ad astra

for guitar solo

Jens Klimek
e = 180
tapping

Guitar             
                
 

"f"

4
                
                  

   

    
8

                                   

accel.
 
12

                                

  liss. 
     
   g
e = 210


17
   
knock on the corpus
 
      
  
 3 pp

ff f

23 tapping

                                      

"mf "

28

                               

 q = 54
2

   
pp
  
molto vibr.

     6
      
33

          
6         
ff mf
  scratch
  liss 
40 knock on the corpus the string
             
.

g
  
p pp ppp ff


           scratch   
tapping
"f" scratch

          
49

        
3 the string the string

   
 3    
f pp ff mp (let ring)
(let ring) (let ring)


 
tapping accel.
              
56

            

 "f"

q. = 90
62
     

          
                
     

beat on the
rubato
  q. = 60


strings 5
    
 
66

     
       
   
5 
mp
f
    
beat on the q = 60
beat on the

strings
  
 

     
strings sul pont.

ord.
 
  
73

  
 
       


   

3
f mp pp ff pp

  q = 90

5

   
molto vibr.

81

      
sul pont.
  
5

          
    

5
pp mf mp
 3

5

5 molto vibr.
      
85

              
3

7

   
5
     
p

beat on the
 
molto vibr.

strings 5
 
 sul pont.
   
89
 
3 3

        
             
 f
mp

 
5

         
94

        
 

       
p f ppp p pp

100 ord. 5  6   6   6  5     3 
                               
   gliss               
.

 0

f pp

q = 70 beat on the
q = 90
                
strings
 
tapping
    
3
 
102

          

3
  


      
 5 5 5

f "f" f mp

5 5 5 5 5 5 5 5 5
107                                             
    
 
ff

5 5 5 5 5 5 5 5
109                                        
   

4
 
        
3 sul pont.

111

ord.

            
3
   
3
p pp mf pp

beat on the
strings
 
5

mp
   
117

                   
   
5    
p f pp 3
knock on the corpus

molto vibr.
        
    
121

            


  p
f fff ppp

scratch e = 180
the string
                 
126 tapping

               

mf
  "f"
let ring

                  
132

              

rit.

136

                             

e = 60

141

                                       

duration: 5 min.