Essential

reading:
• Cipriani, Alessandro and Giri, Maurizio (2010) Electronic Music
and Sound Design – Theory and Practice with Max/MSP –
volume 1. Contemponet
• Collins, Nick (2010) Introduction to Computer Music. John Wiley
& Sons
• Cox, Christoph and Warner, Daniel (2004) Audio Culture:
Readings in Modern Music. Continuum International Publishing
Group Ltd

Background Reading:
• Brend, Mark (2012) The Sound of Tomorrow: How Electronic
Music was Smuggled into the Mainstream. Bloomsbury
• Farnell, Andy (2010) Designing Sound, MIT Press
• Hugill, Andrew (2007) The Digital Musician: Creating Music with
Digital Technology. Routledge
• Pinch, Trevor and Trocco, Frank (2002) Analog Days: The
Invention and Impact of the Moog Synthesizer. Harvard
University Press
• Roads, Curtis (2015) Composing Electronic Music: A New
Aesthetic. OUP USA
• Roads, Curtis (1996) Computer Music Tutorial. MIT Press
• Roads, Curtis (2001) Microsound. MIT Press
• Tompkins, Dave (2011) How to Wreck a Nice Beach: The
Vocoder from WWII to Hip-Hop. Melville House Publishing
Winkler, Todd (2001) Composing Interactive Music: Te