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literary theory: the field of study concerned with the principles underlying the analysis and
2. Existentialism is a philosophy that emphasizes individual existence, freedom and choice. It is the view
that humans define their own meaning in life, and try to make rational decisions despite existing in
an irrational universe. It focuses on the question of human existence, and the feeling that there is no
purpose at the core of existence. It holds that, as there is no God or any other transcendent force, the
only way to counter this nothingness is by embracing existence. Thus, Existentialism believes that
individuals are entirely free and must take personal responsibility for themselves.
3. New Historicism is a literary theory based on the idea that literature should be studied and intrepreted
within the context of both the history of the author and the history of the critic. Based on the literary
criticism of Stephen Greenblatt and influenced by the philosophy of Michel Foucault, New Historicism
acknowledges not only that a work of literature is influenced by its author's times and circumstances, but
that the critic's response to that work is also influenced by his environment, beliefs, and prejudices.
4. Semiotic: the study of signs and symbols and their use or interpretation.
5. Semilogy : De Saussure (1857-1913) founded the idea of semiology as the science of signs.
6. Marxism: A system of economic, social, and political philosophy based on ideas that view social change
7. Narratology: the branch of knowledge or criticism that deals with the structure and function of narrative
8. Reader-response criticism is a school of literary theorythat focuses on the reader (or "audience") and
their experience of a literary work, in contrast to other schools and theories that focus attention
9. Structuralism: A movement that gives importance to the structure of the text. It focuses on the structural
10. Stylistics is the study of linguistic style. Define stylistics: an aspect of literary study that emphasizes the
analysis of various elements of style (such as metaphor and diction) Stylistics is a branch of linguistics
which studies style in a scientific and systematic way concerning the manners / linguistic features of
attempt to understand literature. All literary interpretation draws on a basis in theory but can serve as
12. Psychoanalytic criticism adopts the methods of "reading" employed by Freud and later theorists to
interpret texts. It argues that literary texts, like dreams, express the secret unconscious desires and
anxieties of the author, that a literary work is a manifestation of the author's own neuroses. One may
psychoanalyze a particular character within a literary work, but it is usually assumed that all such
13. Id , ego and super ego: Freud's idea was that the human psyche has more than one aspect. the psyche
structured into three parts, the id, ego and superego, all developing at different stages in our lives. These
are systems, not parts of the brain, or in any way physical. According to Freud's model of the psyche, the
id is the primitive and instinctual part of the mind that contains sexual and aggressive drives and hidden
memories, the super-ego operates as a moral conscience, and the ego is the realistic part that mediates
between the desires of the id and the super-ego. Although each part of the personality comprises unique
features, they interact to form a whole, and each part makes a relative contribution to an individual's
behavior.
14. Feminism: The term feminism can be used to describe a political, cultural or economic movement
aimed at establishing equal rights and legal protection for women. Feminism involves political and
sociological theories and philosophies concerned with issues of gender difference, as well as a
movement that advocates gender equality for women and campaigns for women's rights and interests.
15. Modernism is a radical break with the past and the concurrent search for new forms of expression.
Modernism fostered a period of experimentation in the arts from the late 19th to the mid-20th century,
particularly in the years following World War I. In an era characterized by industrialization, rapid social
change, and advances in science and the social sciences , Modernists felt a growing alienation
incompatible with Victorian morality, optimism, and convention. New ideas in psychology, philosophy,