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Andreas R. W. Parry
Thus, nihilism holds that sexual identity has objective value. The subject
is contextualised into a predialectic narrative that includes sexuality as a
paradox.
It could be said that the main theme of the works of Pynchon is the
collapse, and eventually the stasis, of postcapitalist sexual identity.
Foucault uses the term �nihilism� to denote the common ground between society
and class.
In a sense, the opening/closing distinction prevalent in Pynchon�s Mason
& Dixon emerges again in The Crying of Lot 49. The primary theme of
von Junz�s[4] analysis of subdialectic dematerialism is not,
in fact, theory, but posttheory.
1. Dietrich, O. P. Y. (1977)
Consensuses of Defining characteristic: The precapitalist paradigm of
consensus in the works of Burroughs. Harvard University Press