Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
from
A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY
http://www.unizar.es/departamentos/filologia_inglesa/garciala/bibliography.html
by José Ángel GARCÍA LANDA
(University of Zaragoza, Spain)
WOMEN AND LITERATURE
General
Early works
Miscellaneous
Areas
General
Abel, Elizabeth, ed. Writing and Sexual Difference. Hemel Hempstead:
Harvester Wheatsheaf, 1983.
Appignanesi, Lisa. Femininity and the Creative Imagination. New
York, 1973.
Aubaud, Camille. Lire les Femmes de lettres. Paris, 1993.
BeckerCantarino, B. Der lange Weg zur Mündigkeit: Frau und
Literatur (15001800). 1987.
Bettinger, Elfi, und Julika Funk, eds. Geschlechterdifferenz in der
literarischen Inszenierung. Berlin: Erich Schmidt, 1995.
Case, Alison. Plotting Women. Charlottesville: UP of Virginia, 1999.
Cornillon, Susan Koppelman, ed. Images of Women in Fiction:
Feminist Perspectives. Bowling Green (OH): Bowling Green
University Popular Press, 1972.
DíazDiocaretz, Myriam, and Iris M. Zavala, coords. Breve historia
feminista de la literatura española (en lengua castellana). Vol 1:
Teoría feminista: discursos y diferencia. Introd. Rosa Rossi.
Barcelona: Anthropos/Comunidad de Madrid, 1993.*
Donovan, Josephine, ed. Feminist Literary Criticism: Explorations in
Theory. Lexington: UP of Kentucky, 1975.
Eagleton, Mary, ed. Feminist Literary Theory: A Reader. Oxford:
Blackwell, 1986.*
Ellman, Mary. Thinking About Women. New York: Harcourt, 1968.
Flynn, Elizabeth A., and Patrocinio P. Schweickart, eds. Gender and
Reading: Essays on Readers, Texts, and Contexts. Baltimore:
Johns Hopkins UP, 1986.
2
Gardiner, Judith Kegan. "On Female Identity and Writing by Women."
In Writing and Sexual Difference. Ed. Elizabeth Abel. Brighton:
Harverster, 1982.
Gilbert, Sandra M., and Susan Gubar. The Madwoman in the Attic: The
Woman Writer and the NineteenthCentury Literary Imagination.
New Haven: Yale UP, 1979. *
_____. La loca del desván. La escritora y la imaginación literaria del
siglo XIX. 1998.
_____. "Infection in the Sentence: The Woman Writer and the Anxiety
of Authorship." 1979. In Feminisms. Ed. Robyn R. Warhol and
Diane Price Herndl. Houndmills: Macmillan, 1997. 2132.*
_____. A Classroom Guide to Accompany the Norton Anthology of
Literature by Women. New York: Norton, 1985.
_____. No Man's Land: The Place of the Woman Writer in the
Twentieth Century. Vol. 1: The War of the Words. New Haven:
Yale UP, 1987.
_____. No Man's Land: The Place of the Woman Writer in the
Twentieth Century. Vol 2: Sexchanges. New Haven: Yale UP,
1989.
_____. No Man's Land: The Place of the Woman Writer in the 20th
Century, vol. 3: Letters from the Front. New Haven: Yale UP,
1994.
Goode, John. "Woman and the Literary Text." In The Rights and
Wrongs of Women. Ed. Juliet Mitchell and Ann Oakley.
Harmondsworth, 1976. 21755.
Halpern, Faye. The Scribbling Women and the Contemporary Critic.
Ms. 2011.
Heilbrun, Carolyn G., and Margaret R. Higonnet, eds. The
Representation of Women in Fiction. Baltimore: Johns Hopkins
UP, 1983.
Hermann, Claudine. Les Voleuses de langue. Paris: des femmes, 1976.
Hiatt, Mary P. "Women's Prose Styles: A Study of Contemporary
Authors." Language and Style 13 (1980).
_____. The Way Women Write. New York, 1977.
Ibeas, Nieves, and María Angeles Millán, eds. La conjura del olvido:
Escritura y feminismo. Vol. 1. Barcelona: Icaria, 1997.
Jacobus, Mary. Reading Woman: Essays in Feminist Criticism. New
York: Columbia UP, 1986.
_____, ed.Women Writing and Writing about Women. London: Croom
Helm , 1979.
Jardine, Alice. "Gynesis." Diacritics 12 (Summer 1982): 5465.
3
_____. "Gynesis." In Critical Theory since 1965. Ed.. Hazard Adams
and Leroy Searle. Tallahassee: UPs of Florida / Florida State UP,
1986. 1990. 56071.*
_____. Gynesis: Configurations of Woman and Modernity. Ithaca:
Cornell UP, 1985.
Johnson, Barbara. The Feminist Difference: Literature, Psychoanalysis,
Race, and Gender. Cambridge (MA): Harvard UP, 1998.*
Jump, Harriet Devine, ed. Diverse Voices: TwentiethCentury Women's
Writing from Around the World. Hemel Hempstead: Harvester
Wheatsheaf, 1991.
Lanser, Susan Sniader. Fictions of Authority: Women Writers and
Narrative Voice. Ithaca: Cornell UP, 1992.
Martino, Giulio de, and Marina Bruzzese. Le Filosofe: Le donne
protagoniste nella storia del pensiero. Napoli: Liguori Editore,
1994.
_____. Las filósofas: Las mujeres protagonistas en la historia del
pensamiento. Trans. Mónica Poole. Appendix on "Pensadoras
españolas" by Alicia H. Puleo. (Feminismos). Madrid: Cátedra /
Universitat de València / Instituto de la Mujer, 1996.*
Moers, Ellen. Literary Women. New York: Doubleday, 1976.*
_____. Literary Women. Introd. Helen Taylor. London: Women's Press,
1986.
Moi, Toril. SexualTextual Politics: Feminist Literary Theory. 1985.
London: Routledge, 1990.
_____. "Feminist Literary Criticism". In Modern Literary Theory: A
Comparative Introduction. Ed. Ann Jefferson and David Robey.
2nd. ed. London: Batsford, 1986.
ParkinGounelas, Ruth. Psychoanalysis and Literature: Theories and
Texts. Houndmills: Macmillan, 2000. (Hysteria, abjection,
melancholy, femininity, death, the subject).
Pérez Cantó, Pilar, and Elena Postigo Castellanos, eds. Autoras y
Protagonistas. Madrid: Universidad Autónoma de Madrid, 2000.
Rivera Garretas, María Milagros. Textos y espacios de mujeres:
Europa, siglos IVXV. Barcelona: Icaria, 1990.*
Robbins, Ruth. Literary Feminisms. (Transitions). Houndmills:
Macmillan, 1999. (Stevenson, Wilde, Conrad, Gilman, Woolf).
Roe, Sue, ed. Women Reading Women's Writing. Hemel Hempstead:
Harvester Wheatsheaf, 1987.
Rogers, Katharine M. The Troublesome Helpmate: A History of
Mysogyny in Literature. Seattle: U of Washington P, 1966.
4
Russ, Joanna. "Anomalousness" and "Aesthetics." From How to
Suppress Women's Writing. 1983. In Feminisms. Ed. Robyn R.
Warhol and Diane Price Herndl. Houndmills: Macmillan, 1997.
97114.*
_____. How To Suppress Women's Writing. Austin: U of Texas P, 1983.
_____. How to Suppress Women's Writing. London: Women's Press,
1984.
Ruthven, K. K. Feminist Literary Studies: An Introduction. Cambridge:
Cambridge UP, 1984.*
Shaw, Marion. An Introduction to Women's Writing: From the Middle
Ages to the Present Day. Hemel Hempstead: Prentice Hall
Europe, 1998.
Showalter, Elaine, ed. The New Feminist Criticism: Essays on Women,
Literature, and Theory. 1985. London: Virago, 1986.
_____, ed. Speaking of Gender. New York: Routledge, 1989.
Spacks, Patricia Meyer. The Female Imagination: A Literary and
Psychological Investigation of Women's Writing. London: Allen,
1976.
Todd, Janet. Feminist Literary History: A Theoretical Analysis of
Narrative Fiction. London: Routledge, 1988.
_____. The Sign of Angelica: Women, Writing and Fiction 16601800.
London: Virago, 1989.*
_____, ed. Gender and Literary Voice. New York, 1980.
Waugh, Patricia. Feminine Fictions: Revisiting the Postmodern.
London: Routledge, 1989.
Woolf, Virginia. A Room of One's Own. New York: Harcourt, 1929.
1957.
_____. A Room of One's Own. Harmondsworth: Penguin, 1945.
_____. A Room of One's Own. London: TriadGrafton, 1977.
_____. A Room of One's Own. Rpt. with a foreword by Mary Gordon.
New York: Harcourt, 1989.
_____. A Room of One's Own. 1929. In The Norton Anthology of
English Literature. 7th ed. Ed. M. H. Abrams, with Stephen
Greenblatt et al. New York: Norton, 1999. 2.21532214.*
_____. From A Room of One's Own. In The Norton Anthology of
Theory and Criticism. Ed. Vincent B. Leitch et al. New York:
Norton, 2001.*
_____. "In Search of a Room of One's Own." Ch. 3 of A Room of One's
Own. In The Norton Reader. 8th ed. New York: Norton, 1992.
70718.*
5
_____. "Why?" (Women and lit.). Lysistrata (Oxford, 1934). Rpt. in
Woolf, A Woman's Essays. London: Penguin, 1992. 14853.
_____. Women and Writing. Ed. Michèle Barrett. London: Women's
Press, 1979.
_____, Women and Writing. Ed. Michele Barrett. New York: Harcourt
Brace Jovanovich, 1979. 1980.
_____. A Room of One's Own and Three Guineas. Ed. Morag Shiach.
Oxford: Oxford UP.
Zschirnt, Christiane. "6. Mujeres. Mary Wollstonecraft: Vindicación de
los derechos de la mujer. Virginia Woolf: Un cuarto propio.
Simone de Beauvoir: El segundo sexo. Germaine Greer, La
mujer eunuco. Alice Schwarzer: La pequeña diferencia." In
Zschirnt, Libros: Todo lo que hay que leer. Madrid: Santillana
Taurus, 2004. 14356.*
Early works
BartelsPloss. Das Weib in der Natur und Völkerkunde. 1891.
Bryan, Mary E. "How Should Women Write?" 1860. In American
Literature, American Culture. Ed. Gordon Hutner. New York:
Oxford UP, 1999. 11821.*
Duncombe, John. The Feminead, or Female Genius. 1754. (On women
writers)
_____. The Feminead, or Female Genius. Ed. Jocelyn Harris. Augustan
Reprint Society.
Eliot, George. "Silly Novels by Lady Novelists." Westminster Review
66 (October 1856): 44261. Rpt. in Victorian Criticism of the
Novel. Ed, Edwin M. Eigner and George J. Worth.Cambridge:
Cambridge UP, 1985. 15980.
Finch, Anne. "The Introduction." Written c. 1689, pub. 1903. In The
Poems of Anne, Countess of Winchilsea. Ed. Myra Reynolds.
Chicago: U of Chicago P, 1903. 46.*
_____. "The Introduction." In The Norton Anthology of English
Literature. 7th ed. Ed. M. H. Abrams, Stephen Greenblatt et al.
New York: Norton, 1999. 1.229193.*
_____. "The Introduction." Luminarium (Anne Finch).*
http://www.luminarium.org/eightlit/finch/introduction.php
2011
6
Pisan, Christine de. The Treasure of the City of Ladies. c. 1405.
Harmondsworth: Penguin.
_____. The Book of the City of Ladies. Trans. Earl Jeffrey Richards.
New York: Persea, 1982.
_____. From The Book of the City of Ladies. (1.1, 1.4, 1.8, 2.36). In The
Norton Anthology of Theory and Criticism. Ed. Vincent B. Leitch
et al. New York: Norton, 2001.*
_____. The Selected Writings of Christine de Pizan. Ed. and trans.
Renate BlumenfeldKosinski, trans. Kevin Brownlee. (Norton
Critical Edition). New York: Norton, 1997.
Ritchie, Anne Thackeray. A Book of Sibyls. 1883.
Staël, Anne Louise Germaine (Mme de). De la littérature considérée
dans ses rapports avec les institutions sociales. 1800.
_____. From On Literature Considered in its Relationship to Social
Institutions ("On Women Writers"). In The Norton Anthology of
Theory and Criticism. Ed. Vincent B. Leitch et al. New York:
Norton, 2001.*
Stodart, Mary Ann. "Introductory Chapter." In Female Writers. London:
R. B. Seeley and W. Burnside, 1842. (Women and literature;
Gender; Patriarchy)
Tyler, Margaret. "M T. to the Reader." In The Mirrour of Princely
deedes and Knighthood . . . Now newly translated out of Spanish
into our vulgar English tongue, by M T. London: Thomas East,
1578. (Women and literature; Feminist theory; Translation; Prose
fiction; Gender)
_____. From the translation by Tyler of The First Part of the Mirrour of
Princely Deedes and Knyghthood: Dedication and the Epistle to
the Reader, 1578. In First Feminists: British Women Writers
15781799. Ed. Moira Ferguson. Bloomington: Indiana UP,
1985.
_____. From the translation by Tyler of The First Part of the Mirrour of
Princely Deedes and Knyghthood: Excerpt in Lay by Your
Needles Ladies, Take the Pen: Writing Women in England 1500
1700. Ed. Suzanne Trill et al. London: Arnold, 1997. 3843.*
Miscellaneous
Abel, Elizabeth, and Emily Abel, eds. The SIGNS Reader: Women,
Gender, and Scholarship. Chicago: U of Chicago P, 1983.
7
Adams, Parveen, and Jeff Minson. "The 'Subject' of Feminism." m/f 2
(1978): 4371.
Adler. "Method and Madness in Female Writing [II]." Hecate 7 (1981).
Alonso, Laura P., Pilar Cuder, and Zenón Luis, eds. La mujer del texto
al contexto. Servicio de Publicaciones de la Universidad de
Huelva / Instituto Andaluz de la Mujer, 1996.
Amiran, Minda Rae. "What Women's Literature?" College English 39
(1978): 65361.
Ardener, Edwin. "The 'Problem' Revisited." In Perceiving Women. Ed.
Shirley Ardener. London: Malaby, 1975.
Arias Doblas, Rosario. "Representación del trauma del Holocausto en
narrativas de supervivientes escritas por mujeres." In
Proceedings of the 29th AEDEAN Conference: Universidad de
Jaén 15 al 20 diciembre 2005. CDROM. Ed. Alejandro Alcaraz
Sintes et al. Jaén: AEDEAN / Servicio de Publicaciones U de
Jaén, 2006. 16267.*
Arias Doblas, Rosario, Miriam Borham Puyal and Laura Monrós
Gaspar. "Tracing Sensation: Women as 'Creatures of Sensation'
from the Long Eighteenth Century to the Victorian and Neo
Victorian Novel." In A View from the South: Contemporary
English and American Studies. (34th AEDEAN International
Conference). Ed. José R. Ibáñez Ibáñez and José Francisco
Fernández Sánchez. CDROM. Almería: AEDEAN / U de
Almería / Ministerio de Ciencia e Innovación, 2011. 17279.*
Armitt, Lucie. Contemporary Women's Fiction and the Fantastic.
Houndmills: Macmillan, 1999.
Arriaga Flórez, Mercedes, and José Manuel Estévez Saá. Cuerpos de
mujer en sus (con) textos anglogermánicos, hispánicos y
mediterráneos: una aproximación literaria, sociosimbólica y
críticoalegórica. ArCibel Editores, 2005. 5766.
Ascher, Carol, Louise DeSalvo, and Sara Ruddick, eds. Between
Women: Biographers, Novelists, Critics, Teachers and Artists
Write about Their Work on Women. London: Routledge, 1993.
Auerbach, Nina. Communities of Women: An Idea in Fiction.
Cambridge (MA): Harvard UP, 1978.
Ayins, Maryann. "The Implication of Sexually Stereotypic Language as
Seen Through Peirce's Theory of Signs." Transactions of the
Charles S. Peirce Society 19.2 (1983): 183197.
Ballesteros González, Antonio. Escrito por brujas: Lo sobrenatural en
la vida y la literatura de grandes mujeres del siglo XIX. Madrid:
AnayaOberon, 2005.
8
Bamber, Linda. Comic Women, Tragic Men. Stanford, 1982.
Barreca, Regina. They Used to Call Me Snow White... but I Drifted:
Women's Strategic use of Humor. New York: Viking, 1991.
_____, ed. Last Laughs: Perspectives on Women and Comedy. New
York: Gordon and Breach, 1988.
_____, ed. New Perspectives on Women and Comedy. New York:
Gordon & Breach, 1992.
Barthes, Roland. "Romans et enfants." (Women writers). In Barthes,
Mythologies. Paris: Seuil, 1957. 5678.
Baruch, Elaine Hoffmann, and Lucienne J. Serrano, eds. Women
Analyze Women: In France, England and the United States.
Hemel Hempstead: Harvester Wheatsheaf, 1989.
Benjamin, Marina, ed. A Question of Identity: Women, Science and
Literature. New Brunswick: Rutgers UP, 1993.
Beauvoir, Simone de. Le Deuxième sexe. 2 vols. París: Gallimard, 1949.
1976.
_____. The Second Sex. Trans. H. M. Parshley. Harmondsworth:
Penguin, 1972.
Belsey, Catherine. Critical Practice. London: Methuen, 1980.
Benstock, Shari. Textualizing the Feminine: On the Limits of Genre.
Norman: U of Oklahoma P, 1991.
_____. Women of the Left Bank: Paris 19001940. London: Virago,
1987.
Blakmer, Corinne E., and Patricia Juliana Smith, eds. En Travesti:
Women, Gender Subversion, Opera. New York: Columbia UP,
1996.
Blamires, Alcuin.The Case for Women in Medieval Culture. Oxford:
Clarendon Press, 1997.
BoklundLagopoulou, Karin. "'This Creature': Discourse on Women and
Discourse by Women in the Middle Ages." Gramma 1 (1993):
1540.
Bowen, Deborah S. Towards an Ecriture Feminine: Woolf, DuPlessis,
Cixous and the Emerging Discursive Tradition in Women's
Online Diaries. Michigan: Ann Arbor, 2006.
Bowlby, Rachel. Still Crazy After All These Years: Women, Writing,
and Psychoanalysis. London: Routledge, 1992.
Brant, Clare, and Diane Purkiss, eds. Women, Texts and Histories 1575
1760. London: Routledge, 1992.
Brito, Manuel. "Female Identity, Power, and Personal Taste: Burning
Deck, Tinfish, and Avec." In The Painful Chrysalis: Essays on
9
Contemporary Cultural and Literary Identity. Ed. Juan Ignacio
Oliva. Bern: Peter Lang, 2011. 20928.*
Brown, Cheryl L., and Karen Olson, eds. Feminist Criticism: Essays on
theory, Poetry and Prose. Metuchen (NJ): Scarecrow, 1978.
Browne, Alice. The EighteenthCentury Feminist Mind. Hemel
Hempstead: Harvester Wheatsheaf, 1987.
Cabanilles, Antònia. "La literatura de les dones i el cànon." In Cànon
literari: Ordre i subversió. Ed. Jaume Pont and Josep M. Sala
Valldaura. Lleida: Diputació de LleidaInstitut d'Estudis
Ilerdencs, 1998. 22750.*
Calvo González, José. "La femme et le monstre dans l'imaginaire
médiéval et renaissance. (Analyses narratives et idéographiques
d'une allégorie)." In La femme dans l'histoire et la société
méridionales (IXe XIXe siècles), Actes du LXVIe Congrès de la
Fédération Historique du Languedoc Méditerranéen et du
Roussillon. Montpellier: Presses. de la ville de Narbonne et du
Conseil général de l' Aude, 1995. 231241.
Caporale Bizzini, Silvia. "Counterhegemonic Cultural Practices: The
Example of Postcolonial Women Writers." In Culture and Power
IV: Cultural Confrontations. Ed. Chantal CornutGentille
D'Arcy. Zaragoza, 1999. 5766.*
Carr, Helen, ed. From My Guy to SciFi: Genre and Women's Writing
in the Postmodern World. Pandora, 1989.
Case, Alison. "Gender and History in Narrative Theory: The Problem of
Retrospective Distance in David Copperfield and Bleak House."
In A Companion to Narrative Theory. Ed. James Phelan and
Peter J. Rabinowitz. Malden (MA): Blackwell, 2005. 31221.*
Chedgzoy, Kate, Suzanne Trill, and Melanie Osborne, eds. Voicing
Women: Gender and Sexuality in Early Modern Writing. Keele:
Keele UP, 1996.
Chedgzoy, Kate, et al., eds. Voicing Women: Gender and Sexuality in
Early Modern Writing. (Renaissance Texts and Studies).
Edinburgh: Edinburgh UP, 1998.
Christian, Barbara. "The Race for Theory". Cultural Critique 6 (1987):
5163.
Cixous, Hélène. LA. Paris: Gallimard, 1976.
_____. La. Paris: Des Femmes, 1979. (Women's writing, etc.).
_____. "La—The (Feminine)." Extract in The Hélène Cixous Reader.
Ed. Susan Sellers. London: Routledge, 1994. 5767.*
_____. "Extreme Fidelity." Trans. Ann Liddle and Susan Sellers. In
Writing Differences: Readings from the Seminar of Hélène
10
Cixous. Ed. Susan Sellers. Milton Keynes: Open UP; New York:
St. Martin's Press, 1988. (Gender and lit.).
_____. "Extreme Fidelity." Selection. In The Hélène Cixous Reader. Ed.
Susan Sellers. London: Routledge, 1994. 12937.*
_____. Writing Differences: Readings from the Seminar of Hélène
Cixous. Ed. Susan Sellers. Milton Keynes: Open UP; New York:
St. Martin's Press, 1988.
Concha, Angeles de la. "Literary Representations of the Female Body as
Dialectical Locus of Female Identity." Paper read at the
conference on "Identity and Diversity: Philosophical/Philological
Reflections." Madrid: UNED, Oct. 910, 2003.*
Coward, Rosalind. "This Novel Changes Women's Lives: Are Women's
Novels Feminist Novels?" Feminist Review 5. Rpt. in Eagleton.
_____. Female Desires: How They Are Sought, Bought, and Packaged.
New York: Grove, 1985.
Cuder Domínguez, Pilar, ed. Exilios femeninos. Huelva: Instituto
Andaluz de la Mujer / Servicio de Publicaciones de la
Universidad de Huelva, 2000.
DasGupta, Sayantani, and Marsha Hurst, eds. Stories of Illness and
Healing: Women Write their Bodies. Kent (OH): Kent State UP,
2007.
D'Monte, Rebecca, and Nicole Pohl, eds. Female Communities 1600
1800: Literary Visions and Cultural Realities. London:
Macmilllan / Centre for English Studies, Schoool of Advanced
Study, U of London, 1999.
Davies, Stevie. The Idea of Woman in Renaissance Literature. Hemel
Hempstead: Harvester Wheatsheaf, 1987.
Delaney, Sheila. "A City, A Room: The Scene of Writing in Christine
de Pisan and Virginia Woolf." In Writing Woman. New York:
Schocken, 1983. 18197.
Diamond, Arlyn, and Lee K. Edwards, eds. The Authority of
Experience: Essays in Feminist Criticism. Amherst: U of
Massachusetts P, 1977.
Didier, Béatrice. L'Ecriturefemme. Paris: PUF, 1981.
Donovan, Josephine. "Feminist style criticism." In Cornillon, Images of
Women in Fiction 34154.
_____. "Toward a Women's Poetics." Tulsa Studies in Women's
Literature 3.12 (1984): 99110.
Druxes, Helga. Resisting Bodies: The Negotiation of Female Agency in
20thCentury Women's Writing. Detroit: Wayne State UP, 1996.*
11
Ducheu, Claire. "The Representation of the Feminine." In Feminism in
France. London: Routledge, 1988. 82102.
Elam, Diane. "Is Feminism the Saving Grace of Hermeneutics?" Social
Epistemology 5.4 (1991). Rpt. in Elam, Romancing the
Postmodern. London: Routledge, 1992.
Elliott, Bridget, and JoAnn Wallace. Women Writers and Artists:
Modernist (im)positionings. London: Routledge, 1994.
Ellman, Mary. "Phallic Criticism." Ch. 2 of Thinking about Women. In
Literary Criticism and Theory. Ed. R. C. Davis and L. Finke.
London: Longman, 1989. 67789.*
Engelstad, Irene, and Janneken Øverland. Frihet til å skrive: Artikler
om kvinnelitteratur fra Amalie Skram til Cecilie Løveid. Oslo:
Pax, 1981.
Escritoras contemporáneas. Revista de Occidente 139 (1992).
Evans, Ruth. "Women and History [Troilus and Criseyde (138286)]. In
Geoffrey Chaucer. Basingstoke: Palgrave Macmillan, 2004.
Ezell, Margaret J. M. "The Myth of Judith Shakespeare: Creating the
Canon of Women's Literature." New Literary History 21.3
(1990): 57992.
Felman, Shoshana. "Women and Madness: The Critical Phallacy."
Diacritics 5.4 (1975): 210.
_____. What Does a Woman Want? Reading and Sexual Difference.
Baltimore: Johns Hopkins UP, 1993.
Ferrier, Carole. "Writing the History of Women's Writing." Hecate 8
(1982).
Foster, Jeannette. Sex Variant Women in Literature. 3rd ed. Tallahassee
(FL): Naiad Press, 1985.
Gallagher, C. Nobody's Story: The Vanishing Acts of Women Writers in
the Marketplace, 16701820. Berkeley and Los Angeles: U of
California P, 1995.
Gallop, Jane. "Writing and Sexual Difference: The Difference Within."
Critical Inquiry 8 (1982).
García Sánchez, María Soraya "Talking about Women, History and
Writing with Michèle Roberts." Atlantis 27.2 (Dec. 2005): 137
47.*
Gil Calvo, Enrique. La era de las lectoras. 1993.
Gilbert, Sandra. "Life's Empty Pack: Notes Toward a Literary
Daughteronomy." In Literary Criticism and Theory. Ed. R. C.
Davis and L. Finke. London: Longman, 1989. 785811.*
Gilligan, Carol. In a Different Voice.
12
Gilmore, Leigh. Autobiographics: A Feminist Theory of Women's Self
Representation. Ithaca: Cornell UP, 1994.*
Gold, Penny. "From Actor to Object: Woman in Chanson de Geste and
Romance." Olifant 4 (197677).
Goldstein, Judith L. "The Female Aesthetic Community." Poetics
Today 14.1 (1993): 143164.*
Goodman, Lizbeth, with Alison Smith. "Literature and Gender." In
Literature and Gender. Ed. Lizbeth Goodman. London:
Routledge / Open U, 1996. 2001. 140.*
Grafts: Feminist Cultural Criticism
Gubar, Susan. "Mother, Maiden, and the Marriage of Death: Women
Writers and Ancient Myth." Women's Studies 6 (1979): 30115.
_____. "'The Blank Page' and the Issues of Female Creativity." Critical
Inquiry 8 (Winter 1981): 24363.
_____. "'The Blank Page' and the Issues of Female Creativity." In The
New Feminist Criticism. Ed. Elaine Showalter. London: Virago,
1986. 292313.
Guild, Elizabeth. "Women as auctores in Early Modern Europe." In The
Renaissance. Ed. Glyn P. Norton. Vol. 3 of The Cambridge
History of Literary Criticism. Cambridge: Cambridge UP, 1999.
2001. 42632.*
Hanscombe, Gillian, and Virginia L. Smyers. Writing for their Lives:
The Modernist Women 19101940. London: Women's Press,
1987.
Haywood, Eliza. The Female Spectator. Selection from Book VIII. In
Literary Criticism and Theory. Ed. R. C. Davis and L. Finke.
London: Longman, 1989.35161.*
Heath, Stephen. "Difference." Screen 19.3 (1978): 51112.
Hedges, Elaine, and S. F. Fishkin, eds. Listening to Silences: New
Essays in Feminist Criticism. Oxford: Oxford UP, 1995.
Heilbrun, Carolyn G. Toward Androgyny: Aspects of Male and Female
in Literature. London: Gollancz, 1973.
Hendricks, Margo, and Patricia Parker, eds. Women, 'Race', and
Writing in the Early Modern Period. London: Routledge, 1993.
Higonnet, Margaret R., ed. Borderwork: Feminist Engagements with
Comparative Literature. Ithaca (NY): Cornell UP, 1994.*
Higonnet, Margaret R., and Joan Templeton, eds. Reconfigured
Spheres: Feminist Explorations of Literary Space. Amherst: U of
Massachusetts P, 1994.*
13
Holland, Norman N. Rewriting the Nostalgic Story: Woman, Desire,
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