{\rtf \ansi \ansicpg1252 \deff0 \stshfdbch3 \stshfloch0 \stshfhich0 \deflang1033

\deflangfe1033 {\fonttbl {\f0 \froman \fcharset0 \fprq2 {\*\panose

02020603050405020304}Times New Roman{\*\falt Times New Roman};}{\f3 \fnil
\fcharset134 \fprq0 {\*\panose 02010600030101010101}SimSun{\*\falt SimSun};}{\f8
\fnil \fcharset2 \fprq0 {\*\panose 05000000000000000000}Wingdings{\*\falt
Wingdings};}{\f9 \fnil \fcharset0 \fprq0 {\*\panose
02040502050405020303}Georgia{\*\falt Georgia};}}{\*\colortbl ;\red0 \green0
\blue0 ;\red128 \green0 \blue0 ;\red255 \green0 \blue0 ;\red0 \green128 \blue0
;\red128 \green128 \blue0 ;\red0 \green255 \blue0 ;\red255 \green255 \blue0
;\red0 \green0 \blue128 ;\red128 \green0 \blue128 ;\red0 \green128 \blue128
;\red128 \green128 \blue128 ;\red192 \green192 \blue192 ;\red153 \green204 \blue204
;\red0 \green0 \blue255 ;\red255 \green0 \blue255 ;\red153 \green204 \blue255
;\red0 \green255 \blue255 ;\red255 \green255 \blue255 ;\red0 \green0 \blue0 ;}
{\stylesheet {\qj \li0 \ri0 \widctlpar \aspalpha \aspnum \adjustright \lin0
\rin0 \itap0 \fs21 \kerning2 \dbch \af3 \hich \af0 \loch \f0 \snext0 \spriority0
Normal;}}{\*\latentstyles \lsdstimax156 \lsdlockeddef0 \lsdsemihiddendef1
\lsdunhideuseddef1 \lsdqformatdef0 \lsdprioritydef99 {\lsdlockedexcept
\lsdsemihidden0 \lsdunhideused0 \lsdpriority0 \lsdlocked0 Normal;\lsdpriority99
\lsdlocked0 heading 1;\lsdpriority99 \lsdlocked0 heading 2;\lsdpriority99
\lsdlocked0 heading 3;\lsdpriority99 \lsdlocked0 heading 4;\lsdpriority99
\lsdlocked0 heading 5;\lsdpriority99 \lsdlocked0 heading 6;\lsdpriority99
\lsdlocked0 heading 7;\lsdpriority99 \lsdlocked0 heading 8;\lsdpriority99
\lsdlocked0 heading 9;\lsdpriority99 \lsdlocked0 index 1;\lsdpriority99 \lsdlocked0
index 2;\lsdpriority99 \lsdlocked0 index 3;\lsdpriority99 \lsdlocked0 index
4;\lsdpriority99 \lsdlocked0 index 5;\lsdpriority99 \lsdlocked0 index
6;\lsdpriority99 \lsdlocked0 index 7;\lsdpriority99 \lsdlocked0 index
8;\lsdpriority99 \lsdlocked0 index 9;\lsdpriority99 \lsdlocked0 toc
1;\lsdpriority99 \lsdlocked0 toc 2;\lsdpriority99 \lsdlocked0 toc
3;\lsdpriority99 \lsdlocked0 toc 4;\lsdpriority99 \lsdlocked0 toc
5;\lsdpriority99 \lsdlocked0 toc 6;\lsdpriority99 \lsdlocked0 toc
7;\lsdpriority99 \lsdlocked0 toc 8;\lsdpriority99 \lsdlocked0 toc
9;\lsdpriority99 \lsdlocked0 Normal Indent;\lsdpriority99 \lsdlocked0 footnote
text;\lsdpriority99 \lsdlocked0 annotation text;\lsdpriority99 \lsdlocked0
header;\lsdpriority99 \lsdlocked0 footer;\lsdpriority99 \lsdlocked0 index
heading;\lsdpriority99 \lsdlocked0 caption;\lsdpriority99 \lsdlocked0 table of
figures;\lsdpriority99 \lsdlocked0 envelope address;\lsdpriority99 \lsdlocked0
envelope return;\lsdpriority99 \lsdlocked0 footnote reference;\lsdpriority99
\lsdlocked0 annotation reference;\lsdpriority99 \lsdlocked0 line
number;\lsdpriority99 \lsdlocked0 page number;\lsdpriority99 \lsdlocked0 endnote
reference;\lsdpriority99 \lsdlocked0 endnote text;\lsdpriority99 \lsdlocked0 table
of authorities;\lsdpriority99 \lsdlocked0 macro;\lsdpriority99 \lsdlocked0 toa
heading;\lsdpriority99 \lsdlocked0 List;\lsdpriority99 \lsdlocked0 List
Bullet;\lsdpriority99 \lsdlocked0 List Number;\lsdpriority99 \lsdlocked0 List
2;\lsdpriority99 \lsdlocked0 List 3;\lsdpriority99 \lsdlocked0 List
4;\lsdpriority99 \lsdlocked0 List 5;\lsdpriority99 \lsdlocked0 List Bullet
2;\lsdpriority99 \lsdlocked0 List Bullet 3;\lsdpriority99 \lsdlocked0 List Bullet
4;\lsdpriority99 \lsdlocked0 List Bullet 5;\lsdpriority99 \lsdlocked0 List Number
2;\lsdpriority99 \lsdlocked0 List Number 3;\lsdpriority99 \lsdlocked0 List Number
4;\lsdpriority99 \lsdlocked0 List Number 5;\lsdpriority99 \lsdlocked0
Title;\lsdpriority99 \lsdlocked0 Closing;\lsdpriority99 \lsdlocked0
Signature;\lsdpriority99 \lsdlocked0 Default Paragraph Font;\lsdpriority99
\lsdlocked0 Body Text;\lsdpriority99 \lsdlocked0 Body Text Indent;\lsdpriority99
\lsdlocked0 List Continue;\lsdpriority99 \lsdlocked0 List Continue 2;\lsdpriority99
\lsdlocked0 List Continue 3;\lsdpriority99 \lsdlocked0 List Continue
4;\lsdpriority99 \lsdlocked0 List Continue 5;\lsdpriority99 \lsdlocked0 Message
Header;\lsdpriority99 \lsdlocked0 Subtitle;\lsdpriority99 \lsdlocked0
Salutation;\lsdpriority99 \lsdlocked0 Date;\lsdpriority99 \lsdlocked0 Body Text
First Indent;\lsdpriority99 \lsdlocked0 Body Text First Indent 2;\lsdpriority99
\lsdlocked0 Note Heading;\lsdpriority99 \lsdlocked0 Body Text 2;\lsdpriority99
\lsdlocked0 Body Text 3;\lsdpriority99 \lsdlocked0 Body Text Indent
2;\lsdpriority99 \lsdlocked0 Body Text Indent 3;\lsdpriority99 \lsdlocked0 Block
Text;\lsdpriority99 \lsdlocked0 Hyperlink;\lsdpriority99 \lsdlocked0
FollowedHyperlink;\lsdpriority99 \lsdlocked0 Strong;\lsdpriority99 \lsdlocked0
Emphasis;\lsdpriority99 \lsdlocked0 Document Map;\lsdpriority99 \lsdlocked0 Plain
Text;\lsdpriority99 \lsdlocked0 E-mail Signature;\lsdpriority99 \lsdlocked0 Normal
(Web);\lsdpriority99 \lsdlocked0 HTML Acronym;\lsdpriority99 \lsdlocked0 HTML
Address;\lsdpriority99 \lsdlocked0 HTML Cite;\lsdpriority99 \lsdlocked0 HTML
Code;\lsdpriority99 \lsdlocked0 HTML Definition;\lsdpriority99 \lsdlocked0 HTML
Keyboard;\lsdpriority99 \lsdlocked0 HTML Preformatted;\lsdpriority99 \lsdlocked0
HTML Sample;\lsdpriority99 \lsdlocked0 HTML Typewriter;\lsdpriority99 \lsdlocked0
HTML Variable;\lsdpriority99 \lsdlocked0 Normal Table;\lsdpriority99 \lsdlocked0
annotation subject;\lsdpriority99 \lsdlocked0 No List;\lsdpriority99 \lsdlocked0
Balloon Text;}}{\*\generator Kingsoft Office}{\info {\title While screenwriters and
directors are the first and second storytellers of a movie, editors are the third
ones. Since editors a}{\operator Sairam}{\creatim \yr2016 \mo1 \dy20 \hr16 \min32 }
{\revtim \yr2016 \mo1 \dy20 \hr16 \min32 }{\version1 }}\paperw12240 \paperh15840
\margl1800 \margr1800 \margt1440 \margb1440 \gutter0 \ftnbj \aenddoc \jcompress1
\viewkind1 \viewscale100 \ftnlytwnine \useltbaln \alntblind \lytcalctblwd
\rtlgutter \asianbrkrule {\*\fchars {\uc1 \u33 ?}{\uc1 \u41 ?}{\uc1 \u44 ?}{\uc1
\u46 ?}{\uc1 \u58 ?}{\uc1 \u59 ?}{\uc1 \u63 ?}{\uc1 \u93 ?}{\uc1 \u125 ?}{\uc1
\u168 ?}{\uc1 \u183 ?}{\uc1 \u711 ?}{\uc1 \u713 ?}{\uc1 \u8213 ?}{\uc1 \u8214 ?}
{\uc1 \u8217 ?}{\uc1 \u8221 ?}{\uc1 \u8230 ?}{\uc1 \u8758 ?}{\uc1 \u12289 ?}
{\uc1 \u12290 ?}{\uc1 \u12291 ?}{\uc1 \u12293 ?}{\uc1 \u12297 ?}{\uc1 \u12299 ?}
{\uc1 \u12301 ?}{\uc1 \u12303 ?}{\uc1 \u12305 ?}{\uc1 \u12309 ?}{\uc1 \u12311 ?}
{\uc1 \u65281 ?}{\uc1 \u65282 ?}{\uc1 \u65287 ?}{\uc1 \u65289 ?}{\uc1 \u65292 ?}
{\uc1 \u65294 ?}{\uc1 \u65306 ?}{\uc1 \u65307 ?}{\uc1 \u65311 ?}{\uc1 \u65341 ?}
{\uc1 \u65344 ?}{\uc1 \u65372 ?}{\uc1 \u65373 ?}{\uc1 \u65374 ?}{\uc1 \u65504 ?}}
{\*\lchars {\uc1 \u40 ?}{\uc1 \u91 ?}{\uc1 \u123 ?}{\uc1 \u183 ?}{\uc1 \u8216 ?}
{\uc1 \u8220 ?}{\uc1 \u12296 ?}{\uc1 \u12298 ?}{\uc1 \u12300 ?}{\uc1 \u12302 ?}
{\uc1 \u12304 ?}{\uc1 \u12308 ?}{\uc1 \u12310 ?}{\uc1 \u65288 ?}{\uc1 \u65294 ?}
{\uc1 \u65339 ?}{\uc1 \u65371 ?}{\uc1 \u65505 ?}{\uc1 \u65509 ?}}\fet2
{\*\ftnsep \pard \plain {\insrsid \chftnsep \par }}{\*\ftnsepc \pard \plain
{\insrsid \chftnsepc \par }}{\*\aftnsep \pard \plain {\insrsid \chftnsep \par }}
{\*\aftnsepc \pard \plain {\insrsid \chftnsepc \par }}\sectd \sbkpage
\pgwsxn12240 \pghsxn15840 \marglsxn1800 \margrsxn1800 \margtsxn1440
\margbsxn1440 \guttersxn0 \headery720 \footery720 \pgbrdropt0 \endnhere \pard
\plain \ql \fi0 \li0 \ri0 \saauto1 \sl327 \slmult0 \widctlpar \aspalpha
\adjustright \lin0 \rin0 \shading10000 \cfpat18 \itap0 \fs21 \kerning2 \dbch
\af3 \hich \af0 \loch \af0 {\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9
\cgrid1 \chcbpat18 \cf1 While screenwriters and directors are the first and second
storytellers of a movie, editors are the third ones. Since editors are given a
limited amount of footage, it may not appear so, but, through editing techniques,
the editor may construct or deconstruct a }{\field \fldedit {\*\fldinst {\b0 \i0
\fs21 \kerning2 \dbch \af3 \hich \af3 \loch \af9 \cgrid1 \chcbpat18 \cf14 \ul1 }
{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat18
\cf14 \ul1 HYPERLINK "http://www.elementsofcinema.com/film_form/narrative-
cinema.html"}}{\fldrslt {\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch
\af9 \cgrid1 \chcbpat18 \cf14 \ul1 }{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich
\af3 \loch \f9 \cgrid1 \chcbpat18 \cf14 \ul1 narrative}}}{\b0 \i0 \fs21
\kerning2 \dbch \af3 \hich \af3 \loch \af9 \cgrid1 \chcbpat18 \cf14 \ul1 }{\b0
\i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat18 \cf1 or}
{\field \fldedit {\*\fldinst {\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3
\loch \af9 \cgrid1 \chcbpat18 \cf14 \ul1 }{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich
\af3 \loch \f9 \cgrid1 \chcbpat18 \cf14 \ul1 HYPERLINK
"http://www.elementsofcinema.com/film_form/documentary_filmmaking.html"}}{\fldrslt
{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \af9 \cgrid1 \chcbpat18
\cf14 \ul1 }{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1
\chcbpat18 \cf14 \ul1 documentary}}}{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich
\af3 \loch \af9 \cgrid1 \chcbpat18 \cf14 \ul1 }{\b0 \i0 \fs21 \kerning2 \dbch
\af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat18 \cf1 , and shape it to his or her own
will.}{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1
\chcbpat18 \cf1 \par }\pard \plain \ql \fi0 \li0 \ri0 \saauto1 \sl327 \slmult0
\widctlpar \aspalpha \adjustright \lin0 \rin0 \shading10000 \cfpat18 \itap0
\fs21 \kerning2 \dbch \af3 \hich \af0 \loch \af0 {\b0 \i0 \fs21 \kerning2 \dbch
\af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat18 \cf1 The job of an editor constitutes
much more than cutting and splicing footage. Walter Murch, the acclaimed Academy-
Award winning editor and sound designer, whose body of work includes }{\b0 \i1
\fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat18 \cf1 The English
Patient}{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9
\cgrid1 \chcbpat18 \cf1 (1996) and }{\b0 \i1 \fs21 \kerning2 \dbch \af3 \hich
\af3 \loch \f9 \cgrid1 \chcbpat18 \cf1 The Godfather}{\b0 \i0 \fs21 \kerning2 \dbch
\af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat18 \cf1 (1972), opens his book }{\b0 \i1
\fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat18 \cf1 In The
Blink of An Eye}{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1
\chcbpat18 \cf1 by sharing his nightmarish experience while editing }{\b0 \i1
\fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat18 \cf1 Apocalypse
Now}{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat18
\cf1 (1979).}{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1
\chcbpat18 \cf1 \par }\pard \plain \ql \fi0 \li0 \ri0 \saauto1 \sl327 \slmult0
\widctlpar \aspalpha \adjustright \lin0 \rin0 \shading10000 \cfpat18 \itap0
\fs21 \kerning2 \dbch \af3 \hich \af0 \loch \af0 {\b0 \i0 \fs21 \kerning2 \dbch
\af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat18 \cf1 In that picture, Murch faced an
intimidating 95:1 }{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1
\chcbpat18 \cf1 \ul1 ratio}{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9
\cgrid1 \chcbpat18 \cf1 , meaning that for every minute of footage used in the
final cut of the movie, there were 95 minutes not used. Thus, considering that }
{\b0 \i1 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat18 \cf1
Apocalypse Now}{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1
\chcbpat18 \cf1 \uc1 \u8217 ?s theatrical release runs for 153 minutes, this means
that the total footage was about 14535 minutes or 242 hours long! With that
abnormally extravagant quantity of footage, Murch\uc1 \u8217 ?s primary task of
scrutinizing the footage to determine what worked and what didn\uc1 \u8217 ?t was
exponentially bigger. All editors go through this same process, but in a minor
scale.}{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1
\chcbpat18 \cf1 \par }\pard \plain \ql \fi0 \li0 \ri0 \sa210 \lisa0 \sl327 \slmult0
\widctlpar \aspalpha \adjustright \lin0 \rin0 \shading10000 \cfpat13 \intbl1 \itap1
\fs21 \kerning2 \dbch \af3 \hich \af0 \loch \af0 \trowd \trql \trgaph0 \trrh4620
\trleft-108 \trautofit \trftsWidth1 \trftsWidthB3 \trftsWidthA3 \trpaddl150
\trpaddt150 \trpaddb150 \trpaddr150 \trpaddfl3 \trpaddft3 \trpaddfb3 \trpaddfr3
\clvertalc \cltxlrtb \clshdng10000 \clcfpat13 \cellx8427 \trspdl202 \trspdt202
\trspdb202 \trspdr202 \trspdfl3 \trspdft3 \trspdfb3 \trspdfr3 {\b1 \i0 \fs24
\kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat13 \cf1 The Film
Historian's Insight}{\b1 \i0 \fs24 \kerning2 \dbch \af3 \hich \af3 \loch \f9
\cgrid1 \chcbpat13 \cf1 \par }\pard \plain \ql \fi0 \li0 \ri0 \saauto1 \sl327
\slmult0 \widctlpar \aspalpha \adjustright \lin0 \rin0 \shading10000 \cfpat13
\intbl1 \itap1 \fs21 \kerning2 \dbch \af3 \hich \af0 \loch \af0 {\b0 \i0 \fs21
\kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat13 \cf1 At the end of the
19th century, during cinema\uc1 \u8217 ?s infancy, films had no cuts or editing
whatsoever. The camera ran for as long as the film reel was. During screening, the
1-minute footage was shown in its entirety to a paying audience. Soon, viewers got
bored. The static image was tedious.}{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3
\loch \f9 \cgrid1 \chcbpat13 \cf1 \par }\pard \plain \ql \fi0 \li0 \ri0 \sl327
\slmult0 \widctlpar \aspalpha \adjustright \lin0 \rin0 \shading10000 \cfpat13
\intbl1 \itap1 \fs21 \kerning2 \dbch \af3 \hich \af0 \loch \af0 {\b0 \i0 \fs21
\kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat13 \cf1 Editing was the
solution. Edgar S. Porter, an early film pioneer, experimented heavily on the two
main principles of editing: }{\field \fldedit {\*\fldinst {\b0 \i0 \fs21
\kerning2 \dbch \af3 \hich \af3 \loch \af9 \cgrid1 \chcbpat13 \cf14 \ul1 }{\b0
\i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat13 \cf14 \ul1
HYPERLINK "http://www.elementsofcinema.com/editing/ellipsis.html"}}{\fldrslt
{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \af9 \cgrid1 \chcbpat13
\cf14 \ul1 }{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1
\chcbpat13 \cf14 \ul1 ellipsis}}}{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3
\loch \af9 \cgrid1 \chcbpat13 \cf14 \ul1 }{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich
\af3 \loch \f9 \cgrid1 \chcbpat13 \cf1 and}{\field \fldedit {\*\fldinst {\b0
\i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \af9 \cgrid1 \chcbpat13 \cf14
\ul1 }{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1
\chcbpat13 \cf14 \ul1 HYPERLINK
"http://www.elementsofcinema.com/editing/parallel_editing.html"}}{\fldrslt {\b0 \i0
\fs21 \kerning2 \dbch \af3 \hich \af3 \loch \af9 \cgrid1 \chcbpat13 \cf14 \ul1 }
{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat13
\cf14 \ul1 cross cutting}}}{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch
\af9 \cgrid1 \chcbpat13 \cf14 \ul1 }{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich
\af3 \loch \f9 \cgrid1 \chcbpat13 \cf1 . Both techniques contributed for his
achievements with the movies }{\b0 \i1 \fs21 \kerning2 \dbch \af3 \hich \af3
\loch \f9 \cgrid1 \chcbpat13 \cf1 Life of an American Fireman}{\b0 \i0 \fs21
\kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat13 \cf1 (1903), }{\b0
\i1 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat13 \cf1 The
Great Train Robbery}{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9
\cgrid1 \chcbpat13 \cf1 (1903) and }{\b0 \i1 \fs21 \kerning2 \dbch \af3 \hich
\af3 \loch \f9 \cgrid1 \chcbpat13 \cf1 Dream of the Rarebit Fiend }{\b0 \i0
\fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat13 \cf1 (1906).}
{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat13 \cf1
\cell }\pard \plain \qj \li0 \ri0 \widctlpar \aspalpha \aspnum \adjustright
\lin0 \rin0 \intbl1 \itap1 \fs21 \kerning2 \dbch \af3 \hich \af0 \loch \af0
\trowd \trql \trgaph0 \trrh4620 \trleft-108 \trautofit \trftsWidth1
\trftsWidthB3 \trftsWidthA3 \trpaddl150 \trpaddt150 \trpaddb150 \trpaddr150
\trpaddfl3 \trpaddft3 \trpaddfb3 \trpaddfr3 \clvertalc \cltxlrtb \clshdng10000
\clcfpat13 \cellx8427 \trspdl202 \trspdt202 \trspdb202 \trspdr202 \trspdfl3
\trspdft3 \trspdfb3 \trspdfr3 \row \pard \plain \ql \fi0 \li0 \ri0 \saauto1
\sl327 \slmult0 \widctlpar \aspalpha \adjustright \lin0 \rin0 \shading10000
\cfpat18 \itap0 \fs21 \kerning2 \dbch \af3 \hich \af0 \loch \af0 {\b0 \i0 \fs21
\kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat18 \cf1 Each frame
counts. The addition or removal of one frame may break or make a scene, by
supporting or shattering the illusion intended. Therefore, editors work diligently
to maintain the viewers\uc1 \u8217 ? }{\b0 \i0 \fs21 \kerning2 \dbch \af3 \hich
\af3 \loch \f9 \cgrid1 \chcbpat18 \cf1 \ul1 suspension of disbelief}{\b0 \i0
\fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat18 \cf1 .}{\b0
\i0 \fs21 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat18 \cf1
\par }\pard \plain \ql \fi0 \li0 \ri0 \sa210 \lisa0 \sl327 \slmult0 \widctlpar
\aspalpha \adjustright \lin0 \rin0 \shading10000 \cfpat16 \intbl1 \itap1 \fs21
\kerning2 \dbch \af3 \hich \af0 \loch \af0 \trowd \trql \trgaph0 \trrh3000 \trleft-
108 \trautofit \trftsWidth1 \trftsWidthB3 \trftsWidthA3 \trpaddl150 \trpaddt150
\trpaddb150 \trpaddr150 \trpaddfl3 \trpaddft3 \trpaddfb3 \trpaddfr3 \clvertalc
\cltxlrtb \clshdng10000 \clcfpat16 \cellx8427 \trspdl202 \trspdt202 \trspdb202
\trspdr202 \trspdfl3 \trspdft3 \trspdfb3 \trspdfr3 {\b1 \i0 \fs24 \kerning2
\dbch \af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat16 \cf1 Quentin Tarantino on film
editing:}{\b1 \i0 \fs24 \kerning2 \dbch \af3 \hich \af3 \loch \f9 \cgrid1
\chcbpat16 \cf1 \par }\pard \plain \ql \fi0 \li0 \ri0 \sl327 \slmult0 \widctlpar
\aspalpha \adjustright \lin0 \rin0 \shading10000 \cfpat16 \intbl1 \itap1 \fs21
\kerning2 \dbch \af3 \hich \af0 \loch \af0 {\b0 \i0 \fs21 \kerning2 \dbch \af3
\hich \af3 \loch \f9 \cgrid1 \chcbpat16 \cf1 \uc1 \u8220 ?For a writer, it\uc1
\u8217 ?s a word. For a composer or a musician, it\uc1 \u8217 ?s a note. For an
editor and a filmmaker, it\uc1 \u8217 ?s the frames. The one frame off, or two
frames added, or two frames less\uc1 \u8230 ? it\uc1 \u8217 ?s the difference
between a sour note and a sweet note. It\uc1 \u8217 ?s the difference between a
clunky clumsy crap and orgasmic rhythm.\uc1 \u8221 ?}{\b0 \i0 \fs21 \kerning2 \dbch
\af3 \hich \af3 \loch \f9 \cgrid1 \chcbpat16 \cf1 \cell }\pard \plain \qj \li0 \ri0
\widctlpar \aspalpha \aspnum \adjustright \lin0 \rin0 \intbl1 \itap1 \fs21
\kerning2 \dbch \af3 \hich \af0 \loch \af0 \trowd \trql \trgaph0 \trrh3000 \trleft-
108 \trautofit \trftsWidth1 \trftsWidthB3 \trftsWidthA3 \trpaddl150 \trpaddt150
\trpaddb150 \trpaddr150 \trpaddfl3 \trpaddft3 \trpaddfb3 \trpaddfr3 \clvertalc
\cltxlrtb \clshdng10000 \clcfpat16 \cellx8427 \trspdl202 \trspdt202 \trspdb202
\trspdr202 \trspdfl3 \trspdft3 \trspdfb3 \trspdfr3 \row \pard \plain \qj \li0
\ri0 \nowidctlpar \adjustright \lin0 \rin0 \itap0 \fs21 \kerning2 \dbch \af3
\hich \af0 \loch \af0 {\fs21 \kerning2 \dbch \af3 \hich \af0 \loch \f0 \par }}