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A (Gm(maj7) Gm7 Gm6 )
Gm Gm7 C7
It’s the wrong time and the wrong place. Tho’ your
5
Gm Gm7 Cm7 F9
face is charm - ing, it’s the wrong face. It’s not
9
Cm7 F7 Dm7b5 G9
his face, but such a charm - ing face that it’s
(Gm7 C9 )
13
C9 Am7b5 D7
all right with me. It’s the
21
Gm Gm7 Cm7
smile is love - ly, it’s the wrong smile. It’s not
25
Cm7 F7 Dm7b5 G9
his smile, but such a love - ly smile that it’s
It’s All Right with Me - page 2
29
Cm7 F7 Bb6
all right with me. You
B (Fm6/Bb Edim7/Bb )
Dm7b5 G7b9 C9
can’t know how hap - py I am that we met, I’m
Ebdim7/Bb )
37
Cm7b5 F7b9 Bbmaj7
strange - ly at - tract - ed to you. There’s
(Fm6/Ab G7b9 )
41 Dm7b5 G7b9 C7
some - one I’m try - ing so hard to for - get. Don’t
(Am7b5 D7 )
45
Cm7b5
F7b9 Am7b5 D7
you want to for - get some - one too? It’s the
57
Cm7 F7 Dm7b5 G9
his lips, but they’re such tempt - ing lips that if
61
C9 F9 Bbmaj7 Am7b5 D7b9
some night you’re free, dear, it’s
CODA
Bbmaj7 Bb7 Ebmaj7 Eb7
all right, it’s all right with