GT USER GUIDE

You can get more from GT by understanding our easy-to-follow musical terms and signs...

RELATING TAB TO YOUR FRETBOARD Our rating sYsteM

Every transcription or lesson in GT is graded
2 m
3 1 i
a according to its level of difficulty, from Easy to
Advanced. we’ll also let you know what aspect of
4 c
your playing will benefit by attempting a lesson.
t p
Advanced

Moderate-Advanced
nut & FretBOard
hand LaBeLLing The fretbox diagram above represents Moderate
Here are the abbreviations used for each finger: the fretboard exactly, as seen in the
Fretting hand: 1, 2, 3, 4, (T) Picking hand: p (thumb), accompanying photo. This is for ease Easy-Moderate
i (index), m (middle), a (annular), c (little finger) of visualising a fretboard scale or chord
quickly. Easy

READ MUSIC
Each
GUITARtranscription
TECHNIQUES MAGAZINE USER is broken
GUIDE down
into two parts...
Guitar Technique Examples - Treble
GUITAR Clef And MAGAZINE
TECHNIQUES Tablature
Guitar Technique Examples - Picking

œ œ
Down & Up Picking

& œ
GUITAR TECHNIQUES MAGAZINE USER GUIDE

& œ
Guitar Technique Examples - Treble Clef And Tablature
œ œ
GUITAR TECHNIQUES MAGAZINE 2nd string 2nd string 3rd string 4th string
Guitar Technique Examples - Picking 3rd fret 1st fret 2nd fret Open

œ3 œ
1E

& œ
2B 1
chOrd eXaMPLe chOrd eXaMPLe (wITH CAPO)
œ
E
3G B 2
Down & Up Picking 4D G 0
The diagram represents the G chord in the photo. The The blue line represents a capo – for this A chord, place it 5A D 7 5

≥ ≤
6E

at fret 2. Capos change the fret number ordering – here,œ

A

& œ
2nd string E 2nd string 3rd string 4th string
‘O’ symbol is an open string, and a circled number is a 3rd fret 1st fret 2nd fret Open
fretting finger. Intervals are shown below.. the original fret 5 now becomes fret 3, fret 7 now fret 5, etc. 1E

MusicaL
2B
3G
C
3
staVeTremolo
1
The five horizontal
Em Picking D72 lines for
A m7

# œ
4D 0

œ œ œ
music notation show note pitches and rhythms
œœ œ œœ œ b œœ
5A

and & by œœbar lines.

6E

œœ &œœ @œ
E
are divided
@ @œ @ œ
B

œ
G
x xD 7 5

≥ ≤
A
A major scale E
C Em D7 A m7
8 1E
œœ
0 0
œœ # œœ
2 0
œœ
@œœ @
E

& œœ œœ @ @20œœ
2B 1 B 0 1 1

œ
0 0 42 80

œ
3G G 5 7

œ
4D 2 D 2 0

œ
Tremolo Picking 5A 3 A 2

œ bœ
GUITAR TECHNIQUES MAGAZINE 6E E 0

œ œ
Guitar Technique Examples - Picking

Down & Up Picking

& @ @ @ @ 1E
2B
0
1
Palm0 Muting
0
2
1
0
1
0 0 2 0

n œœ n œœ
3G
4D 2 2 0 2
R 9 5 7
œ
5A 3 2 0

& œ & # œœ œœ
6E 0
E

œ stave,
œ œ Tabœ isœ an aid
B

@ @ @ @ Under thetomusical
taBBing
5 4 7 8
taPPing & harMOnics
G
D
scaLe eXaMPLe E
A
The left box shows anE A minor to show you whereE
PM
put your fingersPMon the
B B 8 8
The diagram shows the fret-hand fingering for G
pentatonic scale with added fretboard. The six
G horizontal
7 lines represent
7 the six
D 7 5 D 6 6

≥ ≤
the A major scale (root notes in black). The photo A
E tapped notes signifiedPalm
by Muting
‘T’s. strings on a guitar
A
E – the numbers
7
0 0 0 on the
7
0 0strings
GUITAR TECHNIQUES MAGAZINE
shows part of the scale being played onTechnique
Guitar the 4thExamples - Picking Above shows a Cmaj9 (no 3rd) are fret numbers. The two stave and tab examples
nœ n œœ 4 notes andPick4 Rake
# œœœ
string with fingers 1, 3 and 4. with harmonics at the 12th fret. show chords; C (C major), Em (E
& œœ D7 (D dominant 7) and Am7 (A minor 7).
Down & Up Picking Tremolo Picking

w
minor),
œ & œ œ œ bœ œ œ œ œ œ ¿
& œ @ @ @ @ & ¿¿

GUITAR TECHNIQUES: HOW THEY APPEAR IN WRITTEN MUSIC...

PM PM
E
rake
B 8 8
G 7 7
E E D 6 6 E 5
B B

@ @ @ @
A 7 7 B X
G G 5 4 7 8 E 0 0 0 0 0 G X
D 7 5 D D X

PicKing VARIATIONS AND

≥ ALTERNATIVES
≤
GUITAR TECHNIQUES MAGAZINE
Guitar Technique Examples - Picking
A
E
A
E
A
E

up and down picking tremolo picking Palm muting Pick rake

Pick Rake
appeggiate chord
w
Palm Muting Arpeggiate Chord
Down & Up Picking Tremolo Picking

nœ n œœ ¿
œ bœ & ¿¿ ˙ ggg # ˙˙˙
& œ œ & œ
@
œ
@ @ @ & # œœœ œœ & gggg ˙˙˙ ggg # # ˙˙
gg # ¿˙ gg ˙
œ œ œ œ œ rake
gg
ggg 00 ggg
PM PM
E E
E 5
E E 4

ggg 22 ggg
B B 8 8
B X
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@ @ @ @
B
G G 5 4 7 8 G 7 7
G X 4

gg X2 gg
G
D 7 5 D D 6 6 D X D 4
A

≥ ≤
A A A 7 7 A 4
E E E 0 0 0 0 0 E E 5

n The first note is to be down- n Each of the four notes are to n Palm mute by resting the edge n Drag the pick across the n Play the notes of the chord by
Palm Muting Arpeggiate Chord
picked and the last note is to be
Tremolo Picking be alternate picked (down- & ofPick
picking-hand’s
Rake palm on the strings shown with a single strumming across the relevant
n œœ very rapidly
n œœ and w bridge.
œ bœ ˙˙˙ ggg # ˙˙˙
up-picked. up-picked) strings near the sweep. Often used to augment a strings in the direction of the
& œ œ & # œœ œœ & ¿¿
¿
rake’s lastgg note.
@ @ @ @ continuously.
& gg ˙ ggg # # ˙˙
arrow head.
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g
rake
PM PM

ggg 00 ggg 45
E E E 5
B B 8 8 B X

@@ @ @
E

ggg 22 ggg 44
G 5 4 7 8 G 7 7 G X
D D 6 6 D X B

94 GuitarTechniques January 2012

gg X2 gg 45
A A 7 7 A G
E E 0 0 0 0 0 E D
A
E

Palm Muting Arpeggiate Chord

Pick Rake

n œœ n œœ w ˙ ggg # ˙˙˙
& gggg ˙˙˙
¿
& # œœ œœ & ¿¿ ggg # # ˙˙
ggg # ¿˙ gg ˙
œ
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A AA
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GUITAR TECHNIQUES MAGAZINE GUITAR TECHNIQUES MAGAZINE
Guitar Technique Examples - Fretting Hand Guitar Technique Examples - Bending And Vibrato

≠œ œ ≠œ œ œ ≠œ
Hammer On & Pull Off Bend Up/Down Re-Pick
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~~~~~
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A A A AA P 7 5 0
E E E EE 5 0
GUITAR TECHNIQUES MAGAZINE GUITAR TECHNIQUES MAGAZINE
GUITAR TECHNIQUES MAGAZINE
Guitar Technique Examples - Fretting Hand Guitar Technique Examples - Bending And Vibrato
Guitar Technique Examples - Harmonics

≠ ≠ ≠
Hammer-on & Pull-off Note Trills Slides (Glissando)
Bend Up/Down Left Hand Tapping
Re-Pick Bend
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Pre-Bend
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Hammer On & Pull Off Note Trills Natural
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~~~~~
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nœ ¿¿‚ ¿¿ ¿¿
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· · · ··
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PB 5
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E E EE EE EE
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D D 8 DD DD 7 DGD 6 12 X X 6 7 X
X X
A A AA AA 7 5 0 ADA 127 X X X 7 7 X X
E E
GUITAR TECHNIQUES MAGAZINE EE EE 5 0 EAE
E
GUITAR TECHNIQUES MAGAZINE
Guitar Technique Examples - Bending And Vibrato
n Pick 1st note and hammer n Rapidly alternate between n Pick 1st note and slide to Sound
nGuitar the notes marked
Technique Examples - Harmonics
n X markings represent notes

'
Bend Up/Down

≠
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Left HandBend
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# ‚‚ fretting-
onNotewith
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tr ~~~~~ ‚
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· · · ··
6

&off for œ) b˙ and&pull-offs. &&noteœ beingœ re-picked. œ && fingers. &

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≠ ≠ ≠ ··· '
~~~~~
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tr BU 1/4
EE EE E E
E
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D 8 DD DD 7 GD 12 7 GD 4 77
P

BENDING and vibrato

A AA AA 7 5 0 DA 12 7 DA 5
EE EE 5 0 AE AE
E
GUITAR TECHNIQUES MAGAZINE E E
GUITAR TECHNIQUES MAGAZINE
Guitar Technique Examples - Bending And Vibrato
Guitar Technique Examples - Harmonics

'
bend up/down
Bend Up/Down Re-pick bend Pre bend Quater-tone bend Vibrato
GUITAR
Vibrato TECHNIQUES MAGAZINE

≠œ œ ≠œ œ œ ≠œ
Re-Pick
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Tapping Pre-Bend

nœœ ¿‚ ¿ ‚ ¿ œ# ‚‚‚ ¿ ¿
Fret Hand Muting Artificial Harmonics

~~~~~
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‚
Guitar Technique Examples - Vibrato Arm

—œ~~~ ~~~
Slides (Glissando) Pinched Harmonics

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· · · ··
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A AA P 7 5 0 ADA 127 X X X 7 7 X X DA 5 EDA 7 5
E EE EAE AE BAE 7
E 5 0
E E GE 5 (7) (5) (4)
GUITAR TECHNIQUES MAGAZINE GUITAR TECHNIQUES MAGAZINE D
Guitar Technique Examples - Vibrato Arm A
n Fret the start note (here, Bend
nGuitar up to the pitch shown
Technique Examples - Harmonics
n Bend up from the 5th fret n Pick the note and then bend n The fretting hand vibrates
E

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~~~~~
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· · · ··
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NH AH 16 AH 17 AH 19 TH 17 TH 19 TH 17
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BD GUITAR TECHNIQUES
5 8
7 MAGAZINE
harmonics
A
A 7 5 0 12 7 X X X 77 X X DA 5 D
E AEE AE AE
A 7 GA
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E E E
E DE Guitar Technique Examples - Others
GUITAR TECHNIQUES MAGAZINE GUITAR TECHNIQUES MAGAZINE A
Guitar Technique Examples - Harmonics Guitar Technique Examples - Vibrato Arm E

'
Natural
Pre-Bend harmonics Artificial harmonics Pinched
Vibrato harmonics Tapped harmonics
Scoop And Doop Touch harminics
Pick Scrape

¿¿‚ ¿¿ œ #œœ‚‚‚
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‚
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· · · ··
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w/bar Doop B

~~~~~~~~9 ~~~~[~5~]
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~~
GD
D 6 12
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DA DA DDA DGUITAR TECHNIQUES
5 7 MAGAZINE ED
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AE
E AE AAE 7 A GUITAR TECHNIQUES MAGAZINE
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D
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E EE EGuitar Technique Examples - Others
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GUITAR TECHNIQUES MAGAZINE
Guitar Technique Examples - Others E
Guitar Technique Examples - Vibrato Arm
n Pick the note while lightly Fret the note as shown,
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nScoop Doopnote as shown, Fret
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·
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··· ± ±±
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~~~~~
vol. vol.
AH 16 AH 17 AH 19 TH Scoop
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w/bar B 3 3

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~~~~~~~~~~~~~~~
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GD 4 77 G
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B 3
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D DD ED
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DA 5 DA 7 5 5 7 MAGAZINE
AE A
AE AA GUITAR TECHNIQUES E
A
A D
7 A
E E
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GUITAR TECHNIQUES MAGAZINE Guitar Technique Examples - Others E
Guitar Technique Examples - Vibrato Arm
Vibrato
Vibrato
arm bends Scoop & doop
Scoop And Doop Dive bomb
Pick Scrape Gargle
Violining
Violining
Gargle
Capo
Capo Notation
FingerNotation
Numbering

##˙˙˙ #
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Sustained Note + Dive Bomb

—œ~~~ œ~~~ ~~~~~ ‚ w/bar ˙˙˙˙˙ b¢œ £œ ¡œ(B7)

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‚œ ˙˙ œ ˙
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PH TH 17 TH 19 TH 17 E TCH E 2 E
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E w/bar Doop B w/bar BE 32 Gargle 3 B
B 23 53

~~~~~~9~~~~~~~[ 5~]
E
EB E
E EG
E GE G
E 8 7 5
10 8 X scrape G
DB 22 55 D 7 5
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D GUITAR TECHNIQUES
5 7 MAGAZINE DE
D
A
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D 2 1
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A AA E
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EE E EE E E
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Guitar Technique Examples - Others

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nViolining Sound
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guitar’s ‘literal’ 5th
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~~~~~~~~~ # œ £# œ ¡ œ

·
· ·techniques ·
vol. vol.
Scoop
TH 17 TH 19 TH 17 E TCH E Capo 2nd fret E 0
E 2

~~~~~~~~~~Pick
B Gargle 3 BE B 3
Doop w/bar B 3

~~~~~~9~~~~~~~[ 5~]
EE EG
E EG 2 5
B
GE 8 7 5 G 0 0
X scrape G
DB 8 7 5 7 5 D 2 2
BB 10 8 BD
B BD 2 5 1 0
GA 5 2X [5 ] D
AG 7 5 2 A

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~~
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DD GUITAR TECHNIQUES
5 7 MAGAZINE DE
D DE 5 2 1
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AA A
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EE Guitar Technique Examples - Others E
E E E

Lœ œ œ Lœ œ
Pick scrape
Pick Scrape
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Violining Finger
Capo Notationnumbering Pima directions
Pick Scrape
Pick Scrape Right-hand
Right Hand Tapping tapping
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# E m7

# ˙˙
Touch Harmonics

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Sustained Note + Dive Bomb E m7

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w/bar Gargle

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L L
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~~~~~~~~~

·
6
vol. vol.
E TCH 2 E 0 E
E Capo 2nd fret

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E
B
w/bar B 3 Gargle 3 B BE 0 3 B

~~~~~~9~~~~~~~[~5 ]
G
EE scrape EG 2 5 EG 8 7 5 GB 0 3 0 G 12 5 9
D
BB X BD 2 5 BD 1 7 5 0 DG 2 0 0 2 D 12 5 9
A
5 2X GA 5 3 [5 ] 0 2 AD 2 2 A

~~
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DD DE 5 DE 2 1 EA 0 E
AA A A 3 2 E p0 p i a m i p
EE E E p p i a m i p

L œœ œ Lœ œ œœ
n The edge of the pick is n Turn volume control off, The
nPick numbers after the
Scrape n Fingerpicking requirements n Tap (hammer-on) with a
Violining Capo Notation Right Hand Tapping
dragged down or up along sound note(s) and# then turn
Finger Numbering notes are E m7the fingers required are shown
Right at the bottom of
Hand Tapping finger of the picking hand
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Gargle
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D C 7

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produce a vol up for (C)
œ ¡œ (B7)œ fade in. to play the fret numbers in the tab notation.
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onto the fret marked with a
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scraped Called . circle. Usually with ‘i’ or ‘m’.
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L L
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6
E 2 E Capo 2nd fret E 0 E
B 3 Gargle 3 B B 3 BE
G
E 2 5 EG 8 7 5 G 0 0 GB 12 5 9
D
B 2 5 BD 1 7 5 0 D 2 2 DG 12 5 9 12 5 9
A
G 53 [5 ] GA 0 2 A AD 12 5 9
E
D
A
5 DE
A
E
3
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2
1 E 0
p p i a m i p
EA
E January 2012 GuitarTechniques 95
E

Lœ œ œ Lœ œ
Pick Scrape
Capo
FingerNotation
Numbering Right Hand Tapping
# E m7

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11/8/11 9:26:41 AM