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The music start in fade in at :00:01 showing the ghost,Saint Nicholas walking in
The Music is in 3/4, the piccolo and the flute and the clarinet share the main theme
scale played over a sus chord or a fantasy mood according to the ambiguity of the
:00:16 when Hermione appears. Here the music follows the action, and gives a happy and
triumphal mood with a P5th interval (B to F#). At :00:21 the harp leads the harmony to
the V chord when the camera shows Harry and Ron. The cadence gives suspense to the
upcoming reunion of the main Characters. At :00:27, after Ron and Harry sees Hermione,
the woodwinds and the harp release the tension going to I. The music supports the happy
mood of the reunion. When Hermione starts running to them at :00:33, the harmony
modulate in constant structure (F# to G to F# (all major)) and make a pause when
Hermione hugs Harry. Then, a short pause at :00:43 (giving a small suspense) leads to a
quiet G harmony that supports the awkwardness of Ron and Hermione reunion without
giving up the happiness of the moment. The harmony goes then to a C over a G pedal
when they are expressing their happiness of seeing each other and their thoughts. After
the dialogue, the harmony goes back to G major, playing between G major and C minor
(the modal interchange (in opposition with the previous C major) gives a transition to the
action) at :01:05 when the action goes to McGonagall ringing the bell. At :01:15 the
announcement. Here the music gives the importance to Dumbledore character (giving
him a lot of credit). The V pedal gives a smooth tension that gives the suspense of what
Dumbledore is going to say. At :01:24, when he gives credit to some teacher for helping
during the tragic events that happened, the harmony goes from F# major to E flat
augmented (reminding the sadness and the tension of the past events) to a E flat major.
Until the applause at :01:33 the music is modulating to follow the ideas of the scenes
referring to the global happy ending of the movie (supported by the constant use of major
tonality). During the applause, the music is solemn, then the composer uses wandering
modulation without a definite tonal center (giving instability but no discomfort). Same
thing when, at :01:50, Dumbledore announces the cancellation of the exams. In that case,
the composer doesn’t use a release in a major tonality because the scene shows the
happiness of everyone and the disappointment of Hermione. Also he keeps the action
moving on because there is more to happen. At :02:00 the harmony get settle again in B
major when Dumbledore sits down and announces the following scene. Then the
audience ears an F# sus that announces the upcoming scene where Hagrid comes in at
:02:05. It creates a suspension and incertitude in the audience mind. The F# resolve
deceptively on a G# minor at :02:11 when is apologize for being late. The strings give
melancholia to the scene and the minor chord give compassion to it. So far, the music has
a psychological and physical function to the scene. Remaining of the main theme, support
of the mood and the movement of the action in the scenes. It also connects the feeling
between each scene. At :02:16 the timbale rolls and the harmony release on a B major
while the camera shows the astonishment of Dumbledore (every thing is getting in order).
Here the horns play a triumphal 5th interval with a solemn sound. At :02:25 the
woodwinds follow Hagrid’s joke (underlining the dialogue) with a happy staccato
melody on the V sus chord that releases on I with a Neapolitan cadence while Hagrid
approaches Dumbledore. At 02:38, while Hagrid is still walking the Harp bring the music
to an A minor harmony played by the strings going then to D maj quietly (The composer
keeps putting tension until the last release). Here the music supports the important
dialogue that is going to come. Gives a bit of suspense and reminds the past events. Then,
at :02:54 the melody is played by the woodwind and the harmonic progression gives
mystery and instability to the scene. Also it supports the topic of death that present in the
dialogue. At :03:04 the celesta (or xylophone?) plays a melody on a flat 6 chord going to
V and resolving deceptively on IV minor. The deceptive resolution is used because the
dialogue is not done. Harry is answering to Hagrid so the harmony stays in the air to
support the action. At :03:18 when Harry is hugging Hagrid the music still doesn’t
resolve and go to D major while the audience expects B major. By doing that, the
composer gives happy/sad mood and support Harry’s line and also the tears in
Hermione’s eyes at :03:21 with an harmony based on an B minor center. At :03:33, the
strings lead to a G minor harmony when every one starts applauding Hagrid while we see
Harry’s smile. The Harmony moves from G major to B flat major with the bass voice
leading to F to finally resolve on F# minor over D. This cadence supports the applauding
growing. The F# occurs at :03:42 on cue of the conductor and the woodwinds start
playing the main title again. The music indicates that the scene and the movie are ending.
Finally, the strings lead the harmony from a D minor a beautiful A major at :04:05 with
the applaude and the happy face of the students. The violin plays the lead note (high A)
while the French horn, the bass and cello play a counterline. The violin gives a lot of
emotion and happy tears while the backline give solemnness and pride. The music gets
stronger with the coming of the brass at :04:12 giving a victorious feeling. Plus, the
harmony is now going between the IV and the V chord. The audience is expecting a big
resolution of harmony and sound. The resolution occurs at :04:24 on Harry’s happy and
triumphal facial expression with the sound of the brass melody and the timbale roll on a
very full of emotion string line. The music keeps growing with the apparition the cymbal
at :04:31 when we have a full shot of the room, the students and the teachers. The rhythm
is energetic, the harp line accentuate the kicks and give strength to the final cadence
going from IV to V to a V sus that let the picture takes more distance from the scene.
Finally the harmony resole on A major at :04:43 with the melody starting on C# and
playing the main theme. So it gives a major Lydian tonality. It is very interesting how the
A Lydian (C# melody played over an A major harmony) gives the fantasy and the
mystery to the scene. Also the sound of the brass marks ending of the movie in a
triumphal way but the ambiguity of major/minor reminds the global mood of the movie
plus the upcoming adventure (even if it there because it’s also the main theme of the
movie and it closes perfectly the scene). The composer finishes the music and closes the
movie (with the camera taking more distance from earth and showing a full picture of the
castle) with a low brasses line, coming after the main theme, and going from F major to a
release point at :04:55 in A major with the support of percussion. This finishes finally on
two last hits: one at :05:00 and the last strongest one at :05:05 with the black screen.