Violoncello III

6 TRIOS Giacomo Bassevi Cervetto


Adagio
               
              
p

  
5
    
             
  

f p

  
9
       
               
f p

   
14
                      
     
p
f
19
  
                              
f p f

Allegro

      
      
f p

        
7
     
  
f
13
           
       
f p

         
20
       
   
f

      
26

                 
p f
 Violoncello III

 
           
2 34
   
  
p

                      
43

    
f p

       
52

         
     
f 

62
                   
 f


70
               
 
  
                  
79

   
p f

        
            
88
      
p f p
f

97
      
       
  

     
105
               
    
p f

     
113
          

p

         
120
      
 
f


         
126
      
  
p
 Violoncello III

Minuetto I 3

      
Comodo
        
       
p


                 
9

   
f
 p  f

          
21

    
           
p f p


  
 
30
       
       

   

f p

Minuetto II

                
39 Allegro

      
p   

   

              

   
47
 
1. 2.

 
Da Capo al Primo
Minueto Sino

II.
   
Allegro
                
f p f 
6
  
         
f p

 
11
               
         
f p f
 Violoncello III

   
4 17
 
                      

       
24
     
   
        f p
p f

        
30

   
       
p p f
f

                
37

    
        
p
f
43
     
  

      

       

         
       
49
         
  
p
f

                  
55
     
  
p f

 
           
61
        
   
   p

f

          
67

            
p f p f

    
73
          
    
p f

    
  
80
       
              
p f p
 Violoncello III

        
Adagio
        
5
   
p


8
               
  


15
                  
       
p f p f

   
24

         

          
f p f f p f

                     
32

       
p

   
  
41
         
    
f p f p
 
f

                          
Allegro

      
f

                        
13

        

                            
26

    p f
38
                        
   p
  
p f f
 Violoncello III

               
6 50
     
     
 p  
f

           
62

                    

    
75
    
                    


                  


89

       
    
p f

                        

102

  
     

           
           

116
      
 
p f

   
    
128
                 
   
p
 p
f

 
     
        
  
142

     

                              
155

      
  f

                          
168

     
p f
 Violoncello III
III.



                   
Adagio


7
          
f

             
        
 
4
           
     p

               
           
8

       
f p f

             
    
        
12

          
p f

 
               

        
16
 
p f p

                         
20

          
f

                    
 
23

  
f

p

Allegro
                      
         

        
11
          
         
p

      
              
23

      
   
f
 Violoncello III

 

              
    
35

     
   
p f

      
    
46

       
      
p f

                 
56

        
  f
p

             
67

     
        
p f

Minuetto I
                  
  
   

   
  
          
9

       
 
p

                  
20

    

f

              
30

     
      

                    
39

 
    
 Violoncello III

 
 
   

Minuetto II
           
9

    

           

9

               
  Da Capo al Primo
Minueto Sino

IV.
Comodo
         
    
 
     

             
12

           
  
        
          
25

           

          
       
38
      
   
  

              
  
50

      
      
 

62
         
      
               

    
              

75

   
     

        
p f

       
88

    
   
     
101
  

       
     
 
      

   
113
   
      
p f
 Violoncello III

10
           
          
127

    
  

   
139
  
            

    
150
       

    
  
p  
f

Adagio assai
             
          


    
9

            
       


     
17
          
       
p f

  
26
   
             
  p f p

f


35
 
                  
p f
 f   
p

      
44

    
   p 
 

      
f
 Violoncello III

11

   
Vivace
        
    

 
             
10

          

22
 

               

   
   

              
   
33

 
 
p f

          
44

            
p

 
       
55

      
f

69
            
      
   
p  f

       
       
81

     
p f

     
93
           
    

         
105

          
p f
 Violoncello III

12
118
                    
  
p

             
129
  
   
f

          
141

    
   
    p

          
154

       
  f

  
                 
166
  

p f

                          
179

   
p f

V
    
       
Allegro Comodo.

         

    
197

                 
  
206
          
            

   
   
215

            
  
 Violoncello III



               
223 13
  


      
 
232
      
 
        
         
244

    

p

       
         
253
 
     
f

       
262
 
            


           
 
271

        


      

  
280

      
   


                   
291

  
p  f
        
  
300

  
 
 
    
313

         

           
324

         


  
333

                    
 
p
 Violoncello III

               
14 Largo.

        
 p
f f

      
               
9

  


                
   
17
    
p f

                     
26

   

               
Minueto I

      
   

    
8
  
               
  


 
         

17

      


 

     

27
 
    

        
36

          
 
 Violoncello III

15

           
Minueto II


 
   

 
 
 
   
11

   
 

            
   
24

   
 

       
34

   
  
 

    

             
44
    
    

              
53
   

     
p f
Da Capo al Primo
Minueto Sino

VI.
Adagio.     
       
   

     

8
  
  

 

17

       



22
        
  
 Violoncello III

16
27
 
            
  

     
 

34

   


   
44
            
p 

 
52

        

  
pp 

Alla Breve
      
             
 
f

      
      
6

     
       

   
    
10

         

     
           
15

       
 

 
     
19
  
          

 
24
           
      

 Violoncello III

17

    
29
           
  


     
33

                   

         
36

       
40
         
        
  
46
      
                

    
51
         
        
 
55
   
Adagio.
  
  
       

p

Minueto I
Comodo
          
          
    


                   
9
 

    
  p


                    
18

     
f
 
 Violoncello III

18
26
 
         
   

        
36

         
    

 
44
          
          
  

Minueto II

 

Allegro.
   

           
 

 
9

        
  

 

     
14
   
1. 2.

 
Da Capo al Primo
Minueto Sino