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The purpose of grouping notes and rests is to simplify the reading of music for the player.
Some fundamentals:
You might be asked to rewrite a passage with the notes correctly grouped, or beamed.
Beam notes together in complete beats.
Start a new beamed group on each main beat.
Four quavers can (optionally) be beamed to equal a minim, as long as the group doesn't
cross from a weak to a strong beat (e.g. beats 2-3 in 4/4 time).
You might need to change the direction of the stems on some notes in the group.
If you have several notes in a group where some go up and some go down, use the
direction which would be correct for the note furthest from the middle line.
The angle of beams follows the pattern of the music – if the music is rising in pitch, they
slope upwards. If the music is falling in pitch they slope downwards. If the music stays at
the same pitch, they are horizontal.
The time signature is 2/4, so we should have two crotchet beats per bar. The groups of
quavers and semiquavers need to be beamed together to show this, and we also had to
change the stem direction on a couple of notes:
Here is an example of how the time signature affects beaming. These notes will be
beamed in a different way, depending on the time signature:
In 3/4 time, three beats per bar need to be shown. In 6/8 time, there are two beats per bar.
Here is the correct beaming in each time signature:
(You could also beam together the last two quaver notes in the 6/8 bar, keeping the rest in
the middle, if you prefer).