COCHINEAL RED
The Art History of a Color
ELENA PHIPPS
‘The Metropolitan Museum of Art, New York
Yale University Press, New Haven and LondonSep hepa
theresa Fron
Yarbro)
‘Caer recon
athena (nee pt).
(deta
comp tearm
ip ate y Themen
(Ghesaap ens)
(aetatnny en
Director's Note
CCultuces the world over and throughout history have
valued the color red, Whether in dyes, pigments, o
inks, biliant red has been ane ofthe most difficult
Inues to ereate. When the Spanish returned from
‘Mexico in the 1s20s with samples of a dye that
produced the most intense and stunning red Europe
had ever seen, itunderstandably caused a str, and by
1550 the Spanish flatillas were hauling tons ofthe
‘crimson treasure to Europe. Cochineal, produced
from the dried and pulverized bodies of a cactus-
cating scale insect, was in abundant supply and easy
to.ue, and it quickly pplanted all other red dye-
‘tus. This isue ofthe Bullen taces the spread of
‘ochineal red from the Americas, where Mexican and
‘Andean weavers had for centuries been using it to
create ritual and ceremonial textiles in deep shades of
red and pink, to Burope and then to the Middle Fast
and Asia,
Using examples from the Museum's collections,
author Elena Phipps has been able to contextualize