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SCHIRAER'S
LIB FLA FLY
Vol. 248

CONCONE
FORTY
LESSONS
FOR

Bass or Baritone
Op. 17

Pr., 51.00
VI

tte5

wis

Schirmer's Library of Musical


Classics.

Vol. 248.

J. CONCONE
Forty Lessons

For

Bass or Baritone

%
Op. 17

Revised After the Latest Edition of

ALBERTO RANDEGGER
BY

H. W. NICHOLL

G. SCHIRMER, INC., NEW YORK


Copyright, 1892, by G. Schirmer.

Printed in the U. S. A.
'

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PREFACE.
The sterling value and great usefulness of Concone's Lessons have been so

long recognized and so generally admrtted, that their extensive adoption


caused, as a natural consequence, the issue of numerous editions in almost
every country where the study of the Art of Singing is cultivated. No edition,

however, which has hitherto come under my notice, seems to me as correct,


complete, and reliable as it should be.

I have endeavored to rectify this deficiency by adding, in the present


edition, signs of expression and phrasing, where I considered it expedient
to do so, completing, and, in some cases, altering the breathing-marks, and
altogether carefully revising the whole work.
The purpose of these Lessons in their Author's own words is :

I. "To place and fix the voice accurately ;"


II. "To develop taste while singing broad, elegant, and rhythmical
melodies."

I recommend their practice, in conjunction with the Vocal Exercises to


be found in my " Method of Singing" after the system of respiration and
voice-production therein explained has been sufficiently mastered.

The first Twenty-five Lessons are intended to be sung as "Solfeggi"


viz., pronouncing on every note its corresponding Italian name {Do, re, mi, fa y

sol, la, si), and emitting each tone with equality, purity, intensity of voice,
and preciseness of intonation.
The last Fifteen Lessons should be "vocalised" viz., sung upon the
broad and open sound of the Italian vowel A (as pronounced in the word
Father).
ALBERTO RANDEGGER.

3
Forty Lessons
For Bass or Baritone Voice.

Book I.

The sign (') and the rests indicate where breath is to be taken.

J. CONCONE.
Moderato sostenuto . (J r so.l_

Voice. Bp - 3
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Copyright 1892 by G. Schirmer.


Printed in the U. S. A.
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24

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26
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10365
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30
Allegro giusto sostenuto. (J = 92.)

10365

31
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33
Allegretto con spirito. (J-= 60.)

Je e leggiero.
dolce legg-i
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J

36

espressivo. (J = so.)

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38
Allegro marziale. (J =100.)

gf ^7
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10365
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39

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40
M
Mark firmly the intonation and exact value of each note.

gg
Allegro moderato.

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43
Andantino amabile. (J^=92.)

m '
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r
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44

^
Andante g-razioso. (J= 96.)

fc Ft
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45

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10365 End of Book I.


.

46
Book II.

Andante cantabile . (J = 70

10365
jg J i'J i'J I
f^ r r- f- r
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p. rit.

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if rJ
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mwm=
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rit.
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o
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J ^9-
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10365
10365
Air with Variations. 53

Andante. (J)= 48.)

iB^5iii j if I i ii i

10365
Var. II. Poco meno mosso. (J)=ii2.)

^mm a
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Var. III. Un poco meno mosso. (A 104.)

10365
Var. IV. Allegretto alia Polaeca . (J = 88 .)

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10365
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56
Allegretto grazioso. (J = 96.

m J mh 0-fm-0- = tbm
m
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iff * FfTf m HfT


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57

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.

59
Un poco

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piii animato. (J = 96

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t w^
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10365
.

60
Tempo I.

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10365
62
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64
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10365
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10365
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10365

69
a tempo

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10365
70

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J
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10365
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71
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73
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10365

ft ft ft
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80
a ptacere a tempo
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colla voce A

m
A
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TS 7 7
V
10365 V V *
81
Andante amabile. (i)=92.)

10365
#

82

m P^ m-m-JL

E m? dolce
Pi

7
k
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m 9E

$
a^A y ffr gg s
poco rail.
i
1
3**
^^ i # *Hr
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^ I
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1
t*
m-
5
8e

Un poco piu animato.


g rft itfr r
gJE J a j 7
1

s
1
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JJJJJJJiJJJi ^ ^^^ p
jpJTO^
i*
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=
111

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3

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h
t fe
p Si P* 5

ssBE
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9 #
pl F=^-p pJL
^
10365
83
Allegro moderate (J = 100.)

Si prippr'p rjj ifor^y^ MjMjf tm


i

PiU animate.

S p7
BE 1 gm ^ p p -

y
PH if
^h-
11111
&ffl Mjy &fl
5
3 BE -6 OS g I
tftf # [)# '7 l>

rz:
^ m j^a
Is
5S1

V 9 9 ~7

38
:
&
7 \&
10365
84
Lento maestoso. (J = 76.)

10365
ggiaiii ;, j i
m wm
poco naU. a tempo

s' M
85

10366 . #
'
VOCAL MUSIC
SELECTED FROM
Schirmer's Library of Musical Classics
Numbers marked * contain a pen portrait and biographical
lograpr sketch of the composer.
Abbreviations: e. for English; g. for German; i. for Italian; sop. for soprano; m-sop. for mezzo-soprano; bar. for
baritone; ten. for tenor
(A descriptive catalogue, giving list of contents of each volume, is to be had on application.)

SONGS Vol. VOCAL DUETS Vol. VOCAL METHODS, Etc.Continued

ANTHOLOGY MENDELSSOHN, F. MARCHESI, S.


H)/291. of Italian song of the 17th and 18th 377. 16 Two-part songs, g. e. 593. Op. 15.20 elementa y and pro-
centuries. 59 songs, i. e. 2 vols. gressive vocalises for the me-
RUBINSTEIN, A. dium part of the voice, i. e.
BEETHOVEN, L. VAN 83. 18 Two-part songs, g. e.
594. Op. 15bis. The same for alto
Op. 98. An die feme geliebte.
songs. (Master songs.) g. e. High
or low voice MAZZONI, A.
6 Songs. (Master songs.) g. e. High 292. Solfeggi for the medium part of
or low voice the voice
VOCAL METHODS, VOCALISES, 293. The same for contralto
BRAHMS. J.
AND EXERCISES
18 Songs in 3 vols. (Master songs.)
g. e. High or low voice.
NAVA, G.
CHOPIN, F. 580. Op. 1. 24 solfeggi for alto and bass
Op. 74. 1 7 Polish songs, g. e. High ABT, F. 581/582. The same in 2 vols'
or low voice Op. 474. Practical sieging tutor 583. Op. Ibis. 24 solfeggi for m.-sop.
(Spicker) and bar.
CORNELIUS, P. 453. For sop. or ten. 584/585. The same in 2 vols.
6 Songs. (Master songs.) g. e. 454/457. The same in 4 parts 586/588. Op. 9. Elementary solfeggi for
High or low voice 458. For m.-sop. or contralto the medium part of the voice. 3
459/462. The same in 4 parts vols.
FIELITZ. A. VON 463. For bar. or bass 590. Op. 38. 51 progressive melodies for
Op. 9. Eliland. Ein sang vom 464/466. The same, parts 1-3 sop. and ten.
Chiemsee. 10 songs. (Master- 591/592. The same in 2 vols.
songs.) g. e. Medium or high 437/438. Elements of vocalization, 2 vols.
voice BONOLDI, F.
Exercises in vocalization: 589. Practical method of vocalization
FRANZ, R. 117. For sop. for bass or bar.
18 Songs in 3 vols. (Master songs.) ' 118. For m.-sop.
g. e. High, medium,, or low 119. For alto
voice
PANOFKA, H.
GRIEG, E. BORDOGNI, M. 76. Op. 81. The art of singing. 24
vocalises for sop. (or m.-sop., or
6 Songs. (Mastersongs.) g. e. 432/433. 36 Vocalises (Spicker). Sop. or m.-
ten.)
High or low voice sop. (or bar.)
82. 24 Easy vocalises (introduction to 77/78. The same in 2 vols.

JENSEN, A. the 36 vocalises) 79 The same. Edition for alto (or


High bar. or bass)
6 Songs. (Mastersongs.) g. e.
or low voice
80/81. The same in 2 vols.
CONCONE, J. 595/596. Op. 85. 24 progressive vocalises.
LISZT, F. 242. Op. 9. 50 lessons for the medium 2 vols.
12 Songs in 2 vols. (Mastersongs.) part of the voice 426. Vocal ABC
g.e. High or low voice. *243. The same for contralto The same in 2 vols.
244. Op. 10. 25 lessons for the medium 427. Vol. I. First lessons in singing
LOEWE, C. part of the voice 428. Vol. II. 24 vocalises
12 Songs and ballads in 2 vols. 246. Op. lObis. The same for alto
(Mastersongs.) g. e. High or Op. 11. 30 daily exercises for the
294.
low voice medium part of the voice PANSERON, A.
MENDELSSOHN, F. 555. The same for alto 450. Method of vocalization for sop. or
Complete collection of songs. 79 275. Op. 12. 15 vocalises for sop. ten.
songs, g. e. High or low voice 276. Op. 12bis. The same for contralto 451/452. The same in 2 parts
6 Songs. (Mastersongs.) g. e. 247. Op. 17. 40 lessons for contralto
High or low voice 248. The same for bass or bar.
245. The school of sight-singing. Prac- RUBINI, G. B.
RUBINSTEIN, A. tical method for young beginners
855. 12 Lessons in modern singing for
5/699. 12 Songs in 2 vols. (Mastersongs.)
jten. or sop.
g.e. High or low voice.
LAMPERTI, F. 856/857. The same in 2 vols.
SCHUBERT, F. 570. Daily exercises in singing
First vocal-album. 82 songs, g. e. Studies in bravura:
High or low voice 571/573. For sop. 3 vols. SIEBER, F.
The maid of the mill. 20 songs. 574/576. For m.-sop. 3 vols. 721. Op. 42, 43. School of velocity
g. e. High or low voice, paper 577/579. For alto. 3 vols. 730. Op. 45. 10 vocalises for m.-sop.
36 Eight-measure vocalises for ele-
346/347. Winter journey. 24 songs, g. e.
LAMPERTI, G. B. mentary vocal teaching:
High or low voice 12 Solfeggi for sop. (or m.-sop. or 111. Op. 92. Sop.
556/557.
348/349. Dying strains. 14 songs, g. e.
ten.) 2 vols. 112. Op. 93. M.-sop.
High or low voice 568. 30 Preparatory vocalises for sop. 113. Op. 94. Alto
SCHUBERT, F. 569. 29 Preparatory vocalises for alto 114. Op. 95. Ten.
350/351. 24 Favorite songs, g.e. High or 115. Op. 96. Bar.
116. Op. 97. Bass
low voice LUTGEN, B.
352. Second vocal-album. 82 songs. 654/656. Studies in velocity, High, me-
g. e. dium, or low voice
701/709. 18 Songs in 3 vols. (Mastersongs.) VACCAI, N.
g. e. High, medium, or low voice Practical Italian vocal method:
MARCHESI. M. 240. Sop. or ten.
384. Op. 1 . Elementary progressive ex- 278. High sop.
SCHUMANN, R. ercises 241. M.-sop.
120/121. Vocal-album. 55 songs, g.e. High 391. Op. 2. 24 vocalises for sop. or 279. Alto or bar.
or low voice m.-sop.
682/690. 18 Songs in 3 vols. (Mastersongs.) 597. Op. 3. 24 vocalises for sop.
g.e. High, medium, or low voice Op. 21. The art of singing:
793. First part: Elementary and grad- VIARDOT, P.
uated exercises An hour of study. Exercises for
TSCHAIKOWSKY, P. 794. Second part: 30 vocalises for m.- the medium part of the voice:
sop. 399. Vol. I.
712/715. 12 Songs in 2 vols. (Mastersongs.)
126. Op. 32. 30 vocalises for m.-sop. 421. Vol. II.
g.e. High or low voice.
A 595
SCHIRMER'S LIBRARY j

gf MUSICAL CLASSICS
VOCAL METHODS AND STUDIES 1
VOL. NO. VOL. NO. VOL. NO.
ABT, F. 918/919 8 Solfeggi In the Modern PANOFKA, H.
Style. High voice, low
453 Op. 474. Practical Sing- voice 76 Op. 81. The Art of Sing-
ing Tutor (Spicker). Sop. ing. 24 Vocalises for
or Ten. Complete LAMPERTI, G. B. Sop. (or M.-Sop. or Ten.)
454/457 The same, in 4 vols. 556/557 12 Solfeggi for Sop. cr M.- 77/78 The same, in 2 vols.
458 The same, M.-Sop. or Sop. or Ten. 2 vols. 79 Op. 81. The Art of Sing-
Contralto Complete 568 30 Preparatory Vocalises
ing. Edition for Alto (or
459/462 The same, in 4 vols. (Sop.)
Bar. or Bass)
463 The same, Bar. or Bass 569 29 Preparatory Vocalises
80/81 The same, in 2 vols.
Complete (Alto)
The same, 595/596 Op. 85. 24 Progressive
464/466 Vols. I-III
t LEMOINE, H. & Vocalises. 2 vols.

BEHNKE, EMIL & G. CARULLI 426 Vocal ABC


36 72 Solfeggi for 2 voice*
427 The same, vol. I. First
CHARLES W. Lessons in Singing
PEARCE. 438 The same, vol. II. 24
LtfTGEN, B. Vocalises
1090/95 30 Voice- training Exer-
cises. 6 vols. (Sop., M.- 654/656 Studies in Velocity. High,
Sop., Alto, Ten., Bar., medium or low voice.
Bass) PANSERON, A.
BONA, P. 930/931 The same, vol. II. High 450 Method of Vocalisation
or low voice. for Sop. or Ten.
1170 Rhythmical articulation
451/452 The same, in 2 vols.
BONOLDI, F. MARCHESI, M. 979 A Musical A B C for
117/119 Exercises in Vocalisation. Elementary Pro- Elementary Vocal In-
384 Op. 1.
3 vols. (Sop., M.-Sop., struction
gressive Exercises
Alto) 391 Op. 2. 24 Vocalises for 776 Solfeggi for 2 Voice*
Sop. or M.-Sop.
597 Op. 3. 24 Vocalises for
BORDOGNI, M. Soprano RUBINI, G. B.
82 24 Easy Vocalises (Intro. 793 Op. 21. The Art of Sing- 855 12 Lessons In Modern
to 36 vocalises) ing, part I. Elementary Singing for Ten. or Sop.
432/433 36 Vocalises (Spicker). 2 and graduated exercises 856/857 The same, in 2 vols.
vols. (Sop., M.-Sop., or 794 The same, part II. 30
Bar.) Vocalises for M.-Sop.
126 Op. 32. 30 Vocalises for
M.-Sop. SIEBER, F. ,

CONCONE, J. 131 Op. 42, 43. School of
242 Op. 9. 50 Lessons for the m w* w v **tr *- ^i * Velocity
Medium part of the voice MARCHESI,
k.

S. 10 Vocalise* and Solfeg-


243 The same, for Contralto 593 Op. 20 Elementary
15. gios:
244 Op. 10. 25 lessons for the and Progressive Vocalises 971 Op. 44. (High Sop.)
Medium part of the for the Medium part of 730 Op. 45. (M.-Sop.)
voice the Voice. Ital., Eng. 972 Op. 46. (Alto)
246 Op. 10 bis. The same for 594 Op. 15 bis. The same for 973 Op. 47. (Ten.)
Alto Alto
294 Op. 11. 30 Daily Exercises 974 Op. 48. (Bar.)
for the Medium part of 975 Op. 49. (Bass)
36 Eight-Measure Vocal-
the voice MAZZONI
UliLijXjV/.i 1| A
*l
ises, for Elementary Vo-
555 The same for Alto
275 Op. 12. 15 Vocalises for 293 Solfeggi for the Medium cal Teaching:
Soprano part of the voice 111 Op. 92. (Sop.)
276 Op. 12 bis. The same for 393 The same, for Contralto 112 Op. 93. (M.-Sop.)
Contralto 113 Op. 94. (Alto)
247 Op. 17. 40 Lessons for 114 Op. 95. (Ten.)
Contralto NAVA, G. Op. 96.
248 The same for Bass or
Baritone
m Op. 1.
Alto and Bass
34 Solfeggi far
115
116 Op. 97.
(Bar.)
(Bass)
245 The School for Sight- 581/582 The same, in 2 yoja. ^
singing. Practical me- 583 Op. 1 bis. 24 Solfeggi for
thod for young begin- M.-Sop. and Bar.
VACCAI, N.
ners 584/585 The same, in 2 vols. 346 Practical Ital. Vocal
586/588 Op. 9. Elementary Sol- Method (Sop. or Ten.)
DANHAUSER, A. L. feggi for rhe Medium (Marzials)
1289/91 Sol/ege des solfeges. part of the voice. 3 vols. 278 The same. (High Sop.)
341 The same. (M.-Sop.)
LAMPERTI, F.
590 Op. 38. 51 Progressive 379 The same. (Alto or Bar.)
Melodies for Sop. and
570 Daily Exercises in Singing Ten.
571/573 Studies in Bravura (Sop.). 591/592 The same, in 2 vols. VIARDOT, P.
3 vols. 437/438 Elements of Vocalisation.
574/576 The same (M.-Sop.). 3 2 vols. 399 An Hour of Study. Exer-
vols. 589 Practical Method of Vo- cises for the Medium
577/579 The same (Alto). 3 vols. calisation for Bass or part of the Voice. Vol. I
Bar. 421 The same, Vol. II

A Complete Cat a log of Schirmer's Library of Musical Classics will bi mailed if des red.

A 584 Published by G. SCHIRMER, INC. New York


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