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CRITICAL PERSPECTIVES -
THESIS PROPOSAL OGR
MONDAY 19TH FEBRUARY
2018
Transgressions: How the
Exploitations of the
Abject communicates
with an Audience
Dissertation Synopsis
I want to write about how different people perceive cinema in modern times,
and content is changed to suit that broad demographic. In order to do this I
will be writing about transgressive and abject art forms and how they are
applied in film particularly of the smaller budget. It is interesting to study this
topic because smaller films need to expose themselves via their identity rather
than through marketing campaigns. In postmodernism the idea of shock
value in cinema is important to attract an audience, who need to feel drawn
to the content of a film via how it is described in a trailer or by a person who
analyses film. Because of this, I will also be talking about how people
influence others through their own taste in film, these could include popular
critics, actors, and also other directors.
Chapter 1 Synopsis
For the next paragraph I intend to make a methodology on the last by beginning
to talk more about demographics and the individuals involved in generating a
response from the wider audience. This is done through the study of the consumer
and their habits around the consumption of film products. The success of a fil
hinges on not only the reception by the audience, but also its time of release, as
other larger films have the potential to overshadow and destroy competition. For
smaller budget films, it is then more necessary to define itself so it may stand out
more in comparison to similar budgets. This can be done through the application
of transgressive and abject art in order to reinforce a strong concept from which
the film is built around. Despite this, there are other elements that may hinder an
artist's expression, relatability is key in audience understanding. Saw is a good
example of how transgression/abject may influence a viewer, as it takes from a
stereotype, putting them in compromising positions that affect both their moral
value and their lives using lots of contraptions intended for copious gore. The
ensuing shock value then effectively cements the scene into memory.
Chapter 3 Synopsis
In the case of more effective directors defining themselves through the content of
their work it is important to note the value of reputation when it comes to the
consumer, and especially to the critics. John Waters is dubbed 'the pope of
trash' due to his extremely kitsch and abject view on the consumers of film,
deliberatly going against social standards in order to get a reaction. Pink
Flamingos features a character name of 'Divine' who is described as the filthiest
woman alive, and is played by a transvestite as if to embody the values of the
film. David Lynch provides an alternate approach by using a more controlled
approach, in Eraserhead, the main character is host to odd events that
surround him constantly, and is rich in symbolism and metaphor for the sake of
continued discussion. Through the study of these films I want to show how by
making a memorable identity for themselves they are self marketing through
continued discussion and relevancy.
Current Research Proforma
Author(s): Bennett, L.
Author(s): Chen, X. Yu, H. W Gentry, J. Yu, F.
Critical Position: Independent Researcher
Critical Position:
Title: Tracing Textual Poachers: Reflections on the development of fan
studies and digital fandom. Title: Complaint or Recommendation? The impact of customers' state and
trait goal orientations on customer engagement behaviours.
Publisher/Publication: Journal of Fandom Studies.
Publisher/Publication: Journal of Consumer Behaviour: An International
Place of Publication: n/a Research Review.
A introspective into the spread of fandoms and their effect on modern Key Points and Potential study:
media. Can provide commentary on how media is received by audiences.
Study on individuals and their interactions with film as a product. Discusses
Quotation: the ways in which new technology has influenced perspective of these
viewers.
'...W ith more advanced technology, participatory culture and transmedia
practices also developed, with fans gaining stronger resources and Quotation:
integration within the digital media landscape.'
'In addition to purchasing, customers also play important roles in marketing
through many other behaviours. These behaviours include, but are not
limited to, recommending the brand to others, blogging and web posting
the consumption experience...
Current Research Proforma
Critical Position: Title: The Disgusting, The Formless and the Abject in Art.
Title: Individualism: A Reader. At: http://www.arterritory.com/en/texts/articles/5296-
the_disgusting,_the_formless_and_the_abject_in_art/
At: https://ebookcentral.proquest.com/lib/ucreative-
ebooks/reader.action?docID=2010880&query= Date: 2016
Publisher/Publication: Cato Institute Key Points and Potential Study:
Place of Publication: Washington Description of the transgressive and abject in the scene of art, providing
commentary from the more exclusive side of art critic.
Date: 2015
Chapter: 1 "of the individual man, and the highest ends of his existence"
Quotation:
'Every human being, then, can act with but one force at the same time: or rather,
our whole nature disposes us at any given time to some single form of spontaneous
activity.'
Current Research Proforma
Author: Newman, J.
Chapter:
Provides discussion on the recpetion of transgressive art. Particular in the way that it
is written from the viewpoints of a lecturer.
Quotation:
'Some other controversial works, such as the Myra Hindley work, were damaged in
the Sensation exhibition. Students have some quite strong reactions to works at
times especially if they have read things in the tabloid press or their parents have
said that the works are shocking and shouldn't be allowed ect.'
Bibliography
Bennett, L. (2014). Tracing Textual Poachers: Reflections on the development of fan studies and
digital fandom. Journal of Fandom Studies. [online] 2(1), Av ailable at:
https://www.intellectbooks.co.uk/ [04/02/18]
Ford, S. (2014). Fan Studies: Grappling with a 'Undisciplined' Discipline. Journal of Fandom
Studies. [online] 2(1), Av ailable at: https://www.intellectbooks.co.uk/ [04/02/18]
Gourmelos, T. J Gunkel, D. (2012). Transgression 2.0: Media, Culture and the Politics of a Digital
Age. 1st ed. [ebook] New York: The continuum international Publishing Group. Av ailable at:
https://books.google.co.uk/books?id=Pv b3WiPWw2IC&printsec=frontcov er&source=gbs_ge_su
mmary_r&cad=0#v =onepage&q&f=false [02/02/18]
Kajema, E. (2016) The Disgusting, The Formless and the Abject in Art. [blog] ArtTerritory.
Available at: http://www.arterritory.com/en/texts/articles/5296-
the_disgusting,_the_formless_and_the_abject_in_art/ [07/02/18]
Mead, R. (2014). The Scourge of Relatability. The New Yorker. [online] Available at:
https://www.newyorker.com/culture/cultural-comment/scourge-relatability [17/02/2018]
Newman, J. (2017). Why Postmodern Art is Vacant. Quilette. [online] Available at:
http://quillette.com/2017/09/12/postmodern-art-vacant/ [19/02/2018]
Waters, J. (1981). Shock Value: A Tasteful Book about Bad Taste. [print] New York: Delta.
[01/02/18]
Zinoman, J. (2011). Shock Value. [print] The Penguin Press: New York [02/02/18]