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SONATA

para
BANDONEÓN

N° 10
opus 135

“Sancta Dei Genitrix”

Pág.
I - Andantino (“Ave, gratia plena”) 1

II - Adagietto («Quodcumque dixerit vobis, facite”) 9

III - Allegretto (“Ecce mater tua”) 12

Rodolfo Daluisio
a.D. 2004
2 SONATA para BANDONEÓN n° 10
opus 135
"Sancta Dei Genitrix"
Rodolfo Daluisio
I 2004

Andantino (C) (A)


  
disteso ma ben cantata la breve
A  
2
  
                         
  
sf mf 
 
   cresc.
 
  
       
 

 
   
C    A

4

                
 
    

        
f
            

A
7 Mosso
( ) 
a Tpo.    C

 C         
            
     
 
f    
mf
  
  
3
  
              

C 
A     )
    
10 Mosso
      A
(

         
 mf
      
   
f
   
               
   

 C  
   A
a Tpo.
 
14
            
 
                  

    
mf
    p

  

SONATA para Bandoneón n° 10 - opus 135 - R. Daluisio "Sancta Dei Genitrix"


 3
Più mosso
   A C
        
17
    
                         
 

mf
        
  
  
   

poco a poco stringendo


C  
20
  
A

     
A C
      
  
      
    
p

          
     
         
 

    C
    
23 C A


           
   

mf
    
           
   

          
    
    

Allegretto
C

26 ma serenamente
A
      
  
  
p legatiss.
     
     
 

28
A
assai rall.
C  )
  
(

                     
 
   
 
             
  

"Sancta Dei Genitrix" SONATA para Bandoneón n° 10 - opus 135 - R. Daluisio


Andantino mosso
4
A sostenuto ma vibrante C
          
30
        
    
f
            
             

34 A C
     
      
mf
  
      
                
            

37 A     C A veloce C
  
            
            
       

 mf
       
       
      
  

a tpo.

40

A       
C A
       
 
rit.
   
  
f sùb. "rubato"
       
legatiss.
       
     
   

Allegretto
  sostenuto ed armonioso
  
44
        
C

  
mf
 
legato
   
    
 

SONATA para Bandoneón n° 10 - opus 135 - R. Daluisio "Sancta Dei Genitrix"


assai rall. C  A  
5
 
46
          
           

           
    


Meno mosso
decresc...
A C
 C

48
         
      
         
 
           
p

       
  

52 Moderato
A
semplice ma espress.
    
  
            
mf  C A C
    
                

     

 
A   
  
55 
C
 
misterioso

      
   
A
         
C A mf f
 
 
   
                     
         
   

soave e calmo
C A         C

58
       
C
 
 
 
A
   
        
        
 

ff
      
p mf
    
     
       
    
    
 

"Sancta Dei Genitrix" SONATA para Bandoneón n° 10 - opus 135 - R. Daluisio
6 61 A Più mosso C

      
A C
   
poco marcato
          
   
f        
     
        
  

     
 
                 
   
     

A
      
65 A

C
    C A 
     

  
 
     
p
      
          
   

Allegretto
serenamente, soave e sostenuto
C
     
A
    
68
                    
  
mf  

legato

     

          
70 C A
 
dim...
C
     
           

      
           
 

72 A A
    C
    
poco cedendo

        
 
         
p legatiss. f

           
 
  
3 2

SONATA para Bandoneón n° 10 - opus 135 - R. Daluisio "Sancta Dei Genitrix"


Andantino dell'inizio 7
decresc. e rall. disteso ma ben cantata la breve
74 C A     
      (A)
                  
  
     
     
sf mf

  
   
 

77
  C   A
  
  
                          

  
 cresc. 
f
      
         
 

 

(  )A  
a Tpo.

80 Mosso

 C
     
    
     
 
f 
 
     
mf

          
  
   

C 
83   
A   
C

          
            
   
     
 mf

    
          
    

Mosso
)
a Tpo.  C
 

87
A         
        
(
 
 
    
f    mf   
         
    

"Sancta Dei Genitrix" SONATA para Bandoneón n° 10 - opus 135 - R. Daluisio
 A
Più mosso Ancora più
     
8 90 C
         A
              
   
f
    
            
legatiss.
  
    
 

assai rall.
 )

93 C Andantino mosso
  
(
A

   
            
f
   
            
         


97

C     
A

     

  
mf

               
      
              

C
A
        A
100
 C
         
rit.
    

   p     
f
 
"rubato"

                     

Allegretto
104
   sostenuto ed armonioso
    C
          
  

legato
   
    
  

SONATA para Bandoneón n° 10 - opus 135 - R. Daluisio "Sancta Dei Genitrix"


106 A assai rall. 

9
      C A
   
              
 
mf
   
    
       
  
Andantino mosso
108 dolciss.
C rall.
   
      
     
                   

legato assai
a tpo.
 C  A 
        C    
110 rit.
A
 
          
p

intenso e dolce

                       
    

C 
   
113 A
  
A
       
     


mf
    
f
        
       

A
115 C cresc...
   
      
  
    
    
        
   
  15-12-04
"Ave, gratia plena" Lc.I-28

"Sancta Dei Genitrix" SONATA para Bandoneón n° 10 - opus 135 - R. Daluisio


10 SONATA para BANDONEÓN n° 10
opus 135 - "Sancta Dei Genitrix"

Rodolfo Daluisio
2004
II
Adagietto sostenendo la continuità
con intenzione fluente ma quasi rubato "ad lib."
C
C A
   
sempre legato
1 A C
  
A
        
    

p mf
   
    
    

      
 
A

5
   C A C
             
                
         
         

poco cresc...
 C A C
     
A
      
8
      
            


f
      
     
    
     

C sonoro
  
A  
A C
A

11
  
           
     
f

                   
   
   
    


SONATA para Bandoneón n° 10 - opus 135 - R. Daluisio "Sancta Dei Genitrix"


a Tpo. C A
    
poco rit.
C 11
               
14 A
  
           
 

mf
   
  
p mf
        
   
      
       

 
17
 C  
A
     
C A   
     
     
      
   ff  
  
            
           
          
  
C
A C
dim...
  A
 
20
A
      C

                     
       
mf p
    
                   
  

cresc...
24 C A dim...
 C
          

   
 
mf
       p
 
             

    

28 A A C ritenendo
C
   
               
     

           
  
 

"Sancta Dei Genitrix" SONATA para Bandoneón n° 10 - opus 135 - R. Daluisio


a Tpo. poco cresc...
1231 C
        
soaviss.
C A

A   
              
    
p
  

         
     
   

A C
  
C
       
     
34
A
    
      
     
f
         
mf
   
     
  

A
  C  A

          C

   
37
            
  
  
          

 

         
A C A C
     
41
A
                  
          


p mf
                 
       
 


largo

dolciss.
45 A C A C A

 
C
  
         
    
    
mf  p

      
       

   
18-12-04
"Quodcumque dixerit vobis, facite"
Lo que fuese que les dijere, háganlo - Jn.II-5
SONATA para Bandoneón n° 10 - opus 135 - R. Daluisio "Sancta Dei Genitrix"
SONATA para BANDONEÓN n° 10 13
opus 135 - "Sancta Dei Genitrix"
Rodolfo Daluisio
2004
III
Allegretto
  
C
1 A  C       
  
          
        
mf f
                
      

  
           
5 A
  C A
                
p
              
                  
 

C A
8

mf        
  
                               

         
                   
  

A
     
11 C
    

                       
 
f
               
   
        

"Sancta Dei Genitrix" SONATA para Bandoneón n° 10 - opus 135 - R. Daluisio


14 A
 C
sentito e ben cantato
C

        
14
               
                 

   

A
 C
        
 
17
 

                   
    
  
   

   
20 C
 A
  
         
f
     

  
              
   

C   A

                
23 A
     
   
      
f  
  
    


  
C A
      
C
   A
    C
26
   
     
 
    
ff
 
       
          
      


SONATA para Bandoneón n° 10 - opus 135 - R. Daluisio "Sancta Dei Genitrix"
          
C 15
       
30
  
           

f
                  
  

Moderato
poco tratt. Lento insognato, assai sentito
 C A
A
       A    3
33
 C
    
    
       

f 

    3 
p
   
    legatiss.
 
   

C A
36 C A C dim...
         3 
3
 
3
   
                
3

  
 
  
       
          3 
3
   
3
3
 
 
   
 
40 A C A
C A   3

         
3

     
3
   
      
 
p
3

                   3 
3

 
3 3

   
   
cresc...
A
44 C
  
 
C
  
3

      

      
3                

"Sancta Dei Genitrix" SONATA para Bandoneón n° 10 - opus 135 - R. Daluisio


C A
1647 A   
  
C
    
      
    
      

       
    
    
f
         
           
   

 
   

Lentissimo Allegro
  
A  C     
51 àgile e lìmpido
A

                
    
p
 
legatiss.

mf
          
  
     
    
 
    
(sciolte)


54
        C   
A
      
    
    
               
       
   
 
 

C
A
    A    

58
  
C
          
  
mf
    
f
    
  
       

A 
A  C
        C   
C
  
62
   
      


  

                  
    
4 3 

SONATA para Bandoneón n° 10 - opus 135 - R. Daluisio "Sancta Dei Genitrix"


A
 C A  C  17
   
66
  
3 rit.
  
     

                     
     
  

a Tpo.
C

ampio e sonoro C
               
69
A

A
 
   
           
f
                    
    
 
    
   

A   
       
73 A
       
 
C
   
              


f    
6 6
          
    
 
 
  

 

C
  
A
           

76
C
  A
     


 
        

     
     
 
 

  
C Allegretto
 
retenido
A 

80
     
rall.
 
(C)
      
     
p
      
f
    
          
   
   

"Sancta Dei Genitrix" SONATA para Bandoneón n° 10 - opus 135 - R. Daluisio


  
18 84
     C         A    C
      
         

p
         
                   
    

87
 mf  
C
 
  A  
                               

                                  

A
         
C
90
        
                         

                       
            
  

A sentito e ben cantato A


C
   
93

       


            
  
         

f
       


C

    A C

96
       
               
            
 
   
     
          


SONATA para Bandoneón n° 10 - opus 135 - R. Daluisio "Sancta Dei Genitrix"


19
99
         A
C
            
 

f
 
              
  

A C
             
102
        
        
  
   f

    


A         
C
         
A

 
C
 
105
        
   
 
  
   
ff
 
        
       


      

 A     
109
C A C
          
         

 
f
                  

    
   

  
    
A C
     
sonoro assai
      
112
 
A
     
        
ff 
 
 
       
  

"Sancta Dei Genitrix" SONATA para Bandoneón n° 10 - opus 135 - R. Daluisio


20
C A 
    C  A
   
 
116
     
           
    

   
         
   


(a Tpo.)

dim...

C
trattenendo
A 
     C
120 A
   
               
   
sfz

           
              
  

"Ecce mater tua"


He aquí tu Madre - Jn. XIX-27
22-12-04

SONATA para Bandoneón n° 10 - opus 135 - R. Daluisio "Sancta Dei Genitrix"