 x 24.0 cm), matted, unframed. 24.3 cm), matted, unframed.
Condition: Subtle wear to edges of image. Condition: Wear to mount and creasing to its corners.
$3,000-5,000 $3,000-5,000
284

286
286.
Marion Post Wolcott (American, 1910-1990)
Making Biscuits for Dinner on Corn Husking Day, the Fred

Wilkens Farm, near Tally Ho, North Carolina, 1939, a later printing.
Unsigned, identified and dedicated in pencil inscriptions on the
reverse. Gelatin silver print, 11 x 14 in. (27.8 x 35.5 cm), matted,
285 unframed.
Condition: Minor soiling and handling creases.
$300-500
285.
Carleton E. Watkins (American, 1829-1916) 287.
Marion Post Wolcott (American, 1910-1990)
Section of the Grizzly Giant, Mariposa Grove. Identified in text
beneath the image on the mount. Albumen print, 8 1/2 x 5 3/8 in. Cutting Crested Wheat Grass with an Old Binder Pulled by a
(21.5 x 13.5 cm), matted, unframed. Four Horse Team, Judith Basin, Montana, 1941, printed in 1988,
Condition: Unobtrusive toning, wear to edges. a special edition of 25. Signed “Marion Post Wolcott” in pencil l.r.,
$400-600 titled and identified in pencil inscriptions on the reverse. Gelatin silver
print, 16 x 20 in. (40.5 x 50.5 cm), unmatted, unframed.
Condition: Minor soiling and handling creases.
$300-500
END OF SESSION I
287

Session II
Paintings & Sculpture
Lots 300-675
to be sold Friday, September 24th, 2010 at 4 p.m.

122
300.
Spanish or Spanish Colonial School, 18th Century Style
God the Father with Gesture of Blessing and Globe

Unsigned.
Oil on canvas mounted to panel, 15 x 11 in. (38.1 x 27.9 cm), in a
Spanish cassetta frame.
Condition: Retouch, craquelure, varnish inconsistencies, surface
grime.
$1,000-1,500
301.
Stefano della Bella (Italian, 1610-1664)
Female Figure Studies

Unsigned, stamped “Stefano Della Bella,/from the Sketchbook/from
Kinnaird Castle” on the mat l.l.
Ink and graphite on laid paper mounted to two wove sheets, sheet
size 2 3/4 x 2 5/8 in. (7.0 x 6.7 cm), framed (without glass).
Condition: Tape hinged to backing mat.
$800-1,200
302.
Spanish or Spanish Colonial School, 18th Century Style
The Virgin of Guadalupe

Inscribed “VERA EFFIGIES/B.[Beatae]V.[Virginis] MARIAE QUAM S.
300
[Sanctus] LUCAS PINXT...” l.c.
Oil on canvas mounted to board, 10 3/4 x 7 1/4 in. (27.3 x 18.4 cm),
framed.
Condition: Abrasions/losses, retouch, craquelure.
$700-900
301
302

303.
School of Thomas Hudson (British, 1701-1779)
Portrait of a Gentleman, Probably John Porter c. 1732-1793

Unsigned, sitter identified on a partial label affixed to the stretcher.
Oil on canvas, 49 1/4 x 40 1/4 in. (125.0 x 102.2 cm), framed.
Condition: Scattered retouch, lined, craquelure.
N.B. Affixed to the stretcher is a handwritten, partial label that reads:

“John Porter, d.1793/He married Jane Thornton.” Genealogical
research shows a John Porter of Yorkshire, England, who was
married to Jane Thornton, also of Yorkshire. Files give conflicting
dates of birth for Porter (c. 1732 and c. 1740), as well as for the
marriage (1756 and 1776).
$2,000-2,500
303
304.
Continental School, 18th/19th Century
Portrait of a Gentleman with Hat and Armor

Unsigned, inscribed “...198.” on the reverse.
Oil on canvas, 25 1/4 x 20 in. (64.1 x 50.8 cm), framed.
Condition: Lined, retouch, losses, flaking, craquelure.
$800-1,200
304

305
305. Italy. The carnations are of great delicacy and clearness, and the
Sir Joshua Reynolds (British, 1723-1792) gestures well defined, although not so strongly pronounced by means
of that depth of shadow which he afterwards adopted from the works
Portrait of Mrs. Elizabeth Field, c. 1744 or 1748 of Titian and other Italian masters.”1 There is some discrepancy
Unsigned, identified on a handwritten partial label affixed to the among scholars as to the exact date of the portrait. Graves and
stretcher. Cronin dated the painting to 1748, while Ellis Waterhouse dated it to
Oil on canvas, 30 1/2 x 25 1/2 in. (77.5 x 64.8 cm), framed. 1744, and the earlier date is suggested also by David Mannings (c.
Condition: Scattered retouch, area of lifting l.l., abrasions, craquelure, 1744) in the catalogue raisonné.2
surface grime.
1. William Cotton. M.A., Sir Joshua Reynolds and his Works, Longman, Brown,
Provenance: Painted for Reverend Joshua Reynolds (paternal uncle Green, Longmans, and Roberts and Paul & Dominic Colnaghi & Co., London, 1856.
and godfather of the artist); to Miss Elizabeth Field, the sitter; to p. 60.
Very Reverend Joseph Palmer, Dean of Cashel; to Colonel John
Palmer of Torrington, his son; to Sir Robert Edgcumbe, his cousin; 2. David Mannings, Sir Joshua Reynolds, A Complete Catalogue of his Paintings,
Christie’s 1846 (lot 115) to E.R. Pearce, Esq.; Peregrine Fairfax, c. Yale University Press, New Haven, Connecticut, 2000, p. 186 (cat. 605). Literature:
1963; anonymous sale Sotheby’s 28 Oct. 1964 (90); anonymous sale William Cotton, London: Longman, Brown, Green, Longmans, and Roberts, 1856,
Sotheby’s 2 Feb. 1966 (lot 143); purchased by current owner in 1966 p. 60, 272; Algernon Graves and William Vine Cronin, Sir Joshua Reynolds, P.R.A.,
from the Fulton Art Gallery & Picture Framing Co., New York City. London: Published by subscription for the Proprietors by Henry Grames and Co.
Ltd., Vol. I, pp. 301-302, illustrated p. 16; Waterhouse, 1968, 165; David Mannings,
N.B. “Mrs.” Elizabeth Field was the sister-in-law of the Reverend Sir Joshua Reynolds, A Complete Catalogue of His Paintings, no. 605, p. 186; A.L.
Joshua Reynolds, paternal uncle and godfather of the painter, Sir Baldry, Sir Joshua Reynolds, London: George Newnes, Ltd., 1903, p. xxxix.
Joshua Reynolds. Although a maiden lady, the sitter was referenced
as “Mrs.” as was customary in the era. The portrait is described in Exhibitions: Grosvenor Gallery, 1883-1884, no. 195, as Mrs. Field...
very complimentary terms by William Cotton, who wrote, “There is painted 1748.
also in Captain Palmer’s possession at Torrington a very beautiful $40,000-60,000
portrait of Mrs. Field, the sister in law of the Rev. J. Reynolds (Sir
Joshua’s uncle), which must have been painted before he went to

306.
American School, 19th Century
Lot of Two Female Portraits, Possibly Mother and Daughter

Unsigned.
Condition: One lined, retouch, varnish inconsistencies,
craquelure, surface grime.
$800-1,200
307.
After John Hoppner, R.A. (British, 1758-1810)
Bust-length Portrait of the Right Honorable William Pitt the

Younger (1759-1806)
Unsigned.
Oil on canvas, 30 x 25 in. (76.0 x 63.2 cm), framed.
Condition: Lined, retouch, craquelure, minor paint loss.
Provenance: Purchased by the family of the current owner in

1935 from a New York City gallery, possibly Howard Young
Galleries.
N.B. John Hoppner, R.A, (1758-1810) was a celebrated

portraitist of the leading political and social figures of his day.
The painting at hand is based upon Hoppner’s original three-
quarter length portrait from life of the British statesman, the
Right Honourable William Pitt the Younger, who died in January,
1806, at the age of 46 years. The original Hoppner portrait,
commissioned by then foreign secretary Lord Mulgrave (Sir
Henry Phipps [1755-1831]) and completed October 25, 1805,
was the last portrait for which Pitt the Younger sat, and it was
regarded as an excellent likeness. When Pitt died, the portrait
was still in Hoppner’s studio where it was being engraved. After
Pitt’s untimely death, many requests were made for copies of
306 the portrait, which were authorized by Lord Mulgrave; Hoppner
himself painted about twenty versions of varying sizes, and
he hired assistants who also painted copies. There were
undoubtedly also further replicas made from these copies.
Seventeen examples based on the Mulgrave portrait are noted in
John Hoppner, R.A. by William McKay and W. Roberts (London:
P. & D. Colnaghi & Co and George Bell & Sons, 1909), including
one at the National Portrait Gallery in London. The portrait also
served in part as the basis for the full-length sculpture of Pitt done
by Joseph Nollekens (1737-1823).1
The painting at hand, which is unsigned and focuses on the bust

of Pitt, is likely an early 19th century version. The bold brushwork
and freshness seem to suggest close familiarity with the original.
Specific details, such as the dusting of wig powder resting on the
sitter’s collar, lend immediacy and closely parallel a descriptive
analysis by George Scharf of the portrait of Pitt at the National
Portrait Gallery.2 However, due to the number of contemporary
copies based on the Mulgrave portrait, and without specific
documentary evidence, it is very difficult to trace the painting to a
particular hand.
1. John Hoppner, from Little Books on Art, H. P. K. Skipton, London: Metheun

& Co., 1905.
2. Historical & Descriptive Catalogue of the Pictures, Busts &c in the National
Portrait Gallery, Compiled by George Scharf, Abridged, revised, and continued
by Lionel Cust, London: Stationery Office, 1896.

$2,000-3,000
307

308
308.
Thomas Sully (American, 1783-1872)
Portrait of Mrs. Lydia Biddle, 1826

Monogrammed and dated “TS 1826” l.c., identified on a receipt from
the artist affixed to the stretcher.
Condition: Lined, paint losses, craquelure.
Literature: Edward Biddle and Mantle Fielding, The Life and Works of
Thomas Sully, 1783-1872, annotated by G. L. Winthrop, Philadelphia:
Wickersham Press, 1921, no. 138; Charles Henry Hart, A Register of
Portraits Painted by Thomas Sully, 1801-1871, Philadelphia, 1908,
cat. no. 132.
N.B. Lydia Biddle was the daughter of the Reverend Elihu Spencer.
She married William MacFunn Biddle and moved to Carlisle,
Pennsylvania. The portrait was painted for her son William, begun by
Sully on September 11th and finished November 1st, 1826.
$20,000-30,000

309
309.
Follower of David Teniers, the Younger (Flemish, 1610-1690)
Interior of an Inn with Peasants Smoking

Unsigned, bearing an inscribed date “1651” u.r.
Oil on panel, 17 1/2 x 19 1/8 in. (44.5 x 48.5 cm) framed.
Condition: Paint losses, retouch.
N.B. The lot is accompanied by correspondence from Fred Meijer,

Curator, Department of Old Netherlandish Painting, Riksbureau voor
Kunsthistorische Documentatie (RKD) dated October 9, 2003, and
from Dr. Margret Klinge of Dusseldorf, Germany dated December 5,
2003, attributing the work at hand to a follower of David Teniers, the
Younger. There is also a dendrochronological analysis of the panel
made by Prof. Dr. Peter Klein from the University of Hamburg in 2006
indicating a date of 1647 onwards for the support.
$5,000-7,000

310
310. 311.
School of Thomas Gainsborough (British, 1727-1788) Manner of Jan Brueghel the Younger (Flemish, 1601-1678)
View Near Sudbury Jacob Wrestling the Angel

Unsigned, titled on a presentation plaque. Unsigned, inscribed “O.../Breughel/N...i” on the reverse of the panel.
Oil on canvas, 15 1/2 x 19 1/4 in. (39.4 x 48.9 cm), framed. Oil on panel, 6 9/16 x 8 in. (16.7 x 20.4 cm), framed.
Condition: Lined, retouch, craquelure, surface grime. Condition: Surface irregularities, abrasions and losses, discolored
varnish, panel bowed, craquelure.
N.B. Thomas Gainsborough spent his youth in Sudbury, Suffolk, in $1,000-1,500
southeastern England, where his father was a cloth merchant. His
early landscapes, done roughly between 1748 and 1752, depict
the chalky cliffs, cloud filled skies, gnarled trees, and rutted cart
tracks that characterized the Sudbury/Ipswich area. This painting
shares many of those elements, but was probably painted by a
contemporary of Gainsborough who pulled together vignettes from
other Gainsborough works. Even in his own time, Gainsborough had
many imitators. In his book, The Landscape Paintings of Thomas
Gainsborough: A Critical Text and Catalogue Raisonné (Ithaca, NY:
Cornell University Press, 1982), John T. Hayes illustrated several early
landscapes that relate to the painting at hand. Specific elements
found in this work include the seated figure (Hayes, cat. 29), the track
(Hayes, cat. 35) and the standing figure (Hayes, cat. 47). Although
clearly talented and skillful, the painter of this view of Sudbury does
not seem to have had the painterly touch of Gainsborough, himself.
We wish to thank Malcolm Cormack, Virginia Museum of Fine Arts

Paul Mellon Curator Emeritus, for his help with this entry.
$2,000-3,000
311

312
312.
Leopoldo Mariotti (Italian, 1848-1916)
Droving Steer
Signed and inscribed “Mariotti/Roma” l.l., with a label from Frederick
Keppel & Co., Chicago, on the stretcher.
Condition: Good.
$1,000-1,500

313
313.
Henry Enrico Coleman (Italian, 1846-1911)
Ox Cart Carrying Logs

Signed and inscribed “HE Coleman/Roma” l.l.
Watercolor on paper, sight size 10 x 20 1/2 in. (25.5 x 52.0 cm),
framed.
Condition: Mild toning and foxing, not examined out of frame.
$4,000-6,000

314.
Pietro Gabrini (Italian, 1856-1926)
Portrait of a Woman with Sleeping Infant in a Basket

Signed “P. Gabrini” l.c.
Watercolor and graphite on paper, sight size 6 x 4 1/2 in. (15.2 x
11.4 cm), framed within an oval format.
Condition: Oval trimmed and mounted to a backing sheet, minor
foxing.
$800-1,200
314
315.
John Gadsby Chapman (American, 1808-1889)
Grape Harvesters on the Campagna

Monogrammed, dated, and signed “...JGC 73/ROMA” on the barrel
l.r., also dedicated, signed, inscribed, and dated “For W.R. BARR.
ESQ.-N.Y....by John G. Chapman Rome 1873” on the reverse.
Oil on panel, 14 x 10 in. (35.6 x 25.4 cm), in a period frame.
Condition: Retouch.
$1,000-1,500
315

316
316.
Filippo Indoni (Italian, c. 1842-1908)
Young Fisherwoman with Basket

Signed “FIndoni” l.l.
Watercolor on paper, sight size 20 1/2 x 14 1/2 in. (52.0 x 36.7 cm),
framed.
Condition: Mild acid burn and foxing, not examined out of frame.
$3,000-5,000

317.
Eugenio Zampighi (Italian, 1859-1944)
A Drink from the Water Jug

Signed “EZampighi” l.r., identified on a presentation plaque.
36.2 cm), framed.
$4,000-6,000
318.
Alexander Rosell (British, 1859-1922)
A New Toy
Signed and dated “A...ROSELL 1908” l.l., titled and inscribed
“Roselli [sic]/A New Toy” on the reverse, dedicated “To the E R
Schmidt family” in pencil on the stretcher.
Condition: Small area of craquelure, surface grime.
Provenance: Gifted by Dr. A.J. Ochsner to Erwin Schmidt in 1920,

then by descent.
$1,800-2,200
317
318

319
319.
Eugenio Zampighi (Italian, 1859-1944)
An Afternoon Tea
Signed “EZampighi” l.r., identified on a presentation plaque.
36.2 cm), framed.
$4,000-6,000

320.
Emil Rau (German, 1858-1937)
The Delightful Gift/An Alpine Interior Scene

Signed and dated “E. RAU. 89.” l.l.
Oil on canvas, 33 3/4 x 27 1/2 in. (85.7 x 69.9 cm), unframed.
Condition: Lined, retouch, mounting bubbles, craquelure, varnish
inconsistencies.
$2,500-3,500
320
321.
Arnaldo Tamburini (Italian, 1843-1908)
A Monk Counting Change

Signed and inscribed “A. Tamburini/Florence” u.r.
Condition: Craquelure, surface grime.
$2,000-3,000
321

322
322. 322A.
Hans Andreas Dahl (Norwegian, 1881-1919) John Linnell (British, 1792-1882)
View with a Young Shepherdess on a Fjord Sunset Landscape with Windmill

Signed “Hans Andreas Dahl.” l.r. Signed “J. Linnell Snr/...” l.r., with a label from Richard Falkiner,
Oil on canvas, 40 x 60 in. (101.6 x 152.4 cm), framed. London, on the stretcher.
Condition: Retouch, craquelure, alligatoring, surface grime. Oil on paperboard mounted on canvas, 12 x 18 3/4 in. (30.3 x 47.8
$25,000-35,000 cm), framed (under Plexiglas).
Condition: Mild craquelure, old wear to corners.
$1,000-1,500
322A

323
323.
Francesco Signorini (Italian, 19th Century)
A Courtly Education
Signed and inscribed “Francesco Signorini/Roma” l.r.
Gouache, ink, and graphite on paper, sheet size 19 3/4 x 24
3/4 in. (50.2 x 62.9 cm), framed.
Condition: Laid onto backing mat, minor losses/pitting, toning,
staining.
$1,500-2,000
324.
Francis Sydney Muschamp (British, 1851-1929)
Tête-à-Tête
Signed “F. Sydney Muschamp” l.l.
Oil on canvas mounted to panel, 17 3/4 x 13 1/2 in. (45.1 x
34.3 cm), framed.
Condition: Retouch, craquelure.
$700-900
324

325.
Ettore Simonetti (Italian, 1857-1909)
A Love Token
Signed “Ettore Simonetti” in ink over pencil l.r., titled and inscribed
“C. 36..../MMS” on the reverse.
Watercolor and graphite on paper mounted to paperboard, 20 x 16
in. (50.8 x 40.7 cm), framed.
Condition: Toning.
$2,000-3,000
325
326.
Continental School, 19th Century
The Comic Debate

Unsigned.
Oil on panel, 21 3/8 x 17 5/8 in. (54.3 x 44.7 cm), framed.
Condition: Craquelure, varnish and surface inconsistencies,
abrasions from frame liner, nicks and wear to edges, surface grime.
$1,000-1,500
326

327.
Continental School, 19th Century
Consolation
Unsigned.
Condition: Lined, retouch, craquelure, surface grime.
$1,000-1,500
327
328.
After Sir Joshua Reynolds (British, 1723-1792)
A Strawberry Girl
Unsigned.
Condition: Lined, retouch, craquelure, restretched.
N.B. Sir Joshua Reynolds is known to have painted two

versions of A Strawberry Girl, identified as “Type A” and “Type
B.” The present work is modeled after “Type B,” located in the
Wallace Collection, London. Several copies of “Type B” after
Reynolds, or after his studio, are known to exist.
$1,500-2,500
328

329
329.
Auguste Toulmouche (French, 1829-1890)
Maternal Affection (Mother and Child)

Signed “A. TOULMOUCHE.” c.r., inscribed “A. TOULMOUCHE” on a
presentation plaque, identified on a label from Childs Gallery, Boston,
on the frame backing.
Condition: Stable craquelure, light surface grime.
Provenance: A private Massachusetts collection.

$25,000-35,000

330
330.
Benjamin West (Anglo/American, 1738-1820)
331
Two Drapery Studies
Unsigned, identified on a label from James Graham & Sons, New
York, affixed to the backing. 330A.
Chalk on blue paper, sight size 10 1/4 x 11 3/4 in. (26.0 x 29.8 cm), Horatio H. Couldery (British, 1832-1893)
framed.
Condition: Light mat burn and toning (including light staining/toning Supper Time
u.r.), not examined out of frame. Signed “Horatio H. Couldery” l.l., titled and initialed in pencil “...H.H.C’
on the reverse.
Provenance: Cyril Joseph Bowdring, Washington, D.C., to a private Watercolor on paper, sheet size 15 3/4 x 22 in. (40.0 x 56.0 cm),
collection by family descent. framed.
$1,000-1,500 Condition: Subtle rippling and foxing, scattered small abrasions,
brown paper tape or tape residue around perimeter recto and verso,
light staining to the reverse.
$2,500-3,000
331.
Benjamin West (Anglo/American, 1738-1820)
Head of a Bearded Man

York, affixed to the backing.
Charcoal on paper, sheet size 9 3/4 x 7 1/2 in. (24.8 x 18.4 cm),
framed.

$1,000-1,500
330A

332
332.
Antony Serres (French, 1828-1898)
Portrait of a Seated Nude in a Landscape

Signed “ANTONY SERRES” l.l.
Oil on canvas mounted on Masonite, 36 3/4 x 26 in. (93.4 x 66.0
cm), framed.
Condition: Retouch, craquelure, surface grime.
$3,000-5,000

333
333.
Charles Emile Jacque (French, 1813-1894)
View of a Shepherdess Watching a Grazine Ewe and Lamb at

Pasture
Signed “Ch. Jacques” l.r., with a partial label from Goupil’s, 170 Fifth
Avenue, New York, on the reverse.
Condition: Craquelure, subtle varnish inconsistencies, minor surface
grime.
$2,000-3,000

334
334.
Daniel Adolphe Robert Jones (Belgian, 1806-1874)
Highlands Landscape with Sheep and Pony Before a Loch

Monogram signed “AR Jones.” l.r.
Oil on canvas, 13 x 17 7/8 in. (33.0 x 45.4 cm), framed.
Condition: Very minor retouch, subtle varnish inconsistencies, minor
surface grime.
$3,000-5,000

335.
Hendrik Savry (Dutch, 1823-1907)
Cows at Rest in a Landscape

Signed “H. Savry f” l.r., with a Winsor and Newton, London,
canvas stamp on the reverse.
Condition: Punctures, retouch, patch reinforcements, paint
losses, abrasions, surface grime.
$1,500-2,500
335
336.
Rosalie (Rosa) Marie Bonheur (French, 1822-1899)
Walking Bull
Signed “Rosa B” within the cast, stamped “PEYROL” on the
base.
Bronze with reddish-brown patina, approximately 7 x 10 1/4
in. (17.8 x 26.0 cm).
Condition: Patch to belly, pinhole to base, probable filed
rods.
$3,500-5,500
336
337.
Albert Jurardus Prooijen (Dutch, 1834-1898)
View of a Figure with Cattle at a Pond

Signed “AJ Prooijen” l.r.
Oil on panel, 9 x 13 1/4 in. (22.9 x 33.7 cm), framed.
Condition: Surface grime.
$1,000-1,500
337

338.
Attributed to Jacobus Nicolas (Baron) Tjarda van
Starkenborg (Dutch, 1822-1895)
View of Cows and Sheep at Pasture

Unsigned.
Condition: Retouch, patch reinforcement, craquelure.
$2,000-3,000
338
339.
Manner of William Weekes (British, 1856-1909)
Donkey and Geese
Unsigned.
Oil on paperboard mounted on board, 8 1/4 x 11 1/2 in. (21.0
x 29.2 cm), framed.
Condition: Retouch, abrasions under frame liner, surface
grime.
$600-800
339
340.
Barend Hendrik Thier (Dutch, 1751-1814)
Pastoral Scene with Peasant and Animals in a Farmyard

Signed and dated “B. H. Thier/f 1782” l.l., identified on a
presentation plaque.
Condition: Abrasions from frame liner, mild craquelure, surface
grime.
$5,000-7,000
340

341
341.
Alfred Arthur Brunel de Neuville (French, 1851-1941)
Still Life with Asparagus

Signed “Brunel Neuville” l.l.
Condition: Lined, retouch, scattered craquelure.
$2,000-2,500
342.
Franz Xaver Wolf (Austrian, 1896-1989)
Portrait of George Friedrich Handel

Signed “F.X. Wolf” u.r., identified on a presentation plaque and label
affixed to the reverse.
Oil on panel, 19 1/2 x 16 in. (49.5 x 40.6 cm), framed.
Condition: Craquelure.
$800-1,200
342

342A.
Franz Xaver Wolf (Austrian, 1896-1989)
Portrait of Wolfgang Amadeus Mozart

Signed “F.X. Wolf” l.r., identified on a presentation plaque and label
affixed to the reverse.
$800-1,200
343.
Paul Lelong (French, 1799-1846)
Lot of Two Still Lifes with Fruits and Vegetables

Unsigned.
Gouache on paper, 6 9/16 x 9 1/8 in. (16.7 x 23.2 cm), both framed.
Condition: Minor retouch, minor abrasions, glue residue to the
reverse, trimmed sheets.
$2,000-3,000
342A
343

344.
Attributed to George Bowdler Buckton (British, 1818-1905)
Dieppe
Unsigned, identified “Dieppe by/G. B. Buckton Esq.” on a handwritten
label on the stretcher.
Condition: Scattered retouch, surface grime.
N.B. G.B. Buckton achieved renown as a scientist, specializing

in entomology and publishing extensively in this area. His works
often included his own illustrations. At age five, Buckton suffered
an accident that left him crippled for life. He became a fellow of the
Linnaean Society in 1845 and a Fellow of the Chemical Society in
1852. James Archer (Scottish, 1824-1904) painted a portrait of G. B.
Buckton in 1899.
$600-800
344
345.
British School, 19th Century
Victorian Still Life with Fuchsias, Snapdragons, and Roses

Signed and dated “E. Lynde 1863.” l.r., with a label from Winsor &
Newton, 38 Rathbone, London, on the reverse.
Oil on artist board, 13 x 9 in. (33.0 x 22.9 cm), framed.
Condition: Abrasions beneath the liner, surface grime, subtle varnish
inconsistencies.
$1,000-1,500
345

346
346.
Henriette Gerbes (Austrian, 19th Century)
Elaborate Still Life with Fruit

Signed “Henriette Gerb...” l.r.
Condition: Lined, retouch, stable craquelure.
$4,000-6,000

347
347. 348.
William Baptiste Baird (American, 1847-1917) Henry Hillier Parker (British, 1858-1930)
View of a River, Probably The River Dee The Thames Looking Toward Henley
Monogram signed “WB· BAIRD” l.r., inscribed “THE RIVER DEE/ Signed “Henry H. Parker” l.r., titled, signed, and inscribed “...Henry H.
FROM BOMBAY” on the reverse. Parker... 5689” and with a canvas stencil from G. Robertson & Co.
Oil on canvas, 13 1/8 x 18 1/8 in. (33.3 x 46.0 cm), framed. Ltd., London, on the reverse.
Condition: Fine craquelure. Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed.
$800-1,200 Condition: Craquelure, surface grime.
$1,500-2,500
348

349
349. 349A.
Théodore Rousseau (French, 1812-1867) George Blackie Sticks (British, 1843-1938)
Paysage d’Auvergne Lot of Two Scottish Views: Glengarry Castle in the Highlands and
Initialed “THR” l.l., titled, inscribed, and dated “Paysage d’Auvergne Lake View, Probably Loch Hourne
Théodore Rousseau 1830” on the stretcher. Monogram signed “GB Sticks” l.c. and l.l., respectively.
Oil on canvas, 15 1/8 x 20 1/8 in. (38.4 x 51.2 cm), framed. Oil on circular paper mounted to matboard, diameter approximately 5
Condition: Retouch, surface grime. 3/4 in. (14.6 cm), both framed.
$6,000-8,000 Condition: Minor surface grime.
$700-900
349A

350
350. 351.
Jacob Maris (Dutch, 1837-1899) Ole Peter Hansen Balling (Norwegian, 1823-1906)
On the Maas, Holland Feeding the Chickens

Signed “J. Maris” l.r., identified on an obscured presentation plaque. Signed and dated “Balling 1871” l.r., identified on a presentation
Oil on canvas, 22 3/8 x 28 5/8 in. (56.8 x 72.7 cm), framed. plaque, with a Whitlock & Keenan, Brooklyn, New York, canvas
Condition: Retouch, patch reinforcements, craquelure. stencil on the reverse.
$1,800-2,200 Oil on canvas, 10 x 14 in. (25.4 x 35.6 cm), framed.
Condition: Retouch, craquelure.
$3,000-4,000
351

352
352. 353.
Francois B. De Blois (Canadian/American, 1829-1913) Willem Vester (Dutch, 1824-1871)
River Scene, Possibly a View Along the St. Lawrence River View of Figures by a Bridge and Windmill
Monogram signed and dated “.FB.deBlois./-1872-” l.l., identified on a Signed “W. Vester” l.l.
label affixed to the stretcher. Oil on canvas mounted to board, 17 3/4 x 28 in. (45.1 x 71.1 cm),
Oil on canvas, 12 3/4 x 19 1/4 in. (32.4 x 48.9 cm), unframed. framed.
Condition: Lined, retouch, craquelure. Condition: Retouch, craquelure, varnish inconsistencies.
$700-900 $800-1,200
353

354
354. 355.
David Adolf Constant Artz (Dutch, 1837-1890) Ida Beatrice Mead (American, 1882-1983)
View of a Dutch Polder Landscape Path by a Pond/A California View

Signed “ARTZ.” l.r. Signed and dated “I. B. Mead 1914” l.r.
Oil on panel, 10 1/8 x 15 1/2 in. (25.7 x 39.4 cm), framed. Oil on canvas, 20 x 30 in. (50.8 x 76.2 cm), framed.
Condition: Minor retouch. Condition: Craquelure, surface grime.
$2,000-3,000 $800-1,200
355

356
356.
Hippolyte Camille Delpy (French, 1842-1910)
River Scene at Sunset

Signed “H.C. DELPY” l.r.
Oil on board, 16 1/4 x 27 7/8 in. (41.5 x 71.0 cm), framed.
Condition: Retouch.
$2,500-3,500
357.
Anglo/American School, 19th Century
Moss Covered Cottage by a Stream

Unsigned.
Condition: Lined, retouch, craquelure.
$600-800
357

358
358. 359.
James McDougal Hart (American, 1828-1901) Arthur Russell Hurtt (American, 1861-1938)
Rocky Mountain Goat Emigration Canyon & Salt Lake

Signed “James M. Hart.” l.r., titled on the reverse, exhibition labels Signed and indistinctly dated “A.R. HURTT...” l.l., identified on period
from Colorado Springs Fine Arts Center, Colorado Springs, Colorado; labels, one initialed “A.R.H.” l.r., affixed to the reverse.
Colorado State University, Fort Collins, Colorado; The Museum / Oil on artist board, 9 1/4 x 12 1/4 in. (23.5 x 31.1 cm), framed.
Texas Tech University, Lubbock, Texas; and The Western Association Condition: Mild wear/losses to corners/edges, mild surface grime.
of Art Museum Directors affixed to the reverse.
Oil on canvas mounted onto board, 11 x 14 in. (27.9 x 35.6 cm), Provenance: A private Massachusetts collection.
framed. $1,000-1,500
Condition: Wear/losses to edges, retouch, surface rubs.
$1,000-1,500
359

360.
Hermann Ottomar Herzog (German/American, 1832-1932)
Alpine Study
Signed “H Herzog” l.l.
Oil on canvas, sight size 7 x 4 3/4 in. (17.8 x 12.1 cm), framed.
Condition: Scattered retouch, varnish inconsistencies and
fluorescence, surface grime, not examined out of frame.
$700-900
361.
Adolf Ernst Meissner (German, 1837-1902)
The Little Lamb

Signed and inscribed “Ernst Meissner/-München” l.r.
Condition: Retouch, lined, craquelure.
$800-1,200
360
361

362
362. 363.
Attributed to Philipp Reinagle (British, 1749-1833) Zacharias Noterman (German, 1820-1890)
Pero, Son of Pluto Mealtime

Unsigned, titled, and inscribed “...Painted at Thornville Royal/By Signed “Zach. Noterman.” l.l.
Reinagle...” on the reverse, inscribed on the stretcher and marked Oil on cradled panel, 12 1/2 x 16 in. (31.7 x 40.6 cm), framed.
with a red wax seal. Condition: Subtle varnish inconsistencies, minor abrasions along
Oil on canvas, 15 1/4 x 21 in. (38.6 x 53.2 cm), framed. frame liner.
Condition: Lined, minor retouch, stable craquelure. $500-700
$1,500-2,000
363

364
364.
Robert Cleminson (British, fl. c.1864-1903)
The Next Catch/Fall Landscape with Dog and Pheasant

Signed “R. Cleminson” l.l.
Condition: Retouch, scattered craquelure, surface grime.
$1,800-2,200

364A
364A. 365.
Attributed to John Frederick Herring, Sr. (British, 1795-1865) Scott (Nicholas Winfield) Leighton (American, 1849-1898)
Horses at a Village Watering Trough, Winter, c. 1840 Horse and Jockey

Unsigned. Signed “SCOTT LEIGHTON” l.l.
Oil on canvas, 35 1/2 x 55 1/2 in. (90.0 x 141.0 cm) framed. Oil on canvas, 12 1/4 x 15 1/4 in. (31.1 x 38.7 cm), framed.
Condition: Lined, minor craquelure, yellowed varnish. Condition: Lined, scattered retouch, craquelure, minor skinning.
$7,000-9,000
Provenance: Jeffrey Alan Gallery, New York, to a private Southern
collection.
$700-900
365

366.
Manner of Samuel Spode (British, fl. 1825-1858)
View of a Thoroughbred and Terrier

Unsigned, with an illegible note affixed to the reverse.
Condition: Retouch, skinning, craquelure, surface grime.
$1,000-1,500
366
367.
Louis Charles Bombléd (French, 1862-1927)
The Stag Hunt

Signed “Ch. Bombléd” l.l.
Condition: Patch reinforcement, retouch, craquelure, minor
surface grime.
$1,500-2,500
367
368.
Scott (Nicholas Winfield) Leighton (American, 1849-1898)
Two Horses in a Stall

Signed “Scott Leighton” and titled indistinctly on the reverse,
with a label from Richard W. Oliver Auctioneers, Kennebunk,
Maine, affixed to the frame.
Condition: Minor retouch, minor abrasions, craquelure.
$800-1,200
368

368A
368A. 369.
Félix Ziem (French, 1821-1911) Paul Charles Emmanuel Gallard-Lépinay (French, 1842-1885)
Venetian Canal Scene, c. 1890-1900 View of Saint Mark’s Square, Venice

Signed “Ziem” l.r., identified on a presentation plaque on the frame. Signed and dated “E. Gallard-Lépinay 1873” l.r.
Oil on cradled panel, 14 x 20 7/8 in. (35.5 x 53.0 cm), framed. Oil on canvas, 18 1/2 x 25 3/4 in. (47.0 x 65.4 cm), in a frame liner.
Condition: Minor paint losses, abrasions, small areas of pigment Condition: Lined, signature partially reinforced, retouch, craquelure
fluorescence, surface grime.
N.B. The Association Félix Ziem, represented by M. Mathias Art Jan
N.B. The Association Félix Ziem, represented by M. Mathias Art Jan and David Pluskwa, has confirmed the authenticity of this work. It will
and David Pluskwa, has confirmed the authenticity of this work. It will be reproduced in the forthcoming catalogue raisonné..
be reproduced in the forthcoming catalogue raisonné. $800-1,200
$18,000-22,000
369

370.
Richard Caton Woodville, Jr. (British, 1856-1926)
Lot of Two Portraits: Albanian Frontier Guards at Prayer and

Middle Eastern Rider on an Arabian Horse
Each signed and dated “R. Caton Woodville. 1889” l.l., Frontier
identified on a label affixed to the reverse.
Gouache on paperboard, sight size 14 x 10 1/2 in. (35.6 x 26.7 cm),
framed.
Condition: Skinning to margins and reverse, tape residue to the
reverse, tape hinged to window mat.
$1,500-2,500
371.
Attributed to Sir Charles D’Oyly, Esq. (British, 1781-1845)
View of Benares [Varanasi] Along the River Ganges, Uttar

Pradesh, India
Unsigned, inscribed “Sir C. Doyley” on a label from John Mathieson &
Co., Edinburgh, Scotland, on the reverse.
Condition: Lined.
370 $600-800
371

372
372. 373.
Thomas Bush Hardy (British, 1842-1897) Attributed to Vettore Zanetti Zilla (Italian, 1864-1945)
Oxwich Bay. Near Swansea. S. Wales Mediterranean Fishing Boat

Signed, dated, and titled “T.B. Hardy 1897...” l.l. Signed “Zanetti” l.l., with a label from J. Eastman Chase, Boston, on
Watercolor on paper, sight size 11 1/8 x 23 3/4 in. (28.3 x 60.3 cm), the backing paper.
framed. Watercolor on paper, sheet size 14 3/8 x 21 3/8 in. (36.5 x 54.3 cm),
Condition: Foxing, not examined out of frame. framed.
$800-1,200 Condition: Subtle toning, foxing, sheet mounted to cardboard
backing.
$1,500-2,500
373

374
374. 374A.
Georges Jean Marie Haquette (French, 1854-1906) Theodore Alexander Weber (German, 1838-1907)
Fishermen in a Dory off the White Cliffs Ketches on a Blustery Day

Signed “G-Haquette” l.l., identified on a presentation plaque on the Signed “Th Weber” l.l.
frame. Oil on canvas, 13 1/4 x 21 3/4 in. (33.7 x 55.2 cm), framed.
Oil on canvas, 24 x 32 in. (61.0 x 81.3 cm), framed. Condition: Retouch, craquelure, minor surface grime.
Condition: Lined, retouch, stable craquelure, surface grime. $600-800
$2,200-2,800
374A

375.
Charles Bridgeman Vickery (American, 1913-1998)
Sailing At Full Mast

Signed “Charles Vickery” l.r.
Condition: Varnish inconsistencies, fine scattered
craquelure, surface grime.
$1,200-1,800
375
376.
Edward John Russell (Canadian/American, 1832-1906)
View of Boston Harbor

Monogram signed and dated “EJRussell 1896” l.l., illegible
inscription l.r.
Watercolor on paper mounted to board, 17 x 31 1/2 in.
(43.2 x 80.0 cm), unframed.
Condition: Minor abrasion, pale foxing.
$2,500-3,500
376
377.
Barlow Moore (British, 1834-1897)
View of a Racing Yacht

Signed and dated “BARLOW MOORE 88” l.r., identified on
the paper backing.
Gouache and graphite on paper, 14 3/4 x 20 3/4 in. (37.5 x
52.7 cm), framed.
$700-900
377

378
378.
Antonio De Simone (Italian, 1851-1915)
Two-Masted Schooner with British Royal Navy Flag

Signed and dated “De Simone 1863” l.r.
Condition: Very minor retouch, craquelure.
$3,000-5,000

379
379.
William Bradford (American, 1823-1892)
Labrador Coast Settlement

Unsigned.
Oil and charcoal on canvas on a panel stretcher, 28 x 45 in. (71.1 x
104.2 cm), framed.
N.B. Richard Kugler has kindly contributed the following paragraph:
“During the early years of his career as an artist, Bradford made six
summer visits to the coast of Labrador, finding there a steady flow of
icebergs and the primitive housing of its native inhabitants. He would
later undertake an even bolder venture in the steam-powered vessel
Panther, which carried two photographers who took some of the
earliest photographs of the Arctic scene.”
$5,000-7,000

380
380.
William Bradford (American, 1823-1892)
Arctic View, The Polaris in Winter Quarters at Thank God Harbor

Signed “Wm Bradford” l.l., identified on a label affixed to the back of
the frame.
Oil on canvas (en grisaille), 20 x 30 in. (50.8 x 76.2 cm), framed.
Condition: Minor scattered retouch in sky, craquelure.
N.B. Richard Kugler has kindly contributed the following paragraphs:
“In 1875, William Bradford completed a 6 x 10-foot painting, now

in the Glenbow Museum, depicting an ill-fated attempt to reach the
hitherto unvisited North Pole. By an act of Congress, fifty thousand
dollars was allocated for the purpose, along with a steam-powered
vessel, the Polaris, made available by the U.S. Navy. A group of
scientists was also assembled to establish the exact location of
the Pole. On September 31, 1871, the vessel sailed to northern
Greenland and set up a base for the scientific party at Thank God
Harbor.
From the start, the expedition was troubled as rival factions engaged,
presumably over the conduct of the ship’s commander, Charles
Francis Hall, who died from arsenic poison shortly after the base
was established. With his death, the remainder of the crew and the
scientific party abandoned the purpose of the voyage and departed
from the Arctic without completing its mission.”
$10,000-15,000

381
381. 382.
American School, 19th/20th Century Gamaliel Waldo Beaman (American, 1852-1937)
View of Two-Masted Schooners off the Coast Eagle Rock, Singing Beach, Manchester, Massachusetts
Unsigned, inscribed “THOMAS BRICHER” in a later hand on the Signed and dated “WBEAMAN ‘98” l.r., information affixed to the
stretcher. backing.
Oil on canvas, 16 x 28 in. (40.6 x 71.1 cm), framed. Oil on canvas, 18 1/2 x 34 in. (47.0 x 86.4 cm), framed.
Condition: Losses along tacking edges, craquelure, minor surface Condition: Mounted to solid support over stretcher, light surface
grime. abrasions, craquelure with alligatoring, pigment fluorescence
$1,500-2,000 (including parts of the signature), minor wear/losses to edges, surface
grime.
$1,200-1,800
382

383
383.
Robert Salmon (Anglo/American, 1775-1844)
Smugglers, Moonlight with Lantern

Signed and numbered “No. 607/Painted by Robert Salmon” in ink
and inscribed “1829” in pencil, probably in a later hand, on the
reverse.
Condition: Small losses/abrasions to u.r. quadrant, alligatoring,
surface grime.
Provenance: A private Massachusetts collection.
Literature: John Wilmerding, Robert Salmon: Painter of Ship & Shore,

Boston: Peabody Museum of Salem and Boston Public Library, 1971,
p. 90.
$7,000-9,000

384.
Edmund Darch Lewis (American, 1835-
1910)
Rowboat on a Lake
Signed and dated “Edmund D. Lewis 1901” l.l.
Watercolor and graphite on paper, sight size 9
1/4 x 20 1/4 in. (23.4 x 51.4 cm), framed.
Condition: Foxing, minor toning, not examined
out of frame.
$700-900
384
385.
George M. Hathaway (American, 1852-1903)
View of a Cove with a Steamer in the

Distance
Signed “G M Hathaway” l.l.
Oil on artist board, 6 1/2 x 10 3/4 in. (16.5 x
27.3 cm), framed.
$800-1,200
385
386.
Emma Levinia Swan (American, 1853-1927)
Coastal View with Figures and Rowboats

at Dusk
Signed “-E. L. SWAN.” l.r.
Oil on canvas, 6 1/2 x 12 in. (16.5 x 30.5 cm),
framed.
Condition: Craquelure, minor surface grime.
$800-1,200
386

387
387. 388.
George M. Hathaway (American, 1852-1903) Edmund Darch Lewis (American, 1835-1910)
Portland Head Light Schooner on the Atlantic

Signed “G.M. Hathaway.” l.l. Signed and dated “Edmund D. Lewis 1893.” l.r.
Oil on board, 6 1/4 x 10 1/4 in. (15.9 x 26.0 cm), framed. Watercolor on paper, 13 x 26 in. (33.0 x 66.0 cm), framed.
Condition: Surface grime. Condition: Foxing, toning, acid burn, not examined out of frame.
$800-1,200 $700-900
388

389
389.
William Morris Hunt (American, 1824-1879)
Young Woman on a Balcony

Monogrammed “WMH.” l.r.
Oil on canvas, 16 1/2 x 12 in. (41.9 x 30.5 cm), in a period Arts &
Crafts frame.
Condition: Slight canvas deformations at lower corners.
$3,000-5,000
390.
Henry Bacon (American, 1839-1912)
The Artist’s Easel

Signed “Bacon.” l.r.
Oil on board mounted onto panel, 8 x 6 in. (20.3 x 15.2 cm), framed.
Condition: Retouch (including repaired tears), light varnish
inconsistencies, very mild wear to edges, surface grime.
$1,000-1,500
390

391.
British School, 19th Century
Portrait of Two Young Boys with Cricket Ball and Bat

Indistinctly signed and dated “.../1890” l.r.
Condition: Lined, retouch, craquelure, expansion bolt stretchers.
$3,000-5,000
391
392.
Benjamin West (American, 1738-1820)
Standing Figure (After Sculpture)

York, affixed to the backing.
Charcoal on paper, 24 x 14 in. (61.0 x 35.6 cm), framed.
$1,200-1,800
392

393
393. 394.
Julian Letour (French, 19th/20th Century) Paul De Longpre (Franco/American, 1855-1911)
Still Life with Strawberries and Blue and White Pottery Still Life with Flowers and Pitcher
Signed “Julian Letour” l.l. Signed “Paul de Longpre.” l.r.
Gouache on paperboard, 19 3/16 x 28 1/8 in. (48.7 x 71.5 cm), Watercolor with whiting on paper/board, sight size 12 1/2 x 23 1/4 in.
framed. (31.75 x 59.1 cm), framed.
Condition: Abrasions with paint losses at edges. Condition: Toning, scattered staining/foxing, not examined out of
$800-1,200 frame.
$1,000-1,500
394

395
395.
John William Hill (American, 1812-1879)
Still Life of Blackberry Branches

Signed and inscribed “drawing by J. W. Hill” l.r.
framed.
$800-1,200

396
396.
James Crawford Thom (American, 1835-1898)
Winter Scene with Children Sledding

Signed “J.C. THOM” l.r.
Condition: Retouch, abrasions, varnish inconsistencies.
$1,500-2,000
397.
William Morris Hunt (American, 1824-1879)
The Boot Black

Monogrammed “WMH” l.r., titled and inscribed on the stretcher,
identified on a tag affixed to the frame back.
Condition: Lined, scattered dots of retouch, small paint loss l.c.,
stable craquelure.
Provenance: Cyril Joseph Bowdring, Washington, D.C.,to a private

$2,000-3,000
397

398
398.
George Albert Frost (American, 1843-1907)
Dog Sledding
Signed and dated “G.A. Frost./1875” l.r., identified on a presentation
plaque and on a label from Alexander Gallery, New York, on the
stretcher.
Condition: Signature possibly reinforced, retouch, patch
reinforcement, rippling, craquelure, stretcher bar marks.
$8,000-12,000

399.
Enoch Wood Perry, Jr. (American, 1831-1915)
Girl Quilting
Signed, inscribed, and dated “E. Wood Perry N.A. ‘85” l.l., auction
catalogue fragments affixed to the stretcher.
Condition: Craquelure, retouch, subtle varnish inconsistencies.
Provenance: Autograph Collection, Rare Etchings and Engravings,

Water Colors and Oil Paintings, Curios, Etc. Collected by George
Alfred Townsend, C.F. Libbie & Co. Auctioneers and Appraisers,
Boston, Massachusetts, April 8, 1909, lot 529.
$6,000-8,000
399
400.
Hugo Breul (American, 1854-1910)
Leisure Hour
Signed “Hugo Breul” twice l.l., identified on a label affixed to the
stretcher.
Condition: Craquelure, losses/abrasions, skinning l.l., canvas
deformations.
Provenance: Estate of N. David Scotti, Providence, Rhode Island.

$3,000-5,000
400

401
401.
Edward Lamson Henry (American, 1841-1919)
Gossips
Signed and dated “E L Henry./1907 “ l.r., identified on a presentation
plaque on the frame.
$18,000-22,000

402
402. 403.
Franco/American School, 19th Century Frank Clifton Brown (American, 1883-1969)
Still Life with Fruit Peaches in a Glass Compote

Signed and dated “Seybert. 185...” l.r. Signed “F. C. Brown.” l.r. identified on a presentation plaque.
Oil on canvas, 17 3/4 x 21 1/4 in. (45.0 x 54.0 cm), framed. Oil on academy board, 9 1/4 x 12 1/4 in. (23.5 x 31.1 cm), framed.
Condition: Lined, retouch, canvas deformation c.l., stable craquelure. Condition: Craquelure, minor paint losses, surface grime.
$800-1,200 $600-800
403

404
404. 404A.
John Edward Hollen (American, 1814-1881) Arnoud Wydeveld (Dutch/American, 1823-1888)
Still Life with Fruit Still Life with Fruit

Signed and dated “J.E. Hollen/1862.” l.r. Signed “A. Wydeveld” l.l., identified on a label from Bernard & S.
Oil on panel, 16 1/2 x 21 in. (41.9 x 53.3 cm), framed. Dean Levy, Inc., New York, on the backing.
Condition: Craquelure, minor retouch, varnish inconsistencies. Oil on artist board, 9 1/2 x 11 1/4 in. (24.1 x 28.6 cm), framed.
$4,000-6,000 Condition: Minor retouch, minor abrasions.
$600-800
404A

405
405. 406.
Edward Chalmers Leavitt (American, 1842-1904) Susie Dugan (American, b. 1860)
Still Life with Peaches and Grapes Still Life with Roses, Bananas, and Figs on Damask
Signed and indistinctly dated “EC Leavitt...” l.l., a partial label from Signed and dated “S. W. Dugan 1897.” l.r., a label from Randall E.
Bigelow & Jordan, Boston, affixed to the reverse. Decoteau Antiques & Fine Arts, Warren, Massachusetts, affixed to the
Oil on canvas, 8 x 20 in. (20.3 x 50.8 cm), framed. backing.
Condition: Punctures with losses c.r., tape reinforcement on the Oil on canvas, 24 x 16 in. (61.0 x 40.6 cm), framed.
reverse, retouch, varnish inconsistencies, surface rubs, surface grime. Condition: Scattered retouch, varnish inconsistencies (including area
$1,000-1,500 of signature), craquelure.
$1,000-1,500
407.
Gamaliel Waldo Beaman (American, 1852-1937)
Still Life with Peaches

Signed and dated “WBEAMAN ‘93” l.r.
Oil on canvas mounted to board, 9 x 13 in. (22.9 x 33.0 cm), framed.
Condition: Retouch, subtle varnish inconsistencies.
Provenance: Skinner, Inc., November 22, 1991, Sale 1412, Lot 84.
$800-1,200
406 407

408.
Fall River School, 19th Century
Still Life with Cherries

Unsigned, a label from Arthur W. Hubbard, Boston, on the
frame reverse.
Oil on canvas, 14 x 20 in. (35.6 x 50.8 cm), stretched with
Boston tabs, framed.
Condition: Minor surface grime.
$1,000-1,500
408
409.
Barton Stone Hays (American, 1826-1914)
Still Life with Peaches and Grapes

Signed “B.S. Hays.” l.r., information on the artist affixed to the
backing.
Condition: Lined (with solid support), retouch, minor scattered
craquelure.
$1,000-1,500
409
410.
Benjamin (Ben) Foster (American, 1852-1926)
Still Life with Apples and Stein

Signed “Ben Foster” u.r.
$800-1,200
410

411
411.
Jeanne Rongier (French, fl. 1869-1900)
Portrait of a Seamstress at Rest

Signed “J. Rongier.” l.r., with a canvas stencil from Durand Ruel,
Paris, on the reverse. 412
Condition: Abrasions beneath frame liner, tack holes to margins,
craquelure, alligatoring, surface grime.
N.B. Rongier was a student of Henri Harpignies, Évariste Luminais,

and Louis Henri Senart, debuting at the Paris Salon of 1869. The
sitter’s trade is indicated by the spool of thread and scissors resting
on the table, and relates to a larger known composition, Sewing by
Candlelight until Early Dawn.
$1,000-1,500
412.
James Henry Moser (American, 1854-1913)
Young Boy Selling Flowers

Signed and dated “...J.H.MOSER-/-1888-” l.l.
Watercolor on paper, sight size 13 x 8 5/8 in. (33.0 x 21.9 cm),
framed.
Condition: Scattered staining and foxing, not examined out of frame.
$1,500-2,000
413.
American School, 19th/20th Century
Portrait of a Young Woman with Shawl

Signed “Ha...kins” l.r.
$700-900
413

414
414.
Thomas Moran (American, 1837-1926)
Falls of Schuylkill
Signed and dated “T. Moran. 1857.” l.l., titled (probably in a later
hand) l.l.
Sepia ink wash and graphite on paper, sheet size 9 x 7 in. (22.9 x
17.8 cm), framed.
Condition: Toning, subtle mat burn, tape hinged to backing mat.
Provenance: Through the collection of Dr. T. Edward Hanley,

Bradford, Pennsylvania; Cyril Joseph Bowdring, Washington, D.C., to
a private collection by family descent.
$8,000-12,000

415
415. 416.
American School, 19th Century American School, 19th Century
Field in Autumn, Possibly New Hampshire Old Threshing Mill on Houghton Brook
Unsigned. Monogrammed and dated. “CW.../69” l.l., titled on the stretcher.
Oil on canvas, 10 1/8 x 18 in. (25.7 x 45.7 cm), framed. Oil on canvas, 12 x 20 in. (30.8 x 51.0 cm), framed.
Condition: Retouch, patch reinforcement, craquelure, minor surface Condition: Lined, retouch.
grime. $600-800
$700-900
416

417
417. 417A.
American School, 19th Century Robert Melvin Decker (American, 1847-1921)
View of a Field with Haystacks at Dusk The Old Barn After a Thaw
Unsigned. Signed “R M DECKER” l.l., titled and inscribed “...R.M. Decker” in
Oil on canvas, 12 1/4 x 20 in. (31.1 x 50.8 cm), framed. pencil on the stretcher.
Condition: Wax lined, retouch, craquelure, varnish inconsistencies. Oil on canvas, 14 x 20 in. (35.6 x 50.8 cm), in a frame liner.
$700-900 Condition: Craquelure, minor surface grime.
$600-800
417A

418
418.
Chauncey Foster Ryder (American, 1868-1949)
Landscape with Figure on a Hay-filled Ox Cart

Signed “Chauncey F. Ryder” l.l.
Oil on canvas, 15 1/8 x 18 1/8 in. (38.4 x 46.0 cm), in a Stanford
White-style reproduction frame.
Condition: Lined, craquelure, minor retouch.
$5,000-7,000

419
419.
Woodland Scene, c. 1880

Signed “Childe Hassam” l.l.
Watercolor on Michallet laid paper, sheet size 18 3/4 x 23 7/8 in.
(47.6 x 60.6 cm), framed.
Condition: Paper tape hinges, paper restoration and patches, tear to
u.l. quadrant, acid burn verso, deckled edges.

N.B. We wish to thank Kathleen M. Burnside for her assistance with

cataloguing the lot, and the work will be included in the forthcoming
Childe Hassam catalogue raisonné by Stuart Feld and Kathleen M.
Burnside.
$40,000-60,000

420
420. 421.
George Herbert McCord (American, 1848-1909) Eliot Candee Clark (American, 1883-1980)
Sunset Landscape The Magical Hour/A View of Kent, Connecticut

Signed “G. H. McCord ANA” l.l. and identified on a presentation Signed “Eliot Clark” l.r., title and artist inscribed on a period label
plaque. affixed to the reverse, location inscribed on the reverse.
Oil on canvas, 12 x 16 in. (30.3 x 40.8 cm), framed. Oil on board, 20 x 24 in. (50.8 x 61.0 cm), framed.
Condition: Slight rippling to canvas. Condition: Retouch, varnish inconsistencies, surface losses, surface
$2,000-3,000 grime.
$1,500-2,000
421

422
422.
Alexander Wüst (American, 1837-1876)
Evening Landscape
Signed and dated “Alex. Wüst 68” l.r.
Condition: Lined, retouch, stable craquelure.
$4,000-6,000

423
423. 424.
Milton H. Lowell (American, 1848-1927) Robert Melvin Decker (American, 1847-1921)
The Lowell House Beside a Duck Pond View of a Clearing Through a Grove
Signed “MHLOWELL” l.r. Signed “R.M. Decker” l.l.
Oil on canvas, 16 x 20 in. (40.9 x 51.0 cm), framed. Oil on canvas, 25 x 30 1/4 in. (63.5 x 76.8 cm), framed.
Condition: Craquelure, subtle varnish inconsistencies. Condition: Minor retouch, craquelure, surface grime.
$1,500-2,500
Provenance: Skinner Inc., Boston, March 7, 2003, Sale 2190, Lot
439.
$800-1,200
424

425
425. 426.
John Appleton Brown (American, 1844-1902) Hezekiah Anthony Dyer (American, 1872-1943)
View of a Rowboat on a Wooded Lake Shore The White House on the Lake
Signed “J. Appleton Brown” l.l., with a canvas stencil from Signed “-H.A. Dyer-” l.l.
Wadsworth Howland and Co., Boston, on the reverse. Watercolor and graphite on paperboard, 11 x 15 in. (27.9 x 38.1 cm),
Oil on canvas, 24 x 34 in. (61.0 x 86.4 cm), framed. framed.
Condition: Subtle varnish inconsistencies, craquelure, surface grime. Condition: Not examined out of frame.
$4,000-6,000 $700-900
426

427
427.
Charles Edwin Lewis Green (American, 1844-1915)
Cows Drinking at a Lake

Signed “C E L Green” l.r.
Oil on paperboard, 8 x 12 in. (20.3 x 30.5 cm), framed.
Condition: Retouch, signature partially reinforced, small abrasion to
l.r. quadrant, minor craquelure, surface grime.
$800-1,200

428
428.
Edmund Darch Lewis (American, 1835-1910)
Mountain Landscape with Fishermen

Signed and dated “Edmund D. Lewis 1879” l.r., inscribed “Loaned
by/Mr. Armand S...” on the reverse.
Condition: Patch reinforcements, retouch, paint losses, craquelure,
discolored varnish, surface grime.
$2,000-4,000

429
429.
William Barr (American, 1867-1933)
Moonrise, California
Signed “Wm Barr” l.r., titled and inscribed in pencil “...Wm. Barr” on
the stretcher.
Condition: Possible old retouch, varnish inconsistencies, surface
grime.
$3,000-5,000

430
430.
Arthur Hoeber (American, 1854-1915)
The Golden Glow

Signed “Arthur Hoeber” l.r., titled and inscribed on the reverse with
the artist’s name and “Nutley, N.J.”
Condition: Lined with window left to show inscription, retouch.
Provenance: Skinner, Inc., Boston, Sale 980, Lot 130, June 21,
1984, illus.
$3,000-5,000

431.
Clarence Doore (American, 1913-1988)
Gunfight in the Canyon by Moonlight

Signed “CDoore” l.l.
Oil on paperboard, 14 1/4 x 10 1/4 in. (36.2 x 26.0 cm), framed.
$800-1,200
431
432.
Clarence Doore (American, 1913-1988)
Heat at High Noon

Signed “CDoore” l.r.
Oil on paperboard, 20 1/2 x 17 in. (52.1 x 43.2 cm), framed.
Condition: Surface grime, framer’s notations and crop marks in the
margins.
$800-1,200
432

433
433.
Eanger Irving Couse (American, 1866-1936)
Camp at Night, 1923

Signed “E.I.COUSE.N-A-” l.l.
Oil on artist board, 12 x 16 in. (30.5 x 40.6 cm), in a Couse-designed Taos Arts & Crafts frame (under glass).
Condition: Minor losses.
Provenance: A private New England collection.
Literature: Falk, Peter, ed., The Annual Exhibition Record of the National Academy of Design, 1901-1950, Madison: Sound View Press, 1990, p.
147.
Exhibitions: National Academy of Design Annual Exhibition, March 16–April 15, 1923, exh. no. 260.
N.B. We wish to thank Virginia Couse Leavitt for her assistance with cataloguing the lot. The work will be included in her forthcoming catalogue
raisonné on the artist.
The Couse-designed frame is significant to the present work, and reflects the Arts and Crafts philosophy of beautiful utility. Though many of the
Taos school artists chose hand-carved frames for their works, Couse is one of the few that worked closely with framemakers to create distinctive
motifs and finishes “mated” for particular paintings. Couse likely derived his highly-stylized motifs from Southwestern Indian pottery and other
artifacts that he collected.1 He was also known to finish his frames with earth tones, “often adding washes of color through the interstices of
the carving to bring the frame into closer harmony with the particular lighting in the painted image.”2 The frame on the present work closely
resembles one designed by Couse for “Indian Drinking from a Lake,” c. 1911-1925, in the Cincinnati Art Museum collection. Both share deep,
incised lines and abstracted fan-shaped motifs.
As a pictorial device, Couse favored single-figure compositions tightly cropped. In the way that his frames attract the viewer’s attention through
their bold patterning, it may be argued that his frames truly “contain” rather than expand the pictorial space, imparting a greater intimacy to the
moments depicted.
1. Mills, Sally, “From Parlors to Pueblos: Frames for the American West, 1855-1925,” The Gilded Edge: The Art of the Frame, San Francisco: Chronicle Books, 2000, p. 120.
2. Ibid.
$50,000-70,000

434
434. 435.
American School, 19th/20th Century William Joseph Schaldach (American, 1896-1982)
View of Travelers through a Jungle New Mexico Landscape, 1949

Unsigned. Signed and dated “Wm J. Schaldach/March ‘49” l.r.
Oil on canvas mounted to Masonite, 25 1/8 x 37 1/2 in. (63.8 x 95.3 Watercolor on paper, sight size 15 x 21 in. (38.0 x 53.5 cm), framed.
cm), framed. Condition: Toning, not examined out of frame.
Condition: Retouch, losses/abrasions, craquelure, surface grime. $600-800
$700-900
435

436.
Buckeye Blake (American, b. 1946)
“The Cowgirl” Fannie Steele

Signed “BUCKEYE BLAKE” and editioned and dated “8/12 © 84” in
the cast on the reverse, identified on a presentation plaque on the
base.
Bronze with brown patina, 7 x 5 1/2 x 4 1/2 in. (17.8 x 14.0 x 11.5
cm), on a wood base.
Condition: Good.
$800-1,200
437.
Robert Ottokar Lindneux (American, 1871-1970)
A Dangerous Visitor
Signed and dated “Robt. Lindneux/1918. © 1919” l.r.
Condition: Retouch, craquelure with lifting, patch reinforcement,
paint loss, canvas deformation.
$1,200-1,800
436
437

438.
Jane Peterson (American, 1876-1965)
View Towards San Francisco

Signed “JANE PETERSON” l.l., identified on labels from Hirschl &
Adler, Inc., New York, and James Graham & Sons, New York, on the
backing.
Gouache on paper, 24 x 18 in. (61.0 x 45.7 cm), framed.
$3,000-5,000
439.
Dodge MacKnight (American, 1860-1950)
Orizaba, Mexico, 1911

Signed “Dodge MacKnight” l.l., identified on labels from Doll &
Richards, Inc., Boston, and Gallery Reese Palley, Atlantic City, New
Jersey, on the backing.
framed.

438 collection by family descent.
$2,000-3,000
439

440
440. 441.
Alexander A. Dzigurski (Yugoslavian/American, 1911-1995) Attributed to Dodge MacKnight (American, 1860-1950)
Mountain Landscape with River, Possibly Utah Ranch Hands and Field Hands/A Double-sided Composition
Signed A. Dzigurski” l.r., inscribed “Utah” in pencil on the stretcher. Unsigned.
Oil on canvas, 24 x 30 in. (61.0 x 76.1 cm), framed. Watercolor and graphite on paper, sheet size 21 x 26 1/8 in. (53.3 x
Condition: Patch reinforcement, minor craquelure. 66.4 cm), framed.
$1,500-2,000 Condition: Abrasion to u.r. quadrant, tack holes to corners, subtle
mat burn, paper tape hinged to backing mat.

$600-800
441

442
442.
Dodge MacKnight (American, 1860-1950)
The Fisherman, c. 1930

Signed “Dodge MacKnight” l.l., identified on labels from the Fogg Art
Museum, Cambridge, and the Museum of Fine Arts, Boston, on the
backing.
57.8 cm), framed.
Provenance: Through the collection of Evelyn Sears, Locust Hill,

Waltham, Massachusetts, to Cyril Joseph Bowdring, Washington,
D.C., to a private collection by family descent.
Exhibitions: Dodge MacKnight Memorial Exhibition, Museum of Fine

Arts, Boston, 1950.
$1,200-1,800
443.
No lot.

444
444.
Spear Fishing
Signed and dated “F.W. Benson/’28” l.l.
Watercolor on paper, sheet size 24 x 20 in. (63.4 x 50.8 cm), framed.
Condition: Mild toning, mild mat burn along edges. subtle rippling.

$30,000-50,000

445
445.
Vladimir Lazarev (Russian, b. 1904)
View of Travelers Riding in a Troika

Signed “V. Lazarev.-” l.l.
Condition: Subtle varnish inconsistencies, craquelure, surface grime.
$1,500-2,500

446
446. 447.
Randall Vernon Davey (American, 1887-1964) Henry Koehler (American, b. 1927)
Jockeys on Horseback Unsaddling, Churchill Downs

Signed “Randall Davey” l.l. Signed “Henry KOEHLER” l.l., titled, signed, dated, and inscribed
Watercolor and graphite on paper, sight size 8 1/2 x 11 1/2 in. (21.6 “...Henry KOEHLER. 1973...’’ on the reverse.
x 29.2 cm), framed. Oil on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.
Condition: Toning, not examined out of frame. Condition: Pigment fluorescence, surface grime.
$700-900 $1,500-2,000
447

448
448. 449.
Robert Verity Clem (American, b. 1933) Robert Verity Clem (American, b. 1933)
Sparrow Hawk, 1972 Eiders Getting Up, 1971

Signed and dated “Robert Verity Clem/1972” l.l., titled, inscribed, Signed and dated “Robert Verity Clem/1971” l.l., titled, inscribed, and
and dated “...Chatham/1972” and signed in ink beneath a copyright dated “...Chatham, November, 1971” and signed beneath a copyright
stamp on the reverse. stamp in ink on the reverse.
Watercolor on paper, 20 5/8 x 29 1/2 in. (52.5 x 75.0 cm), matted, Watercolor on paper, sheet size 18 1/2 x 30 in. (47.0 x 76.2 cm),
unframed. matted, unframed.
Condition: Staining u.c., subtle rippling, affixed to the window mat Condition: Foxing, mounted to window mat with masking tape.
with linen tape and brown paper tape, tape residue around perimeter
of the reverse. Provenance: Acquired from the artist by Robert O. Muller (1911-
2003), former proprietor of Merwin’s, New Haven, Connecticut, and
Provenance: Acquired from the artist by Robert O. Muller (1911- Japanese woodblock print collector; then by family descent to his
2003), former proprietor of Merwin’s, New Haven, Connecticut, and wife, estate of Ingeborg Lee Muller (1919-2004).
Japanese woodblock print collector; then by family descent to his $8,000-12,000
wife, estate of Ingeborg Lee Muller (1919-2004).
$5,000-7,000
449

450
450. 451.
Robert Verity Clem (American, b. 1933) Robert Verity Clem (American, b. 1933)
Moorland Road, 1990 Waiting, 1987

Signed “Robert Verity Clem” l.r., titled, inscribed, and dated “... Signed “Robert Verity Clem” l.l., titled, inscribed, and dated
Chatham, 1990” and signed beneath a copyright stamp in ink on the “...Chatham, 1987” and signed beneath a copyright stamp in ink on
reverse. the reverse.
Watercolor on Arches paper, 13 1/2 x 18 1/2 in. (34.3 x 47.0 cm), Watercolor on Arches paper, sheet size 20 x 29 3/8 in. (51.0 x 74.5
matted, unframed. cm), matted, unframed.
Condition: Mounted to window mat with masking tape along four Condition: Affixed to window mat with masking tape.
sides.
Provenance: Acquired from the artist by Robert O. Muller (1911-
Provenance: Acquired from the artist by Robert O. Muller (1911- 2003), former proprietor of Merwin’s, New Haven, Connecticut, and
2003), former proprietor of Merwin’s, New Haven, Connecticut, and Japanese woodblock print collector; then by family descent to his
Japanese woodblock print collector; then by family descent to his wife, estate of Ingeborg Lee Muller (1919-2004).
wife, estate of Ingeborg Lee Muller (1919-2004). $10,000-15,000
$4,000-6,000
451

452
452. 452A.
William Earl Singer (American, 1910-1981) Wayne Beam Morrell (American, b. 1923)
Bahia de la Habana Governor’s Palace, Santa Fe

Signed, titled, and dated “William Earl Singer...1946” l.r. Signed “WAYNE MORRELL” l.l., inscribed “Santa Fe, N. Mexico” l.r.,
Watercolor on paper, sheet size 18 7/8 x 23 3/4 in. (47.9 x 60.3 cm), titled, dated, and inscribed “...Oct. 1982...” on the reverse.
framed. Oil on canvasboard, 22 x 28 in. (55.9 x 71.1 cm), framed.
Condition: Subtle rippling, subtle toning, not examined out of frame. Condition: Minor surface grime.
$1,000-1,500 $1,200-1,800
452A

453.
Dwight Blaney (American, 1865-1944)
House on the Homosassa River, Florida

Signed and dated “Dwight Blaney. 1894.” l.l., identified in an
inscription in a later hand on the backing, a partial Foster Brothers
label affixed to the reverse.
Watercolor on paper/board, sight size 19 1/2 x 13 1/2 in. (49.5 x
34.3 cm), framed.
Condition: Toning, light scattered staining, subtle rippling, not
Provenance: A Massachusetts estate.

$1,500-2,000
453A.
Alfredo Helsby (Chilean, 1862-1933)
A Muddy Road (near Santiago)

Signed “Alfredo Helsby” l.l., titled in pencil on the stretcher.
Oil on canvas, 28 3/4 x 36 1/4 in. (73.0 x 92.0 cm), in a 1926 Carrig-
Rohane frame.
N.B. In 1903 Boston painters Charles Prendergast and Hermann

Dudley Murphy, along with the carver and gilder Walfred Thulin,
joined together to start a framing business. Beginning in 1906, the
business was known as the Frame Shop of Hermann Dudley Murphy.
It was incorporated in 1911 as the Thulin-Murphy Company. In 1914,
the name was changed to the Carrig-Rohane Shop, after the Irish
village of Murphy’s father. In 1915, Murphy turned management of
the business over to Robert C. Vose. At its peak, the shop employed
fifteen people and provided custom frames to museums, galleries,
and collectors throughout America. In 1939 the corporation was
dissolved, and the operation moved to the Vose Galleries’ premises.
These notes are based upon information from the Smithsonian
Institution’s catalogue entry for the microfilm records of the Carrig-
Rohane Shop.
453 $5,000-7,000
453A

455
454. 455.
Dent Robinson (American, 20th Century) William Baxter Closson (American, 1848-1926)
Summer Picnic/A California Landscape Windblown Pine/A California Coastal View

Monogrammed, signed, and dated “DR/DENT ROBINSON/46” l.r. Signed “Wm Baxter Closson” l.r., identified “From the collection of/
Oil on canvas, lunette composition, 36 x 39 3/8 in. (91.4 x 100.0 cm), William Baxter Closson” on a label from the Wm. Filene’s Sons
framed. Company, Boston on the reverse.
Condition: Retouch, scattered craquelure, minor scattered surface Oil on artist board, 22 x 26 3/4 in. (55.8 x 67.9 cm), framed.
losses, surface grime. Condition: Surface grime.
$1,500-2,000
Provenance: Skinner, Inc. Sale 2387, Lot 304, November 16, 2007.
$2,500-3,000
454

456
456. Prior to moving West, Lowell had traveled and written extensively on
Jane Peterson (American, 1876-1965) Far East Asia, specifically Japan, documenting life and customs in the
1880s. Like other educated men of his social standing and time, he
His Bungalow/Percival Lowell’s House, Flagstaff, Arizona was fascinated by exotic culture and was inspired to understand it.
Signed “JANE PETERSON” l.r., identified on a label from Hirschl & His interest “…to know and interpret the dynamic and vital evolution
Adler Galleries, Inc., New York, on the backing. of other worlds…” parlayed into a focus on planetary research, and
Gouache on paper, sheet size 18 x 24 in. (45.7 x 61.0 cm), framed. Lowell chose to build his observatory in Flagstaff due to its high
Condition: Not examined out of frame. elevation and clear air which was ideally suited for viewing the night
sky.1
Literature: Leonard, Louise, Percival Lowell: An Afterglow, Boston:
Richard G. Badger, 1921, pp. 18, 70 (illus.) The present work depicts Lowell’s Arts and Crafts bungalow in the
high desert of Arizona. The incongruity of this style to the landscape
N.B. Percival Lowell, a descendant of the original Boston Lowell (and his wishful attempt to grow Japanese iris in the desert) speaks
Family, built the Lowell Observatory in Flagstaff, Arizona, in 1894. He to the deep influence of Japonisme on his aesthetics.
is credited with laying the groundwork for the discovery of Pluto in
1930, which he had only speculated to exist before his death in 1916. 1. Leonard, Louise. Percival Lowell: An Afterglow. Boston: The Gorham Press, 1921.
pg. 7, 39.
$3,000-5,000

457
457. 458.
Dodge MacKnight (American, 1860-1950) Arthur Trevithan Nowell (British, 1862-1940)
New England Dunes The Seashore Colonsay/A Scottish View

Signed “Dodge MacKnight” u.l., identified on a label from Raydon Signed “A T Nowell.” l.r., titled on the reverse.
Gallery, New York, affixed to the backing. Watercolor on paper mounted to board, sheet size 14 1/4 x 24 3/8
Watercolor on paperboard, 15 x 22 in. (38.1 x 55.9 cm), framed. in. (36.2 x 61.9 cm), framed.
Condition: Tape hinged to window mat. Condition: Not examined out of the frame.
$700-900
N.B. According to the Raydon Gallery label, the present work was
exhibited at the Union League Club, New York, 1980.
$2,000-3,000
458

459
459. 460.
Harold Broadfield Warren (American, 1859-1934) Anson Kent Cross (American, 1862-1944)
Rocky Cove Summer View of a Rocky Shore

Signed and dated “H.B. WARREN/1907” l.r., with a partial label from Signed “A.K. Cross” in pencil l.r.
the Worcester Art Museum on the back of the frame. Oil on canvas, 17 x 25 1/4 in. (43.2 x 64.1 cm), framed.
Watercolor on paperboard, 10 x 13 7/8 in. (25.4 x 35.2 cm), framed. Condition: Craquelure, minor retouch, pigment fluorescence.
Condition: Small abrasion c.l., mild wear along edges. $800-1,200
N.B. Sold to benefit the Framingham History Center, Framingham,

Massachusetts.
$300-500
460

461
461. 462.
Jay Hall Connaway (American, 1893-1970) American School, 20th Century
Summer Sea, alternatively titled October Sea Cape Ann Scene

Signed and dated “Connaway 42” l.r., artist and title inscribed Unsigned.
on the stretcher and frame, identified on labels from Tomorrow’s Oil on canvas, 23 7/8 x 28 in. (60.7 x 71.2 cm), framed.
Masterpieces Inc., New York, and the Macbeth Gallery, New York, Condition: Craquelure, surface grime.
affixed to the reverse. $600-800
Condition: Surface losses, light washes of retouch, craquelure,
surface rubs and mild abrasions, surface grime.
$1,200-1,800
462

463.
Anna Elizabeth Allen (American, 1881-1959)
Boothbay Harbor, Maine

Signed or inscribed “A.E. Allen” l.r., titled and inscribed “...Anna
Elizabeth Allen/Orange City, Florida” in pencil on the stretcher.
Condition: Good.
$600-800
464.
Antonio Cirino (American, 1889-1983)
Italian Fishing Boats

463
Signed “A. CIRINO” l.l., titled on the reverse.
Oil on canvas, 20 x 24 in. (50.8 x 61.0 cm), unframed.
Condition: Craquelure, minor surface grime.
$2,000-3,000
464

465.
Leon Lundmark (American, 1875-1942)
Clearing Sky - Lake Superior

Signed “LUNDMARK” l.r., artist identified on a presentation plaque,
$1,000-1,500
465
466.
Sandor Bernath (American, 1892-1984)
Lighthouse
Signed “S. BERNATH” l.r.
Mixed media (watercolor and oil) on paper, sight size 11 x 14 in. (27.9
x 35.6 cm), framed.
Condition: Mat burn, not examined out of frame.
$700-900
466
467.
Charles Paul Gruppe (American, 1860-1940)
Breakers at Bass Rocks, Massachusetts Coast

Signed “Chas. P. Gruppe” l.l., titled and signed “...Chas. P. Gruppe”
on the reverse.
Oil on canvasboard, 12 x 16 in. (30.5 x 40.6 cm), framed.
Condition: Minor retouch, craquelure, surface grime.
$800-1,200
467

468
468. 469.
Dwight Blaney (American, 1865-1944) Arthur Trevithan Nowell (British, 1862-1940)
Coastal View Breakers

Signed and dated “Dwight Blaney. 19” l.l. Signed “A.T. Nowell” l.r., titled and inscribed in pencil on mat board
Oil on panel, 10 x 14 in. (25.4 x 35.6 cm), framed. support.
Condition: Very slight bowing to panel, retouch, surface grime. Watercolor on paper, sheet size 17 1/4 x 23 1/2 in. (43.5 x 59.7 cm),
$1,500-2,000 framed.
Condition: Toning, foxing, sheet mounted to mat board support.
$600-800
469

470
470. 471.
Emile Albert Gruppé (American, 1896-1978) Carl William Peters (American, 1897-1980)
Harbor View, Probably Gloucester Fishing Boat: Rockport, Mass.

Signed “Emile A. Gruppé” l.r. Signed “Carl W Peters” l.r., signed and titled on the back of the
Oil on canvas, 25 x 30 in. (63.5 x 76.2 cm), framed. frame, information on the artist affixed to the backing, inscribed
Condition: Good. “Property of: Dorothy Evelyn Staff” in a later hand on the backing.
$5,000-7,000 Oil on canvasboard, 16 x 20 in. (40.6 x 50.8 cm), framed.
Condition: Scattered retouch, mild surface grime.
$1,000-1,500
471

472.
Max Kuehne (American, 1880-1968)
In the Harbor, Provincetown

Stamped “Kuehne” l.r., titled, signed, and dated “...Max Kuehne
1924” on the reverse.
Condition: Minor retouch, fine craquelure.
$2,000-3,000
473.
Franklin Edward Morris (American, b. 1938)
Mystic Seaport
Signed “-F.E. Morris- ©” l.l., identified on a label from Vixseboxse Art
Galleries Inc., Cleveland Heights, Ohio, affixed to the backing.
Condition: Pigment fluorescence (to signature), mild surface grime.
$1,200-1,800
472
473

474
474. 475.
Reynolds Beal (American, 1867-1951) Edward Arthur Wilson (American, 1886-1970)
Picnic at Wingaersheek Beach, 1942 View from Basseterre, St. Kitts, Leeward Islands, West Indies
Signed and dated “Reynolds Beal 1942” l.r., inscribed recto beneath Signed “EDW A. WILSON” in pencil l.r., identified and inscribed in the
the window mat “-WINGAERSHEEK BEACH - July, 1942/Picnic artist’s hand and with a label from Foster Brothers, Boston, on the
with the Paul Manship Family and the Gifford Beals.” in pencil along backing.
left and top margins, identified on labels from Galleries Maurice Watercolor and graphite on paper mounted to board, sight 8 7/8 x 12
Sternberg, Chicago, and C. W. Kraushaar Art Gallery, New York, in. (22.5 x 30.5 cm), framed.
affixed to the frame backing, and on a presentation plaque on the Condition: Subtle toning.
front of the frame. $800-1,200
Watercolor on paper, sheet size 7 3/8 x 11 in. (18.6 x 28.0 cm),
framed.
Condition: Toning, foxing and staining to the margins, handling
creases, two intentional holes along left margin from binding.
Literature: Sidney Bressler, Reynolds Beal: Impressionist Landscapes

and Seascapes, Rutherford: Fairleigh Dickinson University Press,
1989, p. 196 (Cat. No. 438).
$1,500-2,500
475

476
476.
Andrew Newell Wyeth (American, 1917-2009)
Low Water
Signed “Andrew Wyeth” in pen l.r., stamped and inscribed “...A1007”
on the backing, identified on a label from Doll & Richards, Inc.,
Boston, on the paper backing.
Watercolor and graphite on paper mounted to paperboard, sight size
16 1/8 x 21 3/8 in. (41.0 x 54.3 cm), framed.
Condition: Subtle toning, crop lines beneath window mat, glued to
window mat along top margin.
Provenance: Acquired from Doll & Richards, September 1943; gifted

to a Massachusetts family, September 1943; then by family descent
to the present owners.
Literature: Watercolors by Andrew Wyeth, Doll & Richards, October

24–November 5, 1938, no. 17 [exh. cat.]; Watercolors by Andrew
Wyeth, Doll & Richards, Boston, November 29 to December 14,
1940, no. 26 [exh. cat.].
Exhibitions: Watercolors by Andrew Wyeth, Doll & Richards, October

24–November 5, 1938, no. 17; Watercolors by Andrew Wyeth, Doll &
Richards, Boston, November 29 to December 14, 1940, no. 26.
$80,000-120,000

477
477. 478.
Jacob I. Greenleaf (American, 1887-1968) Emile Albert Gruppé (American, 1896-1978)
Peru, Vermont Covered Bridge in Snow, 1945

Signed “J. Greenleaf” l.r., identified on the artist’s label affixed to the Signed “Emile A. Gruppé” l.r., inscribed “Painted Fall 1945” on the
stretcher. stretcher.
Oil on canvas, 20 x 28 in. (50.8 x 71.1 cm), framed. Oil on canvas, 25 x 30 in. (63.5 x 76.0 cm), framed.
Condition: Good. Condition: Surface grime.
$800-1,200
Provenance: Nord and Ruth (Smith) Bowlen, Greenfield,
Massachusetts; by family descent to a private collection.
N.B. The lot includes two letters from Emile Gruppé to the painter
Nord Bowlen in Greenfield, Massachusetts, dated October 18, 1945
and July 11, 1958. The envelope from the 1945 letter bears the
following inscription, “Gruppé letter of the time this painting done at
a DVA demonstration. Great Guy. R.E.B.” “DVA” most likely refers to
the Deerfield Valley Art Association, and the inscription suggests that
this painting was done as a demonstration by Emile Gruppé.
$800-1,200
478

479
479.
Aldro Thompson Hibbard (American, 1886-1972)
Covered Bridge, Vermont, c. 1929

Signed “A.T. Hibbard-” l.l., identified on labels including one from The
North Shore Arts Association of Gloucester and inscribed “Purchased
by W.C. Bowlen 1929” in pencil on the stretcher.
Condition: Subtle craquelure.
Provenance: Purchased from The North Shore Arts Association of

Gloucester, August 29, 1929, by silversmith William Caldwell Bowlen,
Newburyport and Holyoke, Massachusetts; by family descent to
Nord and Ruth (Smith) Bowlen, Greenfield, Massachusetts; by family
descent to a private collection.
N.B. The original invoice, two handwritten letters from Jackie Hibbard
addressed to Mr. and Mrs. Nord Bowlen dated 1952 and 1958, and
two photographs of Jackie and Aldro Hibbard, accompany the lot.
$10,000-15,000

480
480.
Winter, Vermont
Signed “A.T. Hibbard” l.r.
Oil on canvas mounted to paperboard, 18 x 24 7/8 in. (45.5 x 63.2
cm), framed.
Condition: Surface grime, minor paint loss.
$7,000-9,000

481
481.
Antonio Cirino (American, 1889-1983)
Vermont Sugar Shack

Signed “A. CIRINO” l.r., titled and signed “...ANTONIO CIRINO”
in the artist’s hand on the backing, signed “Antonio Cirino” in
pen on an artist’s label affixed to the backing.
Oil on board, 18 x 20 in. (45.7 x 50.8 cm), framed.
Condition: Mild varnish inconsistencies, minor surface loss (l.l.
edge), surface grime/dust.
$1,500-2,000
482.
Winter Splendor
Signed and dated “Warren Long/1936” l.l., titled and inscribed
“...WARREN LONG...” on the tacking edge.
$800-1,200
482

483
483. 484.
Paul A. Randall (American, 1879-1933) LaMont Adelbert Warner (American, 1876-1970)
Winter Landscape with Woods and Stream Afternoon Light

Signed “Paul A. Randall” l.l., inscribed “Paul A. Randall” in pencil on Signed and dated “LaMont A Warner 1944” l.r.
the reverse. Oil on canvasboard, 16 x 20 in. (40.6 x 50.8 cm), within an Arts &
Oil on board, 20 x 23 7/8 in. (50.8 x 60.8 cm), framed. Crafts frame initialed “TL.”
Condition: Surface grime. Condition: Minor retouch, craquelure, surface grime.
$2,000-4,000 $600-800
484

485
485.
Laden Hemlock
Signed “A.T. Hibbard” l.r., inscribed “...3-X20...” on the reverse,
identified on a label from Vose Galleries, Boston, affixed to the
backing.
Condition: Scattered retouch, craquelure.
Provenance: Through the Estate of Clara Winslow Allen, wife of

Frank G. Allen, Governor of the Commonwealth of Massachusetts
from 1929 to 1931.
$15,000-20,000

486
486. 487.
Nicholas Berger (American, 20th/21st Century) Laurence Philip Sisson (American, b. 1928)
Out of Use Lot of Two Works: October Islands and Maine Sunset/A Double-
Signed and titled “...Nicholas Berger” l.l. sided Composition
Watercolor, ink, and graphite on paper, sight size 18 x 33 in. (45.7 x Islands signed “L. Sisson” l.l., titled and indentified on labels/
83.8 cm), framed. inscription on the reverse; Sunset signed “L. Sisson” l.l. on one side,
Condition: Not examined out of frame. the other side unsigned, identified on labels/inscription u.r.
$600-800 Watercolors with ink and tooling on Arches paper (embossed),
approximate sizes to 22 1/4 x 30 1/4 in. (56.5 x 76.8 cm), both
unframed.
Condition: Some deckled edges, pinholes at edges.
$1,000-1,500
487

488.
Nicholas Berger (American, 20th/21st Century)
The Apple Harvest

Signed “Nicholas Berger” in pen l.r.
Watercolor, ink, and graphite on paper, sight size 28 x 21 in. (71.1 x
53.3 cm), framed.
$700-900
489.
Laurence Philip Sisson (American, b. 1928)
Lot of Two Works: Fiddleheads and Sea and Japan Sea and Sun
Signed “L. SISSON” l.r. and l.l. respectively, each titled in pencil and
Watercolor on paper, sheet sizes 22 1/2 x 30 1/4 in. (57.2 x 76.8
488 cm), both unframed.
Condition: Deckled edges, tack holes to margins.
$1,200-1,800
489

490
490. 491.
Charles Henry Richert (American, 1880-1974) Franco/American School, 20th Century
Lot of Eight Maine Landscapes Field and Pines

Six signed “C.H. RICHERT.” l.r. or l.l., two unsigned, each with artist Signed and dated “H. Hoffritz 1919” l.l.
and location inscribed on the reverse. Oil on canvas, 30 1/4 x 36 1/2 in. (76.8 x 92.7 cm), framed.
Watercolor with graphite on paper, two mounted onto board, Condition: Lined, retouch, craquelure.
approximate sizes to 15 1/2 x 20 1/2 in. (39.4 x 52.1 cm), unframed $1,000-1,500
(one with front mat).
Condition: Toning, pale scattered staining and/or foxing (one with
area of staining u.c.), tape and residue verso, one with losses l.c.,
one sandwiched between supporting board and front mat.

$1,000-1,500
491

492
492. 493.
Clifford Warren Ashley (American, 1881-1947) Wayne Beam Morrell (American, b. 1923)
A Fall Meadow The Pond at Diss,/Above Yaxley, Suffolk, England, 1988,

Signed, dedicated, and dated “To Alice du Pont./.October 29th, alternately titled Geese and Duck Pond
1912/C.W. Ashley” l.l. Signed “Wayne Morrell” l.r., signed, titled, and inscribed “...WAYNE
Oil on canvas, 16 1/8 x 24 1/8 in. (40.9 x 61.3 cm), framed. MORRELL...” on the reverse, titled “Geese & Duck Pond’ on masking
Condition: Craquelure, retouch, varnish inconsistencies. tape on the back of the frame.
$2,500-3,500 Oil on Masonite, 22 x 28 in. (55.8 x 71.0 cm), framed.
Condition: Scattered minor paint losses.
$2,000-2,500
493

493A
493A. 493B.
Arthur Clifton Goodwin (American, 1864-1929) Joseph H. Greenwood (American, 1857-1927)
Summer Landscape, alternately titled Cloud Race View of a Meadow in Spring

Signed “A.C. Goodwin” l.l., identified on a label on the stretcher, titled Signed “JH Greenwood” l.l.
“Summer Landscape” and inscribed “Cloud Race” in pencil on the Oil on canvas mounted to board, 12 x 16 in. (30.5 x 40.6 cm), in an
stretcher. Arts & Crafts frame.
Oil on canvas, 25 1/4 x 30 in. (63.8 x 76.3 cm), framed. Condition: Signature reinforced, retouch, craquelure, surface grime.
Condition: Surface grime. $2,500-3,500
Provenance: A private East Coast collection since c. 1947.

$4,000-6,000
493B

493C
493C.
Joseph H. Greenwood (American, 1857-1927)
Autumn Landscape
Signed and dated “J H Greenwood ‘15” l.l.
Condition: Signature partially reinforced, craquelure, pigment
fluorescence.
$7,000-9,000

494
494. 495.
Carl William Peters (American, 1897-1980) George A. Renouard (American, 1885-1954)
Clearing the Brush on an Autumn Day Landscape with Three Figures in a Field
Signed “Carl W. Peters” l.r., inscribed “Property of: D. Evelyn Staff” Signed “Renouard” l.r., inscribed “George A. Renouard” in pencil on
on the backing. the stretcher.
Oil on canvasboard, 16 x 20 in. (40.6 x 50.8 cm), framed. Oil on canvas, 20 x 24 in. (51.0 x 61.0 cm), framed.
Condition: Pigment fluorescence. Condition: Paint losses from abrasion u.c., mild craquelure.
$800-1,200 $2,000-3,000
495

496
496. 497.
Antonio Cirino (American, 1889-1983) Robert E. Moore (American, 1956-2003)
Figure on a Country Road, Autumn Evening Meadow

Signed “A. CIRINO” l.r. Signed “-RE MOORE” l.l., identified on a Rockport Art Association
Oil on Masonite, 13 x 15 in. (33.0 x 38.1 cm), framed. exhibition label affixed to the stretcher.
Condition: Pigment fluorescence. Oil on canvas, 18 x 28 1/4 in. (45.7 x 71.8 cm), framed.
$1,000-1,500 Condition: Pigment fluorescence, extremely mild surface rubs u.l.
$1,500-2,500
497

498
498.
Lucy Scarborough Conant (American, 1867-1921)
Early Spring
Signed “Lucy S. Conant” l.r.
Condition: Craquelure, pigment fluorescence.
$700-900
499.
William McGregor Paxton (American, 1869-1941)
Spring by the River

Signed “PAXTON” l.r.
Oil on canvasboard, 20 x 15 7/8 in. (50.7 x 40.4 cm), framed.
Condition: Abrasions, bowing to support, surface grime.

$1,200-1,800
499

500
500.
Willard Leroy Metcalf (American, 1858-1925)
Purple and Gold/A Vermont Landscape

Signed and dated “W. L. METCALF. 1922” l.l., titled and inscribed “...1216...RF 5036-E” in pencil on the stretcher, with a label from E. & A.
Milch, Inc., New York, on the reverse.
Oil on canvas, 26 x 29 in. (66.0 x 73.7 cm), in a probable Albert Milch frame.
Provenance: A private New England collection.
Exhibitions: Exhibition of Paintings by Willard L. Metcalf, February 12–March 3, 1923, The Milch Galleries, New York, no. 5.
N.B. This painting will be included in the forthcoming catalogue raisonné of the works of Willard L. Metcalf by Ira Spanierman and Richard J.
Boyle.
The present work was one of fifteen works shown at a one-man exhibition in February 1923 that marked a critical point in Metcalf’s life and
career. Having suffered a series of personal disappointments and low artistic productivity in 1921, Metcalf lapsed into a bout of alcoholism lasting
several months. Metcalf, still in the grips of the addiction, was visiting Boston early in 1922 when several of his friends concerned for his well-
being intervened and called his art dealer, Albert Milch.1 Milch gave him an ultimatum: quit drinking or lose representation.2 Metcalf promised
to curb his drinking, and in a few months time, resolved to paint a group of superior works for an exhibit to be held a year later, in the early part
of 1923. During this year, Metcalf worked in primarily two Vermont locations: Lower Perkinsville for most of the winter through summer, and
Chester for the late summer through fall.
The present work is likely from his Chester period, where he created his tour-de-force work, Indian Summer (No. 3), 1922, presently in the Dallas
Museum of Art collection. A critic praised Indian Summer (No. 3) for its “reserved yet brilliant tones” that “permeate the canvas,” adding that, “a
beautiful light envelops the composition and the soft warm haze of the season is felt throughout.”3 The same may be said of the present work,
though it offers a quieter, resigning view.
Perhaps as much out of pride as an assurance to Milch that he intended to deliver on his promise, Metcalf made a diagram of the fifteen works
he had completed for his February exhibit. The present work is likely represented in the diagram as November Morning, as it is identical in
composition and size, and one may speculate that it was renamed to distinguish it from November in the same show. The sales from the exhibit
were highly successful for Metcalf, and he returned to Chester later in the month in high spirits.4
1. Boyle, Richard J., Elizabeth de Veer, Sunlight and Shadow: The Life and Art of Willard L. Metcalf, New York: Abbeville Press, 1987, p. 137.
2. Chambers, Bruce W., “Willard L. Metcalf: A Partial History of the Renaissance.,” Willard Metcalf: Yankee Impressionist, New York: Spanierman Gallery, 2003, p. 48.
3. Ibid., 148.
4. Ibid., 149.
$100,000-150,000

501
501. 502.
William Lester Stevens (American, 1888-1969) Gustave Adolph Wiegand (American, 1870-1957)
Landscape with Gnarled Tree Early Spring, Near Port Jervis, N.J.
Signed “W. Lester Stevens N.A.” l.r., inscribed “Billings” on the Signed “-GUSTAVE WIEGAND-” in pen l.r., titled and inscribed “by
reverse. Gustave Wiegand” on the reverse.
Oil on canvas, 16 x 20 in. (40.7 x 50.9 cm), framed. Oil on canvasboard, 12 x 16 in. (30.5 x 40.6 cm), framed.
Condition: Mild canvas deformation, surface grime. Condition: Surface grime.
$800-1,200
Provenance: Nord and Ruth (Smith) Bowlen, Greenfield,
Massachusetts; by family descent to a private collection.
$800-1,200
502

503
503. 504.
Emile Albert Gruppe (American, 1896-1978) Chauncey Foster Ryder (American, 1868-1949)
Landscape with River Bank and Birches Summer Hillside

Signed “Emile A. Gruppe” l.r. Signed “Chauncey F. Ryder” l.l.
Oil on canvasboard, 16 x 20 in. (40.6 x 50.7 cm), framed. Oil on canvas, 12 x 16 in. (30.5 x 40.6 cm), framed.
Condition: Good. Condition: Craquelure, minor retouch.
$4,000-6,000 $2,000-3,000
504

505
505. 506.
American School, 20th Century Walter Emerson Baum (American, 1884-1956)
View of Houses by a River River Scene

Unsigned, inscribed “Mudgett” in pencil and with a sketch on the Signed “W E BAUM” l.l., identified on an exhibition label from the
reverse, a label from Elder’s, Dayton, Ohio, on the reverse of the Miniature Painters, Sculptors & Gravers Society of Washington, D.C.
frame. on the reverse.
Oil on canvas, 20 x 16 in. (50.8 x 40.6 cm), framed. Oil on panel, 5 1/2 x 7 1/4 in. (14.0 x 18.4 cm), framed (under glass).
Condition: Craquelure, surface grime. Condition: Surface grime.
$1,000-1,500 $2,000-3,000
506

507
507.
Joseph Eliot Enneking (American, 1881-1942)
Road to the Village

Signed “J. Eliot Enneking” l.r., identified on a label from the Boston
Art Club, affixed to the reverse.
Condition: Subtle canvas deformations, craquelure.
$4,000-6,000

508
508. 509.
Florence (Mrs. Florence Leif Peers) Leif (American, 1913-1968) Agnes Anne Abbot (American, 1897-1992)
View of a Provincetown Graveyard Rockport Quarry, 1923

Unsigned, stamped “Estate of Florence Leif...Executor: Paul Signed, inscribed, titled, and dated “Agnes Abbot/Harvard,
Martiesian” on the stretcher. Mass./.../1923”on the reverse.
Oil on canvas, 16 1/8 x 20 in. (41.0 x 50.8 cm), unframed. Oil on canvas, 25 1/4 x 30 in. (64.0 x 76.0 cm), in a Paul Carter
Condition: Minor abrasions. Goodnow frame.
$600-800 Condition: Mild canvas deformations in corners.
$800-1,200
509

510.
Attributed to Mabel May Woodward (American, 1877-1945)
Village Street in Summer

Unsigned, identified on a label affixed to the reverse.
Oil on canvas, 20 x 16 in. (51.0 x 40.5 cm), in a Motyka frame.
Condition: Lined, retouch to former crease along vertical center axis
and u.r.
Provenance: From the family of a nephew of the artist in Alfred,

Maine, to Paul Lantagne, to the current owner.
$800-1,200
511.
Nathaniel Leander Berry (American, 1859-1929)
In the Old Town Marblehead

Signed “N. L. Berry” l.l., titled and dedicated “...To Mary from Father,
March 6, 1916” on labels affixed to the top stretcher and with a
label from W.C. Robinson, Lynn, Massachusetts, affixed to the side
stretcher, identified on a label affixed to the reverse of the frame.
510 Oil on canvas, 10 x 14 in. (25.4 x 35.6 cm), stretched with Boston
tabs, framed.
Provenance: Sold by the Peabody Essex Museum, Salem,

Massachusetts, for the benefit of acquisition funds.
$700-900
511

512
512. 513.
Attributed to Paul Cornoyer (American, 1864-1923) John Edward Costigan (American, 1888-1972)
Landscape with Sheep by a River Old John and His Goats

Incised “PAU...” l.l. Signed “J. E. Costigan” l.l., identified on labels from Raydon Gallery,
Oil on board, 8 x 10 in. (20.3 x 25.4 cm), in a Foster Brothers, New York, and an exhibition label from Weatherspoon Art Gallery (see
Boston, frame with medallion affixed to the reverse. below) affixed to the backing.
Condition: Surface grime, varnish inconsistencies. Watercolor with graphite on paper/board, sight size 18 x 22 in. (45.7
x 55.9 cm), framed.
Provenance: Through the family of Mr. and Mrs. Francis J. Oakes, Condition: Rippling to paper, subtle toning, not examined out of
Jr., Brookline, Massachusetts, by family descent. frame.
$1,000-1,500
Exhibitions: Art on Paper, Weatherspoon Annual Exhibition,
Weatherspoon Art Gallery, The University of North Carolina at
Greensboro, 1979; Union League Club, New York, 1980.
$1,500-2,000
513

514.
Abbott Fuller Graves (American, 1859-1936)
Watering the Flower Garden

Signed “Abbott Graves” l.r.
Condition: Paint losses, varnish inconsistencies, surface grime.
$3,000-5,000
515.
William Lester Stevens (American, 1888-1969)
Summer Landscape with Red Barn

Signed “W. LESTER STEVENS N.A.” l.r.
$3,000-5,000
514
515

516
516. 517.
Aiden Lassell Ripley (American, 1896-1969) Leon A. Makielski (American, 1885-1974)
Sketch-Zaandam Misty Morning, Giverny

Inscribed, titled, dated, and signed “R-933...June-1924/A.L. Ripley” Signed “Leon A. Makielski” l.r., titled in a later hand on the reverse,
on the reverse. identified on a label from D. Wigmore Fine Art, Inc., New York, on the
Oil on canvas, 18 x 21 1/2 in. (45.7 x 54.6 cm), framed. reverse of the frame.
Condition: Craquelure, restretched, minor abrasions, minor surface Oil on canvas mounted to board, 10 x 13 1/2 in. (25.4 x 34.3 cm),
grime. framed.
$700-900 Condition: Retouch.
$800-1,200
517

518
518. 519.
Charles Herbert Woodbury (American, 1864-1940) Dodge MacKnight (American, 1860-1950)
View of a Farmer in the Field Rain Shower

Signed and dated “C.H. Woodbury ‘94” l.l. Signed “Dodge MacKnight” l.l.
Oil on canvas, 14 x 20 1/4 in. (35.6 x 51.4 cm), framed. Watercolor on paper, sight size 16 1/2 x 23 in. (41.8 x 58.7 cm),
Condition: Lined, retouch, craquelure, abrasions, surface grime. framed.
$800-1,200 Condition: Not examined out of frame.
$1,200-1,800
519

520
520. 521.
Millo Bortoluzzi (Italian, 1868-1933) John Whorf (American, 1903-1959)
Two Figures on a Hillside Overlooking Village Roofs Alpine Home

Signed “M. Bortoluzzi” l.l. Dedicated, signed, and dated “To Ben from John Whorf - 1927” u.r.
Oil on canvas, 14 1/8 x 20 1/4 in. (36.0 x 51.4 cm), framed. Watercolor on paper/board, sight size 14 3/4 x 20 3/4 in. (37.5 x
Condition: Lined, retouch, stable craquelure. 52.7 cm), framed.
$2,500-3,500 Condition: Mild toning/mat burn, very subtle rippling, pinholes at
corners, brown paper tape and residue to the reverse.
$1,500-2,000
521

522
522. 523.
Hezekiah Anthony Dyer (American, 1872-1943) George Elbert Burr (American, 1859-1939)
View of Sorrento Panoramic View of Siena, Italy

Signed and inscribed “-H.A. Dyer./Sorrento-” in pencil l.r. Signed and inscribed “GEORGE · ELBERT · BURR./Siena.” l.l.
Gouache and graphite on paper, sight size 11 1/2 x 15 1/2 in. (29.2 x Watercolor and graphite on paper, 7 x 11 in. (17.8 x 27.9 cm),
39.4 cm), in a period frame. framed.
Condition: Not examined out of frame. Condition: Minor foxing, not examined out of frame.
$400-600 $800-1,200
523

524.
Caroline Helena Armington (American, 1875-1939)
L’entrie du verger à Bizy

Signed and dated “Caroline Armington 1923” l.l., titled and inscribed
“...par Caroline Armington.” in pencil and with a stamp from Lucien
Lefebvre-Foinet, Paris, on the reverse.
Condition: Good.
$800-1,200
524
525.
Marie (Bruner) Haines Burt (American, 1881-1979)
Fig Tree in the Garden

Signed “MARIE HAINES BURT” l.r., titled on a label affixed to the
reverse.
Oil on artist board, 29 x 25 1/2 in. (73.7 x 64.8 cm), framed.
Condition: Subtle bowing to board, surface grime.
Provenance: Sold to benefit the Bennington Museum, Vermont.

$200-250
525

526
526.
Abbott Fuller Graves (American, 1859-1936)
Portrait of a Young Breton Girl in a Summer Garden

Signed “-Abbott Graves-” l.l.
Condition: Scattered retouch, craquelure.
$7,000-9,000

527
527. 528.
Maurice Bismuth Lemaître (French, b. 1929) Andre (Gittelson) Gisson (American, 1921-2003)
Juin dans la Vallée de l’Aubetin, 1995 Flower Farm, Nantucket

Signed “Maurice Lemaître” l.r., titled and dated on the stretcher. Signed “Gisson” l.l., titled and inscribed “Gisson,” possibly in a later
Oil on canvas, 18 1/4 x 25 5/8 in. (46.2 x 65.2 cm), framed. hand, on the stretcher.
Condition: Good. Oil on canvas, 11 x 14 in. (27.8 x 35.5 cm), framed.
Condition: Good.
Provenance: Skinner, Inc., Boston, May 16, 2003, Sale 2194, Lot $800-1,200
340.
$1,800-2,800
528

529
529.
Joseph Henry Boston (American, 1860-1954)
An Afternoon Walk
Signed “Joseph H Boston... ANA” l.l., labeled “1502
Joseph.H.Boston” on the stretcher.
Condition: Patch reinforcement, retouch, craquelure.
$2,500-3,500

530
530. 531.
Henry Martin Gasser (American, 1909-1981) Lee Lufkin Kaula (American, 1865-1957)
The Offering/A Street Scene, Rome Old Stone Church Interior, La Chapelle, 1897
Signed and inscribed “H. GASSER/ROME” l.r., inscribed and titled Unsigned.
“#23/THE OFFERING/$300/HENRY GASSER” in a later hand on the Oil on canvas, 28 3/4 x 23 3/8 in. (73.0 x 59.5 cm), framed.
backing. Condition: Paint losses, craquelure, small area with lifting, surface
Watercolor and ink with charcoal on paper/board, sight size 15 x 21 grime.
in. (38.1 x 53.3 cm), framed.
Condition: Not examined out of frame. Exhibitions: Lee Lufkin Kaula 1865-1957, Post Impressionist of the
$1,000-1,500 Boston School, James R. Bakker Antiques and Robert E. Cleaves,
Groton, Massachusetts, March 9-23, 1974.
N.B. On July 20, 1897, William Kaula, future husband of the artist,
wrote in his diary, “Miss L. is painting an excellent interior of the old
stone church at La Chapelle. It is an old stained-whitewashed interior
with old wooden pews, stone floors and green mould [sic] creeping
up the side-walls. With the addition of a few figures, the priest, choir-
boy, and a few old women it will make an interesting work as it is
painted with a pleasing simplicity and good feeling for subdued color.
Miss L. has none of the insipid sentiment about the picturesque,
and has no desire to paint the anecdotal picture- the bane of art
students in Paris or France.” (Excerpted from the hand-written journal
of William J. Kaula, July 20, 1897, while sojourning in Crécy, France,
pp. 176-177.) The journal entry also mentions “Miss S,” presumably
Claire Shuttleworth, with whom Lee Lufkin traveled to Paris. Lee
Lufkin and William Kaula were married in 1902.
Accompanying this lot are a notarized letter of authenticity signed by

James R. Bakker and Robert E. Cleaves dated March 31, 1974, and
five volumes of William J. Kaula’s handwritten diaries from October
13, 1896, through July 25, 1903.
$1,500-2,500
531

532
532. 532A.
Henri Alexis Schaeffer (French, 1900-1975) Earl (Bill) Horter (American, 1881-1940)
Parisian Street Corner at Dusk Street View, Senlis, France

Signed and dated “H. Schaeffer/1961” l.r. Signed, inscribed, and dated “Seulis France/E Horter April ‘24” in
Oil on canvas, 19 3/4 x 25 3/4 in. (50.0 x 65.5 cm), framed. pencil l.r.
Condition: Slight canvas deformation l.l., water staining to the reverse Watercolor and graphite on paper, sheet size 13 x 14 7/8 in. (33.0 x
l.c. and l.r. 37.8 cm), framed.
$800-1,200 Condition: Toning, mat burn, rippling, minor foxing, surface grime.
$600-800
532A

533
533. 534.
Charles Constantine Hoffbauer (American, 1875-1957) Donald Teague (American, 1897-1991)
Loading the Haycart Greenwich

Signed or inscribed “Charles Hoffbauer” in pencil on the stretcher. Signed “DONALD TEAGUE N.A.” l.r., titled l.l.
Oil on canvas, 28 x 36 in. (71.1 x 91.4 cm), framed. Watercolor on paper, sight size 13 3/4 x 18 3/4 in. (34.9 x 47.5 cm),
Condition: Lined, retouch, craquelure. framed.
Condition: Sheet mounted to matboard, toning.
Provenance: Through Comenos Fine Arts, Boston. $4,000-6,000
$800-1,200
534

535
535. 536.
Trafford Partridge Klots (American, 1913-1976) Pierre Ladureau (French, 1882-1975)
Fishermen Drying Their Nets/A Brittany Coastal View Workers Loading a Horse Cart/A Saint-Tropez Dock Scene
Signed “Trafford Klots” l.l., identified on a presentation plaque. Signed, inscribed, and dated “P. Ladureau/St. Tropez-13” l.l.
Oil on canvas, 30 x 40 in. (36.2 x 101.6 cm), framed. Gouache and crayon on paper, sight size 19 1/2 x 26 3/4 in. (49.5 x
Condition: Surface grime. 67.9 cm), framed.
$1,000-2,000 Condition: Not examined out of frame.
$1,500-2,000
536

537
537. 538.
Hobart Nichols, Jr. (American, 1869-1962) Émile Salkin (Belgian, 1900-1977)
Working the Sails Le bassin de Carénage á Martiques

Signed “Hobart Nichols.” l.l. Signed “E. Salkin” l.l., titled and inscribed “...Marseill...” on a label
Watercolor and graphite on paper, sight size 20 3/8 x 26 3/4 in. (51.8 affixed to the reverse.
x 67.9 cm), framed. Oil on panel, 10 3/4 x 16 1/8 in. (27.3 x 41.0 cm), framed.
Condition: Not examined out of frame. Condition: Surface grime.
$800-1,200 $800-1,200
538

539
539. 540.
Joseph Henry Boston (American, 1860-1954) Karl Albert Buehr (American, 1866-1952)
View of a Harbor by Moonlight European Landscape View with River

Signed “JOSEPH BOSTON” l.l. Signed “K.A. BUEHR. A.N.A.” l.l.
Oil on artist board, 12 x 16 in. (30.5 x 40.6 cm), framed. Oil on canvas, 24 x 30 1/4 in. (61.0 x 76.8 cm), framed.
Condition: Minor retouch, minor skinning to signature, craquelure, Condition: Retouch, craquelure, tack holes to the margins, surface
surface grime. grime.
$800-1,200 $3,000-5,000
540

541
541.
Mariano Alonso Pérez (Spanish, 1857-1930)
Allegorical View of a Bastille Day Parade

Signed “Alonso-PEREZ” l.l., inscribed “A450” on the reverse.
Oil on canvas, 40 1/8 x 30 in. (101.9 x 76.2 cm), unframed.
Provenance: Estate of N. David Scotti, Providence, Rhode Island.

$7,000-9,000

542.
Lot of Two Studies of the World’s Fair, Chicago, 1893

Unsigned, each inscribed and dated “At the World’s Fair./Sept 93...”
in the margins l.r.
Watercolor and graphite on paper, sheet size 10 7/8 x 7 1/2 in. (27.6
x 19.1 cm), within a common frame.
Condition: Glued in margins to backing mat.
$800-1,200
542
543.
Maurice Grun (French, 1869-1947)
Quai de la Gare, Paris

Signed “M. Grun” l.l., titled on the stretcher and with stamps from
Carel Gallery, Miami Beach, Florida, on the reverse, identified on a
presentation plaque affixed to the backing.
$1,500-2,500
543

544
544.
Attributed to Arthur Wesley Dow (American, 1857-1922)
Lot of Two Landscape Sketches

Unsigned.
Oil on canvas mounted onto board, both 10 x 14 in. (25.4 x 35.6
cm), framed (under glass).
Condition: One with canvas loss u.r., surface rubs, surface grime.
N.B. In a report on these sketches, Frederick P. Moffatt noted that

from 1893-1900, Dow was experimenting with flattened forms,
synthesized colors, and asymmetrical compositions inspired by
Japanese woodblock prints, but he also continued to paint less
exotic interiors, landscapes and coastal scenes. The present
sketches compare most readily with the more conservative offerings
of the 1893-1900 period, and probably fall somewhere around 1900.
We wish to thank Frederick C. Moffatt for his help with this entry.
$600-800
545.
Russian School, 20th Century
Forest Glade
Unsigned, titled, and inscribed “...Sinyavsky...” on a label in Cyrillic on
the reverse.
Oil on paperboard, sight size 18 1/2 x 13 in. (47.0 x 33.0 cm),
framed.
Condition: Flaking, craquelure, not examined out of frame.
$2,000-3,000
545

546
546.
Arthur Clifton Goodwin (American, 1864-1929)
The Public Garden, Boston

Signed “A.C. Goodwin” l.l.
Oil on canvas mounted on Masonite, 31 3/4 x 39 in. (30.6 x 99.1
cm), framed.

$12,000-18,000

547.
Leon Louis Dolice (American, 1892-1960)
Washington Square, New York

Signed “DOLICE–” l.r.
Oil on board, 24 1/2 x 17 1/2 in. (62.2 x 44.4 cm), framed.
Condition: Mild surface grime.
$1,000-1,500
547
548.
Leon Louis Dolice (American, 1892-1960)
City Street
Signed “DOLICE-” l.r.
Condition: Extremely minor scattered craquelure and scattered
losses, surface grime.
$1,500-2,000
548

549
549.
John Whorf (American, 1903-1959)
Morning Walk in the Common

Signed and dated “John Whorf. ...5” l.r., titled and dated
“...ca.1945...” on a label from The Guild of Boston Artists affixed to
the reverse.
Watercolor on Arches paper, sheet size 22 x 30 in. (55.9 x 76.2 cm),
framed.
Condition: Brown paper tape and glue residue around the perimeter
of the reverse, toning, mild acid burn and foxing.
$4,000-6,000

550
550.
Aiden Lassell Ripley (American, 1896-1969)
The Railroad Crossing

Unsigned.
Condition: Minor craquelure, minor retouch.
Provenance: From a Newton, Massachusetts, estate to Skinner, Inc.,

Boston, September 17, 1993, Sale 1530, Lot 275; then to Frederic
Gallery, Littleton, Massachusetts.
$5,000-7,000
551.
Marie (Bruner) Haines Burt (American, 1881-1979)
House in the Hills

Signed “MARIE HAINES BURT” l.l., identified on labels on the reverse.
Condition: Surface grime, canvas deformations.
Provenance: Sold to benefit the Bennington Museum, Vermont.

$200-250
551

552
552. 553.
Victor Stanley Matson (American, 1895-1972) David Tutwiler (American, b. 1952)
Slums/A Southern California View American Freedom Train

Unsigned, inscribed “VICTOR MATSON,” possibly in the artist’s Signed and dated “David Tutwiler 1975” l.r., titled on the reverse.
hand, on the reverse, identified on a label affixed to the stretcher, Oil on canvas, 22 x 30 in. (55.9 x 76.2 cm), framed.
information about the artist affixed to the backing. Condition: Minor surface grime.
Oil on canvas, 18 x 22 in. (45.7 x 55.9 cm), framed. $800-1,200
Condition: Flaking (predominately at left edge), mild surface grime.
$1,800-2,200
553

554
554.
Milton Johnson (American, b. 1932)
Ruins of Old Howard Theater, Boston

Signed, titled, and dated “...1962 MILTON JOHNSON” in pen l.r.
Watercolor and ink on paper, sight size 24 x 33 1/2 in. (61.0 x 85.1
cm), framed.
$800-1,200
555.
Mrs. Goodwin at Devil’s Hole

Signed “A C Goodwin-” l.l., titled and identified on labels from the
Museum of Fine Arts, Boston, and the Addison Gallery, Phillips
Academy, Andover, on the backing paper.
Pastel on paper, sight size 21 1/8 x 16 in. (53.7 x 40.5 cm), framed.
Exhibitions: A.C. Goodwin 1864-1929, Museum of Fine Arts, Boston,

July 15–August 25, 1974, cat. no. 56.
$1,500-2,000
555

556.
Man Reading on a Park Bench

Signed faintly “A C G...” l.r.
Condition: Lined, retouch.

$2,000-3,000
556
557.
Maurice Golubov (American, 1905-1987)
Lot of Two Architectural Views

Signed “M. GOLUBOV” l.l. and l.r., respectively.
Gouache and graphite on paper, sight sizes to 6 1/2 x 4 3/4 in. (16.5
x 12.1 cm), framed.
$700-900
557

558
558. 559.
Marguerite de Corini (Hungarian, 1897-1982) Charles Peter Demetropoulos (Greek/American, 1912-1976)
View of Paris Cafes, Night Cafe View in Kolonaki, Athens

Signed, inscribed, and dated “PARIS, 42/m. de corini 1931” l.l., Unsigned, stamped “...Estate of Charles Demetropoulos...” on the
inscribed “Corini” on the reverse. reverse, inscribed and dated “Kolonaki/[August] 6, 1968/Athens” in
Oil on canvas, 19 3/4 x 25 3/4 in. (50.2 x 65.4 cm), framed. English and Greek l.r.
Condition: Minor losses/abrasions, craquelure, surface grime. Watercolor and graphite on paper, sight size 21 x 28 in. (53.3 x 71.1
$800-1,200 cm), framed.
Condition: Tape hinged to backing mat.
$600-800
559

560
560. 561.
Marie (Bruner) Haines Burt (American, 1881-1979) Charles Peter Demetropoulos (Greek/American, 1912-1976)
Fountain Park Copley at Night

Signed “Marie Haines Burt” l.l., identified on a label on the reverse. Unsigned, stamped “...Estate of Charles Demetropoulos...” on the
Oil on artist board, 30 x 22 in. (76.2 x 55.9 cm), framed. reverse.
Condition: Minor surface grime. Watercolor and graphite on paper, sight size 18 x 26 in. (45.7 x 66.0
cm), framed.
Provenance: Sold to benefit the Bennington Museum, Vermont. Condition: Tack holes to margins, brown paper tape to edges recto,
$200-250 tape hinged to backing mat.
$600-800
561

562
562.
Pierre Lelong (French, 1908-1984)
Wedding Ceremony
Signed “p. lelong” l.l.
Oil with tooling on canvas, 23 1/2 x 28 1/2 in. (59.7 x 79.4 cm),
framed.
Condition: Lined, retouch, crease u.r., scattered craquelure with
separating.
$1,200-1,800

563
563.
Vu Cao Dam (Vietnamese, 1908-2000)
Composition, 1973.
Signed and dated “vu cao dam 73” l.l., identified on a presentation
plaque, titled, inscribed, dated, and numbered “...vu cao dam 1973/
No. 30/714” on the reverse, also inscribed “WF51445NY” in pen in a
later hand on the stretcher, with a label from Wally Findlay Galleries,
New York, affixed to the cardboard backing.
Condition: Good.
$800-1,200

564.
Joseph Floch (Austrian/American, 1895-1977)
Harbor Scene, Possibly Boothbay, Maine

Signed “Floch” l.l.
Provenance: Acquired from the artist in the early to mid-1950s, then

by descent in the family of the current owner.
N.B. Joseph Floch was born in Vienna, Austria, in 1895. An art

564 student during the First World War, Floch was conscripted toward the
end of the conflict but placed in a non-combat position for medical
reasons. After the war he worked in Vienna until 1924, then moved
to Paris where he opened a studio and where he remained for 17
years. Among his patrons was the art dealer Berthe Weill. Floch
married Hermine Frankl in 1925, and they had three children. In 1941
Floch and his family immigrated to the United States to escape Nazi
persecution. Floch lived and worked in New York City until his death
in 1977. He was a member of the National Academy of Design,
serving as a council member from 1961 into the 1970s, and he
taught painting at The New School for Social Research from 1964
to 1967. Floch’s work was widely exhibited at major institutions
including the Paris Salon, the Pennsylvania Academy of Fine Art, the
Whitney Museum of American Art, and the Art Institute of Chicago.
The M.H. De Young Museum held a retrospective in 1964, as did
the Belvedere Museum in Vienna in 1972. Floch is represented in
major museum collections in the United States (Museum of Modern
Art and Whitney Museum) and Europe (Museum of Modern Art,
Paris; Belvedere Museum and Albertina Museum, Vienna). Floch’s
papers are held by the Archives of American Art at the Smithsonian
Institution and by the Leo Baeck Institute, Center for Jewish History in
New York City.
$1,000-2,000
565.
Julius Wolfgang Schulein (American, 1881-1970)
565
Town in South France
Signed “JW Schulein” l.r., inscribed and titled “JW SCHULEIN 18W74
NYC...” on the stretcher.
Tempera on canvas, 18 x 24 in. (45.7 x 61.0 cm), framed.
Condition: Minor losses/abrasions.
$700-900
566.
Mary Suehanna Darter Coleman (American, 1893-1956)
Harbor View, Possibly Newport Beach, California

Signed “Mary. Darter. Coleman” l.l.
Condition: Bowing to support, retouched losses (u.r), surface grime.
$1,000-1,500
566

567
567. 568.
Nicola Simbari (Italian, b. 1927) Joseph Floch (Austrian/American, 1895-1977)
Landscape with Houses on Stilts and Beached Boats River View with Floodgates, Probably Paris
Signed and dated “Simbari/66” l.r. Signed “Floch” l.r.
Oil on canvas, 31 3/8 x 39 3/8 in. (79.7 x 99.9 cm), framed. Oil on canvas, 21 1/4 x 28 1/2 in. (54.0 x 72.5 cm), framed.
Condition: Slight rippling to canvas, mild surface grime. Condition: Craquelure, surface grime.
$3,000-5,000
Provenance: Acquired from the artist in the early to mid-1950s, then
by descent in the family of the current owner.
$1,000-2,000
568

569
569. 570.
Charles Levier (French, 1920-2004) Rudolf Jacobi (German, 1889-1972)
Le Mont Charbon View of a Breton Village

Signed “Levier” l.r., titled on the reverse, identified on a label from Van Signed “Rudolf Jacobi” l.l., signed and dated “Rudolf Jacobi 27” on
Diemen-Lilienfeld Galleries, New York, affixed to the stretcher. the reverse, with a label from The Fenway Art Center, Boston, affixed
Oil on canvas, 30 x 40 in. (76.2 x 101.6 cm), framed. to the stretcher.
Condition: Surface grime, pigment fluorescence. Oil on canvas, 25 x 31 in. (63.5 x 78.7 cm), framed.
$1,000-1,500 Condition: Craquelure, minor surface grime, minor surface abrasions,
subtle varnish inconsistencies.
$400-600
570

571
571. 572.
Stephen Morgan Etnier (American, 1903-1984) Eliot Candee Clark (American, 1883-1980)
Winter, Casco Bay, 1955 Grand Teton, Jackson Hole Country, Wyoming, 1925
Signed and dated “Stephen Etnier 55” l.r., titled on the reverse, Signed “Eliot Clark” l.l., titled, dated, and signed “...Eliot Clark” in pen
identified on a partial label from The Milch Galleries, New York, affixed on the bottom tacking margin, also numbered “256” and stamped
to the frame backing. “Eliot Clark ESTATE” on the reverse.
Oil on linen, 21 1/8 x 40 1/8 in. (53.7 x 102.0 cm), framed. Oil on canvas, 32 x 40 in. (81.3 x 101.6 cm), framed.
Condition: Patch reinforcement, retouch, craquelure, stretcher bar Condition: Lined, retouch.
marks. $2,000-3,000
$6,000-8,000
572

574
573 573.
Arts & Crafts Picture Frame, Probably Newcomb-Macklin

Unmarked.
Gilt over red bole carved wood, rabbet size 34 1/8 x 50 1/8 in. (86.7
x 127.3 cm), 2 1/2 in. (6.4 cm) width, outer dimensions 38 5/8 x 54
5/8 x 1 3/4 in. (98.1 x 138.8 x 4.4 cm).
Condition: Retouch, abrasions, minor losses.
$800-1,200
574.
Will Rowland Davis (American, 1879-1944)
Nude Figure
Signed “W. R. Davis” l.r., exhibition label (see below) affixed to the
reverse.
Oil on canvas mounted onto board, 12 x 10 in. (30.5 x 25.4 cm),
framed.
Condition: Retouch, varnish inconsistencies, extremely mild wear to
edges, surface grime.
Exhibitions: 1914-2009 95th Anniversary Exhibition Celebrating

Our History Continuing the Tradition, September 2009, The Guild of
Boston Artists, Boston, September 2009.
$1,000-1,500
575.
Attributed to Harry Leslie Hoffman (American, 1871-1964)
575
Arts & Crafts Picture Frame
Incised signature “H L Hoffman 141” on the frame reverse.
Gilt over red bole carved wood, rabbet size 26 x 24 in. (66.0 x 61.0
cm), 5 3/4 in. (14.6 cm) width, outer dimensions 37 x 35 x 2 1/4 in.
(94.0 x 88.9 x 5.7 cm).
Condition: Minor wear.
$800-1,200

576
576. Exhibitions: World’s Columbian Exposition, Chicago, 1893.

James Madison Stone (American, 1841-1930)
N.B. In his narrative critique of the Columbian Exposition, Herbert
A Summer Dream Bancroft wrote, “Much admired are J.M. Stone’s ‘Leukopis’ and ‘A
Signed, inscribed, and dated “J.M. STONE BOSTON 1890” Summer Dream,’ ... Both figures are somewhat scantily draped, with
l.r., identified on a label from the World’s Columbian Exposition flesh tints sufficiently pronounced, ‘A Summer Dream,’ representing
(now detached) and with a label from William Atherton, Boston, a brown-haired maiden lost in reverie, and in reclining posture, with
Massachusetts, on the back of the frame. eyes half closed and slightly parted lips, one hand resting on her
Oil on canvas, 44 x 34 in. (111.7 x 86.4 cm), framed. bosom and the other holding in her lap a cluster of roses.”
Condition: Paint losses, abrasions u.l., craquelure, canvas $8,000-12,000
deformations, surface grime.
Literature: Official Directory of the World’s Columbian Exposition, List

of U.S. Exhibitors and Exhibits in the World’s Columbian Exposition,
Department of Fine Arts, Group 140 - Paintings in Oil, #948; Herbert
Howe Bancroft, The Book of the Fair, Chicago, San Francisco: The
Bancroft Company, 1893, pp. 678-679.

577.
Carle John Blenner (American, 1862-1952)
Still Life with Chrysanthemums

Signed “Carle J. Blenner” l.r.
Oil on canvasboard, 14 x 11 in. (35.6 x 27.9 cm), framed.
$1,000-1,500
577
578.
Anna C. Tomlinson (American, 20th Century)
Still Life with a Bowl of Blooms

Signed “AC Tomlinson” l.r.
Pastel on paper, sight size 18 x 13 in. (45.7 x 33.0 cm), framed.
$400-600
578

579
579.
Laura Coombs Hills (American, 1859-1952)
Rosy Morns
Signed “Laura Hills” u.r., titled in pencil in the artist’s hand and
stamped “WADSWORTH, HOWLAND & CO. ... BOSTON &
CHICAGO” twice on the reverse, inscribed “Property of Katherine Day
Old.” in pen on the paper backing.
Pastel on paper/board, 20 x 16 in. (50.8 x 40.6 cm), framed.
Condition: Tack holes to corners.
$10,000-15,000

580.
Sigismund de Ivanowski (American, 1875-1944)
Portrait of Helen, The Artist’s Wife

Unsigned, estate stamped “I certify that this painting is by
SIGISMUND IVANOWSKI/Mr. David Scott Perry (Grandson)” on the
stretcher, with a label from Frederic Gallery, Littleton, Massachusetts,
on the backing.
Condition: Lined, restretched with expansion bolt stretchers,
craquelure.
$800-1,200
581.
School of Lee Lufkin Kaula (American, 1865-1957
580
Portrait of a Reclining Nude with Fish Bowl
Unsigned.
Condition: Retouch, patch reinforcement, minor losses/abrasions,
surface grime.
$700-900
581

582
582.
James Carroll Beckwith (American, 1852-1917)
Portrait Head of a Woman

Signed and dated “Carroll Beckwith- ‘93” u.r.
Pastel on canvas, 20 x 16 in. (50.8 x 40.5 cm), framed.
Condition: Weakened tacking edge l.r. corner, minor frame
abrasions.
$2,000-3,000

583
583.
Gibran Kahlil Gibran (Lebanese/American, 1883-1931)
Portrait of a Woman, Possibly Josephine Preston Peabody

Unsigned.
Condition: Surface abrasions, subtle canvas deformations.
Provenance: From the artist, by family descent.
N.B. Josephine Peabody (1874-1922) was a poet and an English

instructor at Wellesley. Gibran and Peabody traveled in similar social
circles in Boston at the turn of the century.
$10,000-15,000

584
584. Pushman preferred to work on wood or Masonite, although he

Hovsep Pushman (American, 1877-1966) understood that potential purchasers believed that canvas made a
more desirable support. Hence, Pushman would occasionally back
Still Life with Chinese Statuette his paintings with a layer of canvas fabric and add a stretcher-like
Signed “Pushman” l.r. reinforcement to the back, as is the case with the work at hand.
Oil on wood panel, 23 15/16 x 18 in. (60.8 x 45.7 cm), framed. Pushman preferred to use antique frames, many of which he bought
Condition: Paint loss from frame abrasion l.l. in Paris and had restored and refitted for his paintings in New York.
Provenance: Purchased from Grand Central Art Galleries, New York, In 1923 Pushman moved to New York and opened a studio at the
c. 1948, then by descent through the family. Carnegie Hall Building. He joined Grand Central Art Galleries and
enjoyed great success there; his solo show in 1932 contained 16
N.B. Of Armenian descent, Hovsep Pushman immigrated to the paintings, all of which sold on opening day. He also had solo shows
United States with his parents when he was in his late teens, in 1943 and 1945. Reviewers in Artnews and Art Digest praised
settling in Chicago. His was a family of highly intellectual antiquarian the works for their timelessness and quietude, peace and mystery,
collectors and dealers in Oriental rugs, who encouraged Hovsep in while citing their dramatic lighting, richness of texture, and technical
his artistic studies. Pushman pursued his education in China and in competence.1
Paris, where he won his first bronze medal at the Paris Salon in 1914.
By 1920, Pushman turned to painting still lifes almost exclusively, 1. Artnews, vol. 44, May 1, 1945, and Art Digest, vol. 19, April 15, 1945.
often basing his spiritual compositions around the rare antiquities, $20,000-30,000
statuettes, ancient pottery and glass that his family had collected. His
compositions often included wilted roses and other dried flowers.

585
585. 586.
Robert Van Vorst Sewell (American, 1860-1924) Robert Anning Bell (British, 1863-1933)
The Valkyrie The Ladies-in-Waiting

Unsigned, inscribed “R.V. Sewell” on the stretcher. Signed and dated “R.A. Bell 1905” l.r.
Oil on shaped canvas in a demilune format, 31 1/2 x 63 in. (80.0 x Watercolor on O.W. Paper & Arts Co. pasteboard, 9 3/4 x 15 1/8 in.
160.0 cm), unframed. (24.8 x 38.4 cm), unframed.
Condition: Lined, retouch, craquelure. Condition: Loss to u.r. corner, trimmed bottom edge, subtle bowing.
$300-500
Provenance: Skinner, Inc., Boston, November 3, 1988, Sale 1224,
Lot 89A.
$4,000-6,000
586

587.
Carle John Blenner (American, 1862-1952)
Woman Holding Grapes

Signed “Carle J Blenner” u.r., information about the artist affixed to
the reverse.
Condition: Minor losses (to edges), retouch, light varnish
inconsistencies, fine craquelure.
$1,000-1,500
587
588.
Jean Beauduin (Belgian, 1851-1916)
Woman Cloaked in Red Among White Chrysanthemums

Signed and dated “Jean Beauduin/1901” l.r., inscribed “op. 621
Vesper” on the stretcher.
Condition: Stable craquelure.
$3,000-5,000
588

589
589. N.B. Born in Philadelphia, Pennsylvania, in 1885, Beaux emerged as

Cecilia Beaux (American, 1855-1942) one of the most celebrated female artists of the late 19th and early
20th centuries. At the age of 16 she enrolled at the Pennsylvania
A Lady in Black, alternately titled Mrs. D Academy of Fine Arts where she specialized in portrait painting. She
Signed “Cecilia Beaux.” l.l., identified on labels from Arden Studios, then traveled to Paris from 1877-78 to continue her studies at the
Inc., New York, and the Museum of Fine Arts, Boston, affixed to the Academie Julian and the Academie Colorossi, where she studied
reverse. with French Salon greats William Bouguereau and Robert Tony
Oil on canvas, 78 1/4 x 47 1/2 in. (198.7 x 120.6 cm), framed. Fleury. Upon her return to America in 1895 she accepted a position
Condition: Retouch. to teach at the Pennsylvania Academy of Fine Arts, a position she
would hold for two decades. By 1902, she was recognized as one
Provenance: The artist; Alfred I. du Pont, Wilmington, Delaware; to of the premiere portrait painters in America and won full membership
Museum of Fine Arts, Boston, Massachusetts, 1921, gift of Alfred I. into the National Academy. She respected fellow portrait artist John
du Pont; deaccessioned from the Museum of Fine Arts; Skinner, Inc., Singer Sargent yet regarded him as a true rival of her style, although
Boston, May 19, 2006, Sale 2320, Lot 351. one can observe noticeable similarities between these two artists’
brush techniques and color palette.
$25,000-35,000

590
590. N.B. The figure in this painting, Susan Kirkham Worcester (1873-
Matilda Auchincloss Brownell (American, 1871-1966) 1958), is named on a label affixed to the backing. The painting’s
provenance is detailed in a letter from Dean Worcester, Jr., dated
Girl in the Chinese Porcelain Room, alternately titled At the September 30, 1987, also affixed to the backing. The painting
Morgan Collection remained in the possession of Matilda Brownell in her Carnegie Hall
Signed and dated “Matilda Brownell/1910” l.r., identified on two studio until the artist closed the space and offered the painting as
exhibition labels affixed to the frame backing. a gift to the Worcester family in the early 1960s. The painting was
Oil on canvas, 34 x 24 in. (86.5 x 61.0 cm), framed. exhibited at the Panama-Pacific International Exposition, a world’s fair
Condition: Lined, minor retouch, minor paint losses, surface grime. held in San Francisco in 1915 that celebrated the completion of the
Panama Canal.
Provenance: Gift from the artist to Dean Worcester, son of Susan $4,000-6,000
Kirkham Worcester, then by descent within the family.
Exhibitions: Twenty-fifth Annual Exhibition of American Oil Paintings

and Sculpture, Art Institute of Chicago, November 13–December
25, 1913, #42 (under the Morgan title); Panama-Pacific International
Exposition, San Francisco, 1915.

591.
William McGregor Paxton (American, 1869-1941)
Lot of Two Portraits: Young Woman in Profile and Young Woman

with Scarf
Profile signed “PAXTON” l.l., Scarf unsigned.
Oil on canvas, sizes to 21 x 17 1/2 in. (53.3 x 44.5 cm), framed.
Condition: Retouch, surface grime.

$4,000-6,000
592.
Mary Gray (American, 1891-1964)
Anemones
Signed “Mary Gray” l.r., inscribed “Mary Gray -ANA” and Mary Gray”
and titled two places on the stretcher, identified on four partial labels
from the Carnegie Institute, Pittsburgh, two on the stretcher and two
on the frame.
Oil on canvas, 29 3/4 x 36 in. (76.0 x 91.5 cm), in a period frame,
possibly Newcomb Macklin.
Exhibitions: Carnegie Institute 26th International Exhibition of

Paintings, Pittsburgh, October–December, 1927, cat. no. 10, and
traveling to the Brooklyn Museum January 9–February 20, 1928.
591 $3,000-5,000
592

593
593. In 1929, Cornwell entered a new phase of his career when he

Dean Cornwell (American, 1892-1960) apprenticed himself to Frank Brangwyn in England to learn the art of
mural painting. He went on to earn commissions for many significant
Portrait of a Young Woman Reading mural projects.
Initialed and dated “DC/24” l.l.
Oil on canvas, 36 x 30 in. (91.4 x 76.2 cm), framed. Described as “A Painter who Illustrates and an Illustrator who
Condition: Small punctures, subtle canvas deformations, surface Paints,”1 Dean Cornwell believed in the fusion of fine and commercial
grime, abrasions, craquelure. art. He was both a respected artist and teacher, who reflected
changing American taste and culture as well as the art of his era.
N.B. Dean Cornwell was a leading illustrator and muralist active in
the first half of the 20th Century. Known as the “Dean of Illustrators,” 1. Heart’s International Magazine, caption beneath a portrait of Dean Cornwell drawn
Cornwell created over 1,000 illustrations for poems, stories, and by James Montgomery Flagg, “A Painter Who Illustrates And An Illustrator Who
novels, including works by Pearl Buck, Ernest Hemingway, and Paints,” 1923.
Somerset Maugham. His illustrations appeared in serialized fiction $6,000-8,000
and in magazines such a Red Book and the Saturday Evening Post,
as well as in major newspapers and in the Hearst Publications.
He illustrated advertisements for blue chip companies such as
Seagrams, Coca-Cola and General Motors, and created patriotic
posters during the Second World War. Early in his career, Cornwell
was influenced by Harvey Dunn, his instructor at the Art Students
League, who introduced Cornwell to the teachings Howard Pyle and
the Brandywine School of Illustration. Cornwell was passionate about
his art, often working seven days a week and creating many studies
for his finished pieces.

594.
George F. Fuller (American, 1822-1884)
Portrait of a Young Woman in a Field

Signed “G. Fuller” l.l., inscribed “For Worcester Art Museum” on a
label affixed to the reverse.
Oil on canvas, 30 x 25 in. (76.2 x 63.5 cm), in a Paul Carter
Goodnow frame.
$2,500-3,000
594
595.
Clement Rollins Grant (American, 1848-1893)
Mother and Child in a Landscape

Signed “C.R. Grant” l.c.
framed.
$800-1,200
595

596
596.
Horace Middleton, R.B.A. (British, fl. 1900-1920)
Gathering Flowers in the Field

Signed “Horace Middleton” l.l.
Condition: Wax-resin lined, retouch, craquelure.
$3,000-5,000

597
597. 598.
Katharine Ward Lane Weems (American, 1899-1989) Angus Peter MacDonall (American, 1876-1927)
Pygmy Elephant Our Defenders, Yesterday and To-morrow

Signed and inscribed “KATHARINE W. LANE...KUNST FNDRY NY” Signed and dated “ANGUS MAC DONALL ‘13” l.r.
within the cast on the base. Gouache on paper/board (en grisaille), sight size 12 1/2 x 18 in. (31.8
Bronze with golden brown patina, approximately 10 1/4 x 15 x 6 in. x 45.8 cm), framed.
(26.0 x 38.1 x 15.2 cm). Condition: Not examined out of frame.
Condition: Uneven wear to patina, surface grime.
$3,500-4,500 N.B. This painting was reproduced in Life magazine, Vol. 62,
No. 1614, October 2, 1913, p. 560. A copy of the magazine
$600-800
598

599
599. N.B. Edmund Tarbell was one of the most influential painters and
Edmund Charles Tarbell (American, 1862-1938) teachers on the Boston art scene at the turn of the 20th century.
Born in West Groton, Massachusetts, Tarbell studied at the School
Girl with Horse, alternatively titled Girl on an Pony of the Museum of Fine Arts beginning in 1879. He was encouraged
Signed “Edmund Tarbell.” l.l., identified on labels on the frame by his instructors to further his academic training at the Academie
backing from Vose Galleries of Boston and Frances Aronson Fine Art, Julien, which he did in 1883. Living and working in Paris at that
Atlanta, Georgia. moment, the young artist was also exposed to Impressionism. After
Oil on canvas, 30 x 25 in. (76.3 x 63.7 cm), framed. touring Italy and other parts of Europe, Tarbell returned to Boston in
Condition: Lined, retouch, stable craquelure 1886, and in 1889 he began teaching at the Museum School, where
he developed a cadre of devoted students who became known as
Literature: Patricia Jobe Pierce, Edmund C. Tarbell and the Boston “the Tarbellites.” Tarbell was an original member of The Ten, which
School of Painting (1889-1980), Hingham, MA: Pierce Galleries, Inc., included Chile Hassam, Willard Metcalf, and Frank Benson among
1980, pp. 195-196. others, who resigned from the Society of American Artists in 1897 to
protest the politics and commercialization of the Society’s exhibitions
and who continued to exhibit together for the next twenty years. He
co-founded the Guild of Boston Artists in 1914 and served as its
first president. Later in his career he was Principal of the Corcoran
School of Art in Washington, D.C. Tarbell drew upon his family for
much of his subject matter, painting portraits of domestic life and
sun-filled plein air scenes in an Impressionist style. The painting at
hand was painted c. 1892.
$150,000-200,000

600.
John Rae (American, 1882-1963)
There’s Fire in the Forest!/A Book Illustration for Granny Goose

Unsigned, identified on a label affixed to the backing.
Gouache and ink on paper, sight size 9 1/2 x 7 1/2 in. (24.1 x 19.1
cm), framed (without glass).
Condition: Minor correction fluid marks, subtle toning.
Literature: Rae, John, Granny Goose, New York: P.F. Volland

Company, 1926 (illus. plate).
N.B. A copy of Granny Goose dedicated and signed “To Bunny/from

Jack/(alias John Rae)/1926” accompanies the lot.
$1,200-1,800
600
601.
Everett Shinn (American, 1876-1953)
Head of a Man with Thick Handlebar Moustache

Signed and dated “E. SHINN/1928” l.c.
Graphite on paper, sight size 8 x 5 1/2 in. (20.3 x 14.0 cm), framed.
Condition: Minor smudges, not examined out of frame.

$800-1,200
601

602.
Head of Pirate
Signed and dated “E. SHINN/1933” l.c., identified on a label from The
Joan and Lester Avnet Collection affixed to the reverse.
Graphite and watercolor on paper/board, sight size 9 x 6 3/8 in. (22.9
x 16.2 cm), framed.
Condition: Scattered staining and foxing, not examined out of frame.

$1,000-1,500
602
603.
John Rae (American, 1882-1963)
Lucy and Reddy in Diving Suits

Signed “John Rae” in the margin l.r.
Gouache, ink, and graphite on Bristol board, sheet size 9 5/8 x 6 5/8
in. (24.4 x 16.8 cm), unframed.
Condition: Minor foxing, minor correction fluid marks.
Literature: Rae, John, Lucy Locket, The Doll with the Pocket!!,
Minneapolis: The Gordon Volland Publications, 1928, p. 37 (illus.).
N.B. A copy of Lucy Locket, The Doll with the Pocket!! accompanies
the lot.
$1,000-1,500
603

604.
Robinson Crusoe/An Encounter with His Shadow

Signed and dated “EVERETT SHINN/194...” l.l., identified on labels
from the ACA American Masters Gallery, Los Angeles, and The Joan
and Lester Avnet Collection, on the backing.
Watercolor on paper, 18 1/4 x 13 3/4 in. (46.4 x 34.9 cm), framed.

$3,000-5,000
604
605.
Head of a Man with Bowtie

Signed and dated “E SHINN/1928” in pencil l.c.
Graphite on paper, 9 1/8 x 5 7/8 in. (23.1 x 14.9 cm), framed.

$800-1,200
605

606.
Head of a Man with Thin Handlebar Moustache

Signed and dated “E SHINN 1928” in pencil l.c.
Graphite on paper, sight size 8 1/8 x 5 7/8 in. (20.6 x 14.9 cm),
framed.
Condition: Subtle smudges, not examined out of frame.

$800-1,200
606
607.
Robinson Crusoe/An Encounter with a Hare

Signed and dated “EVERETT SHINN/1949” l.c., identified on labels
from the ACA American Masters Gallery, Los Angeles, and The Joan
and Lester Avnet Collection, on the backing.
framed.

$4,000-6,000
607

609.
Maxfield Parrish, Jr. (American, 1906-1983)
Lot of Three Christmas Images: Santa Claus on Deck, Santa

Claus with Reindeer, and Madonna and Child
Deck initialed “M.P.” in ink l.r., and dedicated and signed “Best
wishes to I.G.E., J.H.E,/R.E., A.P, H.E. Jr./Mr. & Mrs. A. and any
others/lucky enough to be under the/E. Roof during the fatally/festive
occasion of Christmas, 1936./M. Parrish Jr. ...” in ink; Reindeer dated
“1962 Dec 26” in ink u.r. and dedicated “Everybody is thinking/about
something at x-mas/and we’re thinking about you./Merry x-mas and
Happy New Year from/The Maxfield Parrishes.” in ballpoint pen l.r.,
Madonna unsigned.
Ink and graphite on paper, sheet sizes to 5 1/2 x 8 1/2 in. (14.0 x
21.6 cm), unframed.
Condition: Folds, subtle handling creases.
N.B. A photograph of Maxfield Parrish accompanies the lot.
We wish to thank Alma Gilbert-Smith for her assistance in cataloguing

the lot.
608 $1,000-2,000
608. 609A.
George Price (American, 1901-1995) Boris Artzybasheff (Ukrainian/American, 1899-1965)
At Least You Have to Give Him Credit for Trying Souk-el-Kheimis/A Double-page Illustration from Behind
Signed “Geo. Price” l.r., titled on the mat, stamped “THE NEW Moroccan Walls
YORKER/EDITORIAL DEPARTMENT...” and inscribed “...See overlay Signed “BORIS ARTZYBASHEFF” l.l., titled on the reverse.
for 40% tone...Ben Day” in color pencil on the reverse. Ink on illustration board, each sheet size 25 1/2 x 19 1/2 in. (64.8 x
Ink and correction fluid on paper, sight size 15 1/2 x 20 1/2 in. (39.4 49.5 cm), unframed.
x 52.1 cm), unframed. Condition: Minor staining, minor losses/abrasions.
Condition: Staining, corrected composition l.r., trimmed sheet,
foxing. Literature: Celarié, Henriette, Constance Lily Morris (trans.), Boris
$1,000-1,500 Artzybasheff (illus.), Behind Moroccan Walls, New York: Ayer
Publishing, 1970, pp. 47-48 (illus).
$600-800
609 609A

610.
Rea S. Irvin (American, 1881-1972)
The Modern Wedding Cake

Signed “REA IRVIN” l.r., information about the artist affixed to the
backing.
Watercolor and ink with graphite and crayon on paper/board, image
size 15 x 10 1/2 in. (38.1 x 26.7 cm), framed.
Condition: Toning, soiling, not examined out of frame.
$1,800-2,000
610
611.
Eric Sloane (American, 1905-1985)
Sequence of a Thermal Thunderhead...from Cumulus to Cumulo-

nimbus
Both signed “Eric Sloane” and numbered within the image and titled
in ink on the backing board beneath the lower drawing; Drawing #1
signed u.r., sheet size 7 3/8 x 12 in. (18.8 x 30.5 cm); Drawing #2
signed l.l., sheet size 9 1/8 x 12 1/4 in. (23.2 x 31.2 cm).
Both charcoal and pastel on gray paper, in a common frame.
N.B. Eric Sloane is noted for his ability to paint clouds and skies
and for his interest in meteorology. This pair of drawings is part
of a series of four drawings illustrating the sequence of a thermal
thunderhead cloud that appears in his book, For Spacious Skies,
A Meteorological Sketchbook of American Weather, published by
Thomas Y. Crowell, New York, in 1978.
$3,000-5,000
611

612
612.
Jane Peterson (American, 1876-1965)
Still Life with Red and White Blossoms

Signed “JANE PETERSON” l.l., inscribed “Rockport 5...Miami Art
Breakfast Prize for Best Oil 1953...Boca Raton...” on the stretcher,
with a partial label fragment from Grand Central Art Galleries, New
York, and a label from O. Rundle Gilbert Auctioneers, New York,
affixed to the stretcher.
Oil with tooling on canvas, 30 x 25 in. (76.2 x 61.0 cm), framed.
Condition: Craquelure, surface grime, subtle varnish inconsistencies.
$4,000-6,000

613
613. The present work is typical of a Glackens still life in its depiction
William James Glackens (American, 1870-1938) of a casual arrangement of garden-cut flowers in a simple vase.3
Despite the simplicity of subject, the color relationships depicted are
Still Life with Orange Lilies, c. 1930s wonderfully complex, with subtle secondary hues throughout. As a
Signed “W. Glackens” l.l. and incised “W.G.” on the frame reverse. motif, their “disarming” simplicity and “camouflaged” casualness was
Oil on canvas, 15 1/2 x 12 1/2 in. (39.4 x 31.8 cm), in a probable noted in 1937 by a critic who remarked of their formal and expressive
Glackens or Prendergast Studio frame. qualities, “…what joy in pure painting these flower pieces afford! What
Condition: Minor craquelure, small puncture to u.l. quadrant. lusciousness of pigment, what purity of color and astounding candor
of statement…”4
Provenance: Private Cincinnati collection.
1. Gerdts, William H., William Glackens, New York: Abbeville Press, 1996, p. 147.
2. Ibid.
N.B. Though Glackens painted floral still lifes in his figural
3. Gerdts, 149.
compositions as early as the 1900s, it was not until the mid-1910s
that appeared as an independent motif.1 Over the next two decades, 4. Gerdts, 153.
Glackens painted still lifes with greater frequency, and as a motif, they $15,000-25,000
comprised his largest body of work.2

614
614.
Pal Fried (Hungarian/American, 1893-1976)
Portrait of a Young Lady

Signed “FRIED PAL” l.l., inscribed “Renée/26569” on the reverse,
copyright information stamped on the reverse.
Condition: Mild surface grime.
$1,000-1,500
615.
Muriel P. Gernand (American, 20th Century)
Peonies
Signed and dated “M. Gernand ‘47” l.l.
Condition: Lined, craquelure.
$800-1,200
615

616
616.
Alexander Brook (American, 1898-1980)
Girl in a Peasant Dress

Signed “A. Brook” l.r.
Condition: Good.
Provenance: From the estate of the artist; Childs Gallery, Boston,

Massachusetts; private Massachusetts collection.
$2,500-3,500

617
617. 618.
Herman Lipot (Hungarian, 1884-1972) Denys George Wells (British, 1881-1973)
Venus and Cupid The Letter

Signed “Herman Lipot” l.r., inscribed and dated “Herman Signed and dated “Denys. G. Wells -60” l.l., identified on a
Lipot...1958...” in graphite and with a Kivitelre Engedelyezve export presentation plaque and labels including one from the Royal Society
stamp on the reverse. of British Artists on the reverse.
Oil on canvas, 20 1/8 x 24 1/8 in. (51.1 x 61.3 cm), framed. Oil on Masonite, 17 3/4 x 22 3/4 in. (45.1 x 57.8 cm), framed.
Condition: Surface grime, pigment fluorescence. Condition: Flaking, minor losses, minor surface grime.
$1,000-1,500 $1,500-2,000
618

619
619.
Aristide Delannoy (French, 1874-1911)
Still Life with Apples and a Pitcher

Signed “A. Delannoy” l.l.
$4,000-5,000

620.
Moses Soyer (American, 1899-1974)
Portrait of a Seated Nude

Signed “M Soyer” l.r.
Watercolor, ink, and crayon on paper, sight size 17 3/4 x 11 3/4 in.
(45.1 x 29.8 cm), framed.
$1,500-2,000
620
621.
Willy Pogany (American, 1882-1955)
Lot of Two Female Nude Portraits: Woman with a Rose and

Woman Kneeling
Each signed “Willy Pogany-” l.r.
Ink and graphite on cardstock, sheet sizes to 22 x 14 1/4 in. (55.9 x
36.2 cm), unframed.
Condition: Tears to the margins, trimmed sheet, toning.
$600-800
621

622.
Portrait of a Seated Nude

Signed “RAPHAEL SOYER” in pencil l.r., signature pentimento “R.S.”
l.r.
Conté crayon on paper, sight size 12 1/4 x 10 1/2 in. (31.1 x 26.7
cm), framed.
Condition: Subtle crease to the u.r. quadrant, not examined out of
frame.
$2,000-3,000
623.
Cornelis Zitman (Dutch/Venezuelan, b. 1926)
Bijou/A Two-Piece Sculpture

Monogrammed and numbered and “CZ 7/8” on figure’s posterior and
cushion.
622 Bronze with light brown patina, approximately 4 x 12 x 7 9/16 in.
(11.0 x 31.0 x 17.0 cm).
Condition: Good.
Literature: Vierny, Dina, Cornelis Zitman-Sculptures et Dessins,

Berne: Editions Benteli, 1989, pp. 44, 80, no. 32 (different cast illus.).
N.B. A signed and dedicated two-volume slip-cased book set

presented by Zitman of Cornelius Zitman-Sculptures et Dessins,
$4,000-6,000
623

624
624.
Milton Clark Avery (American, 1885-1965)
Reclining Woman
Signed and dated “Milton Avery 1956” in pen l.r.
Ink and oil pastel on paper, sheet size 8 1/4 x 16 3/4 in. (21.6 x 42.5
cm), framed.
Condition: Subtle toning, minor pigment displacement, not examined
out of frame.
Provenance: Sotheby’s New York Arcade, May 27, 1998, Lot 445;
Skinner, Inc., Boston, May 11, 2001, Sale 2068, Lot 300; private
Massachusetts collection.
$15,000-25,000
625.
Milton Clark Avery (American, 1885-1965)
Portrait of a Standing Female Nude

Signed “Milton Avery” l.r., with a photocopy of a label from Long Fine
Art, New York, affixed to the backing.
Litho crayon on paper, sheet size 11 x 8 1/4 in. (27.9 x 21.0 cm),
framed.
Condition: Tape hinged to backing mat along top, left, and right
edges, deckled left edge, restored tear to u.r. corner, subtle mat
burn, acid burn to l.r. corner.
Provenance: Purchased from Long Fine Art, New York; private

Massachusetts collection.
$3,000-5,000
625

626
626.
Sally Michel Avery (American, 1902-2003)
Untitled [Two Figures]

Signed and dated “Sally Michel 1983” in pencil l.r.
Oil on Fredrix canvasboard, 16 x 20 in. (40.6 x 50.8 cm), framed.
Condition: Good.
Provenance: Private Massachusetts collection.

$10,000-15,000

627
627.
William Henry Drake (American, 1856-1926)
Street in Japan
Signed and dated “© W.H. Drake/Japan 1913” l.l., with lot
information from James P. Silo [Auctioneers], New York, affixed to the
backing.
Watercolor and graphite on paper, sight size 6 7/8 x 9 7/8 in. (17.5 x
25.1 cm), in a period frame.
$300-500
628.
American School, 19th/20th Century
Study of a Seated Woman in a Kimono

Unsigned.
Oil on canvas mounted to paperboard, 13 3/4 x 11 in. (35.0 x 27.9
cm), framed.
Condition: Wear at corners and lower edge, surface grime.
$1,500-2,500
628

629
629.
Fernando Cueto Amorsolo (Filipino, 1892-1972)
Young Woman Sowing Rice

Signed, inscribed, and dated “F. Amorsolo/Manila - 1937” l.l.,
inscribed “Lt. Clark,/Nude Rice Plants” in pencil on the reverse u.r.
Oil on canvasboard, 18 1/2 x 13 in. (47.0 x 33.0 cm), framed.
N.B. The artist’s daughter, Sylvia Amorsolo Lazo, provided a verbal

authentication of this lot based on photographs. In an e-mail, Ms.
Lazo wrote, “...the brushstrokes and signature can be identified as
his. The handwriting at the back of the painting ‘Lt Clark’/‘Nude
Rice Plants’ is his own. Lt. Clark must have been the person to have
commissioned the painting from my father. My father had placed a
short description of the painting as ‘Nude Rice Plants.’”
$10,000-15,000

630
630. 631.
William Grimaud (Scottish, b. 1942) Albanian School, 20th Century
Floral Still Life in Orange Bird’s-eye View of a Village

Signed “grimaud” l.r. Unsigned.
Oil on canvas, 30 x 24 in. (76.0 x 61.0 cm), framed. Oil on artist board, 19 1/2 x 27 1/2 in. (49.5 x 69.9 cm), framed.
Condition: Good. Condition: Minor surface grime.
$800-1,200 $1,000-1,500
631

632
632.
David Burliuk (Ukrainian/American, 1882-1967)
Flowers by the Shore

Signed and dated “BurLiuk./1950.” l.r.
Condition: Alligatoring, lifting, craquelure, scattered losses, minor
surface grime.
N.B. The present work is from David Burliuk’s Still Life period (roughly
1940s to 1960s) and painted in the spirit of Van Gogh, whom
Burliuk greatly admired.1 According to Myroslav Shkandrij, Burliuk’s
still lifes from this time “are his last tribute to natural beauty and the
mysterious powers of the earth” showing that he was “in the end, a
worshipper of the earth’s abundance and glory as much as a Futurist
scandalizer of public taste.”2
1. Shkandrij, Myroslav, Beyond Futurism: David Burliuk 1882-1967, April 24–July 20,
2008
[Exh. Cat.], The Winnipeg Art Gallery, Winnipeg, 2008, p. 17.
2. Ibid.
$20,000-30,000

633
633. 634.
Jean Tinguely (Swiss, 1925-1991) Leonardo M. Nierman (American, b. 1932)
Drawing from Meta-Matic No. 8 Birth of a Lightning

Signed “...Tinguely” in pen l.c., stamped and inscribed “PEINTURE Signed “nierman” l.l., titled on the reverse.
EXECUTEE/EN COLLABORATION AVEC/META-MATIC NO 8./DE Oil on Masonite, 23 3/4 x 31 1/2 in. (60.3 x 80.0 cm), framed.
TINGUELY/PAR Bjorn Springfeldt/\DATE 28 8 74/LIEU Stockholm” Condition: Good.
on the reverse. $1,000-1,500
Color ink and felt tip pen on paper, sheet size 12 x 8 3/8 in. (30.5 x
21.3 cm), attached to book spine as issued.
Condition: Good.
N.B. The work is bound within the book Jean Tinguely: Meta,
published by K.G. Pontus Hulten, edited by Pierre Horay, and
published by Pierre Horay Editeur, Paris, 1973. Book and record
accompany the lot.
$500-700
634

635
635.
Douglas Navarra (American, 20th/21st Century)
Untitled
Signed and dated “D. Navarra/1999” on the reverse, also signed
and dated “Doug Navarra/1999” and identified on a label from The
Drawing Center, New York, on the backing.
Mixed media (gouache and graphite) on found paper, 10 1/8 x 16 in.
(25.7 x 40.6 cm), unframed.
Condition: Tape hinged to backing mat; found losses, creases,
staining, and toning.
$400-600
636.
Bernard Garniez (German/American, 1925-1994)
Untitled
Unsigned.
Carved marble, approximately 16 1/2 x 10 1/2 x 9 in. (41.9 x 26.7 x
22.9 cm), set on a rotating wooden plinth.
Condition: Minor surface dust.
Provenance: From the estate of Mary Lee Ingbar, Cambridge,

Massachusetts.
$300-500
636

637
637.
Lyonel Feininger (American, 1871-1956)
It Happened in a Dream, 1946

Signed “Feininger” in pen and inscribed “...L.F.” in pencil l.l., dated
“1946” in pen and titled in pencil l.r., inscribed “2470/36 R.R.
12157/70” in pencil on the reverse.
Ink, gouache, and graphite on laid paper, sheet size 12 1/2 x 18 7/8
in. (31.8 x 47.9 cm), framed.
Condition: Tape residue to all edges recto and corners verso, cloth
tape hinged to backing mat.
Provenance: Purchased from Obelisk Gallery, Boston; collection of

Melvin B. Nessel, Boston, Massachusetts.
N.B. We wish to thank Achim Moeller of the Lyonel Feininger

Project, LLC, for his assistance with cataloguing the lot. The work is
included in the Lyonel Feininger Archives of drawings and watercolors
as no. 280-01-05-10, and a photo-certificate from Achim Moeller
$20,000-30,000

638
638.
Emile Gilioli (French, 1911-1977)
Untitled
Incised signature “Gilioli” on the reverse.
Carved and painted marble, 65 1/2 x 31 x 8 in. (166.4 x 78.7 x 20.3
cm), set on a marble base.
Condition: Chips and restored chip, surface abrasions, retouch.
$15,000-25,000

639
639.
Karl (Otto Karl) Knaths (American, 1891-1971)
Centaur, c. 1950
Signed “Karl Knaths” l.r., titled l.l.
Ink and graphite on paper, sight size 11 x 15 1/4 in. (27.9 x 38.7 cm),
framed.
$700-900
640.
Alexandra Nechita (American, b. 1985)
Heavy Hearted
Signed and dated “Nechita 2000.” in pen l.r.
Ink and watercolor on paper, sight size 11 1/2 x 8 3/4 in. (29.2 x 22.2
cm), framed.
$2,000-4,000
640

641.
Jamini Roy (Indian, 1887-1972)
Horse and Rider in a Tanga

Signed in Bengali l.r.
Tempera on card, 17 3/8 x 24 1/2 in. (44.1 x 62.2 cm), framed.
Condition: Minor losses, not examined out of frame.
N.B. The primitive styles of native Bengali art began to inspire

Bengali-born artist Jamini Roy in the 1920s. Until then, Roy
had been working in a European academic style learned at the
Government School of Art, Calcutta. By several accounts, Roy’s
rejection of the academic style arose from an artistic dissatisfaction
with naturalism and a desire for a more expressive technique. His
attraction to the Bengali indigenous arts, however, can also be
explained by the political climate of his time. A sense of Indian
nationalism was growing—the stirrings of which would eventually
result in independence in 1947. Roy had come to reject the
“bourgeois notion of the artist’s uniqueness with an artisan’s
modesty” and sought to “make art available to the Bengali middle
641
class.”1 On this belief, Roy formed a workshop of artists trained to
reproduce his native-inspired motifs.
Perhaps in spite of his belief in democratic artistic production, his

“genius” is considered by many to be his assimilation of the Bengali
folk painting traditions and European art. Adopting the formal and
thematic elements of both styles, Roy simplified his technique. He
came to reject the Western painting medium and support of oil on
stretched canvas, opting instead for folk materials such homespun
cloth, wood, or paper. His color palette became limited to “yellow
ochre, Indian red and cadmium green (all fashioned out of indigenous
rock dust), vermilion (from powdery mercury), grey (out of river wash),
blue (from indigo) and white (from chalk).”2
1. Bowness, Alan, Howard Hodgkin, Geeta Kapur, Six Indian Painters, London: The
Tate Gallery, 1982, p. 22.
2. Rao, P.R. Ramachandra, Contemporary Indian Art, Hyderabad: Vacha Fine Arts,
1969, p. 10.
$8,000-12,000
642.
Jan Cox (Belgian, 1919-1980)
642 Le Miroir
Signed and dated “Jan Cox 51” l.r., inscribed “ ‘Le Miroir’ 51, Jan
Cox” on the stretcher and identified on labels from the Biennale de
Menton and La Continental Mentès, Bruxelles, affixed to the stretcher.
Oil on canvas, 23 3/4 x 31 1/2 in. (60.3 x 80 cm), framed.
Condition: Abrasions, craquelure, minor paint losses, surface grime.
N.B. Born in The Hague, Jan Cox moved to Antwerp in 1936 where
he attended the National Higher Institute of Fine Arts. In 1945 he
co-founded the group Jeune Peinture Belge with the aim of holding
exhibitions of contemporary Belgian art throughout Europe. In 1948
Cox began exhibiting in the United States at Curt Valentin Gallery in
New York. At the time of Le Miroir, Cox was living in Brussels. In
1956 he became Head of the Painting Department at the School of
the Museum of Fine Arts, Boston, where he stayed until 1974.
$4,000-6,000
643.
Romeo Villalva Tabuena (Filipino/Mexican, b. 1921)
Portrait of a Drummer
Signed and dated “TABUENA-/1974” u.l.
Oil on Masonite, 21 1/2 x 19 1/8 in. (54.6 x 48.6 cm), framed.
Condition: Pigment fluorescence, subtle bowing.
$1,500-2,500
643

644.
Hunt Slonem (American, b. 1951)
Untitled [Chicken and Parrot]

Signed and dated “Hunt Slonem ‘87” l.r.
Watercolor and graphite on paper, sheet size 22 1/4 x 30 in. (56.5 x
76.2 cm), framed.
Condition: Tape hinged to backing mat, deckled top and bottom
edges.
$1,000-1,500
645.
Geraldine Riley Douglas Goldman (American, 20th/21st Century)
Portrait of a Child at the Table

Signed “...R. Douglas Goldman” l.l.
644 Oil on Masonite, 23 5/8 x 29 in. (60.0 x 73.7 cm), unframed.
N.B. Goldman attended the Rhode Island School of Design, and

studied under Providence artists such as Edna W. Lawrence and
Pasquale Massiello. She has participated in one-woman and group
shows at the Copley Society, Providence Art Club, and Attleboro
Museum, among others.
$600-800
646.
Frederick Elliott Hart (American, 1943-1999)
Herself, 1984
Signed, dated, and editioned “Frederick E. Hart/84 ©/Herself #65”
with a monogram “BC” incised on the base.
Clear acrylic resin, 12 x 18 1/2 x 8 in. (30.5 x 47.0 x 20.3 cm),
mounted on a Lucite base.
Condition: Scattered abrasions, imperfections, and wear, surface
grime, base with some cloudiness.
$1,000-2,000
645
646

647
647.
Frederick Elliott Hart (American, 1943-1999)
Sacred Mysteries: Acts of Light, 1983/A Male and Female Suite

Male signed, inscribed, dated, and numbered “BC Frederick E. Hart
© MCG 1983 #19/50” l.r., Female numbered, inscribed, signed, and
dated “19/50 BC Frederick E. Hart © MCG 1983” l.r.
Clear acrylic resin, each approximately 31 x 24 x 12 in. (78.7 x 61.0 x
30.5 cm), set within individually slotted plinths.
Condition: Surface dust, minor surface abrasions.
$2,000-4,000

648
648.
Italo Valenti (Italian, 1912-1995)
Children with Balloons

Signed “Valenti” l.r.
Mixed media on particleboard, perhaps Pavatex, 12 x 16 in. (30.5 x
40.7 cm), framed.
Condition: Retouch, natural pigment fluorescence, surface grime.
$4,000-6,000

649
649. 650.
Joe Mathieu (American, 20th/21st Century) Joe Mathieu (American, 20th/21st Century)
1 Broom Sweeping, Swooshing/Scene with Bert, Oscar the 10 Tops Dripping, Drying, 11 Bottoms Flipping, Flying/Scene
Grouch, and Twiddlebugs with Big Bird on a Unicycle and Twiddlebugs
Unsigned. Unsigned.
Mixed media on paper (Lumadye, acrylic, prismacolor pencil, ink), Mixed media on paper (Lumadye, acrylic, prismacolor pencil, ink),
sheet size 15 1/4 x 23 in. (38.7 x 58.4 cm), unframed. sheet size 15 1/4 x 23 in. (38.7 x 58.4 cm), unframed.
Condition: Production notations and crop marks to the margins. Condition: Production notations and crop marks to the margins.
Provenance: From the collection of the artist. Provenance: From the collection of the artist.
Literature: Joe Mathieu (illustrator), 123: A Counting Book from 1 Literature: Joe Mathieu (illustrator), 123: A Counting Book from 1
to 100, New York: Random House/Children’s Television Workshop, to 100, New York: Random House/Children’s Television Workshop,
1991 (illustrated spread). 1991 (illustrated spread).
N.B. A copy of 123: A Counting Book from 1 to 100 accompanies N.B. A copy of 123: A Counting Book from 1 to 100 accompanies
the lot. the lot.
$1,000-1,500 $1,000-1,500
650

651.
Francesco Somaini (Italian, 1926-2005)
Ferito III. L’Addio, 1960

Signed, dated, and numbered “Somaini 60.08” on the underside.
Cast pewter, approximately 12 3/4 x 15 3/4 x 14 1/4 in. (32.4 x 40.0
x 36.2 cm), on a cast iron plinth.
Condition: Surface dust.
Provenance: From the artist to Galleria Odyssya Roma-New York,

1962; bequeathed to Harvard University Art Museums, 2003, sold for
the benefit of Harvard Art Museum acquisition funds, 2010.
N.B. The present work is one of six studies for a larger sculpture,
Grande Ferito II. L’Addio, and is the eighth sculpture that the artist
created in 1960. It is documented with the Archivio Francesco
Somaini, and we wish to thank them for their assistance in
cataloguing the lot.
$1,000-1,500
651
652.
Byron Browne (American, 1907-1961)
Abstract Figure
Signed “Byron Browne” l.r.
Mixed media on paper, sight size 39 1/2 x 27 1/2 in. (100.5 x 70.0
cm), framed.
Condition: Rippling, not examined out of frame.
$800-1,200
652

653.
Renato Bassoli (Italian, 1915-1982)
Untitled (Devils and an Angel)

Incised signature “Bassoli” on the reverse.
Glazed terra-cotta, approximately 9 3/4 x 9 x 6 1/2 in. (24.8 x 22.9 x
16.5 cm).
Condition: Minor surface dust.
$700-900
654.
Grace Wood Herring (American, 20th Century)
Falling
Unsigned, titled, and inscribed “#10 Falling Herring” and “Grace
Wood Herring” on the stretcher.
653 Condition: Paint losses, mild canvas deformation, craquelure.
$1,000-1,500
654

655.
Cindy Sherman (American, b. 1954)
Three-Faced Doll/A Holiday Ornament

Signed “Ci...Sh...” on the underside.
Found object assemblage (molded vinyl doll head, paper clip, and
metal ornament cap), 2 1/4 x 2 x 2 in. (5.7 x 5.1 x 5.1 cm).
Provenance: Purchased from the RxArt Ball, Holiday Ornaments to

Benefit RxArt, Dolce & Gabbana Show Room, New York, 2003.
$400-600
656.
Varujan Boghosian (Armenian/American, b. 1926)
Landscape in a Minor Scale

Signed, dated, titled, and dedicated “Varujan Boghosian 1993...FOR
MEG & FRED FROM Varujan and Marilyn HANOVER DEC. 1995” in
pen on the frame reverse.
Found object assemblage (wood chopping block, wood bell stick,
and metal ornament), 12 x 13 1/2 in. (30.5 x 34.3 cm), framed.
Condition: Found wear and corrosion.
655
Provenance: Through the collection of Professor Fred Stephen Licht.
$1,000-1,500
656

657.
Varujan Boghosian (Armenian/American, b. 1926)
The Brass Ring

Signed, titled, dated, and dedicated “Varujan Boghosian...1992...FOR
MEG & FRED/NEIGHBORS FOREVER!” in pen on the reverse.
Found object assemblage (stretched canvas, painted wooden doll
arm, metal ring, string, eye hook), 15 x 11 1/2 in. (38.1 x 29.2 cm),
framed.
Condition: Found wear and corrosion.
Provenance: Through the collection of Professor Fred Stephen Licht.

$800-1,200
657
658.
Charles Arthur Arnoldi (American, b. 1946)
Untitled, 2003
Signed, dated, and dedicated “ARNOLDI/4/10/2003/FOR
PASADENA BENEFIT” in pencil on the reverse.
Acrylic on ostrich eggshell, 6 x 4 in. diameter (15.2 x 10.2 cm).
Condition: Minor smudge to graphite.
N.B. A benefit auction label for the present work from Starwood
Wasserman, The Shops on Lake Avenue, accompanies the lot.
$600-800
658

659
659. 660.
George D. Green (American, b. 1943) Frederick J. Lynch (American, b. 1935)
#191 “Podge-Wade,” 1981 Site Piece (Shifted), 1989

Signed, titled, dated, and inscribed “...George Green a/c 48 x 94” on Signed “LYNCH” l.r., inscribed, titled, and dated “#698/LYNCH 89/...”
the reverse, identified on a partial label from Louis K. Meisel Gallery, in pencil on the frame backing.
New York, affixed to the stretcher. Oil on board, 11 3/4 x 14 1/2 in. (30.0 x 27.0 cm), framed (under
Acrylic on canvas, 48 x 94 in. (121.9 x 238.8 cm), unframed. glass).
Condition: Surface grime. Condition: Not examined out of frame.
$3,000-5,000 $600-800
660

In 1947, the Stephans founded the literary and art journal, “The
Tiger’s Eye.” The title directly refers to William Blake’s poem “The
Tyger” and was meant to evoke the idea of a “fierce life force
looking out through the darkness.”2 The journal was innovative for its
“anonymous” format—the identities of the contributors were indexed
separately from the works at the center of the magazine, showcasing
the art and not the artist.3 In its short two-year run, it featured new
visual works by some of the best-regarded American artists of its
day, including Milton Avery, Barnett Newman, and Arshile Gorky,
alongside John Stephan’s own work.
Stephan’s work evolved from a loose, expressivist style to hard-

edged color fields in the mid-1960s. Specifically, he began a series
of ringed discs that he continued through the 1980s, which one may
suppose naturally arose from his interest in the symbolism of the
tiger’s eye. Stephan also became acquainted with Japanese art and
culture at that time, and was likely influenced by the symbolism of the
circle within Zen Buddhist philosophy.
Regardless of the impetus, Stephan was fascinated by the effects

of the circular form: “I see the circle-disc as being the simplest yet
most subtle, inherently perfect form…I am, moreover, intrigued by the
primacy that this austere image demonstrates within the space of the
canvas; it appears to float and hover naturally…”4
Stephan worked methodically on his disc paintings, using a compass

to mark lines and a rotating table to apply paint freehand. He also
maintained an extensive catalogue of self-blended paint chips,
661
allowing him to experiment with the “push-pull” effects of certain
colors side-by-side prior to application. The resulting works look
661. flawless in their execution, and allows viewers to fix their gaze
John Stephan (American, 1906-1995) meditatively at the center.
Disc #5, 1982 1. Franks, Pamela. The Tiger’s Eye: The Art of a Magazine. New Haven: Yale
Signed, dated, and titled “John Stephan ‘82...” on the reverse, University Press, 2002, pg. 14.
identified on a label from The Harcus Gallery, Boston, on the 2. Ibid, 18.
stretcher. 3. Ibid, 13.
Acrylic on canvas, 48 x 46 in. (121.9 x 116.8 cm), framed. 4. http://www.film-festival.org/JohnStephan.php
Condition: Good. $6,000-8,000
N.B. John Walter Stephan was a part of the New York School
abstract painters of the forties and fifties, working alongside such 662.
luminaries as Robert Motherwell, Clyfford Still, and Mark Rothko. Richard Yarde (African/American, b. 1939)
He was born and raised in the Midwest, studying art at the University Sidewalk, 1969/A Diptych
of Illinois and the Art Institute of Chicago. Drawn by the excitement Unsigned, identified on a label from Carl Siembab Gallery, Boston,
of New York City’s art and literary scene, Stephan and his poet-wife affixed to the stretcher.
Ruth Stephan moved to Westport, Connecticut in 1941. In New York Oil on canvas, 23 1/2 x 60 in. (59.7 x 152.4 cm), within a common
City, they were introduced to artists and dealers at gallery openings frame.
such as Ossip Zadkine and Betty Parsons, who gave Stephan a one- Condition: Good.
man show in 1947.1 $300-500
662

663.
Reba Stewart (American, 1930-1971)
Untitled
Signed “Reba Stewart” and inscribed “Butchkes” on the reverse.
Oil and encaustic on canvas, 44 x 32 in. (111.8 x 81.3 cm), framed.
Condition: Minor surface grime, alligatoring.
Provenance: Through the collection of Genevieve McMillan to a

private New England collection.
N.B. A copy of the exhibition catalogue Reba Stewart: A Legacy,

Massachusetts College of Art, October 9–November 20, 2006,
$800-1,200
664.
Robert Kipniss (American, b. 1931)
Solitary
Signed “Kipniss” l.r., titled in ink and with a partial label from FAR
Gallery, New York, on the stretcher.
Condition: Abrasions, paint losses, subtle canvas deformation,
surface grime.
$800-1,200
663
664

665
665.
Wolf Kahn (American, b. 1927)
Abstract Landscape in Orange and Blue

Signed “W. Kahn” l.r.
Pastel on paper/board, sight size 13 x 17 1/4 in. (33.0 x 43.8 cm),
framed.
$1,500-2,000

666
666.
Taro Yamamoto (American, 1919-1994)
Lot of Three Abstract Compositions

Two signed and dated “Taro Yamamoto 72” l.r., the third signed and 667
dated “Taro Yamamoto 1972” l.r.
Oil and coarse sand on paper, sight sizes 11 1/4 x 15 1/4 in. (28.6 x
38.8 cm), framed.
Condition: Creases, scattered areas of toning, two with minor losses
to paper l.l., not examined out of frames.
$1,000-1,500
668.
667. Taro Yamamoto (American, 1919-1994)
Richard Gubernick (American, b. 1933)
Lot of Three Abstract Compositions
Lot of Two Abstract Expressionist Works One signed “Taro Yamamoto” l.r., one signed and dated “Taro
One signed “Gubernick” l.r., the other signed and dated “Gubernick Yamamoto 72” l.r., one signed and dated “Taro Yamamoto 1972” l.r.
63” u.l. Oil with sand on paper, approximate sight sizes 15 1/4 x 11 1/4 in.
Mixed media (ink and oil stick) on paper, sheet sizes to 10 3/4 x 14 (38.7 x 28.6 cm), framed.
in. (27.3 x 35.6 cm), framed. Condition: Minor losses/pinholes, scattered areas of toning, one with
Condition: Minor loss to edge, trimmed sheet, minor foxing, glued to craquelure with cupping and varnish inconsistencies, not examined
backing mat. out of frames.
$800-1,200 $1,000-1,500
668

669
669. Close’s enthusiasm for abstract expressionism was further

Chuck Close (American, b. 1940) encouraged by two instructors, particularly Alden Mason at UW who
shared an appreciation of de Kooning and worked in a gestural style.3
Untitled
Signed and dated “Close 1962” l.r. The present work engages with one of the challenges of abstract
Oil on canvas, 12 x 11 1/2 in. (30.5 x 29.2 cm), framed. expressionism, which is to capture a sense of freedom in
Condition: Craquelure, minor surface grime. improvisation. The heavy-loaded and heavy-handed strokes convey
a confident hand, and the staccato movements throughout gather
Provenance: Private Pacific Northwest collection through a gift from a collective energy much larger than its size. It also shows an
the artist. indebtedness to Hans Hoffman and de Kooning in exploring the
relationship between figure and ground. The work was created in the
N.B. Prior to photorealism, Close worked in an abstract expressionist same year that Close graduated from UW and began the Yale MFA
vein roughly from 1958 to 1962, beginning with his freshman year program, and marks the end of a transitional period before he began
at Everett Junior College to his senior year at the University of to focus on portraits and photography.
Washington.
1. Finch, Christopher. Chuck Close: Work. New York: Prestel, 2010. pg. 23.
Close immersed himself in the New York contemporary art scene 2. Finch, Christopher. Chuck Close: Life. New York: Prestel, 2010. pg. 60.
vicariously, following the works of such artists as Jackson Pollock and 3. Ibid, 72.
Willem de Kooning in his college library through reproduced plates $60,000-80,000
in magazines and exhibition catalogues.1 Of all the New York artists,
he was particularly attracted to de Kooning because he continued to
grapple with depicting the figure in abstraction.
The energy and ambition of the abstract expressionist approach

resonated with Close, and once he found his passion for it, he
worked feverishly in it. By peer accounts, he “worked in a controlled
frenzy…with a studied abandon” and at an “insatiable” pace,
frequently creating on several canvases at a time.2

670
670. 671.
Lodewijk Karel Bruckman (Dutch/American, 1913-1980) David Brega (American, b. 1948)
Hanging Grapes Still Life with Apples, Box, and Scoop

Signed and dated “Lodewijk Bruckman f’62” u.r., signed and dated Signed “DAVID BREGA” u.r.
“Lodewijk Bruckman 1962” on the reverse. Oil on Masonite, 6 x 9 in. (15.2 x 22.9 cm), framed.
Oil on canvas, 16 x 16 in. (40.6 x 40.6 cm), framed. Condition: Good.
Condition: Light varnish inconsistencies, mild surface grime.
$1,500-2,000 Provenance: Purchased from the artist, 1986.
$3,000-5,000
671

672
672.
Lodewijk Karel Bruckman (Dutch/American, 1913-1980)
The Coquette #7
Signed and dated “Lodewijk Bruckman/f’54” u.r., also signed,
inscribed, and dated “Lodewijk. Bruckman./PROVINCETOWN./
MASS/1954” on the reverse, identified on a label from Grand Central
Art Galleries, Inc., New York.
Condition: Good.
Literature: “His Paintings Startle You: Cape’s Lodewijk Bruckman

Has Attracted Wide Attention With His 3-Dimensional and Surrealistic
Paintings,” Worcester Sunday Telegram, November 14, 1954, p. 24.
N.B. A copy of the Worcester Sunday Telegram article and Grand

Central Art Galleries label accompanies the lot.
$2,500-3,500

673.
Keith Alexander (South African, 1946-2000)
The Incident
Signed and dated “Alexander 91 ©” l.r., inscribed and titled “by Keith
Alexander...” on the reverse, identified on a presentation plaque.
Acrylic on canvas, 29 1/8 x 15 5/8 in. (74 x 39.7 cm), framed.
Condition: Good.
Provenance: Acquired directly from the artist.
N.B. A certificate from the artist and Elizabeth White and Associates
$4,000-6,000
673
674.
Lodewijk Karel Bruckman (Dutch/American, 1913-1980)
Shell, Rope, and Eggs

Signed and dated “Lodewijk Bruckman f’62 +” u.l., signed and dated
“Lodewijk Bruckman 1962” on the reverse.
Condition: Light varnish inconsistencies, mild surface grime.
$1,500-2,000
674

675
675.
Keith Alexander (South African,1946-2000)
The Fall of Pomona

Signed and dated “Alexander 90 ©” l.r.
Acrylic on canvas, 24 x 36 in. (61.0 x 91.4 cm), framed.
Condition: Good.
Provenance: Acquired directly from the artist.
N.B. The present work depicts the ghost town of Pomona in the
southern part of the Namib Desert. The diamond mining settlement
flourished at the turn of the twentieth century, and at its height, held
approximately one thousand German and Namibian inhabitants. In
depicting ruinous buildings eroded by the hot Namibian desert winds,
Alexander captures the lost hopes of a people and man’s struggle
against nature in a harsh environment.
A certificate from the artist and Elizabeth White and Associates

$10,000-15,000
END OF SALE

Glossary of Terms All items in this catalogue are described according to the following table of
terminology. Please note that all statements in this catalogue as to Authorship,
Period, and Origin, are qualified statements subject to the Conditions of Sale.
Authorship will be described in the following ways:
John Joseph Enneking. - In our judgment, the work is by the artist.
Attributed to John Joseph Enneking. - In our judgment, the work may be

ascribed to the artist on the basis of style, but leaves some question as to actual
authorship.
School of John Joseph Enneking. - In our judgment, a work of an unknown

follower executed in the style of the artist and contemporary in period.
Manner of John Joseph Enneking. - In our judgment, a work executed in

the style of the artist by an unknown hand and probably from a later period.
After John Joseph Enneking. - In our judgment, an intended copy of the

work of the artist.
American School, 19th Century. - In our judgment, the work of an

unknown hand that can only be identified as to period and culture.
Other terms:
Bears signature. - In our judgment, the signature not of the artist. This
term is generally used separately, or together with a description of the work as
“attributed to,” “school of,” “manner of,” or “after” the artist.

Artist Index
Abbot, Agnes Anne...........................................................509 Blenner, Carle John...................................................577, 587

Adams, Ansel.............................................................226, 227 De Blois, François B..........................................................352
Adams, Clinton.....................................................................1 Boghosian, Varujan...................................................656, 657
Agam, Yaacov.................................................................... 2-4 Bolotowsky, Ilya..................................................................36
Albanian School, 20th Century..........................................631 Bombled, Louis Charles.....................................................367
Albers, Josef...................................................................... 5-7 Bones, James Clinton................................................ 229-231
Alechinsky, Pierre..................................................................8 Bonheur, Rosalie (Rosa) Marie..........................................336
Alexander, Keith........................................................673, 675 Bortoluzzi, Millo...............................................................520
Allen, Anna Elizabeth........................................................463 Boston, Joseph Henry...............................................529, 539
Amen, Irving.........................................................................9 Bradford, William......................................................379, 380
American School, 19th Century......... 306, 415-417, 542, 628 Braque, Georges..................................................................37
American School, 19th/20th Century...............381, 413, 434 Brega, David......................................................................671
American School, 20th Century............ 9A, 462, 482, 505, 53 Bresslern-Roth, Norbertine..................................................38
Amero, Emilo......................................................................10 Breul, Hugo......................................................................400
Amorsolo, Fernando Cueto...............................................629 British School, 19th Century.....................................345, 391
Anglo/American School, 19th Century.............................357 Brook, Alexander...............................................................616
Appel, Karel.........................................................................11 Brown, Frank Clifton.........................................................403
Archipenko, Alexander.........................................................12 Brown, John Appleton.......................................................425
Armington, Caroline Helena..............................................524 Brown, Polly......................................................................232
Arms, John Taylor.........................................................13, 14 Browne, Byron..................................................................652
Arnoldi, Charles Arthur.....................................................658 Brownell, Matilda Auchincloss...........................................590
Arp, Hans (Jean).................................................................15 Bruckman, Lodewijk Karel.................................670, 672, 674
Artz, David Adolf Constant...............................................354 Buckton, George Bowdler (Attributed to).........................344
Artzybasheff, Boris.......................................................... 609A Buehr, Karl Albert.............................................................540
Ashley, Clifford Warren.....................................................492 Buhot, Félix Hilaire.......................................................39, 40
Avati, Mario..................................................................16, 17 Brueghel the Younger, Jan (Manner of).............................311
Avery, Milton Clark...................................................624, 625 Burliuk, David...................................................................632
Avery, Sally Michel............................................................626 Burne-Jones, Edward (After).............................................107
Burr, George Elbert...........................................................523
Bacon, Henry....................................................................390 Burt, Marie (Bruner) Haines..............................525, 551, 560
Bacon, Peggy.......................................................................18
Baird, William Baptiste......................................................347 Cain, Charles William..........................................................41
Ballif, Yannick......................................................................19 Calder, Alexander..........................................................42, 43
Balling, Ole Peter Hansen.................................................351 Caponigro, Paul................................................................233
Barker, Albert Winslow........................................................20 Cebrian, Claudia................................................................234
Barney, Tina........................................................................21 Chahine, Edgar...................................................................44
Barr, William.....................................................................429 Chamberlain, Samuel V................................................. 45-49
Baskin, Leonard............................................................. 22-26 Chapman, John Gadsby.....................................................315
Bassoli, Renato..................................................................653 Chappell, Walter........................................................ 235-237
Baum, Walter Emerson......................................................506 Charlot, Jean.......................................................................50
Beal, Reynolds...................................................................474 Cheffetz, Asa.......................................................................51
Beaman, Gamaliel Waldo...........................................382, 407 Cirino, Antonio.................................................464, 481, 496
Beauduin, Jean..................................................................588 Clark, Eliot Candee...................................................421, 572
Beaux, Cecilia....................................................................589 Clavé, Antoni......................................................................52
Beckmann, Max...................................................................27 Clem, Robert Verity.................................................. 448-451
Beckwith, James Carroll.....................................................582 Cleminson, Robert............................................................364
Belcher, Ray......................................................................228 Close, Chuck.....................................................................669
Bell, Robert Anning...........................................................586 Closson, William Baxter.....................................................455
della Bella, Stefano............................................................301 Coleman, Henry Enrico.....................................................313
Bellmer, Hans......................................................................28 Coleman, Mary Suehanna Darter.......................................566
Benson, Frank Weston........................................... 29-33, 444 Colman, Samuel..................................................................53
Benton, Thomas Hart..........................................................34 Conant, Lucy Scarborough................................................498
Berger, Nicholas........................................................486, 488 Connaway, Jay Hall...........................................................461
Bernath, Sandor.................................................................466 Conner, Linda S........................................................ 238-240
Berry, Nathaniel Leander...................................................511 Continental School, 18th/19th Century ..........................304
Blake, Buckeye..................................................................436 Continental School, 19th Century.............................326, 327
Blampied, Edmund..............................................................35 Cook, Howard Norton........................................................54
Blaney, Dwight..........................................................453, 468 de Corini, Marguerite........................................................558

Cornoyer, Paul (Attributed to)..........................................512 Fuller, George F................................................................594
Cornwell, Dean.................................................................593
Cosindas, Marie.................................................................241 Gabo, Naum........................................................................78
Costigan, John Edward......................................................513 Gabrini, Pietro...................................................................314
Cotton, John Wesley...........................................................58 Gainsborough, Thomas (School of)...................................310
Couldery, Horatio H...................................................... 330A Gallard-Lepinay, Paul Charles Emmanuel..........................369
Couse, Eanger Irving............................................... 433 Ganso, Emil.........................................................................79
Cox, Jan............................................................................642 Garnett, William A..................................................... 254-256
Crocker, Susan..................................................................242 Garniez, Bernard...............................................................636
Cross, Anson Kent.............................................................460 Gasser, Henry Martin........................................................530
Curry, John Steuart.............................................................59 Geerlings, Gerald Kenneth...................................................80
Cutrone, Ronnie Blaise........................................................60 Gerbes, Henriette..............................................................346
Gernand, Muriel P.............................................................615
D’Oyly, Sir Charles (Attributed to)....................................371 Gibran, Gibran Kahlil........................................................583
Dahl, Hans Andreas...........................................................322 Gilioli, Emile.....................................................................638
Dam, Vu Cao....................................................................563 Gilpin, Laura............................................................. 257-259
Dassonville, William E.......................................................243 Gisson, André (Gittelson)..................................................528
Davey, Randall Vernon......................................................446 Glackens, William James....................................................613
Davis, Will Rowland..........................................................574 Goldman, Geraldine Riley Douglas....................................645
Decker, Robert Melvin........................................... 417A, 424 Golubov, Maurice..............................................................557
Delacroix, Eugène...............................................................61 Goodwin, Arthur Clifton........................ 493A, 546, 555, 556
Delannoy, Aristide.............................................................619 Gorman, R.C.................................................................81, 82
Delpy, Hippolyte Camille..................................................356 Grant, Clement Rollins......................................................595
Demetropoulos, Charles Peter...................................559, 561 Graves, Abbott Fuller................................................514, 526
Diebenkorn, Richard...........................................................62 Gray, Mary........................................................................592
Dolice, Leon Louis....................................................547, 548 Green, Charles Edwin Lewis..............................................427
Donnelly, Michael.............................................................244 Green, George D...............................................................659
Doore, Clarence........................................................431, 432 Greenleaf, Jacob I..............................................................477
Dow, Arthur Wesley (Attributed to)..................................544 Greenwood, Joseph H..........................................493B, 493C
Drake, William Henry........................................................627 Grimaud, William..............................................................630
Drewes, Werner...................................................................63 Grooms, Red.......................................................................83
Dufy, Raoul.........................................................................64 Grun, Maurice...................................................................543
Dugan, Susie.....................................................................406 Gruppe, Charles Paul.........................................................467
Dyer, Hezekiah Anthony...........................................426, 522 Gruppé, Emile Albert........................................470, 478, 503
Van Dyke, Willard.....................................................245, 246 Gubernick, Richard............................................................667
Dzigurski, Alexander A......................................................440
Dürer, Albrecht............................................................. 65-67 Haden, Sir Francis Seymour.................................................84
Hankey, William Lee..................................................... 85-88
Eastern European School, 20th Century..............................68 Haquette, Georges Jean Marie...........................................374
Edgerton, Harold Eugene......................................... 247-250 Hardy, Thomas Bush.........................................................372
Edwards, Mary Jeannette...................................................251 Haring, Keith......................................................................89
Eichenberg, Fritz...........................................................69, 70 Hart, Frederick Elliott...............................................646, 647
van Elten, Hendrik Dirk Kruseman......................................53 Hart, James McDougal......................................................358
Enneking, Joseph Eliot......................................................507 Hartung, Hans....................................................................90
Ernst, Max...........................................................................71 Hassam, Frederick Childe...................................... 91-93, 419
Esherick, Wharton Harris.....................................................72 Hathaway, George M................................................385, 387
Etnier, Stephen Morgan....................................................571 Hays, Barton Stone............................................................409
Ettinger, Churchill...............................................................73 Heckman, Albert William....................................................94
Helsby, Alfredo.............................................................. 453A
Fall River School, 19th Century.........................................408 Henry, Edward Lamson.....................................................401
Feininger, Lyonel............................................... 74, 74A, 637 Herring, Sr., John Frederick (Attributed to)................... 364A
Fischl, Eric..........................................................................75 Herring, Grace Wood........................................................654
Fish, Janet...........................................................................76 Herzog, Hermann Ottomar...............................................360
Flint, William Russell...........................................................77 Hibbard, Aldro Thompson................................479, 480, 485
Floch, Joseph.............................................................564, 568 Hill, John William.............................................................395
Fly, Camillus Sidney..........................................................253 Hills, Laura Coombs.........................................................579
Foster, Benjamin (Ben)......................................................410 Hirschfeld, Albert.......................................................... 95-99
Franco/American School, 19th Century............................402 Hnizdovsky, Jacques.................................................. 100-103
Franco/American School, 20th Century............................491 Hoeber, Arthur.................................................................430
Frank, Robert....................................................................252 Hoffbauer, Charles Constantine.........................................533
Fried, Pal...........................................................................614 Hoffman, Harry Leslie (Attributed to)...............................575
Frost, George Albert..........................................................398 Hollen, John Edward........................................................404

Hopper, Edward................................................................104 Lipot, Herman..................................................................617
Hoppner, John (After).......................................................307 Locke, Walter Ronald........................................................129
Hornby, Lester George......................................................105 De Longpre, Paul..............................................................394
Horter, Earl (Bill)........................................................... 532A Lowell, Milton H..............................................................423
Hudson, Thomas (School of)............................................303 Lozowick, Louis................................................................130
Hunt, William Morris................................................389, 397 Lubbers, David..................................................................267
Hurd, Peter.......................................................................106 Luce, Maximilien...............................................................131
Hurtt, Arthur Russell.........................................................359 Lundmark, Leon................................................................465
Lynch, Frederick J.............................................................660
Ickovic, Paul......................................................................260
Incandela, Gerald..............................................................261 MacDonall, Angus Peter....................................................598
Indoni, Filippo..................................................................316 MacKnight, Dodge................................... 439, 442, 457, 519
Irvin, Rea S.......................................................................610 MacKnight, Dodge (Attributed to)....................................441
de Ivanowski, Sigismund....................................................580 Macleod, William Douglas.................................................132
Makielski, Leon A..............................................................517
Jacobi, Rudolf...................................................................570 Man Ray............................................................................133
Jacque, Charles Emile........................................................333 Marc, Franz.......................................................................134
Jasinski, Felix Stanislas.......................................................107 Marin, John.......................................................................135
Johns, Jasper......................................................................108 Mariotti, Leopoldo............................................................312
Johnson, Milton................................................................554 Maris, Jacob......................................................................350
Johnston, John S.......................................................262, 263 Masson, André..................................................................136
Jones, Daniel Adolphe Robert...........................................334 Mathieu, Joe..............................................................649, 650
Jordaens, Jacob..................................................................109 Matisse, Henri...................................................................137
Matson, Victor..................................................................552
Kahn, Wolf........................................................................665 McBey, James....................................................................138
Kappel, Philip....................................................................110 McClung, Florence............................................................139
Katz, Alex..........................................................................111 McCord, George Herbert..................................................420
Kaula, Lee Lufkin..............................................................531 McVeigh, Blanche.............................................................140
Kaula, Lee Lufkin (School of)............................................581 McVicker, J. Jay.........................................................141, 142
Kelley, Donald Castell.......................................................112 Mead, Ida Beatrice............................................................355
Kent, Rockwell..........................................................113, 114 Meissner, Adolf Ernst........................................................361
Kipniss, Robert..........................................................115, 664 Metcalf, Willard Leroy.......................................................500
Kirmse, Marguerite............................................................116 Michel, Sally......................................................................626
Kleiber, Hans............................................................ 117-121 Middleton, Horace............................................................596
Klots, Trafford Partridge....................................................535 Millet, Jean François..........................................................143
Knaths, Karl (Otto Karl)....................................................639 Milton, Peter Winslow.......................................................144
Knee, Ernest......................................................................264 Miró, Joan................................................................. 145-148
Koehler, Henry..................................................................447 Moore, Barlow..................................................................377
Koons, Jeff........................................................................122 Moore, Robert E...............................................................497
Kuehne, Max.............................................................123, 472 Moran, Thomas.................................................................414
Kuhler, Otto August..........................................................124 Morrell, Wayne Beam............................................. 452A, 493
Kupferman, Lawrence........................................................125 Morris, Franklin Edward....................................................473
Moser, James Henry..........................................................412
Ladureau, Pierre................................................................536 Mueller, Otto....................................................................149
Lazarev, Vladimir...............................................................445 Muniz, Vik........................................................................268
Le Corbusier................................................................. 55-57 Muschamp, Francis Sydney................................................324
Leavitt, Edward Chalmers..................................................405 Music, Zoran Antonio............................................... 150-152
Leif, Florence (Mrs. Florence Leif Peers)...........................508 Myers, Joan...............................................................269, 270
Leighton, Clare Veronica Hope.........................................126
Leighton, Scott (Nicholas Winfield)...........................365, 368 Navarra, Douglas...............................................................635
Lelong, Paul......................................................................343 Nechita, Alexandra............................................................640
Lelong, Pierre....................................................................562 de Neuville, Alfred Arthur Brunel......................................341
Lemaître, Maurice Bismuth................................................527 Nichols, Jr., Hobart...........................................................537
Letour, Julian....................................................................393 Nierman, Leonardo M.......................................................634
Levier, Charles...................................................................569 Norman, Joseph................................................................153
Lewis, Edmund Darch.......................................384, 388, 428 Noterman, Zacharias.........................................................363
LeWitt, Sol........................................................................127 Nowell, Arthur Trevithan..........................................458, 469
Lichtenstein, Roy...............................................................128
Lincoln, Edwin Hale.........................................................265 O’Higgins, Pablo Esteban.................................................154
Lindneux, Robert Ottokar.................................................437 Oldenburg, Claes...............................................................155
Link, O. Winston...............................................................266 Olshausen-Schonberger, Kathe............................................73
Linnell, John.................................................................. 322A

Parker, Henry Hillier.........................................................348 Sewell, Robert Van Vorst...................................................585
Parker, Olivia.....................................................................271 Sherman, Cindy.................................................................655
Parrish, Jr., Maxfield..........................................................609 Shinn, Everett............................................ 601, 602, 604-607
Paxton, William McGregor........................................499, 591 Signorini, Francesco...........................................................323
Peers, Mrs. Florence Leif ..................................................508 Simbari, Nicola..................................................................567
Penfield, Edward...............................................................156 De Simone, Antonio..........................................................378
Pennell, Joseph..........................................................157, 158 Simonetti, Ettore...............................................................325
Perry, Jr., Enoch Wood.....................................................399 Simpson, Joseph................................................................191
Peterdi, Gabor F........................................................ 159-161 Singer, William Earl...........................................................452
Peters, Carl William...................................................471, 494 Siqueiros, David Alfaro......................................................192
Peterson, Jane....................................................438, 456, 612 Siskind, Aaron........................................................... 275-277
Peyton, Alfred Conway......................................................162 Sisson, Laurence Philip..............................................487, 489
Pfahl, John........................................................................272 Sloane, Eric.......................................................................611
Picasso, Pablo............................................................ 163-170 Slonem, Hunt....................................................................644
Pogany, Willy....................................................................621 Smith, Michael A...............................................................278
Porter, Eliot......................................................................273 Somaini, Francesco............................................................651
Possoz, Mily......................................................................171 Soyer, Moses.....................................................................620
Price, George.....................................................................608 Soyer, Raphael...................................................193, 194, 622
Priest, Terri.......................................................................172 Spanish or Spanish Colonial School, 18th Century....300, 302
Prooijen, Albert Jurardus...................................................337 Spode, Samuel (Manner of)...............................................366
Pushman, Hovsep..............................................................584 van Starkenborg, Jacobus Nicolas (Baron) Tjarda (Attributed
Pérez, Mariano Alonso......................................................541 to).....................................................................................338
Steichen, Edward.......................................................279, 280
Radensky, Emmanuel........................................................133 Stephan, John....................................................................661
Rae, John..................................................................600, 603 Sternberg, Harry................................................................195
Randall, Paul A..................................................................483 Stevens, William Lester..............................................501, 515
Rau, Emil..........................................................................320 Stewart, Reba....................................................................663
Rauschenberg, Robert.......................................................173 Sticks, George Blackie..................................................... 349A
Redon, Odilon..................................................................174 Stone, James Madison.......................................................576
Reinagle, Philipp (Attributed to).......................................362 Sully, Thomas....................................................................308
Renouard, George A..........................................................495 Sutherland, Graham...................................................196, 197
Reynolds, Sir Joshua..........................................................305 Swan, Emma Levinia.........................................................386
Reynolds, Sir Joshua (After)..............................................328
Richert, Charles Henry......................................................490 Tabuena, Romeo Villalva...................................................643
van Rijn, Rembrandt.................................................. 175-179 Tamburini, Arnaldo...........................................................321
Ripley, Aiden Lassell..........................................162, 516, 550 Tarbell, Edmund Charles...................................................599
Robinson, Dent.................................................................454 Teague, Donald.................................................................534
Rongier, Jeanne.................................................................411 Teniers the Younger, David (Follower of)..........................309
Rops, Félicien Joseph Victor..............................................180 Therrien, Robert................................................................199
Rosell, Alexander...............................................................318 Thier, Barend Hendrik......................................................340
Rosenquist, James..............................................................181 Thom, James Crawford......................................................396
Ross, John T.....................................................................182 Tinguely, Jean..................................................................633\
Rouault, Georges....................................................... 183-185 Toledo, Francisco..............................................................200
Rousseau, Théodore..........................................................349 Tomlinson, Anna C...........................................................578
Roy, Jamini.......................................................................641 Toulmouche, Auguste.......................................................329
Rubenstein, Meridel..........................................................274 de Toulouse-Lautrec, Henri...............................................201
Ruscha, Ed................................................................186, 187 Traub, Charles Henry................................................281, 282
Russell, Edward John.........................................................376 Tutwiler, David.................................................................553
Russian School, 20th Century............................................545 Twachtman, John Henry...................................................202
Ryan, Anne........................................................................188 Tàpies, Antoni...................................................................198
Ryder, Chauncey Foster.............................................418, 504
Valenti, Italo.....................................................................648
Saito, Kiyoshi.....................................................................189 Vasarely, Victor......................................................... 203-206
Salkin, Emile.....................................................................538 Vester, Willem...................................................................353
Salmon, Robert.................................................................383 Vickery, Charles Bridgeman...............................................375
Savry, Hendrik...................................................................335 Vieillard, Roger.................................................................207
Schaeffer, Henri Alexis.......................................................532 Vlaminck, Maurice de........................................................208
Schaldach, William Joseph.................................................435
Schulein, Julius Wolfgang..................................................565 Warhol, Andy............................................................ 209-211
Schutz, Anton................................................................ 190A Warner, LaMont Adelbert..................................................484
Sekino, Junichiro...............................................................190 Warren, Harold Broadfield................................................459
Serres, Antony...................................................................332 Watkins, Carleton E...........................................................285

Weber, Theodore Alexander........................................... 374A
Weekes, William (Manner of)............................................339
Weems, Katharine Ward Lane............................................597
Welliver, Neil.....................................................................212
Wells, Denys George.........................................................618
Wengenroth, Stow.....................................................213, 214
West, Benjamin.................................................330, 331, 392
Weston, Edward........................................................283, 284
Whistler, James Abbott McNeill................................ 215-220
Whorf, John..............................................................521, 549
Wiegand, Gustave Adolph.................................................502
Wilson, Edward Arthur......................................................475
Wolchonok, Louis...............................................................14
Wolcott, Marion Post................................................286, 287
Wolf, Franz Xaver................................................... 342, 342A
Wood, Grant.....................................................................221
Wood, Thomas Waterman.................................................222
Woodbury, Charles............................................................518
Woodville, Jr., Richard Caton............................................370
Woodward, Mabel May (Attributed to).............................510
Wydeveld, Arnoud.......................................................... 404A
Wyeth, Andrew Newell......................................................476
Wüst, Alexander................................................................422
Yamamoto, Taro........................................................666, 668

Yarde, Richard...................................................................662
Yoshida, Toshi...................................................................224
Zalce, Alfredo....................................................................154
Zampighi, Eugenio....................................................317, 319
Zao, Wou-Ki.....................................................................223
Ziegler, Henry...................................................................225
Ziem, Félix..................................................................... 368A
Zanetti Zilla, Vettore (Attributed to).................................373
Zitman, Cornelis...............................................................623

Skinner, Inc. - Conditions of Sale
1. Some of the lots in this sale are offered subject to a reserve. The reserve is a confidential minimum price agreed upon by the consignor and
Skinner, Inc. below which the lot will not be sold. In most cases, the reserve will be set below the estimated range, but in no case will it exceed
the estimates listed. A representative of Skinner, Inc. will execute such reserves by bidding for the consignor. In any event and whether or not a
lot is subject to a reserve, the auctioneer may reject any bid or raise not commensurate with the value of such lot.
2. All property is sold “as is,” and neither the auctioneer nor any consignor makes any warranties or representation of any kind or nature with
respect to the property, and in no event shall they be responsible for the correctness, nor deemed to have made any representation or warranty, of
description, genuineness, authorship, attribution, provenance, period, culture, source, origin, or condition of the property and no statement made
at the sale, or in the bill of sale, or invoice or elsewhere shall be deemed such a warranty of representation or an assumption of liability.
3. Except as provided in paragraph 1 above, the highest bidder as determined by the auctioneer shall be the purchaser. In the case of a disputed
bid, the auctioneer shall have sole discretion in determining the purchaser and may also, at his or her election, withdraw the lot or reoffer the lot
for sale.
4. All merchandise purchased must be paid for and removed from the premises the day of the auction. Skinner Inc. may impose, and the
purchaser agrees to pay, a monthly interest charge of 1.5% of the purchase price of any lot or item lot not paid for within thirty-five (35) days of
the date of sale.
Skinner, Inc. shall have no liability for any damage or loss to property left on its premises for more than three (3) days from the date of sale. If
any property has not been removed within three (3) days from the date of sale, at the option of Skinner, Inc. (a) Skinner Inc., may impose, and
the purchaser agrees to pay, a monthly storage charge of 1.5% of the purchase price of any lot or portion of a lot not removed within the three
days, and/or (b) Skinner Inc. may place the merchandise in a subsequent auction, without Reserve, to be sold to the highest bidder, and after
deducting the standard commission and any additional charges that may apply, remit the proceeds to the purchaser.
5. Skinner accepts cash or check for payment. Personal checks will be acceptable only if credit has been established with Skinner, Inc. or if a bank
authorization has been received guaranteeing a personal check. Skinner, Inc. reserves the right to hold merchandise purchased by personal check
until the check has cleared the bank. The purchaser agrees to pay Skinner, Inc. a handling charge of $25.00 for any check dishonored by the
drawee. Please contact Accounting for additional payment methods. Skinner does not accept payment by credit card for merchandise purchases.
6. If the purchaser breaches any of its obligations under these Conditions of Sale, including its obligation to pay in full the purchase price of
all items for which it was the highest successful bidder, Skinner Inc. may exercise all of its rights and remedies under the law including, without
limitation, (a) canceling the sale and applying any payments made by the purchaser to the damages caused by the purchaser’s breach, and/or (b)
offering at public auction, without reserve, any lot or item for which the purchaser has breached any of its obligations, including its obligation to
pay in full the purchase price, holding the purchaser liable for any deficiency plus all costs of sale.
7. In no event will the liability of Skinner, Inc. to any purchaser with respect to any item exceed the purchase price actually paid by such
purchaser for such item.
8. Shipping is the responsibility of the purchaser. Upon request, our staff will provide the list of shippers who deliver to destinations within
the United States and overseas. Some property that is sold at auction can be subject to laws governing export from the U.S., such as items that
include material from some endangered species. Import restrictions from foreign countries are subject to these same governing laws. Granting of
licensing for import or export of goods from local authorities is the sole responsibility of the buyer. Denial or delay of licensing will not constitute
cancellation or delay in payment for the total purchase price of these lots.
9. All purchases are subject to the Massachusetts 6.25% sales tax unless the purchaser possesses a Massachusetts sales tax exemption number.
Exemption numbers from other states are accepted in Massachusetts if presented with a business card or letterhead. Dealers, museums, and
other qualifying parties can apply for a Massachusetts exemption number prior to the auction by contacting the Massachusetts Department of
Corporations and Taxation at 100 Cambridge Street in Boston.
10. Except for property purchased via on-line Live Auctions, a premium equal to 18.5% of the final bid price up to and including $200,000, plus
10% of the final bid over $200,000, will be applied to each lot sold, to be paid by the Buyer as part of the purchase price. The buyers premium on
property purchased via on-line Live Auctions will be in the amount equal to 22.5% of the final bid price up to and including $200,000, plus 15%
of the final bid over $200,000.
11. Bidding on any item indicates your acceptance of these terms and all other terms announced at the time of sale whether bidding in person,
through a representative, by phone, by Internet, or other absentee bid.
12. Skinner, Inc. and its consignors make no warranty or representation, express or implied, that the purchaser will acquire any copyright or
reproduction rights to any lot sold. Skinner, Inc. expressly reserves the right to reproduce any image of the lots sold in this catalogue. The
copyright in all images, illustrations and written material produced by or for Skinner, Inc. relating to a lot, including the contents of this
catalogue, is, and shall remain at all times, the property of Skinner, Inc. and shall not be used by the purchaser, nor by anyone else, without our
prior written consent.
13. These conditions of sale shall be governed by the laws of the Commonwealth of Massachusetts (excluding the laws applicable to conflicts or
choice of law). The buyer/bidder agrees that any suit for the enforcement of this agreement may be brought, and any action against Skinner in
connection with the transactions contemplated by this agreement shall be brought, in the courts of the Commonwealth of Massachusetts or any
federal court sitting therein. The bidder/buyer consents to the nonexclusive jurisdiction of such courts and waives objections that it may now or
hereafter have to the venue of any such suit.
Revised September 29, 2009

Absentee Bid Form
Sale Title Sale Date
First Time Bidder? YES NO Customer #
Name (Please Print) Business Name
Address check if change in address
City State Zip Code
Phone # Alternate # e-mail
I wish to place the following bids in the sale listed above. I understand that Skinner, Inc. will execute bids as
a convenience, and will not be held responsible for any errors or failure to execute bids. I understand that
my bids are executed and accepted as per Conditions of Sale as printed in the catalogue of this sale.
Signature (Required) Date
Lot # Description Bid Price
FOR OFFICE USE

Marlborough Boston Phone Fax Mail Person Employee:
SKINNER
Auctioneers and Appraisers of Antiques and Fine Art
6 3 P a r k P l a z a , B o s t o n , M A 0 2 1 1 6 Te l : 6 1 7 . 3 5 0 . 5 4 0 0 F a x : 6 1 7 . 3 5 0 . 5 4 2 9
2 7 4 C e d a r H i l l S t r e e t , M a r l b o r o u g h , M A 0 1 7 5 2 Te l : 5 0 8 . 9 7 0 . 3 0 0 0 F a x : 5 0 8 . 9 7 0 . 3 1 0 0
w w w. s k i n n e r i n c . c o m
Board of Directors Chairman of the Board - Nancy R. Skinner
Richard Albright
Barnet Fain
Stephen L. Fletcher
Karen M. Keane
Administration President/Chief Executive Officer - Karen M. Keane

Chief Financial Officer - Don Kelly
Executive Vice President - Stephen L. Fletcher
Vice Presidents- Gloria Lieberman, Carol McCaffrey, Kerry Shrives,
Stuart G. Slavid, Stuart P. Whitehurst
Expert American & European Paintings & Prints - Robin S.R. Starr
Assistants: Kathy Wong, Elizabeth C. Haff
Departments American Furniture & Decorative Arts - Stephen L. Fletcher, Martha Hamilton
Assistants: LaGina Austin, Karen Langberg, Chris Barber
American Indian & Ethnographic Art - Douglas Deihl
Asian Works of Art - James F. Callahan
Assistant: Tianyue Jiang
Books & Manuscripts - Stuart P. Whitehurst
Assistant: Sara C. Wishart
Bottles, Flasks & Early Glass - Stephen L. Fletcher
Ceramics - Stuart G. Slavid
Classic Automobiles & Motorcycles - Jane D. Prentiss
Couture - Kerry Shrives
Discovery Sales - Kerry Shrives
Assistants: Garrett J. Sheahan, Harry B. McNabb, Melissa Riebe
European Furniture & Decorative Arts - Stuart G. Slavid
Assistants: Stuart P. Whitehurst, Sara C. Wishart
Fine Wines - Marie Keep
SKINNER, INC. Jewelry - Gloria Lieberman
Assistants: John Colasacco, Julie Khouri
Auctioneers and
Appraisers of Antiques Judaica - Kerry Shrives
and Fine Art Modernism: 1896–Present: Art Glass, Pottery, Metalwork & Furniture -
Jane D. Prentiss
63 Park Plaza Museum & Collections Services - Martha Hamilton
Boston, MA 02116 Musical Instruments - David Bonsey
617.350.5400 Oriental Rugs & Carpets - Gary Richards
Fax 617.350.5429 Science, Technology & Clocks - Robert C. Cheney
Assistant: Chris Barber
274 Cedar Hill Street Silver - Stuart G. Slavid
Marlborough, MA 01752 Assistant: Sara C. Wishart
508.970.3000 Toys & Dolls - Kerry Shrives
Fax 508.970.3100 Auctioneers - LaGina Austin, David Bonsey, Robert C. Cheney,
Stephen L. Fletcher, Karen M. Keane, Marie C. Keep, Gloria Lieberman,
www.skinnerinc.com Kerry Shrives, Stuart G. Slavid, Robin S.R. Starr, Laura V. Sweeney,
Stuart P. Whitehurst
352
Exhibitions & Marlborough: Warehouse Manager - Jonathan Dowling, 508.970.3280
Property Manager - Samuel Combs, 508.970.3262
Property Distribution
Boston: Elisabeth Benson-Allott, 617.874.4312;
Kerryn Murphy, 617.874.4329

Property Distribution Manager - Jessica R. Lincoln, 617.874.4308
Finance Department Marlborough: Accounts Receivable - Denise Johnson, 508.970.3269

Accounts Payable - Kathleen Hayes, 508.970.3268
Credit Supervisor - Joe Monteyro, 508.970.3266
Subscriptions Marlborough: Karen Skinner, 508.970.3240
Service Departments Appraisal & Auction Services - Patricia Walker King, Beth Zwicker,
Katharine Holtman, Leah Skowron
Advertising Production - Pamela Van de Houten
Boston Gallery Director - Laura V. Sweeney
Assistant Gallery Director: Paige Lewellyn
Gallery Assistant: Katharine E. Hampson
Catalogue Production - Pamela Van de Houten, Kristina Harrison
Consignment Services - Megan J. Blomgren, Carol Zeigler
Customer Relations - Carol McCaffrey
Institutional Relations - L. Emerson Tuttle
Human Resources - Carol McCaffrey
Information Technology & Internet Auctions - Kerry Shrives
Assistants: Timothy Shaughnessey, Melissa Riebe
Managing Director - Marie C. Keep
Marketing & Public Relations - Catherine Riedel, Karen Skinner
Photographers - Stanley P. Bystrowski, Jeffrey R. Antkowiak
Receptionists - Marlborough: Carol Tran
Boston: Hadley Dinardo
Transportation - Eric Jones
Assistants: Mark McCaffrey, John Williams
356
Directions to Skinner’s Boston Gallery/63 Park Plaza, Boston, MA
Telephone: 617-350-5400
From the West:
Take the Massachusetts Turnpike to the Prudential/Copley exit located in the Prudential tunnel.
Once on the exit ramp, stay in the right hand lane and follow the signs for Copley.
The ramp exits onto Stuart Street. Drive straight through five sets of lights and take a left onto
Charles Street South. Take your first left off of Charles St. South onto Park Plaza.
Skinner is at 63 Park Plaza, one block up on the right.
From the South:
Take 93-N to Exit 20 for I-90 W toward Worcester. Follow signs for Chinatown/South Station.
Bear left at the fork to continue towards Kneeland Street. Turn left onto Kneeland Street. Kneeland
Street becomes Stuart Street. Turn right onto Charles Street South. Turn left onto Park Plaza.
From Logan Airport:
Take the Ted Williams Tunnel. Take Exit 25 toward South Boston and bear left at the fork in the
ramp. Bear right onto B St. Turn left onto Northern Ave which becomes Seaport Blvd. Turn left
onto Surface Rd. Turn right onto Kneeland Street which becomes Stuart Street. Turn right onto
Charles Street South. Turn left onto Park Plaza.
From the North:
Take I-93 South towards Boston. Take exit 26 towards Storrow Drive. Merge onto MA-28 South
via the ramp on the left. Turn left onto Beacon Street. Turn right onto Arlington Street. Turn
left onto Boylston Street. Turn right onto Hadassah Way. Skinner is on the right at 63 Park Plaza.
357
PARKING
INDOOR PARKING GARAGES The Taj Hotel Parking Garage Motor Mart Garage
2 Newbury Street 26 Park Plaza
City Place Parking Garage Located three blocks from Skinner, (Same building as Legal Sea Food)
Transportation Building valet drop-off and pick-up Up to 1 hr/$8, 1 to 2 hrs/$12,
12 Charles Street Up to 24 hrs/$42 2-3 hrs/$16, 3-12 hrs/$20, 12-24
Located at the end of Park Plaza hrs/$31, weekends up to 3 hrs/$8
Underground multi-level garage
All day–closes at 2:30 a.m. Back Bay Garage
First hr/$5, after 2 hrs/$14 222 Berkeley Street OUTDOOR PARKING LOTS
(entrance off St. James) (recommended for trucks)
AllRight Parking One block from Skinner
Boston Common Garage All day/$35, evening Pin Stripe Parking
Located on Charles Street, on the (5pm-7am)/$10 Arlington Street
Common, two blocks from Skinner 617-338-7984
1 hr/$6, up to 24 hrs/$25, All day/$14, after 6 p.m. and
Evenings (4pm-10am)/$10 Radisson Hotel Parking Garage weekends/$10, overnight/$15
Stuart Street (near intersection of
The Four Seaons Hotel Charles)
Parking Garage Two blocks from Skinner Billy’s Parking
200 Boylston Street 1-2 hrs/$12, 2-3 hrs/$16, 3-12 222 Stuart Street
Adjacent to Skinner, valet drop-off hrs/$18, 617-423-7781
and pick-up, up to 24 hrs/$30 12-24 hrs/$31 8am-5pm/$18, after 5pm/$20
BOSTON HOTELS BOSTON HOTELS WITH SKINNER

CORPORATE RATES
Boston Harbor Hotel Nine Zero Hotel The Back Bay Hotel Eliot Hotel
70 Rowe’s Wharf 90 Tremont St. (formerly Jurys) 370 Commonwealth
Boston, MA 02110 Boston, MA 02108 350 Stuart Street Ave.
Tel: 800-654-2000 617-772-5800 Boston, MA 02116 Boston, MA 02215
Fax: 617-345-6799 Tel: 617-532-3800 Tel: 617-267-
1607
Radisson Hotel
Fairmont Copley Plaza 200 Stuart Street Beacon Hill Hotel &
138 St. James Avenue Boston, MA 01740 Bistro The Park Plaza
Boston, MA 02116 Tel: 617-482- 25 Charles Street 64 Arlington Street
Tel: 617-267-5300 1800 Boston, MA 02114 Boston, MA 02116
Fax: 617-375-9648 Fax: 617-451- Tel: 617-723- Tel: 617-457-7488
2750 1133 Fax: 617-426-2000
Four Seasons
200 Boylston Street The Ritz-Carlton,
Boston Common The Colonnade
Boston, MA 02116 120 Huntington Avenue
Tel: 617-351- 10 Avery Street
Boston, MA 02111 Boston, MA 02116
2036 Tel: 617-424-7000
Tel: 617-912-3315
Fax: 617-912-3375 Fax: 617-424-0968
The Liberty Hotel
215 Charles St. Taj Boston
Boston, MA 02114 15 Arlington St.
617-224-4000 Boston, MA 02116
617-536-5700
Marriott Copley Place
110 Huntington Avenue Westin-Copley Plaza
Boston, MA 02116 10 Huntington Avenue
Tel: 800-228-9290 Boston, MA 02116
Fax: 617-236-5885 Tel: 800-228-3000
Fax: 617-424-7483
358
RESTAURANTS
FINE DINING Scampo McCormick and Schmick’s Seafood

The Liberty Hotel Restaurant
215 Charles St. 36 Columbus Ave
Aujourd’hui 617-536-2100 617-482-3999
Four Seasons Hotel, 200 Boylston Street Lydia Shire’s latest restaurant, featuring Fresh seafood offerings that change
(between Arlington & Charles Streets) Italian fare produced in an open kitchen daily.
617-351-2071 upstairs at the Liberty Hotel.
New American.
Summer Shack
Troquet 50 Dalton St.
140 Boylston St. 617-867-9955
Dante
617-695-9463 Jasper White serves well-executed seaside
Royal Sonesta Hotel
French restaurant and wine bar perched favorites in a casual Back Bay setting.
5 Cambridge Parkway
at the edge of the Boston Common and
617-806-4200
the theatre district.
Mediterranean restaurant with great
views of the Charles River and Boston
INEXPENSIVE
skyline. Via Matta
79 Park Plaza Au Bon Pain
617-422-0008 26 Park Plaza (across the street from
Davio’s Elegant Italian fare and beautiful wines Skinner) or 431 Boylston Street (at
75 Arlington St. in a vibrant dining room - the best of Berkeley Street)
617-357-4810 Italy in Boston’s Back Bay creates an 617-338-8948
Northern Italian steak house. unforgettable experience. Casual café offers quick service.
MODERATE Davio’s To Go
Grill 23 & Bar 10 St. James Galleria Atrium
161 Berkley Street (Stuart Street) 617-357-4810
617-542-2255 Aquitaine Casual Italian take-out lunch spot with
Great steak, seafood, wine list, and 569 Tremont Street daily special pastas, soups, and salads.
service. 617-424-8577
Parisian bistro style fare.
Flash’s
310 Stuart St.
L’Espalier The Bristol Lounge at Four Seasons 617-574-8888
774 Boylston St. Hotel American comfort food served with
617-262-3023 200 Boylston St. classic cocktails in a casual setting.
French dining in an elegant townhouse 617-338-4400
with a wonderful prix-fixe menu. Breakfast, lunch, and dinner served in an
elegant yet comfortable lounge setting Parish Café
with views of the Boston Public Garden. 361 Boylston St.
617-247-4777
No. 9 Park American restaurant with seasonal
9 Park St. East Ocean City outdoor seating features sandwiches
617-742-9991 25-29 Beach St. created by renowned local chefs.
Barbara Lynch’s bistro showcases 617-542-2504
inspired French and Italian influenced Outstanding Chinese food restaurant
food and wine on Beacon Hill. highlighting seafood dishes with a full- Piattini
service bar. 226 Newbury Street
617-536-2020
Italian wine bar with an eclectic menu;
Radius
Lala Rokh on Beacon Hill specializes in Italian-style tapas.
85 High St.
97 Mt. Vernon Street
617-426-1234
617-720-5511
Features a modern French menu
Authentic regional Persian cuisine, The Upper Crust
focusing on seasonal ingredients
hand-selected wine list, knowledgeable 20 Charles Street
accompanied by a thoughtful wine list.
waitstaff. 617-723-9600
Gourmet thin crust pizza.
359
360
SKINNER catalogue subscription form
Prices effective JULy 1, 2010. Catalogue subscription price includes quarterly brochure. Subscription effective
one year from date processed. No refunds for previous subscriptions. Renewal notice will be sent one month prior to expiration.
Subscriptions do not include Discovery, Estates, and other special sales. Post-auction prices are available online at www.skinnerinc.com
please check the appropriate boxes: U.S./Canada Foreign (payable in U.S. dollars only)
Quarterly Brochure No charge No charge

Included with catalogue subscription
American Furniture & Decorative Arts $120 $143
European Furniture & Decorative Arts $120 $143
American & European Paintings & Prints $120 $143
Fine Jewelry $120 $143
20th Century Furniture & Decorative Arts $60 $73
Asian Works of Art $60 $73
Fine Oriental Rugs & Carpets $18 $25
American Indian & Ethnographic Art $60 $73
Fine Books & Manuscripts $30 $36
Fine Ceramics $60 $73
Fine Musical Instruments $60 $73
Science, Technology & Clocks $60 $73
Fine Wines $60 $73
All Above Departments $750 $915

subtotal
ma residents 6.25% sales tax
total
MasterCard/VISA # Exp. Date
Signature Check enclosed
Name___________________________________________ Business Name
Mailing Address _____________________________________________________
City_______________________________ State________ Zip______________
email address________________________________________________ Tel: ( ) _____________________________
Please enclose payment with subscription form and mail or fax to:
Skinner, Inc., Subscription Department, 274 Cedar Hill Street, Marlborough, MA 01752 508.970.3100
SKINNER
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SKINNER

Robin S. R. Starr Kathy Wong Elizabeth C. Haff

American & European Paintings & Prints Department - 508.970.3206

Preview Online Absentee Bidding/Tracking Lots

1 Auction & Specialist Information

2 Web Site & Online Bidding

4-5 Event Announcements

9 Prints & Photography - Lots 1-287

121 Paintings & Sculpture - Lots 300-675

343 Glossary of Terms

344 Artist Index

350 Conditions of Sale

351 Absentee Bid Form

352 Company Directors & Specialty Departments

353 Administrative Staff & Client Services

355 Map & Driving Directions

356 Parking & Accommodations

359 Catalogue Subscription Form

Please Note: All lots sold subject to our Conditions of Sale.

Copyright © Skinner, Inc. 2010

Thursday, September 23, 2010

5:30 p.m. Reception/6:00 p.m. Gallery Walk

Gallery Walk held in conjunction with a preview of Skinner’s

American & European Paintings & Prints

William Louis Sonntag (American, 1822-1900), The Falls at Sunset

For more information please contact our

to be sold Friday, September 24th, 2010 at 12 noon

Untitled, edition of 90. Signed “Agam” in pencil l.r., numbered “VII/

online bidding at www.skinnerinc.com 11

Provenance: Through the family of Eleanor Kanegis Levin, co-owner

Lot of Three Images from TEN VARIANTS, Variant VII, Variant

Provenance: Through the family of Eleanor Kanegis Levin, co-owner

12 additional information and photos at www.skinnerinc.com

Provenance: Through the family of Eleanor Kanegis Levin, co-owner

Slaughtered Houses #2, 1953, edition of 10. Signed and dated

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Untitled (Abstract), edition of 200. Signed “appel” in pencil l.r.,

14 additional information and photos at www.skinnerinc.com

Bathers, 1950, edition of approximately 100, published by

Lot of Two Architectural Views: Chapiteau Gothique, 1926, first

John Taylor Arms (American, 1887-1953), La Torre del Mangia,

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Dreams and Projects, published in 1952 by Curt Valentin, New

Provenance: Ex-collection of Nelson Aldrich Rockefeller, New York;

16 additional information and photos at www.skinnerinc.com

Lot of Two Japanese-themed Still Lifes: Le Japonais

Lot of Two Shelf Still Lifes: Le caporal ordinaire, 1980,

The Rival Ragman, 1936-38, edition of 139 (Flint, 130).

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18 additional information and photos at www.skinnerinc.com

22 The Strabismic Jew, 1955 (Fern & O’Sullivan, 259). Signed

Provenance: Gift from Baskin to Sam Lockshin, Northampton,

Birdman, 1969, edition of 110 (Fern & O’Sullivan, 520). Signed

Provenance: Gift from Baskin to Sam Lockshin, Northampton,

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Lot of Three Figures: Prophetic Man/Prophetic Image, c. 1968,

Provenance: Through the collection of printer Herb Fox.

Universal Man, 1974-75, edition of 200 (Fern & O’Sullivan, 656).

Provenance: Through the collection of printer Herb Fox.

20 additional information and photos at www.skinnerinc.com

Bildnis Georg Swarzenski, 1921, edition of about 30 (Hofmaier,

Provenance: From the family of Georg Swarzenski (curator at the