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RESIDENTIAL DESIGN II
AND CHILDREN FINAL COMPLILATION
DECEMBER 22, 2017
T U S C O N, A R I Z O NA
Adjacency Matrix
Concept Statement
Perspective Drawings
CONTENTS
Process Drawings
Final Drawings
Presentation Boards
Justification
ADJACENCY MATRIX
HISTORIC STYLE
DATA BASE
TEAM 2 –
LAUREN LINDNER
MARY RATLIF
NATE RAINER
ASHLEY NOULLET
INTA302/ RESIDENTIAL DESIGN II
20 NOVEMBER 2017
BUILDING 2 – DEMOGRAPHIC CHARTS:
PUEBLO REVIVAL, TUCSON, AZ
Tucson is home to nearly 1 million people and has over 7 million visitors
each year. The area was originally home to the Hokam Indians who lived there for
nearly 4000 years. In the 1600s, the Spanish missionaries arrived and began
establishing their territory. Tucson is the oldest city in Arizona and has has customs
related to the deep roots of the Tohono O'odham Indians, Mexicans and early
settlers that were already living there.
Tucson is surrounded by 5 mountain ranges and is near the valleys of the
Sonoran Desert. The average day is sunny and dry making the weather great for
outdoor exploration. The winter temperatures reach a low of 64-76 degrees. The
summers are often hot with low humidity. Due to the area being a desert. The
mornings are cool and evenings the are hot.
INTA302 Historic Reference Chart
Style Name: Origin: Santa Fe, New Mexico Years Spanned: 1912-1940
Pueblo Revival
INTA302 Historic Reference Chart
• Stread headed
windows with
wood lintels.
• Stepped multi-
level massing.
INTA302 Historic Reference Chart
Typical Textiles (list Pueblo Revival style is a “RafterTales | Home Improvement Made
and show: fabric mix of contemporary and Easy.” RafterTales Home Improvement
types and patterns) Made Easy Pueblo Revival Home
southwestern. It often
reflects Spanish colonial Architecture and Design Features
textiles and typically Comments, www.raftertales.com/home-
design/home-architecture/pueblo-revival-
integrates bright colors
home-architecture-and-design-features/.
through their textiles.
INTA302 Historic Reference Chart
Wall
Details Image Description Web Link
Identify typical:
• Colors
• Fabrics if
Detail 1 Walls are thick and http://www.fullertonheritage.org/Resources/archstyles/pueblo.htm
used
• Wall paper made of real or fake
patterns adobe. Or they
• Applied could be made a
ornamentatio with a stucco
n details surface featuring
• Wainscot irregular or rounded
details
edges.
• Crown
(FullertonHearitage)
molding
• Base
molding
• Dado design Detail 2 Earth-colored “Visual Dictionary of Southwestern Style.” Su Casa
• Added stucco Southwestern Homes,
railings
www.sucasamagazine.com/contents/visual_dictionary.html.
INTA302 Historic Reference Chart
Ceiling
Details Image Description Web Link
Identify typical:
• Colors
• Crown
Detail 1 Vigas are recognized as large “Visual Dictionary of Southwestern Style.” Su
molding
• Applied round logs utilized as ceiling Casa Southwestern Homes,
ornamentati beams in Pueblo Revival www.sucasamagazine.com/contents/visual_di
on details architecture. They are often ctionary.html.
such as: exposed to the exterior of the
medallions, build too.
bosses,
plaster
designs
• Wood
beams
Coffers
INTA302 Historic Reference Chart
Window
Details Image Description Web Link
Identify typical:
• Window
styles and
sizes Detail 1 Small, deep “Pueblo Revival.” Architectural Styles in Fullerton: Pueblo
• Drapery window Revival,
fabrics, casement. www.fullertonheritage.org/Resources/archstyles/pueblo.htm.
colors,
patterns
• Wood types
used
• Applied
ornamentati
on details
• Applied
metals
used for
accessorizi
ng
Detail 2 Original Online, Old House. “Pueblo Revival Houses in Santa
homes Fe.” Old House Restoration, Products & Decorating, 18 Feb.
contained 2013, www.oldhouseonline.com/articles/pueblo-revival-
double hung houses-in-santa-fe.
window sash’s
but reverted to
more
simplistic
design within
the revival.
INTA302 Historic Reference Chart
INTA302 Historic Reference Chart
Flooring
Details Image Description Web Link
Identify typical:
• Floor material
types such as
tile, wood, Detail 1 Flagstone http://azarchitecture.com/listing/pueblo-revival-perfection/print/
stones Flooring
• Design
patterns
• Carpeting
types
• Area rugs
style and
material
• Base molding
design
INTA302 Historic Reference Chart
Door
Details Image Description Web Link
Identify typical:
• Interior
features and
sizes Detail 1 Entrance doors https://www.oldhouseonline.com/articles/pueblo-
• Wood types, may be single or revival-houses-in-santa-fe
grains, and double, usually of
colors vertical-board
• Frame construction.
molding and
applied
ornamentation
• Design of
brackets and
escutcheons if
used
• Design of
sidelights if
Detail 2 Colorful doors http://santafetravelers.com/santa-fe-blogs/santa-fe-
used
architecture/
• Design of
transom if
used
INTA302 Historic Reference Chart
Furniture
Details Image Description Web Link
Identify typical:
• Upholstery
fabrics, colors,
patterns Pueblo Revival “A Pueblo-Revival in Santa Fe.” Pinterest, 25
• Wood types architecture July 2014,
• Applied didn’t have a www.pinterest.com/pin/283656476505426321/.
ornamentation specific furniture
details style. It was
• Applied metals paired with
• Feminine vs. multiple styles
masculine
creating Sante
Fe style. Mission
furniture was
popular in
pueblo revival
INTA302 Historic Reference Chart
homes.
Furniture
contains a lot of
woods, earth
tones, and is
simple, with
some Spanish
influence.
Hispanic style
furniture is “American Style: Santa Fe & The Pueblo
common. Also, Revival.” BuildDirect Blog Life at Home,
unique and www.builddirect.com/blog/american-style-
antique furniture
santa-fe-the-pueblo-revival/.
pieces are used.
Benches and
corner fireplaces “The History of the Southwestern
are seen. Style.” Santa Fe By Design Southwestern Style,
santafebydesign.com/page/design/history.
Art &
Collectibles Image Description Web Link
Details
Identify typical:
• Colors Native pottery “American Style: Santa Fe & The
• Finishes Pueblo Revival.” BuildDirect Blog
• Shapes & Life at Home,
sizes
www.builddirect.com/blog/american-
style-santa-fe-the-pueblo-revival/
INTA302 Historic Reference Chart
INTA302 Historic Reference Chart
Lighting
Details Image Description Web Link
Identify typical:
• Color
• Style of
design Earthtone “Pueblo Revival.” Architectural Styles in Fullerton: Pueblo
• Lamp colors Revival,
shades continue into www.fullertonheritage.org/Resources/archstyles/pueblo.htm.
• Forms the lighting
• Finished shceme.
materials Browns, tan,
black shades.
INTA302 Historic Reference Chart
Warm shades
INTA302 Historic Reference Chart
Sconces and
pendants are
common
WORKS CITED
• “The Tuscan Region. Visit Tuscan. 21 November 2017. Web.
<https://www.visittucson.org/tucson-region>
3
Ashley Noullet
Brianna McMenemy
INTA 302
When prompted to research transitional housing, I had to start at the beginning in order
to put a face to the name. Though familiar with the concept, I hadn’t known the exact term.
Transitional Housing is recognized as the intermediate step between a crisis shelter and
permanent housing. (Homeless Hub, 2014) Commonly, transitional homes may cater to a
specific demographic; focusing on the shelter and protection of women and children without
homes. Transitional homes typically have a longer grace period for them to stay, ranging from 3
months to 3 years. During this time, they provide programs and resources to educate and help
The demand for this housing is substantial, and it is important to recognize their
purpose. Living on the street is never an ideal situation. Not knowing or having the resources to
feed, bath, shelter your child let alone yourself is something of nightmares. Health care and lack
of feminine hygiene products are often over looked. While in some states these products are
given out freely, that is not the case for many especially on the east coast. There are some
groups throughout the US such as Distributing Dignity that provide women things such as pads,
tampons and under garments but for many shelters the supply is severely limited. Transitional
homes help provide these resources for women and teens to be comfortable and remain
hygienic. Lastly, it is important to recognize that in some situations, individuals must utilize
these homes due to past traumas, or unsafe living conditions prior. Transitional homes work as
a haven for them in a sense, and provide them with stability and counseling.
Upon researching the purpose behind transitional housing, I came along Columbia’s very
own haven. The Women’s Shelter has been a part of Columbia, South Carolina’s community for
over 30 years. Beginning in 1976, they sheltered men, women and children. However, when
expanding the began to create a variety of shelters, from domestic abuse, children, family and
now the women’s shelter. Their mission is to provide lasting change throughout their resident’s
life and offer more than a bed. The offer counseling, and programs ranging from prevention
courses, budgeting classes, women’s health and nutritional classes. The also provide several
support groups such as AA and NA. The Women’s Shelter currently owns 17 furnished housing
units that offer up to two-year long-term housing for women who have successfully completed
their 12-week housing programs. They also help assist residents with gaining home ownerships
and mortgage payments. Alongside of private dwellings, they provided a large meeting space,
private counseling rooms and a resource center. Ultimately their main priority is to bring
positive social change and help people who have fell short in a faulty system.
Sources
homelesshub.ca/solutions/housing-accommodation-and-supports/transitional-housing.
Dailymail.com, Valerie Siebert For. Daily Mail Online, Associated Newspapers, 15 Oct. 2015,
www.dailymail.co.uk/femail/article-3274445/I-just-used-Four-homeless-women-reveal-deal-periods-
living-street.html.
KEY: C1
MANUFACTURER: LEXINGTON
FABRIC:
MANUFACTURER: KOVIFABRICS
COLOR: SADDLE
REPEAT: NONE
TOTAL COST:
F2
SOURCE: https://www.lexington.com/items/detail/type/sofas/item/01-7118-33-01
KEY: T1
MANUFACTURER: BERNHARDT
FABRIC:
MANUFACTURER: N/A
COLOR: N/A
PATTERN: N/A
REPEAT: N/A
UNITS NEEDED:
F3
TOTAL COST:
SOURCE: https://www.bernhardt.com/product/vintage-patina/side-tables/end-table
FURNITURE SPECIFICATION SHEET
PROJECT: TRANSITIONAL HOME: PUEBLO REVIVAL
DESIGNER: ASHLEY NOULLET
KEY: T2
MANUFACTURER: BERNHARDT
FABRIC:
MANUFACTURER: N/A
COLOR: N/A
PATTERN: N/A
REPEAT: N/A
UNITS NEEDED: F3
TOTAL COST:
SOURCE: https://www.bernhardt.com/product/vintage-patina/cocktail-tables/square-
cocktail-table
FURNITURE SPECIFICATION SHEET
PROJECT: TRANSITIONAL HOME: PUEBLO
REVIVAL
DESIGNER: ASHLEY NOULLET
KEY: C2
FABRIC:
MANUFACTURER: N/A
COLOR: N/A
PATTERN: N/A
REPEAT: N/A
F2
PRICE PER UNIT: 300
UNITS NEEDED:
TOTAL COST:
REMARKS: https://worldinteriors.com/products/copy-of-nottingham-weathered-gray-dining-
chair
FURNITURE SPECIFICATION SHEET
PROJECT: TRANSITIONAL HOME: PUEBLO REVIVAL
DESIGNER: ASHLEY NOULLET
KEY: T3
FABRIC:
MANUFACTURER: N/A
COLOR: N/A
PATTERN: N/A
REPEAT: N/A
UNITS NEEDED:
TOTAL COST:
SOURCE: https://worldinteriors.com/collections/dining/products/nottingham-dining-table-80
FURNITURE SPECIFICATION SHEET
PROJECT: TRANSITIONAL HOME: PUEBLO
REVIVAL
DESIGNER: ASHLEY NOULLET
KEY: S1
ROOM: APARTMENT
MANUFACTURER: ARHAUS
FABRIC:
MANUFACTURER: N/A
COLOR: N/A
PATTERN: N/A
REPEAT: N/A
F2
UNITS NEEDED:
TOTAL COST:
SOURCE: https://www.arhaus.com/furniture/living-room-furniture/tv-stands-media-
consoles/tremont-small-media-console-in-midnight-java/
FURNITURE SPECIFICATION SHEET
PROJECT: TRANSITIONAL HOME: PUEBLO
REVIVAL
DESIGNER: ASHLEY NOULLET
KEY: S2
MANUFACTURER: ARHAUS
FABRIC:
MANUFACTURER: N/A
COLOR: N/A
PATTERN: N/A
REPEAT: N/A
TOTAL COST:
SOURCE: https://www.arhaus.com/furniture/home-office-furniture/bookcases/tremont-45-
inch-bookcase-in-dry-branch-black/
FURNITURE SPECIFICATION SHEET
PROJECT: TRANSITIONAL HOME: PUEBLO REVIVAL
DESIGNER: ASHLEY NOULLET
KEY: B1
ROOM: BEDROOM
MANUFACTURER: ARHAUS
FABRIC:
MANUFACTURER: KOVI
COLOR: COCOA
PATTERN: K8616COCOCA
REPEAT: NONE
F5
PRICE PER UNIT: 1,599
UNITS NEEDED:
TOTAL COST:
F2
SOURCES: https://www.arhaus.com/furniture/bedroom-furniture/beds-and-
headboards/tremont-full-storage-bed-in-midnight-java/
KEY: S3
ROOM: BEDROOM
MANUFACTURER: ARHAUS
FABRIC:
MANUFACTURER: N/A
COLOR: N/A
PATTERN: N/A
REPEAT: N/A
TOTAL COST:
SOURCES: https://www.arhaus.com/furniture/bedroom-furniture/bedside-tables-and-
nightstands/tremont-nightstand-in-midnight-java/
FURNITURE SPECIFICATION SHEET
PROJECT: TRANSITIONAL HOME: PUEBLO
REVIVAL
DESIGNER: ASHLEY NOULLET
KEY: S4
ROOM: BEDROOM
MANUFACTURER: ARHAUS
FABRIC:
MANUFACTURER: N/A
COLOR: N/A
PATTERN: N/A
REPEAT: N/A
TOTAL COST:
SOURCE: https://www.arhaus.com/furniture/bedroom-furniture/dressers-and-chests/tremont-
5-drawer-dresser-in-midnight-java/
Lighting Specification
DATE: 12/9/17
TAG: L1
QUANTITY: N/A
MANUFACTURER: JUNO
DIMENSIONS: 4”
LAMPING: INCANDESCENT
WATTAGE 75
UNITS NEEDED:
TOTAL COST:
DESCRIPTION: N/A
REMARKS: https://www.lumens.com/4-inch-adjustable-reflector-cone-trim-by-juno-
uu520057.html#cgid=%0A%09%0A%09%0957%0A%09%0A&&tileIndex=2
Lighting Specification
DATE: 12/9/17
TAG: L2
QUANTITY: N/A
DIMENSIONS: 40”
LAMPING: LED
WATTAGE 13
UNITS NEEDED:
TOTAL COST:
DESCRIPTION: N/A
REMARKS: https://www.lumens.com/40-inch-led-undercabinet-light-by-george-kovacs-
GKO665557.html?utm_source=google&utm_medium=PLA&utm_
term=&scid=scplpGKO665557&sc_intid=GKO665557
Lighting Specification
DATE: 12/9/17
TAG: L3
QUANTITY: 6
MANUFACTURER: ZUDIO
DIMENSIONS: 56”
LAMPING: INCANDESCENT
WATTAGE 85
UNITS NEEDED: 6
TOTAL COST:
DESCRIPTION: N/A
REMARKS: https://www.allmodern.com/lighting/pdp/56-zudio-5-blade-ceiling-fan-with-remote-
cfc2895.html#readmoremodal
Lighting Specification
DATE: 12/9/17
TAG: L4
QUANTITY: N/A
MANUFACTURER: CAPRI
FINISH: IRON
DIMENSIONS: N/A
LAMPING: INCANDESCENT
WATTAGE 60
UNITS NEEDED:
TOTAL COST:
DESCRIPTION: N/A
REMARKS: https://www.allmodern.com/lighting/pdp/capri-1-light-wall-sconce-
blmk6609.html#readmoremodal
Lighting Specification
DATE: 12/9/17
TAG: L5
QUANTITY: N/A
MANUFACTURER: BRIGMAN
DIMENSIONS: N/A
LAMPING: INCANDESCENT
WATTAGE 100
UNITS NEEDED:
TOTAL COST:
DESCRIPTION: N/A
REMARKS: https://www.allmodern.com/lighting/pdp/brigman-3-light-geometric-pendant-
byst8130.html#readmoremodal
Lighting Specification
DATE: 12/9/17
TAG: L6
QUANTITY: N/A
MANUFACTURER: ARHAUS
DIMENSIONS: 15.75”X15.75”
LAMPING: INCANDESCENT
WATTAGE
UNITS NEEDED:
TOTAL COST:
DESCRIPTION: N/A
REMARKS: https://www.arhaus.com/furniture/lighting/table-lamps/andromeda-large-glass-table-lamp-
with-natural-shade/
Material Specification
DATE: 12/9/17
TAG: P1
QUANTITY:
MANUFACTURER: BEHR
UNITS NEEDED:
TOTAL COST:
DESCRIPTION: N/A
REMARKS: https://www.homedepot.com/p/BEHR-MARQUEE-8-oz-720C-3-Wheat-Bread-One-Coat-
Hide-Interior-Exterior-Semi-Gloss-Enamel-Paint-Sample-MQ33416/206927558
Material Specification
DATE: 12/9/17
TAG: T1
QUANTITY:
MANUFACTURER: ESAMO
FINISH: GLASS/WHITE
UNITS NEEDED:
TOTAL COST:
DESCRIPTION: N/A
REMARKS: https://www.allmodern.com/renovation/pdp/esamo-1013-x-1288-glass-mosaic-tile-in-
white-eml3416.html
Material Specification
DATE: 12/9/17
TAG: F1
QUANTITY:
MANUFACTURER: ARMSTRONG
UNITS NEEDED:
TOTAL COST:
DESCRIPTION: N/A
REMARKS: https://www.armstrongflooring.com/residential/en-us/laminate-flooring/architectural-
remnants/item/L3104.html
Material Specification
DATE: 12/9/17
TAG: F2
QUANTITY:
UNITS NEEDED:
TOTAL COST:
DESCRIPTION: N/A
REMARKS: http://www.tierrayfuego.com/16x16-spanish-mission-red-handcrafted-terra-cotta-floor-
tile.html
CODE COMPLIANCE
404.2 DOORS WILL HAVE CLEAR WIDTH OF 32” MINIMUM
304 TURNING SPACES SHALL COMPLY WITH 304, ALLOWING A 60” MIN TURNING SPACE
407.3.3.1 REOPING DEVICE SHALL BE ACTIVATED BY SENSEING AND OBSRUCTION PASSING THROUGH THE OPENING AT 5” NOMINAL AND 29” NOMINAL ABOVE FLOOR.
505.10.2 AT THE TOP OF STAIR FLIGHT, HANDRAILS WILL EXTENDEND HORIZONTALLY ABOVE THE LANDING BY 12” MINIMUM
504.8.1 LIGHTING FACILITILES SHALL BE CAPABLEOF PROVIDING 10 FOOT CANDLES OF ILLUMINANCE AT CENTER OF TREAD SURFACE AND ON LANDING SURFACES WITHIN 24” OF
STEP NOSINGS.
1002.3.1 AT LEAST ONE ACCESSIBLE ROUTE SHALL CONNECT ALL SPACES AND ELEMENTS THAT ARE PART OF THE UNIT.
1002.13.1 OPERABLE WINDOWS REQUIRED T PROVIDE NATURAL VENTILATION SHALL COMPLY WITH SECTIONS 309.2 AND 2309.3
1002.13.2 OPERABLE WINDOWS REQUIRED TO PRVIDE AN EMERGENCY ESCAPE AD OPNINGS SALL COMPLY WITH 209.2
MATERIAL CARE
MATERIAL CARE
BEHR EGGSHELL Cont.
GLASS MOSAIC Clean with mild cleanser and damp cloth, do not use abrasive
WALL TILE cleaners.
TERRACOTTA FLOOR Clean with mild cleanser and damp cloth, do not use abrasive
TILE TILE cleaners.
LAMINATE FLOORING Floor cleaner refill & Trigger spray
BEHR MARQUEE™ Interior Eggshell Enamel No. 2450 ULTRA PURE WHITE®
No. 2453 Deep Base
• Stain-Blocking Paint & Primer • Lifetime Guarantee* No. 2454 Medium Base
• Exclusive MARQUEE™ Interior • Low VOC, 100% Acrylic
One-Coat Color Collection • Ideal for Every Room
• Superior Stain Resistance
• Scrubbable, Easy-Clean Finish
• Antimicrobial-Mildew Resistant Finish
FOR TINT BASES – DO NOT USE WITHOUT THE ADDITION OF TINTING COLORANTS
BEHR MARQUEE™ Stain-Blocking Paint & Primer is our best interior paint, APPLICATION
with exceptional hide and stain resistance plus an Exclusive MARQUEE Apply when air and surface temperatures are between 50-90° F
Interior One-Coat Color Collection. (10-32° C). Stir paint occasionally. Intermix containers of same product to
WHERE TO USE ensure color and sheen uniformity. Use a high quality 3/8-1/2" nap roller
Ideal for every room and delivers a soft, velvety appearance. cover, nylon/polyester brush or an airless sprayer (.015 - .019" spray tip,
60 mesh filter). Do not thin if using a roller or brush; however, if using a
PREPARATION & PRIME sprayer and thinning is required, thin with water at a rate of no more than
Properly prepare and clean all surfaces. Remove loose paint, wash off 1/2 pint per gallon. Fully saturate roller for best coverage. Untinted ULTRA
dirt and grease with detergent, rinse and allow to dry. Remove mildew PURE WHITE and colors outside of the MARQUEE Interior One-Coat Color
stains with a mildew stain remover. Scuff sand glossy surfaces and repair Collection may require more than one coat to achieve complete hide and
imperfections. Remove all dust with a damp cloth, allow to dry. Allow new a uniform finish. Darker colors may require additional dry time between
stucco, plaster and masonry to cure for 30 days before painting. coats. Cooler temperatures or higher humidity may prolong drying time.
After 4 weeks, cured paint film may be cleaned with a mild, non-abrasive
Use BEHR MARQUEE paint as a primer for uncoated, porous or repaired liquid detergent. Dry paint film is mildew resistant. Do not use on floors.
interior surfaces, including woods that contain tannins (two primer coats
DISPOSAL
required for redwood and cedar). Lock in stains with BEHR MARQUEE as
a spot primer. For heavy stains, test for stain bleed-through by applying For disposal of empty containers, unused paint and soiled rags, contact
BEHR MARQUEE to a small section. If the stain bleeds through, spot prime your household refuse collection service.
with another coat to the stained area and test again before topcoating. If
bleeding continues, a longer dry time is needed before topcoating. Visit behr.com for painting tips, expert project advice and the perfect
color coordination with COLORSMART BY BEHR®.
WARNING! If you scrape, sand or remove old paint, you may release lead
dust. LEAD IS TOXIC. EXPOSURE TO LEAD DUST CAN CAUSE SERIOUS
ILLNESS, SUCH AS BRAIN DAMAGE, ESPECIALLY IN CHILDREN. PREGNANT
WOMEN SHOULD ALSO AVOID EXPOSURE. Wear a NIOSH approved
respirator to control lead exposure. Clean up carefully with a HEPA
vacuum and a wet mop. Before you start, find out how to protect yourself
and your family by contacting the National Lead Information Hotline at
1-800-424-LEAD or log on to www.epa.gov/lead.
*LIMITED LIFETIME GUARANTEE Behr Process Corporation guarantees your satisfaction WARNING! This product contains chemicals known to the state of California to cause cancer
with the performance of this paint when applied to a properly prepared surface and cared and birth defects or other reproductive harm.
for according to the label directions. This guarantee shall be effective for so long as you WARNING! IRRITANT! HARMFUL IF SWALLOWED. CONTAINS: ETHYLENE GLYCOL. MAY
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V.O.C. (C.O.V.) <50 g/L • REV. 1/14
PERSPECTIVE DRAWINGS
BEDROOM SPACE GATHERING SPACE
102'-8"
4'-0"
8'-5"
APARTMENT
ADDITIONAL
WINDOWS ADDED APARTMENT
FOR MEANS OF 6' TURNAROUND APARTMENT
UP
29'-6"
EGRESS
17'-1"
4'-11"
7'-10" 4'-2" 8'-0"
MINIMUM 36"
3'-0"
6'-7"
10'-0"
64'-0"
6'-6"
ENTRY
3'-6"
ADDITIONAL
WINDOWS ADDED
FOR MEANS OF
APARTMENT
4'-8"
EGRESS
3'-0" 3'-0"
OPEN TO
OUTSIDE
25'-8"
educational
9'-4"
drawings
RR OFFICE
are only
NOTES:
These
1. ALL EXISTING WINDOWS ARE 30" A.F.F. AND
7'-4" 14'-0" 15'-9" 14'-0" 10'-3"
60" HIGH
use.
2. CEILING HEIGHT IS 10'-0"
for
61'-4"
3. ADDITIONAL EGRESS (DOORS/WINDOWS) MAY
BE ADDED ALONG WEST WALL
4. ASSUME ADDITIONAL APARTMENTS ON
SECOND FLOOR; SECOND FLOOR IS NOT
WITHIN THE SCOPE OF THIS PROJECT
5. ALL DWELLINGS EQUIPPED WITH HEATING
UNITS
A.NOULLET
MCMENEY
11-28-2017
1 FIRST FLOOR
SCALE: 1/8" = 1'-0" W2A2
A1.1
102'-8"
4'-0"
8'-5"
RR APARTMENT
APARTMENT
UP
29'-6"
OFFICE
17'-1"
4'-11"
7'-10" 4'-2" 8'-0"
3'-0"
COMMUNITY
6'-7"
10'-0"
64'-0"
C.H.
ENTRY
6'-6"
3'-6"
4'-8"
3'-0" 3'-0"
APARTMENT
OPEN TO
OUTSIDE
APARTMENT
educational
25'-8"
drawings
9'-4"
are only
These
use.
for
7'-4" 14'-0" 15'-9" 14'-0" 10'-3"
61'-4" NOTES:
1. ALL EXISTING WINDOWS ARE 30" A.F.F. AND
60" HIGH
2. CEILING HEIGHT IS 10'-0"
3. ADDITIONAL EGRESS (DOORS/WINDOWS) MAY
BE ADDED ALONG WEST WALL
4. ASSUME ADDITIONAL APARTMENTS ON
SECOND FLOOR; SECOND FLOOR IS NOT
A.NOULLET
WITHIN THE SCOPE OF THIS PROJECT
MCMENEY
11-28-2017
1 FIRST FLOOR
SCALE: 1/8" = 1'-0" W2A2
A1.2
BUBBLE DIAGRAMS
CEILING
THUMBNAILS
FLOORING
THUMBNAILS
BUILT IN THUMBNAILS
CUSTOM BUILT IN ELEVATION
Ashley Noullet
Residential Design II
Final Project
12/22/17
Justification
The strongest elements of design found within the Pueblo Revival transitional home are
color and texture. Materials utilized such as leather, terracotta and wood reflect the
traditional features within the design style. Warm undertones recognized in these
materials also reflect the historical concepts, while still contrasting with the lighter wall
Furniture selections found throughout the Transitional Home reflect the needs of the
diverse resident’s welcome to stay. The top priority is utilizing pieces that would hold up
over time, remain easily manageable, and maximized efficiency. Larger pieces such as
the beds included storage underneath, and dressers are prioritized over unnecessary closet
space within the bedrooms. It is important to practically keep the clients needs in mind,
and often woman and children in need of the transitional homes will get more use out of
Lastly, universal code helped make conscious, efficient selections that could be utilized
by everyone. By keeping up with code you are ultimately creating a safe space for all
Residential design has always been one of my favorite parts of this industry. Having the
opportunity to work one on one with a client, learning about their needs and providing them with
a safe, welcoming space is an awesome thing to be a part of. I really enjoyed the concept of
designing a transitional home. It’s an assignment where you really do have to sit down and focus
on what a client needs may be in a situation where they must utilize a home, while also thinking
of that on a diverse scale. Selections made really must come together not only to last a long time,
I think what I really took away from this course would come from the critiques and input of
others. Going through the online courses it can be easy to get caught up in focusing on a due date
vs the actual work you are putting out, but having your peers and a supportive educator
recognizing your strengths and weaknesses in a design helps a lot in the long run. This career
path is all about the creative process and having the ability to work in a group environment is
SEATING
WALL COVERING
DISPLAY
TABLE
GATHERING
ASHLEY NOULLET
SPACE
SEATING
FLOORING
WALL TILE
SEATING
WALL COVERING
TABLE
DISPLAY
LIVING SPACE
ASHLEY NOULLET END TABLE ENTERTAINMENT
SEATING
FLOORING
WALL COVERING
BEDDING
BEDROOM
ASHLEY NOULLET
SPACE
DISPLAY NIGHT STAND DRESSER
TRANSITIONAL HOUSING
FOR WOMEN AND CHILDREN
ASHLEY NOULLET
RESIDENTIAL DESIGN II
educational
drawings
are only
These
use.
for
A.NOULLET
MCMENEY
12-19-2017
1 FIRST FLOOR
SCALE: 1/8" = 1'-0" W5A2
A1
102'-8"
4'-0"
RR
8'-5"
ADA APT 2 UP
29'-6"
APT 4
OFFICE
17'-1"
4'-11"
7'-10" 4'-2" 8'-0"
3'-0"
ADA BED
6'-7"
64'-0"
COMMUNITY
ENTRY
6'-6"
3'-6"
4'-8"
3'-0" 3'-0"
ADA APT 1
OPEN TO
APT 3 OUTSIDE
educational
ADA BED
9'-4"
drawings
are only
These
7'-4" 14'-0" 15'-9" 14'-0" 10'-3"
use.
NOTES:
for
61'-4"
1. ALL EXISTING WINDOWS ARE 30" A.F.F. AND
60" HIGH
2. CEILING HEIGHT IS 10'-0"
3. ADDITIONAL EGRESS (DOORS/WINDOWS) MAY
BE ADDED ALONG WEST WALL
4. ASSUME ADDITIONAL APARTMENTS ON
SECOND FLOOR; SECOND FLOOR IS NOT
WITHIN THE SCOPE OF THIS PROJECT
A.NOULLET
MCMENEY
12-19-2017
1 FIRST FLOOR
SCALE: 1/8" = 1'-0" W5A2
A2
FURNITURE SCHEDULE
TAG DESCRIPTION MANUFACTURER MATERIAL
B1 FULL SIZE BED ARHAUS WALNUT
C1 LEATHER COUCH LEXINGTON FAUX LEATHER
C2 CHAIR SEATING WORLD INTERIORS ACACIA
S1 ENTERTAINMENT ARHAUS WALNUT
S2 STORAGE DISPLAY ARHAUS WALNUT
S3 NIGHT STAND ARHAUS WALNUT
S4 DRESSER ARHAUS WALNUT
T1 END TABLE BERNHARDT WALNUT
T2 COFFEE TABLE BERNHARDT WALNUT
T3 DINING TABLE WORLD INTERIORS ACACIA
7'-10" 14'-0" 9'-2" 16'-1" 19'-6" 4'-4" 14'-0" 17'-9"
4'-0"
S3 S3
C1 B1 B1
S1
8'-5"
S4 RR
S1
S4 C1
C2
ADA APT 2 UP
29'-6"
APT 4
T3
OFFICE S2
C2
T3
S2
S4
17'-1"
4'-11"
7'-10" 4'-2" 8'-0"
ADA BED
3'-0"
B1
COMMUNITY
S3 S2 C2
ENTRY
6'-7"
T3
64'-0"
C1 T1
T1 T1
C2
6'-6"
S2
T3
3'-6"
T2
educational
C1
T2
C1 C1
drawings
are only
C2
4'-8"
These
3'-0" 3'-0"
T3
ADA APT 1
use.
OPEN TO
for
T3
S2
APT 3
C1
OUTSIDE
C2
T1
S4
ADA BED S2
S4
B1 B1
9'-4"
C1 S1
S2
S3
T1
S4 B1
A.NOULLET
7'-4" 14'-0" 15'-9" 14'-0" 10'-3"
A3
educational
drawings
are only
These
NOTES:
use.
for
1.DARK WALNUT STAIN
2.DISPLAY SHELVING AND
STORAGE W/ ENTERTAINMENT SPACE
3.10'-0 X 10'-0 A.NOULLET
MCMENEY
12-19-2017
1 CUSTOM BUILT IN ELEVATION
SCALE: 1/2" = 1'-0" W5A2
A4