Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
FADE IN:
RED HAIR
...So even though he wanted to do a
lot as president, he died after 32
days in office from pneumonia. So
we can all learn from William Henry
Harrison to wear our coats, wash our
hands and eat healthy, so we have
better immune systems. The end.
TEACHER
Good job, Annie.
As she skips back to her seat the other kids roll their eyes.
TEACHER (CONT'D)
Okay. Annie B. Your turn.
ANNIE
You sure there's time? I don't wanna
keep anyone from vacation.
TEACHER
Get up here.
(Annie approaches)
Where's your essay?
ANNIE
(taps her head)
Up here. It's more of a performance *
piece.
ANNIE (CONT'D)
My president is Franklin Delano
Roosevelt. He was elected in 1932 *
when most people had no money. So
just like now, but with no texting.
(MORE)
2.
ANNIE (CONT'D)
(gestures to the class)
Everyone except the front row, you
be the poor people. Won't be a
stretch.
(laughter)
You're all hungry and mad so stomp
your feet.
ANNIE (CONT'D)
The front row are the rich people.
(they cheer)
Laugh and beat your chests like you're
better than everybody.
(they follow) *
Mr. Diaz, you be Franklin Roosevelt. *
(off his look)
He was very smart.
ANNIE (CONT'D)
He passed a bunch of laws called the
New Deal that helped people get back
to work. He had people build new
roads.
She takes Diaz's hand and taps a girl. She gestures for her
to become "rich" -- laugh and beat her chest. She does.
ANNIE (CONT'D)
And new bridges...
ANNIE (CONT'D)
...He made it easy to buy a house...
To go to college...
Soon almost all the class are rich, rubbing and smacking.
ANNIE (CONT'D)
Soon the whole country was happy.
They got their hands up, payin' their
bills. And it's all gonna be okay,
yeah, it's a party in the USA!
(to the front row)
Don't worry, rich people, you're
still better than everyone, 'cause
you got even richer.
(MORE)
3.
ANNIE (CONT'D)
Yeah, it's a party in the USA!
Everyone...
EVERYONE
Yeah, it's a party in the USA!
The bell rings. Mr. Diaz shoots Annie a look. Annie smiles.
PEPPER *
Gonna make it in time? *
ANNIE
I always do.
ISABELLA
We'll cover for you. *
(they slap hands) *
Good luck. *
ANNIE
Luck's for suckers.
She bursts through the scrum and runs down the street. The
sounds of the city become a beat and "score" her movement.
Cars, steam, jackhammers, sirens, yelling, etc. join together
to form a melody and then (seamlessly) song elements from
our movie start to creep in. Our overture. Over the
following--
QUICK CUTS as she runs down the street. She sees a clock in *
a store window: 5:53. More running as she dodges a car and *
in the distance we hear: "9..8..7..6.." It's the opening of *
a brand new Stacks Mobile retail store. A crowd is gathered *
under a sign: "FIRST 500 PEOPLE GET A FREE STACKS PHONE." *
"5..4..3.." Annie runs to the barricades and... keeps on *
running. As she sprints past we put a face to the voice-- *
STACKS *
...2..1.. Light it up! *
STACKS (CONT'D) *
Who wants a free phone? *
The crowd roars, Annie couldn't care less. This isn't what *
she came for. Onward she goes. (With the crowd's crescendo
matching the score's, signaling the overture's end.)
5.*
WAITER *
Tonight's reservations.
ANNIE
Any Bennetts?
WAITER
Sorry.
(off her down look)
I'm guessing you're gonna wait anyway.
She smiles and he shakes his head. Not the first time.
WOMAN *
Thank you. I love your phones. I'm *
totally gonna vote for you now. *
STACKS *
This isn't a campaign event, but *
(whisper-winks) *
I'd totally love that. *
She laughs and shakes his hand. Grace, his beautiful and *
whip-smart vice president, steps in. *
GRACE *
That's it. You're done. *
STACKS *
Hose me down. Like I'm on fire. *
Put me out. *
6.*
GRACE *
You kissed a couple babies. I'd get *
the tongue, too. *
STACKS *
Really? I can use it on my tongue? *
GRACE *
Absolutely. Dip it in there. Lather *
it up. *
STACKS *
You shake 500 hands. I feel like a *
zookeeper. *
GRACE *
Your next mayor of New York City, *
ladies and gentlemen. *
STACKS *
I said I wanted to help 'em, not *
touch 'em. *
KARL *
We gotta go. You're giving a speech *
to the iron worker's union. *
STACKS *
Iron workers? We taking our time *
machine? *
KARL *
If we get their support, the others *
will follow. *
STACKS *
Who, the blacksmiths? How am I *
polling with the witches? *
GRACE *
They find you unlikable. *
Annie sits alone on the curb, sandwich eaten. She draws her *
name in the sidewalk with a pebble: a curly, cursive ANNIE.
A taxi arrives and a couple get out. *
7.
HOST *
They're German.
ANNIE
Maybe they had me here and went back?
HOST
First time in America. Just came
back from The Lion King.
The man holds up his napkin a la The Lion King. The woman
finds this really funny. Annie grimaces at how lame this is--
ANNIE
Not my parents.
WAITER
Sorry.
ANNIE
I just come for the cannoli. *
WAITER
(laughs, then)
See you next Friday?
LOU
Give those to my lady!
Annie sneaks down the dark hall. She turns the knob of her
door when... the lights go on. She freezes as she hears--
VOICE
Everybody everybody! Everybody
everybody! Everybody dance now!
Annie turns and sees the woman who belongs to the voice.
Late 30s, in boy shorts, smudgy makeup, and smelling of
failure, this is Miss Hannigan. And she might have had a
few glasses of kahlua, because she doesn't notice Annie.
She continues to sing-- *
HANNIGAN
Come on let's sweat, baby. Let the
music take control. Let the rhythm
move you. Sweat, sweat...
HANNIGAN (CONT'D)
Freeze!
(she doesn't)
I said freeze, you little rat! I
know you heard me.
ANNIE
I thought it was part of the song.
Hannigan yanks her into the hallway. On the wall are framed
pictures of a young Hannigan in various singing performances.
Annie takes out the now crumpled old flowers from her backpack--
ANNIE
These are from Lou.
HANNIGAN
They look like they're from Lou.
ANNIE
I'll tell him you loved them.
HANNIGAN
You always gotta be smart. Run your
mouth.
ANNIE
No, Ma'am.
HANNIGAN
You think the world wants a little
smart-mouthed girl? No or you *
wouldn't be here.
(off her look)
And the only reason you are here is
'cause I get $157 a week from the *
state. Which is not even near worth
the torment you put me through.
ANNIE
Sorry I was a little late.
HANNIGAN
A little late?! It's three hours
past curfew! Out all by yourself in
the city. And if something happens
to you... I don't get my money.
(moves menacingly to Annie)
I should put you on a leash!
Just before it looks like she might come at her, Annie grabs *
a picture off a shelf. It's a framed album cover of the
'90s band C+C Music Factory. Hannigan's face is just visible
in the background.
ANNIE
You're so pretty.
HANNIGAN
I used to be a bright star. Had the
number one song in the country.
Went on the Arsenio Hall Show--
ANNIE
September 16th, 1991. *
HANNIGAN
"And here they are, with their number *
one song... C+C Music Factory-- *
10.
ANNIE
--Featuring backup by Colleen
Hannigan!" *
HANNIGAN
Lead backup. Everybody dance now, *
da da da da da da da da da da da da!
(Annie makes crowd noise)
But I was too good for them. They
were intimidated. Wouldn't let me *
sing on Things That Make You Go Hmmm. *
You know what makes you go hmmm? *
Why that song sucked so much without
me.
ANNIE
You have a pretty voice.
HANNIGAN
(sad/drunk)
I'll die with my secret.
HANNIGAN (CONT'D)
Get back here, you monster. I'm not
done with you!
Annie slips in the room and closes the door. Hannigan grabs
the doorknob. Too late. She beats on the door--
HANNIGAN (O.S.)
Double chores for you tomorrow! You *
hear me? I'm gonna make you sweat!
The tiny room is lined with bunk beds filled with girls.
All awake, all waiting for Annie. Tessie (10, worrier)--
TESSIE
You find them?
ANNIE
Nah. But it's okay. *
TESSIE
Sssh. She'll hear us.
11.
PEPPER
They're never gonna be at that
restaurant.
ISABELLA
Be quiet. Yes they are. *
PEPPER
You be quiet. Annie's never gonna *
find her family. None of us are.
MIA
Don't say that.
TESSIE
Pepper!
ANNIE
Don't listen to her, Mia. You're
gonna get adopted, I promise. *
PEPPER
You keep saying that. I'm almost
13. No one wants a teenager.
ANNIE
Yes they do! We all have families *
somewhere. *
MIA
Can you read your note again? *
PEPPER
Oh god. For the millionth time.
TESSIE
Yeah, read it, Annie. But quietly.
ANNIE
“Please take care of our baby. Her
name's Annie. We'll be back to get
her soon. *
(MORE)
12.
ANNIE (CONT'D)
There's half-a-locket around her *
neck and we have the other half, so *
when we come for her you'll know *
she’s our girl.”
MIA
Can I see it?
Annie lets her. The others gather around. Mia looks at the
note then turns it over. The Brunello's receipt is dated
Oct. 28 and reads: "2 cannoli."
ANNIE
They're gonna come back for all of
us.
ANNIE
Maybe far away/ Or maybe real nearby/
He may be pouring her coffee/ She
may be straightening his tie...
ANNIE
Maybe in a house/ All hidden by a
hill/ She’s sitting playing piano/
He’s sitting paying a bill...
ANNIE
Betcha they’re young, betcha they’re
smart/ Betcha they collect things
like ashtrays and art/ Maybe they’re
strict/ As straight as a line/ Don’t
really care/ As long as they’re
mine... Maybe now this prayer’s/ The
last one of its kind/ Won’t you please
come get your “baby”...
And now the girls sing along with her. Except for Pepper.
ANNIE/GIRLS
Maybe....
ANNIE/GIRLS (CONT'D)
Maybe.
Mia is now asleep. Annie tucks her in. Then she gets in
her own bed and fingers her locket, looking out the window
in determination. All alone.
HANNIGAN (O.S.)
Wake up, rats! Wake up!
Hannigan bursts in, wearing the same clothes from last night.
HANNIGAN
Out of bed!
PEPPER
(groggy)
It's 6:30.
ISABELLA
(groggy)
And it's Saturday.
HANNIGAN
Thanks for the time and date. Now
over to Stormy with the weather. *
"It's raining!"
She splashes water out of a pot on the girls. They jump up. *
HANNIGAN (CONT'D)
The city's coming to inspect. You
gotta clean the whole place up.
ANNIE
Aren't they supposed to give notice? *
HANNIGAN
And aren't I supposed to be married *
to George Clooney? Sorry if some *
people have intimacy issues.
(rips the covers off Tessie)
Wake up!
14.
TESSIE
(startled)
Aah!
HANNIGAN
Start cleaning! If they dock me for
unsanitary conditions again, I'll
ground you all for a month.
MIA
Who's George Clooney?
HANNIGAN
Exactly!
(as she leaves)
No breakfast 'til it's spotless.
PEPPER *
I hate her so much. *
TESSIE *
I was having the best dream. I was
ice skating. On real live ice. And *
I didn't fall once. *
ISABELLA *
Save your dreams for good stuff. *
Like shopping on 5th Avenue. With *
an unlimited credit card...
MIA *
Or swimming in candy. Gummy bears, *
jellybeans, Swedish Fish, those little *
dot things on paper-- *
PEPPER
Or flying to Mars in a rocket ship-- *
all things that'll never happen. *
HANNIGAN
Clean like your life depends on it.
'Cause it does.
ANNIE
It's the hard knock life for us.
15.
She tosses a broom and mop to Isabella and Tessie who bang
away.
ISABELLA/TESSIE
It's the hard knock life for us.
MIA/PEPPER
It's the hard knock life for us.
MIA
Wait. What does "hard-knock" mean?
PEPPER *
Real sucky.
MIA
Oh. Then yeah, it's the hard knock
life for us.
ANNIE
Steada treated/ We get tricked/ Steada
kisses...
GIRLS
We get kicked!
The music starts to go along with their beat and the number
begins. It's Stomp-esque, upbeat, and syncopated. Gymnastic
and bordering on Cirque du Soleil as they clean the entire
apartment. Hannigan sits on the couch, grouchy as ever. *
HANNIGAN
Less singing, more cleaning. Make
sure you get my bathroom, too. But *
don't touch my medicine cabinet! *
The girls look at each other: they know what that means.
Pepper mimes drinking alcohol. *
GIRLS
It’s the hard knock life, for us.
ANNIE
Don’t it feel like the wind is always
howling/ Don’t it seem like there’s
never any light...
GIRLS
Once a day, don’t you want to throw
the towel in?/ It’s easier than
putting up a fight.
ANNIE
No one’s there when your dreams get
creepy/ No one cares if you grow..
GIRLS
...Or if you shrink!
ANNIE/GIRLS
Empty belly life, rotten smelly life!
ANNIE
Fulla sorrow life, no tomorrow life!
ISABELLA
Santa Claus we never see.
ANNIE
Santa Claus, what's that? Who's he?
GIRLS
No one cares for you a bit when you're
a foster kid!
GIRLS
It's the hard knock life for us!
HANNIGAN
I said no singing and dancing! *
GIRLS
(whisper)
It's the hard knock life. *
HANNIGAN (O.S.)
I heard that.
HANNIGAN
You, read a book. You, braid her
hair. Practice for a recital.
(dumps out jigsaw puzzle)
Put it together. It's a kitty cat. *
ANNIE *
What should I do? *
HANNIGAN
Pray.
TESSIE
(to Annie) *
I've tried. It doesn't work.
HANNIGAN
Game time. Act well-cared-for.
GIRLS
(sweet, a la the musical)
We love you, Miss Hannigan!
HANNIGAN
Take it down. No one's gonna believe
that.
HANNIGAN *
Whoa. Well, hello there. *
INSPECTOR
Excuse me?
18.
HANNIGAN
Nothing. It's just, most inspectors
are old and not rockstar handsome.
INSPECTOR
Are you Colleen Hannigan?
HANNIGAN
My maiden name. But I'm not married
to it. If you know what I mean.
INSPECTOR
Sorry to give such short notice. We *
started a surprise visit program. *
HANNIGAN
If you're my surprise, I fully endorse
the new policy. Come on in.
(he does) *
The girls are just recreating.
INSPECTOR
How's everyone doing? *
ANNIE
Living the dream.
INSPECTOR
Are these the children under your
care?
HANNIGAN
Yes. My angels. *
INSPECTOR
Mind if I take a look around?
HANNIGAN
Can I offer you something to drink?
Skim milk? Kale smoothie? Fresh *
squeezed orange juice? *
GIRLS
I'll have some!/Yes!/Juice? No way!!
19.*
INSPECTOR
I'm fine, thanks. Let's start in
the bathroom?
HANNIGAN
After you.
She watches his butt as they walk down the hallway. Pepper *
notices the inspector left his clipboard. *
PEPPER
This has all our information.
ISABELLA
Damn, I've been in a lot of homes.
TESSIE
Not as many as me. Double digits.
ANNIE
My social security number! I can *
get my records, find my parents. *
ISABELLA
I'll copy it down. Plan your exit.
HANNIGAN *
People come for the bathroom, but *
they stay for the bedroom. *
INSPECTOR *
What? *
HANNIGAN *
You know it. *
ANNIE
Can I go to the library to study? *
HANNIGAN *
(gritted teeth)
Let's talk about it after the nice
inspector is gone, okay? Run along. *
20.*
ANNIE
Okay. *
(new tactic) *
Can I have some floss? I got some *
nutritious breakfast stuck in my
teeth.
HANNIGAN
What?
ANNIE
Pretty sure I saw some in the medicine
cabinet.
INSPECTOR *
(points to the cabinet) *
In here?
ANNIE
Pretty sure.
HANNIGAN
I think we're out. Why don't you *
pick some up on the way to the
library.
ANNIE *
Thank you, Miss Hannigan!
And out she goes. Hannigan holds herself back from lunging *
after her, and then turns on the charm for the inspector-- *
HANNIGAN *
They give me such joy. I don't do *
this for them, they do this for me. *
You have a strong chin, like a Viking. *
LOU
Uh-oh. I know that run. How much *
you need, mija?
21.
ANNIE
$43.55.
LOU
By when?
ANNIE
Now? *
LOU
Try robbing Citibank. I can loan
you a mask.
ANNIE
Please, Lou. I think I'm close to
finding my parents.
LOU
Take out the expired drinks from the *
cooler.
ANNIE *
Thank you thank you thank you. *
LOU
What are you doing, girl? Don't
throw 'em out. Change the date. *
CHUCK SCARBOROUGH
...You're worth $12.6 billion, run a *
fortune 500 company, one of the city's *
most eligible bachelors; the obvious
question: why run for mayor?
STACKS
I've always wanted to throw out the
first pitch at Yankee Stadium.
22.*
CHUCK SCARBOROUGH
Just buy the Yankees, it would
certainly be less stressful.
STACKS
I don't believe in stress. I believe *
in hard work and being the best at *
what you do. Which is what I am. *
CHUCK SCARBOROUGH *
That sounds a little arrogant. *
STACKS *
It's not arrogant if it's true. *
(then) *
Chuck, I lost my parents when I was *
very young. What I remember is how *
hard they worked to provide for me.
I honor them by working just as hard. *
The fact that I built my company *
into a worldwide leader is a testament *
to that. And I plan on doing the *
same thing with this city. *
CHUCK SCARBOROUGH *
You're trailing in the polls by a *
fair amount, how do you plan on *
changing people's minds? *
STACKS *
At Stacks Mobile I made a cellular *
network that never drops a call. As *
mayor, I'm going to make a government *
that never drops a citizen. *
LOU
As long as those citizens live below
96th Street!
(to Annie)
You're lucky you can't vote yet, mija. *
Politicians are all liars. *
ANNIE
(re: juice bottles)
What date should I change these to?
LOU
Next week for the milk, two weeks
for the juice.
23.*
CHUCK SCARBOROUGH
Good luck. If there's anyone who *
can pull this off it's you. *
STACKS
Ours is a fickle city. Things can *
change over night. *
KARL
In your next interview say you want
to throw out the first pitch at a
Mets game. Gotta give equal time.
GRACE
You're kidding, right? *
KARL
I don't kid. You only smiled four *
times, you gotta bump that up. Voters *
really respond to teeth. *
STACKS *
(huge, fake smile) *
Is this how you got the governor *
elected? *
KARL *
And five senators, eleven congressmen, *
two Top Chefs-- *
STACKS *
Am I gonna win, Karl? 'Cause I don't *
like wasting time. *
KARL *
You hired me to win, you're gonna *
win. *
MAN
Yo! Never-Drop-A-Call!
WOMAN
Marry me, Teddy! *
(MORE)
24.*
WOMAN (CONT'D)
I want half your money! *
REPORTER *
Why do you hate the Mets? Do you *
not care about the outer boroughs? *
KARL
Mr. Stacks likes the Mets, Yankees,
Giants, Jets, and Knicks. Equally. *
REPORTER *
What about the Nets? *
STACKS *
No one really likes the Nets. The *
tickets are just cheaper. *
REPORTER #2 *
What about your opponent's claim that *
you're trying to buy the election? *
STACKS
If it was for sale, I would've bought *
it already. *
STACKS
I hate this. For the record, I really
hate this.
GRACE
Let me just check the record. Oh
look, there I am, last year saying:
"you shouldn't do this, you will
hate this, you will really hate this." *
STACKS *
Why can't they just anoint me mayor? *
GRACE *
Or how about pope? *
25.*
STACKS *
You know how long it takes for them *
to decide on a pope? The black smoke, *
the white smoke-- and where am I *
during all that, just hanging out at *
some hotel in Rome waiting? Pass. *
GRACE *
(deep breath, then) *
What's our next stop? *
KARL
A soup kitchen in the Bronx. *
STACKS
You serious? Now I gotta shake hands *
with the hobos? Why?
GRACE
'Cause for some crazy reason everyone
thinks you're a rich elitist who
can't connect with regular people.
STACKS
That's absurd.
GRACE
You just said "abzurd." Like a *
monarch. Not like someone who grew *
up in Queens. *
STACKS
You're telling me to keep-it-real?
Miss Harvard Business School.
GRACE
Listen, Gatsby. I'm just telling *
you that if you want any chance, you *
have to remember where you came from.
STACKS *
(re: limo) *
Here is much better. *
KARL
Make sure you compliment the food, *
but not too much. Say it's good,
don't say great. And take seconds,
but only eat half, or it'll seem *
like pandering.
GRACE
How do you sleep at night?
26.
KARL
On silk sheets and Ambien.
Stacks looks out the window at the city. They pass a few *
taxis with "STACKS FOR MAYOR" ads. Then a bus with a "STACKS
MOBILE: Never-Drop-A-Call" ad. Right above that ad, in the
bus window is... Annie. Two ships passing...
MAN IN LINE
Bet you never had mashed potatoes.
STACKS
You kidding? My mom made the best
mashed potatoes. The best in Queens. *
(for Grace's benefit) *
Did you know I was from Queens? *
Born and raised. On the playground's
where I spent most of my days.
STACKS (CONT'D)
These look pretty good though-- not *
amazing, but not terrible.
STACKS (CONT'D)
(gagging)
Went down the wrong pipe.
STACKS (CONT'D)
These are terrible. *
Stacks, Karl and Grace return from the horror show photo-op. *
27.*
GRACE *
That didn't take long. *
KARL *
I'll spin it. Butter in the mashed *
potatoes. You're lactose intolerant. *
STACKS *
No, I'm not. *
KARL *
You are now. *
GRACE *
The intolerant part no one's gonna *
argue with. *
(he shoots her a look) *
This might be a blessing in disguise. *
Just because you can run for mayor *
doesn't mean you should. *
STACKS *
This city needs my help. *
GRACE *
Okay, Batman. *
KARL *
You let all your employees talk to *
you like that? *
STACKS *
Just the ones who've made me billions *
of dollars. *
It's jammed. Like the DMV, but with more desperation. Annie
waits patiently in line, her backpack by her feet. The lone
child amid a sea of parents and families. Her number is
finally called and she jumps up to the desk, behind which
sits a dour government worker, Mrs. Gilmartin.
ANNIE
I'd like to get my records please. *
28.
MRS. GILMARTIN
You need D.O.H. form number 4380--
ANNIE
(slams down a form)
--Point 7 dash A.
MRS. GILMARTIN
And a money order for $43 and--
ANNIE
(slams down a money order)
--Fifty-five cents.
MRS. GILMARTIN
Signed by a parent or--
ANNIE
Guardian.
MRS. GILMARTIN
You gonna stare at me the whole time?
ANNIE
Sorry.
ANNIE *
Can you read it? I'm too nervous. *
MRS. GILMARTIN
Annie Bennett, abandoned January *
19th outside 26th Precinct. Age *
estimate: four years. Placed in
state foster care, no further data.
ANNIE
What does "no further data" mean? *
MRS. GILMARTIN
That's all there is to know about *
you. Sorry, honey. *
Ouch. Her parents are still a mystery. But ever the optimist--*
ANNIE *
It's okay, I'll figure it out. *
29.
ANNIE
The sun'll come out tomorrow/ Bet
your bottom dollar/ That tomorrow
there'll be sun.
ANNIE (CONT'D)
Just thinkin' about tomorrow/ clears
away the cobwebs and the sorrow/
'Til there's none.
ANNIE (CONT'D)
When I'm stuck with a day that's
gray, and lonely, I just stick out
my chin and grin, and say, oh! *
She turns the corner and it's now hundreds of people dancing
in lockstep with her as she continues down the street. She's
literally bringing joy to the city. Even more people now--
ANNIE (CONT'D)
The sun'll come out tomorrow/ So ya
gotta hang on 'til tomorrow/ Come
what may/ Tomorrow! Tomorrow!/ I
love ya Tomorrow!/ You're always a
day away!
ANNIE (CONT'D)
Tomorrow! Tomorrow!/ I love ya
Tomorrow!/ You're always a day away!
30.*
ANNIE *
Hey! *
ANNIE (CONT'D) *
Leave it alone! *
Nash and Karl are huddled around the hood of the car peering
into the nitrogen engine. It looks like a chemistry set.
Grace and Stacks approach.
STACKS
What's wrong with it?
NASH
I don't know, I'm not a chemist.
GRACE
(to Karl)
You had to get this car.
KARL
It signals he cares about the *
environment, looking to the future. *
(to Stacks) *
That guy's taking your picture, do *
something whimsical. Quick, start a *
leaf fight. *
GRACE *
I'll call for a car. *
STACKS
I'm gonna walk.
31.
KARL/GRACE
What?
STACKS
I want the air.
KARL
I'll go with you.
STACKS
No. I want to be alone.
GRACE
I'll text you directions.
STACKS
I know how to walk down a street.
CONSTRUCTION WORKER
Your phone bill's killing me, bro! *
ANNIE *
I told you to stop! *
She reaches out to grab him as she runs, but the boy just *
shoves her away. Undeterred, she chases after them. *
Stacks, now with his collar up and his head down, walks down
the street, doing everything he can to go unrecognized. A *
few people still do. Some whisper, others call out. A taxi *
driver snaps a photo with his cell phone. *
TAXI DRIVER
I'm taking a picture of Stacks on my
Stacks!
33 EXT. 125TH B/W SEVENTH AND EIGHTH AVENUES - MOMENTS LATER 33*
Annie runs full speed after the teens and the dog. *
32.*
The dog darts across the street, the boys on its tail. A *
bus zooms by, forcing Annie to stop. When it clears, she *
sees that the boys have the dog cornered. It starts spinning *
again, chasing its tail. *
ANNIE *
Hey! *
She sprints across the street and onto the sidewalk and... *
smacks right into Stacks -- eyes down, oblivious. Stacks *
stumbles, but Annie gets knocked into the street. A van *
barrels towards her and slams on the brakes. But it's not
going to stop in time. Without hesitation, Stacks lunges
and yanks Annie to safety. *
VAN DRIVER
Watch where you're going!
STACKS
You okay?
ANNIE
(stunned)
Yeah. Are you? *
She sees that the commotion has caused the teens to stop, *
giving the dog enough time to escape. Just before it *
disappears around the corner it looks back at Annie. *
STACKS
You coulda got run over. *
ANNIE
Sorry. *
STACKS *
Don't be sorry, just be careful. *
Why are you running? *
ANNIE *
Gets me places quicker. *
HANNIGAN
How was the library?
ANNIE
Educational.
HANNIGAN
Here's some more education for you:
I told Family Services I don't want *
to foster you anymore. As of next
week, you're somebody else's problem.
ANNIE
Did they say who?
HANNIGAN
Not a who, sweety. A what. Group
home. I think it's in Albany. Or
Schenectady. Some place ending in
Y. As in "why are there 300 kids
sharing one room?"
HANNIGAN
Maybe this will teach you to stop
being a little smart ass!
Annie slips into her room. The door closes. Hannigan takes *
a drink. Did she go too far? Maybe a little, even for her.
STACKS *
Where are we on our new phone? *
Grace swipes the desk and a model of the new Stacks Phone *
pops up. Stacks moves it around with his hands. *
GRACE *
We got the battery up to 150 hours. *
34.*
STACKS *
That's not a week. I wanted a full *
week without a recharge. *
GRACE *
I know. We'll get there. But right *
now it's burning people's hands. *
GRACE *
Don't worry, she signed a waiver. *
STACKS *
What's up, Karl? *
KARL *
You're up. Five points in the polls. *
GRACE *
People liked that he vomited on a *
homeless man?
KARL *
You saved a little girl from getting
hit by a van. Someone recorded it *
and it's gone viral.
KARL
It's up to 500,000 hits. And there're *
already parodies.
STACKS
This is why China's winning.
35.*
KARL *
No it's not.
KARL
This is fantastic, Teddy. First time *
this campaign you've done anything
vaguely human. All due respect. *
GRACE
You didn't tell me you saved a little *
girl yesterday. *
STACKS *
I did a lot of things yesterday. *
KARL *
We gotta capitalize on this. You *
invite her to lunch, see how she's *
doing, snap a few pics. Press'll
eat it up.
STACKS
Do we know who she is?
KARL
That's the best part. She's a foster
kid. Lives in Harlem. How perfect *
is that? Harlem! Harlem! *
GRACE *
Relax. Your neck vein is bulging. *
STACKS *
Go get her.
KARL
On my way. *
STACKS *
Not you. Grace. *
GRACE *
Why me? *
STACKS *
(re: a jacked-up Karl) *
Would you want that showing up at *
your door? *
36.
Stacks's newly repaired Nitro pulls up. Grace gets out and *
rings the intercom. Nash keeps an eye out.
HANNIGAN (O.S.)
Yeah? *
GRACE
I'm looking for Colleen Hannigan.
HANNIGAN (O.S.)
Are you a bill collector?
GRACE
No.
HANNIGAN (O.S.)
IRS?
GRACE
No.
HANNIGAN (O.S.)
American Idol? Am I going to
Hollywood??
GRACE
I want to talk to you about a girl
in your care. Annie.
HANNIGAN
Oh.
HANNIGAN
You can take her today, but I want
to get paid for the month. I already
bought her food.
GRACE
I work for Stacks Mobile.
HANNIGAN
You are a bill collector! It's not
my fault I went over last month. I
didn't know I was calling Greece.
37.*
GRACE
I'm here on behalf of Teddy Stacks. *
He'd like to invite Annie to lunch. *
HANNIGAN *
Teddy Stacks? Why? *
GRACE *
They ran into each other yesterday. *
Didn't Annie tell you? *
HANNIGAN *
We didn't get a chance to have our *
girl-talk jawbone last night. Annie! *
(then) *
He ran into her, huh? Now that you *
mention it, her neck did seem a little *
whiplashy. *
GRACE *
We'd also like to make a donation to
the charity of your choice. *
HANNIGAN
So many to choose from. Save the
Whales... Clean Water... You know
what? Just make it out to "cash"
and I'll divvy it up. Annie! Get *
out here!
HANNIGAN (CONT'D)
You're going with this lady.
GRACE *
Hi, I'm Grace. I'd like to take you *
to lunch. I promise I won't keep *
you long.
ANNIE
You can keep me as long as you want. *
Annie and Grace exit with the kids. Hannigan is on the fire *
escape holding a check. Nash opens the door.
TESSIE
No way!
ISABELLA
Is this for real? *
38.*
MIA
(reading "Nitrogen") *
What's Nirotogana? *
PEPPER
You're so lucky!
Annie looks around and can't believe what she sees: bottled *
water, soda, candy, gum, magazines, etc.
GRACE
Help yourself to whatever you want. *
ANNIE *
Really? Thanks! *
Grace emails Stacks and Karl: "ON OUR WAY." As she does, *
Annie opens the window and passes out all the bounty to the
girls. Nash sees this in the rear view mirror and smiles.
Hannigan, a little jealous, calls down from the fire escape-- *
HANNIGAN *
Maybe I should come with? Make sure *
everything's USDA Grade A Awesome? *
ANNIE *
I'm good! *
They drive off, leaving the girls freaking out over all the *
goodies they have. Hannigan watches them drive away, wary. *
Lou has ambled over. He yells up-- *
LOU
Hey, gorgeous. How does it feel to
have a famous kid?
HANNIGAN
What?
LOU
Wanna get a drink tonight?
HANNIGAN *
I haven't hit that rock bottom yet. *
39.*
LOU
You know I love it when you throw me
shade!
GRACE *
Mr. Stacks would like to take a few
pictures with you if that's alright.
ANNIE
I guess so, why? *
GRACE
People want to know you're okay.
ANNIE
What people?
GRACE
Everyone who saw that.
ANNIE
Whoa. *
GRACE *
You sure you don't want to listen to *
some music? *
ANNIE *
I love talk radio. It calms me. *
KARL
Annie! Thanks for coming. Mr. Stacks *
is waiting for you upstairs. *
40.*
WOMAN
That's the girl!
STACKS
Annie! *
He stands and takes her hand. Then turns out towards the
cameras for a photo-op. Annie puts her hand up--
ANNIE
Slow your roll.
STACKS
Excuse me? *
ANNIE
Can we sit down first? *
STACKS *
Are you okay from yesterday?
ANNIE
I'm fine, thanks. Are you? *
STACKS *
Yeah, I think I'm gonna make it. *
ANNIE
So what's the hustle? *
STACKS
What?
ANNIE
You picked me up in a space car, *
brought me to James Bond's house, to *
eat... *
(looks at a lobster) *
...giant bugs. I'm guessing it's *
got to do with that photo of us. *
(off his look)
I'm ten, I'm not an idiot.
41.*
STACKS
I didn't say you were. An idiot. *
Or ten. I have no idea how old you *
are. *
ANNIE *
Ten. *
STACKS *
Okay, so you're not an idiot. But a
lot of people are, and when they saw
that photo they thought I'd be a
good mayor. *
ANNIE
Why? *
STACKS *
I'm a rich guy, you're a foster kid-- *
the more that people see us together
the better it is for my campaign.
ANNIE
That's how a mayor gets elected?
STACKS
I know, it's insane. *
ANNIE
I bet if I moved in with you you'd
become president.
ANNIE (CONT'D)
I saw that photo, too. Why do you
do that. Is it like a throat thing?
ANNIE *
I think he wants to tell you *
something. *
KARL *
That's not a bad idea. Annie staying *
with you. *
42.*
STACKS/ANNIE *
What? *
KARL *
From what I understand it's pretty *
crowded where you live now. How *
about a little more space? Is that *
something you might like? *
ANNIE *
Living with a billionaire? Yeah, *
that's something I might like. *
KARL *
See? It's perfect. *
STACKS *
What are you doing? *
KARL *
It'll just be for a few weeks then *
she'll go back. Take in a foster *
kid? Fifteen point jump in the polls,
guaranteed.
STACKS *
(aloud) *
I don't have time to take care of a *
kid. *
ANNIE *
It's easy. All I need is a bed and *
meals, you don't have to do anything *
else. And you get $157 a week. *
GRACE *
Don't look at me. I don't understand *
politics. *
ANNIE *
You want photos, right? This is a *
way to get a lot of photos. *
She gets up, puts her arm around him, and gives a big thumbs- *
up for the photographers, who snap away. She's a natural. *
STACKS *
There are easier ways of getting *
photos. *
43.*
ANNIE *
Not with me in 'em. *
GRACE *
Are you really doing this? You're *
gonna play Daddy? *
STACKS *
I won't even know she's there. *
KARL *
I wonder if she has her shots? *
GRACE
You're a moron.
REPORTERS *
How was your lunch?/What's your name? *
KARL *
Her name's Annie. And she'll be
staying with Mr. Stacks for a while.
REPORTER *
He's gonna adopt you? *
ANNIE *
No! I have parents. This is just *
temporary. If he gets approved. *
STACKS *
What? *
STACKS
I can't remember the last time I
stood in line.
44.
ANNIE
That's the kind of stuff you need to--
(gestures "lock it down")
--if you wanna get elected. *
ANNIE
I need a temporary guardian approval. *
MRS. GILMARTIN
There's a six week waiting period
and you need form NYS 84 dash--
(looks up and sees Stacks)
Sweet Lord.
ANNIE
Recognize. *
MRS. GILMARTIN
I normally don't do site visits, but
I've taken a liking to young Annie.
MRS. GILMARTIN
Does the guardian have adequate income *
to provide basic shelter?
STACKS *
Come on in. *
45.
ANNIE
Whoa.
GRACE
It's a smart house. It recognizes
him and changes accordingly. *
MRS. GILMARTIN *
Is there a co-temporary guardian? *
STACKS
No. *
MRS. GILMARTIN
(flirty)
Would you like a co-temporary *
guardian? *
GRACE
(senses Stacks's frustration)
Why don't I take you on a tour?
STACKS
Best idea I've heard today. Karl.
GRACE
Let's get it to learn your voice.
Speak into this.
ANNIE
What should I say?
GRACE
Anything.
ANNIE
I think I'm gonna like it here.
46.
GRACE
Got it.
ANNIE *
I think I'm gonna like it here.
GRACE
Just think it and it shall appear.
ANNIE
I think I'm gonna like it here.
GRACE
It knows just what you want to see.
ANNIE
Please please anything but Disney.
GRACE
It knows the temp you're comfy in.
47.
ANNIE
That's great, can it teach me to
swim?
GRACE
We'll get a coach, no need to fear.
ANNIE
I think I'm gonna like it here.
ANNIE
I think I'm gonna like it here./
Who wouldn't like here?/ The president
of the world would like it here./ I
think I'm gonna like it here.
ANNIE
Is this Mr. Stacks's room?
GRACE
No, Annie, this... is your room.
MRS. GILMARTIN
Sweet Lord.
ANNIE
I think I'm gonna like it here. No,
I know I'm gonna like it here.
GRACE
I know you're gonna like it here.
MRS. GILMARTIN
Damn right you're gonna like it here.
ANNIE
I know I'm gonna like it here!
ANNIE *
The closet was so big I thought it *
was the living room.
ISABELLA *
How big was the living room? *
ANNIE *
I thought it was the street. *
TESSIE *
Is he nice? *
ANNIE *
Did you hear what I said about the *
closet? That's all the nice I need. *
MIA
I'm gonna miss you.
PEPPER
I'm not. Finally get a little space
in here.
ANNIE
Well, whenever you miss me all you
gotta do is call...
ANNIE (CONT'D)
Bam. With unlimited everything.
Even for you, Pepper. I know you're
gonna miss me.
She jumps on her and gives her a big hug, Pepper resists.
The girls go crazy -- even Pepper.
49.*
GIRLS
No way!/Thanks!/Cool! *
PEPPER
It's not an iPhone?
HANNIGAN
What are you rats yapping about?
They all hide the phones like prisoners. She sees Annie. *
HANNIGAN (CONT'D)
If it isn't Baby Jessica.
GIRLS
Huh?/What?
HANNIGAN
(scorned lover)
What are you doing here? Why aren't
you with your new foster friend?
ANNIE
Just picking up my stuff.
HANNIGAN
Then pick it up and get out. *
ANNIE *
I just want to thank you for *
everything you've done for me-- I
can't even do it with a straight
face. Peace out. *
Hannigan lunges for her, but she skirts away. Calls after-- *
HANNIGAN
You think your life's a fairy tale?
There is no happily ever after! *
(turns back to the girls) *
The worst thing in this world is a *
little taste of something good. *
'Cause it never lasts, and all you *
taste from then on is not-that-taste. *
MIA *
Huh? *
TESSIE *
Sssh. Just let her talk when she *
gets like this. Remember? *
50.*
Nash stands next to the Nitro, holding the door for Annie. *
She gets in and sees the bounty has gotten even better: bags *
of candy, full chocolate bars, even new pillows and blankets. *
NASH *
Restocked. *
ANNIE *
(eyes-wide) *
Thanks. *
She passes out all the goodies to the girls as Lou ambles *
over. She hands him a new Stacks phone. *
ANNIE (CONT'D) *
I got this for you. *
LOU *
(jumps back) *
Aaah! Those things are evil. They *
just steal your private information *
so big business can spy on you and *
crush your soul. *
TESSIE *
(looking at her phone) *
What button does that? *
LOU *
I'm happy for you, though, mija. *
Getting off the block. *
Nash Starts the Nitro and they drive off. The girls run *
after her yelling their thank-yous and good-byes. WE SEE
Hannigan on the fire escape, seething. Annie turns on the *
music system. It's a version of "I Think I'm Gonna Like it
Here" which segues into a different song that plays over the
PHOTO-OP MONTAGE:
REPORTER
Annie! You having fun?
ANNIE
(mouth full of pretzel) *
Mr. Stacks is the best. I just wish
I was old enough to vote for him.
STACKS
That was a bit much.
ANNIE
I'm still finding it. *
HAROLD GRAY
My opponent wants to be mayor for *
two reasons: feed his ego and bolster *
his business interests. And he'll *
stop at nothing. He has no connection *
to the people of New York, now he *
coincidentally takes in a foster *
kid? Come on, Chuck. Don't pee in *
my ear and tell me it's hot-raining. *
CHUCK SCARBOROUGH
Are you saying Annie is a political
move?
HAROLD GRAY
I'm surprised he hasn't gotten a dog
yet.
52.
ANNIE
How do you choose?
ASPCA VOLUNTEER
(spiritual)
You don't choose a dog, a dog chooses
you.
Stacks rolls his eyes as she enters the pen. The dogs all
swarm, tackling her. It's nuclearly cute.
ANNIE
They all chose me!
STACKS
Just one.
As Annie plays with the dogs she sees one off to the side, *
running in circles. It looks just like the one Annie saved. *
Could it possibly be? She gets up and heads over. It is! *
STACKS *
You gotta be kidding me. *
ANNIE *
(to Sandy) *
Hey, girl. We found each other. *
I'll never leave you again. Promise. *
REPORTER
Annie! What are you gonna name it?
53.
STACKS
She's like a hurricane.
ANNIE
Sandy. Her name's gonna be Sandy.
Snap! Snap! Karl nudges Grace and shows her his phone: *
it's a Huffington Post mayoral poll. Stacks is now only
three points behind Harold Gray. Two girls come up to Annie-- *
GIRL #1
Can we take a picture with you?
ANNIE
(a bit taken aback)
Uh, sure.
GIRL #2
You are so cool!
STACKS
Let's go.
Then she reaches down and gets out her locket and Ziplocked
note from her backpack. Her old life, flooding back.
ANNIE
Hey. *
54.*
STACKS *
Something wrong? *
ANNIE *
Couldn't sleep. It's so quiet up *
here. Whatcha doing? *
STACKS *
Working. *
ANNIE *
This late? *
STACKS *
Always. *
ANNIE *
When do you have fun? *
STACKS *
This is fun. *
ANNIE *
No, like fun fun. *
STACKS *
This is fun fun. *
STACKS (CONT'D) *
You hungry? I can order in. *
ANNIE *
You don't have a cook or something? *
Or like a million servants?
STACKS
I like to be alone.
ANNIE
So why do you need all this space?
STACKS
I like to be alone in a lot of space. *
STACKS (CONT'D)
Everyone surrounds themselves with *
all these people so they feel loved.
When really, you can count the people
who truly matter on one hand.
55.*
ANNIE *
Why are you making a fist? *
STACKS *
You hungry? *
ANNIE *
Always. *
ANNIE (CONT'D) *
I can make a meal out of anything.
Pick five ingredients. *
ANNIE (CONT'D) *
Come on. This'll be fun fun. *
STACKS *
(sighs, then points) *
That fruit, pancetta, I think that's
risotto, steak, and the fusilli.
ANNIE
I've heard of two of those things. *
ANNIE (CONT'D)
It's gross. Sorry.
(then)
But you gotta learn to stop spitting. *
You're not a camel.
STACKS
You looked like you knew what you *
were doing. *
ANNIE
That's how I do.
STACKS
I have a movie premiere tomorrow *
afternoon. Karl thinks you should *
come.
ANNIE
Karl's right. Can I bring my friends?
STACKS
There's more of you?
ANNIE
More photos? *
STACKS
She stopped spinning. *
STACKS (CONT'D) *
Good night. *
He heads off.
Annie rides down the elevator. She makes funny faces in the *
mirrored doors a la a fun house. A kid being a kid. The *
doors open and two women catch her mid-face. *
ANNIE *
This elevator is the best! *
MAN/WOMAN *
(laughing) *
Morning, Annie./Hey, Annie. *
Annie looks at all the people in the lobby and outside the *
windows. All on their phones. Talking, texting, phoning. *
Nash taps her on the shoulder. *
NASH *
Need a ride somewhere? *
57.*
ANNIE *
I know this sounds crazy, but do you *
guys spy on people with your phones? *
NASH *
Stacks Mobile Control Center. We *
can trace every call and data *
transmission made on every carrier
for the past twenty years.
ANNIE *
Whoa. *
NASH *
People shouldn't be scared of the *
government, they should be scared of
cell phone companies.
ANNIE *
Lou was right. *
(then) *
Can I ask you a favor? Could you *
search for my parents? *
NASH *
I guess so. Bennett, right? *
ANNIE *
Can you go back five years? Around *
the 26th Precinct? That's where *
they dropped me off. *
NASH *
It'll take awhile. I'll let you know. *
ANNIE *
Thanks. *
ANNIE *
Did Hannigan catch you? *
TESSIE *
Nah, she's passed out. *
ISABELLA *
(makes drinking motion) *
Things that make you go glug-glug. *
ANNIE *
I know, right? *
LATER. Stacks and Annie walk the red carpet. Grace and *
Karl and the girls are off to the side.
PHOTOGRAPHERS
Annie! Annie! Annie!
PHOTOGRAPHERS (CONT'D)
Smile over here! OVER HERE!
REPORTER
Who are you wearing?
ANNIE
This is my friend Isabella's and *
this I found somewhere. *
PHOTOGRAPHERS
OVER HERE! LOOK OVER HERE!
REPORTER #3
Did you like the French toast you *
had for breakfast this morning?
ANNIE *
So good. Wait, how'd you know that? *
REPORTER #3
You tweeted it. @TheRealAnnieBananie.
KARL
We made you a twitter account.
(MORE)
59.*
KARL (CONT'D)
You already have 1.3 million
followers.
ANNIE
(horrified)
I'm Annie Bananie?
KARL
No. You're The Real Annie Bananie.
It's the only thing that wasn't taken.
ANNIE
Where are you going?
STACKS
I don't stay for the movie.
GRACE
We just walk the red carpet to get *
the press. No one stays. All of *
this is just for show. *
PEPPER *
(to the girls) *
Like Annie. *
ANNIE *
I invited my friends to see a movie.
Can't we stay and see the movie? *
STACKS
("I don't care") *
Sure. Go ahead. *
REPORTER #4
Aren't you staying with Annie?
KARL
Want me to cut the power? I can *
take out the whole city block. *
STACKS *
Who are you? *
60.
STACKS (CONT'D) *
Just forgot my phone.
STACKS (CONT'D)
You're coming with me. Make sure I
don't kill anyone.
TEENAGE BOY
Things happen for a reason.
TEENAGE GIRL
Said the boy who doesn't have to go
home to the moon every night.
TEENAGE BOY
Then don't go.
TEENAGE GIRL
(tearing up)
You know it's not my choice.
TEENAGE BOY
I'll make it my choice. *
PULL BACK. Stacks, Grace, Annie, and the girls are watching-- *
STACKS
What the hell is happening?
ANNIE *
Her gravity rocks are running out.
STACKS
Of course they are.
STACKS (CONT'D) *
Hey, there's one of our phones! *
GRACE *
We paid $500,000 for that. *
STACKS *
What?! *
TEENAGE BOY
You ready?
TEENAGE GIRL
Never been more. *
FISH-FRIEND
We're all ready down there. Soon as
the sun sets we attack.
TEENAGE GIRL
Thanks, Sakana. You're a true friend.
STACKS
What's going on? *
ANNIE *
The fish are gonna attack the moon.
STACKS
No, I know. Why don't they start
already? There's not gonna be enough
time for Kyle and Saffron to escape
the Luna Monsters!
STACKS (CONT'D) *
As long as I paid $500,000... *
STACKS (CONT'D)
(to the screen)
Attack! Sakana, attack!
62.*
ISABELLA
I want to be Saffron so bad!
TESSIE
I can't believe Sakana told on 'em. *
STACKS
Of course she did. You can't trust
the fish people. Gwarklark warned
them. He was very specific.
ANNIE
They come back in the next movie.
STACKS
There's a next movie?!
ANNIE
There're four more. And three before *
this one. *
STACKS
Shut up!
GIRLS
Thanks!/So much fun!/Thank you! *
TESSIE *
We never get to do things like this. *
STACKS *
(getting in the Nitro) *
Let's go, Annie.
ANNIE *
It's so early. Can't we all do *
something else? *
STACKS
I haven't worked in two hours. *
ANNIE *
Oh, no! You're melting... *
(MORE)
63.*
ANNIE (CONT'D)
(the girls laugh) *
Please? I guarantee you'll have a *
good time. *
STACKS *
You have this crazy way of turning *
"no's" into "yes's." What is that? *
ANNIE *
I think when people say no, they're *
really just scared of the yes. *
STACKS *
(sighs) *
What do you want to do? *
ANNIE
More things other people get to do. *
ANNIE (CONT'D)
Tonight I want to be other people...
More song, more fun. Stacks and Grace chaperone. They both *
do work on their phones. *
They dance and sing and go ice skating. The dream Tessie *
had. They ask Grace and Stacks to join them. Stacks passes, *
Grace decides "what the heck" and does. The song continues... *
Isabella's dream. They dance and sing and shop and try on
different outfits. Shoppers ignore them. Grace is now fully *
engaged, trying on clothes, participating. Stacks is off to *
the side on his phone. Annie sneaks up and puts a hat on *
him. Annoyed, he starts to take it off, but catches a glimpse *
of himself in the mirror. *
64.*
Mia's dream. They dance and sing and eat candy all over the *
gigantic candy store. Mia even swims in it. Stacks and *
Grace are now both fully engaged. Having fun even... *
ANNIE *
See? Your dream came true.
GIRLS
Other people!
GRACE *
Teddy. Your phone. *
STACKS *
Yeah... Okay... I'm coming. *
(hangs up) *
I gotta get back. Karl's going crazy. *
GRACE *
Karl is crazy. *
STACKS *
But he's good at his job. *
GRACE *
So was Napoleon. *
STACKS *
He actually wasn't. He's *
misunderstood. *
GRACE
You go ahead. I'll take 'em back. *
(then) *
This was kinda fun. *
65.*
They exit a cab, laden with bags of clothes, etc. They dance *
up the fire escape and wave good-bye. *
ANNIE *
Can we make one stop? *
The girls are listening to "I Love it" by Icona Pop and
dancing around in their new clothes. Hannigan bursts in and *
shuts off the music-- *
HANNIGAN
Why are you still up? Where'd you
get all this stuff?!
MIA *
We went with Annie to a premiere and *
ice skating and shopping and a candy *
store and a 'musement park and it *
was so cool and I love her so much. *
PEPPER
Nice, Mia.
MIA
I can't keep a secret!
HANNIGAN
Well, you don't have to keep this a *
secret: pack it up. It's going back. *
ISABELLA
Why?
HANNIGAN
'Cause you don't deserve it.
PEPPER
Yes we do. It's from our friend. *
66.*
HANNIGAN
She thinks she has it all figured
out. Her ticket outta here. There
is no ticket outta here. You rats *
need to start realizing that.
MIA
You're being mean!
HANNIGAN
I'm being educational. I used to be
a dopey little girl like you. Now
PACK THIS STUFF UP!
RADIO DJ (O.S.) *
The city's most famous girl, Annie, *
was spotted tonight out on the town *
with her friends. *
RADIO DJ (O.S.) *
Not only is she smart and cute, sounds *
like she can really sing. Not long *
before she gets a record contract. *
HANNIGAN
Little girls, little girls/ Everywhere *
I turn I can see them./ Little girls, *
little girls/ Night and day I eat *
sleep and breathe them./ I should be *
anywhere but here/ Private planes, *
on the stage and TV/ But I find myself *
here at the snot house/ Little shoes, *
little socks, please kill me... I'm *
serious, please kill me, I'm not *
singing i'm asking. *
(then) *
Locked in a cage with all the rats/ *
I've slipped through the cracks/ And
now I'm stuck with the scraps/ And I
can't seem to find my way back/ Get
me out get me out of here/ Throw me
a rope/ I'm ready for stardom after
all these years./ Yes I wanna tear
my hair out/ I should be famous, a
part of history./ *
67.*
HANNIGAN (CONT'D)
Come on I sang "Everybody Dance Now"/ *
Da Da da da da da da da!/ I'm done
with little girls/ I wanna be someone
in this world/ Little girls, little
girls. *
LOU
That was beautiful!
(then) *
I got you a T-shirt. *
HANNIGAN
Aaaah! *
GRACE *
You come here every Friday? *
ANNIE *
It's the only day they serve cannoli. *
GRACE *
That's all you have to go on? *
(off her nod) *
Do you remember what they look like? *
ANNIE *
I think I'll just know. *
LATER. Annie and Grace have both drawn their names all over *
the street. It's been a while. The waiter comes out holding
two take-out boxes.
WAITER *
Cannolis. One for your pretty friend. *
ANNIE *
Can you not tell Mr. Stacks? I don't *
want to bother him with it. *
GRACE *
Sure. *
HAROLD GRAY
As mayor I will do everything that's
right for the people of New York, *
not the business of New York. *
STACKS *
Michael J. Fox? That's dirty tricks. *
(then) *
Do I have any shot of winning? *
KARL
You've plateaued.
Karl swipes his iPad and a graph of the latest poll appears
on the wall. Stacks is losing by seven points to Gray. And
it's been the same for awhile. Karl highlights the graph--
KARL
Annie's gotten you here, but I think
this is as far as she'll take you. *
69.*
KARL (CONT'D)
But it's not over yet. How bad do *
you want this? You told me becoming *
mayor would really help your business, *
right? *
STACKS *
Among other reasons. *
KARL
So how far are you willing to go to *
get it? Or should I say, how far do *
you want me to go? *
STACKS *
I pay you a lot of money not to ask *
me those questions. *
KARL *
Roger that. *
GRACE
We're back.
ANNIE *
I brought you a cannoli. *
STACKS *
Because you're an Italian grandmother. *
Makes perfect sense. *
Annie laughs. *
KARL *
We have a charity event tomorrow. *
You should go to bed.
ANNIE *
Okay, K-Money. Keep your shirt on. *
(to Stacks/Grace) *
This guy. *
KARL *
Did she just sass me? How come no *
one respects me? *
70.*
GRACE *
I think you know the answer to that. *
STACKS *
Annie? *
STACKS *
Do you get airsick? *
ANNIE *
Don't know. I've never been in the *
air. I threw up on the swings once.
Annie and Stacks get out of the Nitro and walk to the Stacks *
helicopter. Sleek and big and infinitely cool. *
ANNIE *
Whoa. *
STACKS *
Cool, right? *
STACKS *
We're doing a cell tower check. *
Make sure they're all working.
ANNIE *
You do that yourself? *
STACKS *
I told you work is fun fun. *
Stacks smiles and takes off into the sky above New York City. *
71.*
They fly over the city, giving Annie a vantage she has never *
seen. She's rapt. They speak through their headphones--
STACKS *
You want to know the secret to Never- *
Drop-A-Call?
ANNIE *
Not really. *
(off his look) *
Yes, yes I do. Desperately. *
STACKS *
We have five times as many cell towers *
as the other guys. But we hide 'em
in plain sight. Like right there.
STACKS (CONT'D) *
Do you see it? It's on her crown. *
ANNIE *
No. *
STACKS *
Exactly. *
STACKS *
See 'em? They're on every wire. *
It's all about connecting everything. *
With everyone. *
ANNIE *
Which is weird, 'cause you don't *
connect with anyone.
STACKS *
Yes, I'm cold and aloof; it's been *
pointed out, thanks. *
ANNIE *
No, I didn't mean-- *
STACKS *
It's fine. You can't hurt my feeling. *
STACKS *
Know why I love this city? It doesn't *
care who you are, what you are, where *
you came from. All it cares is if *
you want it bad enough. And what *
you do with what you got. *
The helicopter blades begin the beat of the new song "The *
City's Yours." A melody kicks in as Stacks sings and flies-- *
STACKS *
I don't wanna hear a sob story/ If *
you got guts you'll get glory/ Anyone
can make their dreams come true in
New York City/ And I don't wanna see
another tear drop 'cause if you work
hard you can rise up/ Anyone can
make it even you in New York City/
Look at me I'm just blood pumping/
you and me are two hearts thumping/
We are two souls feeling the same
beat/ So take it all this city's
yours/ Ask it for more when it rains
it pours/ It's worth fighting for *
it's all mine and it's all yours/ In
New York City, in New York City.
ANNIE *
It's worth fighting for, it's all *
mine and it's all yours/ In New York
City, in New York City.
STACKS *
So take it all this city's yours/ *
Ask it for more when it rains it
pours.
STACKS/ANNIE *
In New York City. *
ANNIE *
Why don't you go above 96th street? *
STACKS *
No reason. *
ANNIE *
This is my New York City. *
STACKS *
Show me where you lived. *
ANNIE *
Everywhere. *
(then) *
I see a cell tower! *
STACKS *
Where? *
ANNIE *
On that building. See it? Right *
there. *
STACKS *
Sometimes what you're looking for is *
right in front of your face.
STACKS *
It's worth fighting for, it's all *
mine and it's all yours/ In New York
City, in New York City.
STACKS/ANNIE *
In New York City. *
GRACE *
Is Annie here? I have her dress for *
tonight. *
STACKS *
I'll get her. *
ANNIE (O.S.) *
Ready? *
GRACE *
Very excited. *
ANNIE (O.S.) *
I don't know... *
GRACE *
It's a collaboration between Zac *
Posen and Rodarte. They designed *
it specially for you. *
ANNIE *
They really get me. *
GRACE *
(laughs) *
Let's get you something else. *
ANNIE *
Thank you. *
Annie walks past an open door. She peers in and sees Stacks *
washing his face. When he looks up Annie sees that *
he's...bald. Daddy Warbucks bald. Annie gasps. Stacks *
hears this, looks up and sees her in the mirror. She quickly
averts her eyes and scurries off. Sitting on the vanity is
Stacks's wig on a mannequin head. He reaches for it... *
Stacks walks out in a tuxedo and his usual full head of hair. *
Annie is there playing with Sandy. It's super awkward.
STACKS *
Hey, Annie... Did you just see-- *
ANNIE *
I didn't see anything. *
STACKS *
'Cause I thought I saw you in the-- *
75.*
ANNIE *
Nope. Here the whole time. *
STACKS *
Wow. You look... *
GRACE *
So do you. *
GRACE *
Got your dress. *
GRACE *
That's more like it. *
GRACE (CONT'D) *
Made exclusively for you. By Targé. *
Annie laughs and slides her locket around her neck. Grace *
goes behind her and starts doing her hair.
ANNIE *
Why don't you ask out Mr. Stacks? *
ANNIE (CONT'D) *
Ouch! *
GRACE *
Sorry. That's a complicated question. *
ANNIE *
Not really. Do you like him? I *
think he likes you.
GRACE *
I work for him. Liking him doesn't *
come into play.
76.*
ANNIE *
Okay. *
GRACE *
I mean, do I find him attractive? *
Sure. Not just physically-- though
there's no question he's good looking,
tall, broad shouldered, and that hair--
ANNIE *
Well... *
GRACE *
I can't afford to like people I work *
with. There're enough obstacles as
it is for women. I'll have time for
that when I retire.
ANNIE *
When my friend Pepper liked this boy *
at school she punched him in the
face. She got suspended, but they
play together in the park now. *
Grace smiles. *
ANNIE *
Did they find anything on my parents? *
NASH *
Not having much luck. And they dug *
pretty deep. Sorry. *
ANNIE *
Thanks for trying. *
NASH *
You're gonna find your family, Annie. *
I promise.
She nods and heads out into the madness, passing Karl, who *
seems curious about what she and Nash might be talking about. *
Stacks ushers her up the stairs. *
77.*
ANNIE *
These are ridiculous! *
STACKS *
...New Yorkers face many challenges *
every day, challenges that seem *
insurmountable. We all tell ourselves *
"no" a lot. "No, I won't get that *
job." "No, I can't afford college." *
"No, no, no." Well, it's time to *
turn the "no's" into "yes's." Because *
when we say no, we're really just *
scared of the yes. *
(applause) *
Say yes to yourselves and say yes to *
a brighter life. *
(then) *
Many of you know I've had a visitor *
staying with me recently. She only *
knows the word "yes." *
STACKS *
Annie, can you come up here? We all *
know you're not shy.
STACKS *
Do you mind saying a few words? *
ANNIE *
I don't wanna... *
STACKS *
Go ahead. Just read it. *
STACKS (CONT'D) *
It's fine. Don't be nervous. *
78.*
She takes one more pause, and then steps up to the mic. And *
just speaks from the heart. Ignoring the teleprompter--
ANNIE *
I'm so lucky to be with Mr. Stacks. *
Two weeks ago I didn't know shrimp *
could get this big.
KARL *
That's not what I wrote. *
GRACE *
Obviously. It was funny and warm. *
ANNIE *
He's taught me so much opportunity. *
And I'll never forget it.
ANNIE (CONT'D) *
(still looking at Stacks) *
But now it's up to me. *
Annie turns to the orchestra behind her and signals for them *
to play. They do, starting with classical and segueing into *
contemporary. It's a new song, "Opportunity." *
ANNIE *
Under the glow of warm lights/ Feels *
like a dream in the night/ I turn my *
head to the sky/ You must believe I *
know why/ It's just 'cause I know *
I'm the luckiest kid in the world/ *
No never thought I'd be here/ Made a *
wish, it appeared/ I turn my head to *
the floor/ Thankful for all that's *
what's for/ It's just 'cause I know *
I'm the luckiest kid in the world./But *
it's now all up to me/ To make it *
count for good/ Today It's all about *
Opportunity/ 'Splayed right in front *
of me/ Opportunity, it doesn't come *
for free/ Noh-oh-oh-oh-oh I can't go *
back back back. *
(MORE)
79.*
ANNIE (CONT'D)
No, it's all on me now/ Golden, I *
found my church key/ Sweet Opportunity
I've gotta make it count/ Oh-oh-oh-
oh-oh-oh/ It's on me Oh-oh-oh-oh-oh-
oh/ It's all about Opportunity/
'Splayed right in front of me/
Opportunity It doesn't come for free/
Noh-oh-oh-oh-oh I can't go back back
back/ Sweet Opportunity I've gotta
make it count/ Oh-oh-oh-oh-oh-oh/
It's on me/ Oh-oh-oh-oh-oh. *
KARL *
Read the speech now. *
(shakes her head) *
Come on, Annie. Read it. *
ANNIE *
I don't want to. *
KARL *
Annie! You have to read it! *
ANNIE *
Leave me alone! *
She runs off the stage, passing Grace and Stacks. Cameras *
flash. Karl looks like he's going to be sick. *
Annie runs down the steps, with Stacks and Grace on her tail. *
Stacks signals to Grace that he's got it and he runs after
her, catching up down the block. *
STACKS *
Annie! *
ANNIE *
Leave me alone! *
(he grabs her) *
I sang, wasn't that enough? *
STACKS *
Are we asking you to do too much? *
ANNIE *
I can't read. *
STACKS *
What? *
ANNIE *
Nope. *
STACKS *
I've seen you read. *
ANNIE *
Nope. *
(then) *
Sorry I ruined your shrimp event. *
STACKS *
No pictures! She's a little girl! *
KARL *
What was she talking to you about *
earlier? *
NASH *
She asked us to try and find her *
parents. But it's a dead end. I *
even called my old buddies on the *
force. There's nothing on that kid. *
KARL *
That's genius. *
HANNIGAN *
Who is it? *
81.*
KARL (O.S.) *
Karl Danlily. From Stacks Mobile. *
HANNIGAN *
Hello there. *
KARL *
Colleen Hannigan? *
HANNIGAN *
My maiden name. But I'm not married *
to it. If you know what I mean.
KARL *
Sorry to bother you so late. Can I *
buy you a drink?
HANNIGAN *
God yes. *
GIRLS *
(kissy noises) *
Woooooh! *
HANNIGAN *
Get back inside! *
Stacks and Grace look in. Annie and Sandy are asleep in the *
closet. *
STACKS *
...I've been telling her she can do *
anything she wants in this city, but
we haven't even taught her to read. *
(then) *
We gotta get her a tutor. *
GRACE *
For her though, right? Not the P.R. *
STACKS *
For her. *
(off her smile) *
What? *
GRACE *
Your secret's safe with me. *
(off his look) *
That you care. *
STACKS *
About kids in New York, yeah I care. *
GRACE *
It's not kids in New York. It's *
Annie. *
HANNIGAN *
You have pointy earlobes. You know *
what they say about men with pointy *
earlobes... *
KARL *
I don't. I want to talk to you about *
Annie.
HANNIGAN *
(crushed/disgusted) *
Of course you do. *
KARL *
What do you know about her parents? *
And what does she know about them? *
Any and all details. *
HANNIGAN *
What's your game, dude? *
KARL *
What? *
HANNIGAN *
I know who you are. You're that guy *
in all the photos who lurks in the
background, pulling strings, cleaning *
up messes. *
KARL *
I don't lurk. *
HANNIGAN *
So what is this: are you pulling, or *
are you cleaning? *
KARL *
...So if he wins, I get paid a *
fortune. More than anything I've *
ever made, combined. *
HANNIGAN *
Why so much? *
KARL *
It's like getting paid long odds on *
a dark horse. You know how hard it *
is to get Teddy Stacks elected? *
HANNIGAN *
There've been worse politicians. *
KARL *
I know. I've got them elected. But *
I'm over it. Over being the cockroach *
everyone needs but treats like... *
HANNIGAN *
A cockroach. *
KARL *
Exactly. This is my last roll at *
the table. Get paid and I'm out. *
HANNIGAN *
There's no such thing as a way out. *
(MORE)
84.*
HANNIGAN (CONT'D)
Trust me.
KARL *
There's always a way out. Trust me. *
And in this particular case, it's all *
about finding Annie's parents. *
HANNIGAN *
They don't exist. *
KARL *
But we can make 'em exist. We fake *
'em. Get two people to pretend to *
be her parents. They'll know every *
detail and miraculously show up right
before the election. Add water, *
instant parents.
HANNIGAN *
Rinse and repeat. *
KARL *
What? *
HANNIGAN *
I don't know, I'm just getting really *
excited. What's in it for me?
KARL *
Same as me. Ka-ching. And no more *
being the cockroach. *
HANNIGAN *
I knew I liked you. *
HANNIGAN (CONT'D) *
We're not doing that now? Got it. *
KARL *
To a way out. *
HANNIGAN *
To easy street. *
HANNIGAN (CONT'D) *
Easy Street, Easy Street/ Where you *
sleep till noon/ Easy Street/ Better
get there soon.
KARL *
You don't get there/ By playing from *
the rule book/ You stack the aces/
You load the dice/
HANNIGAN *
Not by listening to your priest's *
advice.
(then, to Karl) *
Is it priest? Rabbi? What are you? *
KARL *
I'm nothing. But I know where I'm *
going...
HANNIGAN/KARL *
Easy Street, Easy Street/ Where the *
rich folks play/ Yeah yeah yeah.
HANNIGAN *
(re: dancing) *
You're really good. *
KARL *
I did musicals in high school. I *
was Danny Zuko.
HANNIGAN *
I was Sandra Dee! *
KARL/HANNIGAN *
A wop ba-ba lu-mop, a wop bam boom! *
KARL *
We found our ticket out. *
HANNIGAN *
Time to end the drought. *
KARL *
Move your feet. *
HANNIGAN *
To Easy Street. *
86.*
KARL/HANNIGAN *
Easy Street, Easy Street/ Where you *
sleep till noon/ Easy Street/ Better
get there soon.
They dance out of the club and the music drops out, and they *
go a cappella--
KARL/HANNIGAN *
Easy Street, Easy Street/ Where the *
rich folks play/ Yeah yeah yeah./
Easy Street, Easy Street/ That's
where we're gonna be!
She twirls in and ends in his arms. Two passing teens notice *
this and throw them a look. Hannigan and Karl immediately
break and it gets super awkward--
KARL *
So, see you tomorrow? *
HANNIGAN *
Yup. *
STACKS *
Can I walk with you? *
ANNIE *
Uh, sure. Here you go. *
STACKS *
What's this for? *
ANNIE *
You'll find out. *
STACKS *
But I saw you sign your name. *
ANNIE
That's all you gotta know how to do.
Then they just assume you can read.
STACKS
None of your teachers know? How is *
that possible?
ANNIE
I'm good at hiding it. *
ANNIE (CONT'D)
That's an uptown bus, you can tell *
by the numbers. That's an ad of you *
running for mayor. *
STACKS *
I like that mustache. Glasses are a *
bit Harry Potter. *
ANNIE *
I also listen to the news. "The Dow *
is up 56 points today and Teddy Stacks *
is sinking in the polls." So people *
think I'm smart. *
STACKS *
You are smart. And it won't take *
you long to learn to read. I'm *
getting you a tutor. *
ANNIE *
That's okay, I don't-- *
STACKS *
(stern) *
You're getting a tutor. *
ANNIE *
That was more Voldemort than Harry *
Potter. *
STACKS *
My knowledge of Harry Potter ends at *
Harry Potter. Is Baldercat bad or *
good? *
88.
STACKS
Sandy!
He starts after her. Annie stays put. After two steps Sandy
stops, turns around, and sits.
STACKS
Why didn't she run away?
ANNIE
She knows how good she's got it.
ANNIE (CONT'D) *
...And you're about to learn what *
that plastic bag's for. *
They return from their walk. Nash is there with the Nitro. *
STACKS
Hungry? I know a good place.
STACKS (CONT'D)
Slow your roll. I got a faster way. *
ANNIE
Act like you've been here before.
STACKS
I used to ride the subway all the
time.
ANNIE
When you backpacked through Europe?
OLD WOMAN
Are you someone famous?
89.
STACKS
Kind of. I'm Teddy Stacks. *
OLD WOMAN *
Oh. I'm not voting for you. You're *
not likable enough. *
ANNIE
(laughs)
He's getting better.
STACKS
This is where I grew up. Haven't *
been back here in forever. *
ANNIE
Why not?
STACKS
Nobody to come back to.
ANNIE
You don't have any family? *
STACKS *
(makes a fist) *
Remember? *
She takes his hand and puts up one finger. For her. *
PEPPER
Yo, suit. You gotta sign in.
KARL
For what?
TESSIE
You here for the auditions?
KARL
Oh my god. *
90.
MIA *
You can't go in there.
MAN
Oh, darling girl! It's so good to
see you after all these years.
WOMAN
We've been trying so hard to find
you and then we saw pictures of you
with that nice man running for mayor.
MAN
Let's sing our special song only us
three know--
MAN/WOMAN
The sun'll come out pronto/ Bet your
sweet bottom fella/ That pronto/
There'll be sun!
KARL
What the hell is this?
HANNIGAN
A disaster.
(to actors)
You're garbage. And pitchy. Next!
KARL
What are you doing?
HANNIGAN
You told me to find two people to
play her parents.
91.
KARL
I meant some friends or some
neighborhood toughs, not open
auditions.
HANNIGAN
These are call-backs actually. I
know, right? From that performance
you're thinking, "what?" *
KARL
And why are they singing?
HANNIGAN
People love musicals. Bursting into
song for no reason, it's magical.
(sings)
It's a magical world, it 'tis it 'tis!
She rises and starts to dance with him. He's not having it.
HANNIGAN (CONT'D)
From the leaves of the trees, to the
bottom of the--
KARL
Stop! Do the kids know what you're
doing?
HANNIGAN
No. I told 'em I'm staging an updated *
production of Oliver.
(side of her mouth)
The update is that they're all black.
KARL
You're done. I'll get the parents. *
Don't do anything else. I'll call
you when I need you.
HANNIGAN
But--
KARL
No buts. We're running out of time.
HANNIGAN
It's a magical world, it 'tis it 'tis. *
92.
STACKS
I've made me a fortune/ That fortune
made ten/ Been headlined and profiled
again and again/ But something was
missing/ I never quite knew/ That
something was someone, but who?
Stacks carries Annie in the front door. The lights turn on,
the art changes, and the music becomes more present.
STACKS
My speeches are greeted with
thunderous acclaim/ At two
universities bearing my name/ Yes,
something was missing each time I
got through/ That something was
someone, but who?
Stacks puts Annie in her bed and takes off her shoes. He
sits on her bed and sings--
STACKS
Who could that someone be?/ How could
she make it known?/ Who would need
me for me?/ Need me for me alone?/
Her world was my oyster, but where
was the pearl?/ Who dreamed I could
find it?/ Yes something was missing/
But dreams can come true/ That
something is no one but you.
STACKS (CONT'D)
Who would need me for me?/ Need me
for me alone/ The world was my oyster
But where was the pearl?/ Who'd dream
I would find it in one little girl?/
Yes, something was missing/ But dreams
do come true/ That something is no
one.....but you.
STACKS *
Let me ask you something. How hard *
is it to become a foster parent? I *
don't mean temporary, I mean, like a *
permanent situation. *
GRACE *
You mean adopt her? *
STACKS *
Whatever the word is. *
GRACE *
That's the word. *
Grace smiles. *
Annie wakes up and realizes she's slept in the bed. For the
first time. And kinda likes it. *
KARL
We got our game-changer! Every *
election needs a game-changer, and *
we got our game-changer. *
GRACE *
Stop saying game-changer. *
94.*
KARL
Annie's parents. *
(hands him a file)
They saw a picture of Annie and called *
us. *
KARL (CONT'D) *
They've been trying to find her for *
years but there's nothing in the *
system. *
GRACE
How do they know she's their daughter? *
KARL *
Well, they're the right age, kinda *
look like her, they believe in *
unicorns and dreams-coming-true. *
And, oh yeah, I ran a DNA test. *
(in Grace's face) *
Boom goes the dynamite. *
STACKS *
I want to meet them first. Before *
Annie finds out. *
KARL
I wouldn't have it any other way. *
You should totally be the one who... *
tells Annie we found her parents. *
ANNIE
You found my parents?! *
GRACE
Yes, honey. I think so.
ANNIE
No way! Really?
KARL *
We're meeting them this afternoon. *
At this place called... Brunello's? *
95.*
ANNIE *
That's where the note is from! *
KARL
They also said something about a *
locket? *
ANNIE *
I knew they'd come for me! *
STACKS *
This is great. I'm happy for you, *
Annie. *
ANNIE
It's all because of you. Thank you *
so much, Mr. Stacks. *
ANNIE
Why are they all here?
Stacks looks out the window to see a mass of people and press. *
STACKS
I said no press until after it's *
confirmed. *
KARL
This isn't me. Someone must've leaked
it. Grace?
GRACE
(threatening) *
Say my name again. *
ANNIE
I don't get why people wanna be famous.
STACKS
They think it means people like them.
WAITER
Very happy for you.
She smiles and they walk back. The "parents" stand up.
"DAD" *
Annie!
"MOM" *
My girl!
They hug her. Mom compares lockets with Annie. It's a match. *
"MOM" *
We thought we lost you forever.
ANNIE
Me, too.
"DAD" *
We were going through some tough *
times and thought it'd be best if *
someone else looked after you. *
"MOM" *
I've never forgiven myself for it. *
"DAD" *
When we got back on our feet we *
couldn't find you. *
"MOM" *
But the angels were looking out. *
HANNIGAN
Hi, I'm Colleen Hannigan. From *
Annie's old life. *
STACKS *
Yeah. Annie speaks highly of you. *
HANNIGAN *
She does? *
STACKS *
Wait. Do you own the bodega? *
97.*
HANNIGAN *
No, I was her foster mom. *
STACKS *
Oh. The singer. Annie said you *
have a great voice. *
HANNIGAN *
She did? *
ANNIE *
You do. *
STACKS *
I loved C+C Music Factory. I did a *
lot of damage to those songs. *
KARL *
Should we get started? *
MRS. GILMARTIN *
Everything is in order, DNA test, *
the judge signed it... We just need *
signatures from the parents... *
STACKS *
Are we sure about this? *
KARL *
That this is gonna win you the *
election? Yeah. Game-changer. *
STACKS *
No, this. *
KARL *
It's time to let go, Teddy. *
MRS. GILMARTIN
And the current temporary guardian... *
KARL *
Hooray! *
ANNIE *
Where do you live?
"MOM" *
New Jersey.
ANNIE
Ouch. *
"DAD" *
But we're moving to Argentina for my
job. *
"MOM" *
I think you're gonna like it there. *
ANNIE *
Can I go back with Mr. Stacks? Say *
good-bye? *
"DAD" *
Uh, we were kinda hoping to get on *
the road... *
"MOM" *
It's fine. We'll pick you up at *
four.
They all exit through the throng of press, now yelling out *
questions about how it feels to be reunited. From Annie's
POV, it's a horror movie. Hannigan hangs back with Karl.
HANNIGAN
How'd you do that DNA test?
KARL
You can do anything with money. *
HANNIGAN
Who are those people? *
(MORE)
99.*
HANNIGAN (CONT'D)
What's your plan with her?
KARL *
Doesn't matter. She served her *
purpose. *
HANNIGAN *
She's still a little girl. *
KARL
Why do you care? Just go home and *
keep your mouth shut. *
HANNIGAN
You can't talk to me like that. I
know things.
KARL
Then if you know what's good for *
you, you'll go home and keep your
mouth shut. *
PEPPER
She look happy to you? *
LOU
Oh, mija.
KARL
(to the press) *
Mr. Stacks is thrilled for Annie and
her parents. Never-Drop-A-Citizen.
Vote Stacks on Election Day.
126 INT. STACKS NITRO/EXT. BROADWAY AND 69TH STREET - LATER 126
HANNIGAN *
Be careful in the street, honey. *
LOU
Hey, baby. Haven't seen you in here *
for a minute. How you doing? *
HANNIGAN
Not good.
LOU
You want me to make you a sandwich?
Roast beef?
HANNIGAN
You ever do something you think is a
good idea at the time, but then after,
you're not so sure?
LOU
Three ex-wives. Yes, yes, and si.
(then)
What happened, baby? Whatever you *
did, you know I'll help.
HANNIGAN
Why are you so nice to me, the way I
treat you? *
LOU *
'Cause under all that bitter, there's
a sweet lady with a big heart. She's *
just been gone for awhile. *
101.*
Hannigan walks out and starts singing a new song "Who am I?" *
HANNIGAN *
Who am I, what have I become?/ Do I *
stand for something or for money?/ *
Who am I and where's my good girl
gone?/ You know I had a good heart *
once you see. *
STACKS *
Who am I now that the armor's gone?/ *
You gave me what I didn't know I
needed./ Who am I now that my heart *
is won?/ I didn't know I needed *
anyone. *
STACKS/HANNIGAN *
But I got today./ I gotta make the *
best I can of it./ 'Cause yesterday *
is dead and gone./ And me along with *
it./ I want to start again./ So I *
look within, remember what I wanted/ *
'Cause I don't know who I've become./ *
But I will trust in it, but I will *
trust in it.
ANNIE *
Who am I? I've spent my life alone./ *
Forever looking for someplace to
call home./ And who am I, about to *
meet myself./ This should feel right *
but something don't./ I want to start *
again./ So I look within, remember *
what I wanted. *
STACKS/HANNIGAN/ANNIE *
'Cause I don't know who I've become./ *
But I will trust in it./ But I will *
trust in it./ Oh I will trust in it./ *
But today I gotta make the best I can
of it./ 'Cause yesterday is dead and *
gone./ And me along with it./ I want *
to start again. *
102.
STACKS
Want something to eat?
ANNIE
Always. *
STACKS
My turn.
ANNIE
That stuff, that, whatever that is,
that liquidy thing, and that goo.
STACKS
I think that's mold, but I'll work
around it.
STACKS
Be prepared to change the way you
look at food.
ANNIE
(looking at it in disgust)
I think I already have.
ANNIE *
This won't work in Argentina.
STACKS
Not yet. We're only in Venezuela,
Ecuador, parts of Colombia, actually
mostly Southern Colombia, Bogota's
tough to penetrate--
(off her look)
Not that interesting?
ANNIE
I got you something.
ANNIE
I copied my phone.
STACKS
I get to find out where Gwarklark
came from?! Is he part-fish? Don't
say anything, don't say anything.
Just hug already. But they don't as Grace walks in. They're *
here. Stacks nods. Karl enters with the "parents."
"MOM" *
Annie! You ready? *
"DAD" *
We're going right to the airport.
GRACE
It's been so great getting to know *
you. You're a special girl.
ANNIE
You should punch Mr. Stacks in the
face. So you can play in the park. *
104.*
STACKS *
I'd like to help you out.
"DAD" *
Very nice of you, but we don't believe
in hand-outs. Just hand-ups.
(re: Annie)
And you already gave us one. *
STACKS *
Bye, Annie. *
STACKS (CONT'D) *
Never slow your roll. *
"DAD" *
What a cute dog.
KARL
The press is eating this up! We're *
gonna crush. Goodbye, Harold Gray. *
Go back to your lame life as a non- *
profit do-gooder. *
NASH
Give 'em hell, kid.
ANNIE
Is it cold in Argentina?
NASH
I think you should hear this. *
TESSIE *
Annie's in trouble.
HANNIGAN *
Those weren't her parents. *
GRACE *
What's going on? *
KARL
Ignore her, Teddy. She's clearly *
insane. *
LOU
Watch your mouth, essé.
STACKS *
What do you mean, those weren't her *
parents? Where's Annie? *
(gets in his face)
Where is Annie?
ANNIE
Can we stop? I gotta go to the
bathroom.
"MOM" *
Can you hold it? *
ANNIE *
I really gotta go. *
"DAD" *
Just shut up! *
106.
HANNIGAN *
I'm so sorry. I didn't know what *
would happen.
GRACE *
(hangs up) *
Just talked to the police. They're
putting everyone on it.
STACKS
How could you not know who has her?
KARL
Plausible deniability. I have a guy
who just takes care of it.
STACKS
Why doesn't that guy know?
KARL
'Cause he has a guy. It's what keeps
our hands clean, trust me. *
STACKS *
Trust you? I can't trust you! What *
the hell is wrong with you? *
KARL *
I did what you told me to. *
STACKS
I never told you to do this.
KARL
Whatever it takes, remember? You
just don't want to know how it gets
done. This is just as much on you.
TECHNICIAN
We got her cell phone.
The map shows the cell phone is... in the building. Zooming *
in, it's actually in Stack's living room. *
107.
ISABELLA *
She's upstairs!
STACKS
No. She gave me back her phone. *
(slams the console) *
Let's call the press. *
KARL
No! You're gonna undo everything *
we've done. Just wait 'till the
election's over.
MIA *
What about Annie?
KARL
Who cares? She's just one girl. *
PEPPER
That's not 'cause she likes you.
ANNIE
Where are we going?
"MOM" *
We're just gonna take you somewhere
for awhile.
ANNIE *
You're not my parents are you?
ANNIE
Let me go! When Mr. Stacks finds
out about this, you're--
"DAD" *
He doesn't need you any more! Why *
do you think we're taking you?
ANNIE
You work for Mr. Stacks?
ANNIE
Help! Help me!
"DAD" *
Hush!
"DAD" *
Don't do anything stupid.
Annie looks out the window as the car is forced to slow again.
She gets an idea -- and taps on the window getting the
attention of some pedestrians. It's Annie! They snap away...
STACKS
Listen to every call within a two
mile radius.
LOU
I knew you could do that. *
ISABELLA *
Someone posted a picture of Annie on
twitter!
They all look at her phone; it's the picture those kids took. *
STACKS
Where was it taken?
ISABELLA
Doesn't say.
PEPPER
Another one! On an Annie blog.
PEPPER (CONT'D)
56th and 7th! *
STACKS
Let's go.
KARL *
You do this and everyone's gonna *
find out what happened. Forget about *
mayor, it's gonna kill your business. *
STACKS *
(to Nash) *
Take this cockroach to the police. *
NASH *
Happily. *
KARL *
You're making a huge mistake! Think *
about everything you've worked for. *
STACKS *
That everything means nothing to me *
now. *
143 INT. STACKS CHOPPER/EXT. NEW YORK CITY SKY- LATER 143
TESSIE
(off her phone)
Instagram. 57th and 7th!
HANNIGAN *
Is anyone else dizzy?
110.*
"DAD" *
What are you doing?!
MIA
(off phone)
Just posted on Central Park South.
GRACE
We'll find her, Teddy.
She reaches over and rubs his shoulder. They fly in silence. *
"MOM" *
Oh no.
She sees what Annie sees. The police have found them. He
peels into the park. They can see the helicopter approaching. *
ANNIE
Just let me go!
PEPPER
There they are!
111.
LOU
Cut 'em off, bro!
HANNIGAN
I am crazy dizzy. *
STACKS
Annie!
Stacks shuts off the copter as they all jump out. Dad and
Mom try to run off, but Lou gives chase and tackles Dad just
as the police arrive. They grab him and Mom. Stacks runs *
up to Annie, Sandy by her side.
STACKS
Annie! Are you okay?
He goes to hug her. But she shoves him away, eyes filled
with tears.
ANNIE
Get away from me! You don't care *
about me. I was just an opportunity
to you.
STACKS
That's not true.
ANNIE
It is true! You did all this to me *
just so you could be stupid mayor.
STACKS
No, honey. You gotta trust me.
ANNIE
I can't trust you. I can't trust
anybody.
ANNIE
Just leave me alone!
112.*
STACKS
I'm so sorry this happened to you.
I can't look you in the eye and say
I had nothing to do with this. But *
I swear to you, I did not know those *
weren't you real parents. You gotta *
believe me. *
STACKS (CONT'D)
I thought that working hard was all *
that mattered; it's what my parents *
did. But you made me realize it all *
means nothing if you don't have *
someone you can count on your hand. *
(puts out one finger) *
This is you, Annie. This is you. *
STACKS (CONT'D)
I officially withdraw from the mayoral
election. The city needs a better
person than me as its leader, I need *
to focus on what matters most. And
that's an amazing little girl named
Annie, my family.
Everyone reacts.
LOU
I wasn't gonna vote for him anyway.
STACKS
Yes, something was missing/ But dreams
do come true/ That something is no
one... but you. *
ANNIE
I need one more thing from you.
STACKS
(laugh/cries)
Always on the hustle. Let's hear it. *
113.
ANNIE
Stop playing games. *
STACKS
That's an easy one. *
STACKS (CONT'D)
Not knowing what I have in front of
me has been a problem of mine for a
long time. But I'm learning.
(takes her hand)
Will you go out with me?
GRACE
What? *
STACKS
I can't function without you. And I
don't mean at work.
(then)
And you were right about this whole
mayor thing. And about Karl. And
about last quarter's earnings. And
about--
STACKS
Family?
(off her nod)
Together at last.
ANNIE
Together forever!
STACKS
We're tying a knot/ They never can
sever!
ANNIE
I don't need sunshine now/ To turn
my skies to blue.
STACKS/ANNIE
I don't need anything but you!
114.
STACKS
You've wrapped me around that cute
little finger./ You've made life a
song/ You've made me the singer!
ANNIE
Today was just plain awful.
STACKS
(speaks)
Today was a straight-up nightmare.
(sings)
But that's not now.
ANNIE
That's then./ You're not warm and
fuzzy.
STACKS
And you're not the most shyest.
STACKS/ANNIE
But nothing on earth could ever divide
us! I don't need anything but you!
GUY
He keeps singing and dancing, there's
no way he was gonna win.
STACKS/ANNIE
Together at last./Together forever.
HANNIGAN
Everybody dance now!
LOU
(shushes her)
It's their thing, mami.
115.
HANNIGAN
Sorry.
GRACE
Annie, you filled our life with a
song/ You're two of a kind The
happiest pair now/ You're floating
on air now/ And what's the title of
the dream?
STACKS
I don't need anything.
ANNIE
Anything.
STACKS/ANNIE
Anything. I don't need anything but
you.
151 EXT. CENTRAL PARK 59TH STREET ENTRANCE - MOMENTS LATER 151*
ALL *
The sun'll come out tomorrow/ Bet *
your bottom dollar/ That tomorrow
there'll be sun./ Just thinkin' about *
tomorrow/ clears away the cobwebs
and the sorrow/ 'Til there's none. *
Just thinkin' about tomorrow/ Clears *
away the cobwebs and the sorrow/
'Til there's none./ When I'm stuck
with a day that's gray, and lonely,
I just stick out my chin and grin,
and say oh!/ The sun'll come out *
tomorrow! So ya gotta hang on 'til *
tomorrow/ Come what may/ Tomorrow! *
(MORE)
116.*
ALL (CONT'D)
Tomorrow!/ I love ya tomorrow!/ You're *
always a day away! *
152 EXT. STACKS LITERACY CENTER OF NEW YORK - MONTHS LATER 152*
ANNIE *
...The city is full of opportunity, *
it's yours to take.
EVERYONE *
Tomorrow! Tomorrow!/ I love ya *
Tomorrow!/ You're always a day away! *
Tomorrow! Tomorrow!/ I love ya
Tomorrow!/ You're always a day away!
HANNIGAN
Tomorrow!/ I love ya Tomorrow!/ You're
always a day away!
(scats)
To-ma-ma-ma-ro-ro-ro. Just a day-
day-day-day, just a day-day-day,
awaaaaaaaaaaaaaaaaaay! Scibilabapbop
babadoooo!
FADE OUT: *