Rach 33-4 Analysis

Main theme (horn fifths)

Dm (i) -------- Bb [M13] (bVI) --- Am (v) --- Gm (iv) --- F+M7 (or A7b13/F) (V) --- Dm

Second line:

Bb/D (bVI6) -- Am/C (v6) -- Bb [M7] (bVI) -- Am7 (v) --- F (III) **These are starting to appear
more as constructs of really good voice leading with some strange conventions rather than
strictly chord movements

Part in F (in F major; d minor):

F (III;I) --- Dm (vi;i) --- Am(iii;v) --- Gm7 (ii; iv) -- Dm

Second theme

Dm (i) --- F6 (III) --- C (bVII) ---Eb (N) --- Gm (iv) --- Bb (bVI) --- Dm (i) --- Am (v) --- FM7 (III)

5-1's

FM7 --- C to F -> Am to Dm.

Chromatic Part:

Dm (i) -- Bb+ (bVI+) -- Eb/Bb (N64) -- Bb+M7 (bVI+) -- Gm/Bb (iv6) -- Bb7 (V/N) Ehhh not that big
of a deal it's just chromatic stuf

Climb:

Abm -- Fb -- Abm6/Cb (Fm7b5/Cb) -- B+7 -- G#m7b5 -- G13 -- G#m7b5/D -- C#+7 -- Bm7b5

(Dm13/B)

Cool climactic part:

Dm6/B (i) -- Bb13[Bb (bVI) - Gm(v)] - F13[F (III) - Dm (i)] - Abm -- Cm[Cm (bVII) - C7sus] - Eb13 [Eb
(N) - Cm/Eb] - Gm13[Gm - Eb/G] - Bb - Dm - Am