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The main theme of the poem is that innovator, modern and creative artists are crucified
by the traditional and conventional people. This is not the only theme because the poem is to
be understood at many different levels.
The poem makes use of figurative language throughout thus making every simple detail stand
for a more complex thought related with theory of art. Phrases like “sea’s portrait, plaster its
own portrait on the canvas, the brush as means to an end, usurp the canvas. As if forgetting
itself the portrait, had expressed itself without a brush, wrecks the canvas, crucified by his
subject, all indications of a subject began to fade, to howl, that was also a prayer, the sea
devoured the canvas and the brush”, all have figurative meanings expressing or reflecting
significant artistic concepts.
“For some people the fear of inner torment is such that the desire to create has to be
repressed: ‘He does not embark on any serious pursuits commensurate with his gifts lest he
fails to be a brilliant success. He would like to write or paint but does not dare to start’
(Horney 107). Or if the desire to create is not repressed, the creative process will be wracked
with anxiety or hampered by self torment.” This quote from the book Therapeutic dimensions
of autobiography in creative writing by Celia Hunt aptly captures to some extent the
condition the painter in the poem goes through, who seems confused on whether to draw the
painting of the sea or not. And how this feat of capturing the sea can be achieved