Documenti di Didattica
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I was born upside down, the umbilical cord looped twice around my neck.
The candleflame and the image of the candleflame caught in the pierglass twisted
and righted when he entered the hall and again when he shut the door.
If you really want to hear about it, the first thing you’ll probably want to know is
where I was born, and what my lousy childhood was like, and how my parents were
occupied and all before they had me, and all that David Copperfield kind of crap,
but I don’t feel like going into it, if you want to know the truth.
Mr. and Mrs. Dursley, of number four, Privet Drive, were proud to say that they
were perfectly normal, thank you very much. They were the last people you’d
expect to be involved in anything strange or mysterious, because they just didn’t
hold with such nonsense.
It was a bright cold day in April, and the clocks were striking thirteen.
Once when I was six years old I saw a magnificent picture in a book, called True
Stories from Nature, about the primeval forest. It was a picture of a boa
constrictor in the act of swallowing an animal. Here is a copy of the drawing.
In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with
the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in
it to sit down on or to eat: it was a hobbit-hole, and that means comfort.
Second person: Much less common, this addresses the reader as a character
in the story, using the pronoun ‘You’. Pros: Novel and uncommon; the reader
becomes an active story participant. Cons: The environment of the story can
feel intangible as the reader has to imagine the story setting as her
immediate surroundings.
Third person limited:The story is told using he/she but from one
character’s perspective. Pros: The reader enjoys the intimacy of a single
character’s perspective. Cons: Other characters’ views and actions are only
understood through the perceptions of the viewpoint character.
You should at least try to write your short story in condensed form first for other
reasons, too:
You’ll begin with the bare essentials – having the most important elements at
the centre of your process will stop you from writing boring filler
You’ll be better able to work out the number and sequence of scenes you’ll
need to do your topic and themes justice
Joe Bunting advocates breaking your story into a scene list so that you have a clear
overview of the structure of your story and the parts that require additional work.
If you don’t have a clear outline of your story to begin with and prefer to start
writing immediately, you can do this at a later stage too.
Rule of thumb: You should only name three characters in a short synopsis—usually,
the protagonist, antagonist, and possible love interest/side-kick/contagonist. All
other characters should be referred to by their roles (e.g. the waitress, the
mother, the basketball player).
Rule of thumb: You must tell the ending! The purpose of a synopsis is to show an
editor/agent you can tell a story from beginning to end. You will not entice them
into reading your whole MS if you don’t share the ending—you’ll just tick them off!
Rule of thumb: Do not include subplots unless you have extra space at the
end!!!!! Stick to the MAIN PLOT EVENTS.