Documenti di Didattica
Documenti di Professioni
Documenti di Cultura
interpremolar Intermolar
width width width width
Fig 1 ■ Difference between observed interpremolar (4-4) and Fig 2 ■ Difference between observed interpremolar (4-4) and
intermolar (6-6) widths and widths calculated by Pont’s index in intermolar (6-6) widths and those calculated by Pont’s index in
Navajo females. Navajo males.
Fig 3 ■ Difference between observed interpremolar (4-4) and Fig 4 ■ Difference between observed interpremolar (4-4) and
intermolar (6-6) widths and those calculated by Pont’s index in intermolar (6-6) widths and those calculated by Pont’s index in
part of the sample of male dental students. the remainder of the sample of male dental students.
1 35
d a te cro w d ed te e th is a n a c cep ted treatm en t
plan. E x p an sio n o f den tal a rch es is accom plished
O 30
Table ■ Correlation coefficients (r) between the calcu
lated and observed interarch widths.
No. Group Interarch width r
25-
40 Navajo females
Interpremolar 0.13
25 30 35 40 45 mm Intermolar 0.17
51 Navajo males
Calculated Prem olar Width Interpremolar 0.24
Intermolar 0.06
113 Dental students
Fig 6 ■ Scattergram showing the correlation between observed Interpremolar 0.25
and calculated Interpremolar widths of Navajo males. Intermolar 0,28
Foley's Footnotes
As the dental journals of the nineteenth century published not only the texts of the papers presented
before various meetings but also the remarks made by the discussants, the observant reader is
prompted to form summary opinions about the con tent and style of hundreds of speakers. This reader
was particularly impressed by one characteristic of style: the interlarding of quotations. The ability
to quote poetry was then considered to be a reflection of cultural achievement and obviously the quo
tations were used for display as well as for pertinent application.
The dentist-quoters chose the majority of their lines from four sources: Polonius’s advice to Laertes
(H a m le t: Act I, scene 3); lago’s speech on his “good name" (O th e llo : Act III, scene 3); Longfellow’s “ A
Psalm of Life” ; andRudyard Kipling’s“ L’Envoi.” Eventually such oft repeated lines as “Take each man’s
censure, but reserve thy judgment,” “ Good name in man and woman . . . is the immediate jewel of
their souls,” “ Lives of great men remind us/We can make our lives sublime,” and “ When Earth’s last
picture is painted, and the tubes are twisted and dried” began to be platitudes. As Petroleum V. Nasby,
the popular American humorist, wrote a century ago: “ | he^ notist that it don’t make much difference
wat thecotashun is, so ez you end a remark with acotashun."
G a rd n e r P . H . F o le y