Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
Dr. Finney
MCOM 202
17 January 2018
Emory & Henry College kicked off the Martin Luther King Jr. Day celebrations with an
interactive lyceum called the Tunnel of Oppression. Combining interactive stories, chilling
reenactments and more, this lyceum successfully captured students’ attention by presenting
of tarp walls. Each room focused on a specific form of oppression including police brutality,
privileged vs. non-privileged groups during natural disasters, and immigration. Small groups of
students were led through the Tunnel by a guide, stopping at each room to learn about the
specific issue in a variety of ways, each requiring the audience to participate. This engaging style
is different compared to many of the college’s lyceums. At the moment, the Emory & Henry
Students were constantly involved in each room’s production, making their attention
essential. Junior, Katherine Meyers said, “It was different than any lyceum I’ve ever been a part
of, but I think that because of the nature of the topics that were discussed it was important that
This event tackled deep rooted issues happening in the United States today, some of
which Emory & Henry students may not know much about. Being a small and rural institution,
nationwide issues of oppression are less obvious on campus because E&H’s demographic is not
visually diverse. Brave students volunteered to speak out about their personal experiences with
the deportation of family members, offensive slurs associated with members of the LGBTQIA
community, and perform a reenactment of police brutality. Meyers said “it was really powerful to
actually hear students’ stories who go here [because] you realize these are actual people that are
being affected by this and it just makes it a whole lot more powerful.” The Tunnel of Oppression
brought nationwide issues to the campus in a way that a lecture or statistic may not.
Students found the engaged and interactive style of the lyceum enjoyable and helpful.
Sophomore, Caroline Mosteller said, “I struggle to sit through lectures… so for these to be so
interactive… they forced you to pay attention and learn so I think that was a really cool part of
this style of lyceum.” The Tunnel of Oppression kept audience members involved throughout,
leaving them with lasting reactions to important national issues that encourage the college’s