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Semester I | STUDY GUIDE

2017
1. Be able to distinguish when to use 6. Be able to identify f-stops and shutter
PNGS, GIFs and using JPGs. speeds. Know when to use them for
PNGs are created from making screen shots. We different circumstances.
use these graphics on our websites.
GIFs are used when we create animations.
JPGs are used when we take photos.

2. Be able to list which files should be


included on the weebly website.
1 - Sky School Logo & T-Shirt (10/24)
2 - Magazine SWF (10/26)
3 - Calendar 2018 (11/1)
4 - Career Flyer (11/3)
5 - Pop Art (11/8)
6 - ADEN Logo (11/17) 7. Be able to identify which resolution and
7 - Animation (11/22) color mode you should be using for
8 - Holiday Cup (11/22) web graphics versus printed graphics.
9 - Selective Coloring (11/28) 300 dpi for printing ,72 for web, RGB for
10 - Colorize a Vintage Photo (11/30) screen and to use filters, CMYK Cyan
11 - CBE Business Logo (12/6) Magenta Yellow Black
12 - Photoshop Manipulation (12/11)
8. Be able to identify tools used in
13 - Vintage Postcard (12/13)
Photoshop and Illustrator
BONUS: Color Sphere (12/15)

3. Be able to explain what kinds of files


are produced from Photoshop and
Illustrator.
Photoshop psd Illustrator AI

4. Be able to identify which program


shows the metadata from a file.
Bridge
5. Be able to mix and match the
descriptions of the elements and
principles of design.
Elements of design described
here are point, line, shape,
form, space,color,
and texture. And I gathered
information about various
design principles, like
the balance,
proportion, perspective,
9. Be able to describe two methods of
emphasis,movement, importing graphics into weebly.
pattern, repetition, rhythm,
variety, harmony, and unity. Upload by drag and drop or insert the
picture

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Semester I | STUDY GUIDE
2017
10. Be able to identify the 6 different Edits or paints each pixel to make it the
lighting patterns to use in the result color. This is the default mode.
photography studio. (Normal mode is called Threshold when
Split lighting, loop lighting youre working with a bitmapped or
indexed-color image.)
11. Be able to identify the best unit of Dissolve
measurement that should be used
when creating a website. Edits or paints each pixel to make it the
result color. However, the result color is a
random replacement of the pixels with the
base color or the blend color, depending on
the opacity at any pixel location.

pixels Behind
Edits or paints only on the transparent part
of a layer. This mode works only in layers
with Lock Transparency deselected and is
12. Be able to explain the process of analogous to painting on the back of
saving files for web and devices when transparent areas on a sheet of acetate.
using Photoshop.
File, Export, save for web Clear
13. Be able to describe how you can review Edits or paints each pixel and makes it
the size of a document in Photoshop. transparent. This mode is available for the
Image, image size Shape tools (when fill region is selected),
14. Be able to explain how you reduce or
increase the size of the graphic without Paint Bucket tool , Brush tool ,
distorting the image. Pencil tool , Fill command, and Stroke
Command t, edit transport command. You must be in a layer with Lock
15. Be able to explain the process of Transparency deselected to use this mode.
creating a new website using weebly. Darken
Create an account with your email
16. Be able to identify which file extensions Looks at the color information in each
match which software programs. channel and selects the base or blend
Photoshop PS, Illustrator AI, InDesign Id, Fireworks colorwhichever is darkeras the result
PNG color. Pixels lighter than the blend color are
17. Be able to identify how to change the replaced, and pixels darker than the blend
camera mode from aperture priority to color do not change.
shutter speed priority. Multiply
Av is abratur priority and tv is time priority or speed
priority Looks at the color information in each
18. Be able to explain how you can import channel and multiplies the base color by the
an image into an existing page and then blend color. The result color is always a
explain how to change the size of darker color. Multiplying any color with
image without distorting it. black produces black. Multiplying any color
File place embedded command t hold shift with white leaves the color unchanged.
When youre painting with a color other
19. Be able to identify which file type is
than black or white, successive strokes with
used to create an animation in a painting tool produce progressively darker
Photoshop. colors. The effect is similar to drawing on
If working PSD if exporting GIF the image with multiple marking pens.
20. Identify all of the different types of
blend modes and be able to identify Color Burn
how each one changes a graphic. Looks at the color information in each
channel and darkens the base color to reflect

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Semester I | STUDY GUIDE
2017
the blend color by increasing the contrast Darkens or lightens the colors, depending on
between the two. Blending with white the blend color. The effect is similar to
produces no change. shining a diffused spotlight on the image. If
the blend color (light source) is lighter than
Linear Burn 50% gray, the image is lightened as if it
Looks at the color information in each were dodged. If the blend color is darker
channel and darkens the base color to reflect than 50% gray, the image is darkened as if it
the blend color by decreasing the brightness. were burned in. Painting with pure black or
Blending with white produces no change. white produces a distinctly darker or lighter
area, but does not result in pure black or
Lighten white.
Looks at the color information in each Hard Light
channel and selects the base or blend
colorwhichever is lighteras the result Multiplies or screens the colors, depending
color. Pixels darker than the blend color are on the blend color. The effect is similar to
replaced, and pixels lighter than the blend shining a harsh spotlight on the image. If the
color do not change. blend color (light source) is lighter than 50%
gray, the image is lightened, as if it were
Screen screened. This is useful for adding
highlights to an image. If the blend color is
Looks at each channels color information darker than 50% gray, the image is
and multiplies the inverse of the blend and darkened, as if it were multiplied. This is
base colors. The result color is always a useful for adding shadows to an image.
lighter color. Screening with black leaves Painting with pure black or white results in
the color unchanged. Screening with white pure black or white.
produces white. The effect is similar to
projecting multiple photographic slides on Vivid Light
top of each other.
Burns or dodges the colors by increasing or
Color Dodge decreasing the contrast, depending on the
blend color. If the blend color (light source)
Looks at the color information in each is lighter than 50% gray, the image is
channel and brightens the base color to lightened by decreasing the contrast. If the
reflect the blend color by decreasing contrast blend color is darker than 50% gray, the
between the two. Blending with black image is darkened by increasing the
produces no change. contrast.
Linear Dodge (Add) Linear Light
Looks at the color information in each Burns or dodges the colors by decreasing or
channel and brightens the base color to increasing the brightness, depending on the
reflect the blend color by increasing the blend color. If the blend color (light source)
brightness. Blending with black produces no is lighter than 50% gray, the image is
change. lightened by increasing the brightness. If the
Overlay blend color is darker than 50% gray, the
image is darkened by decreasing the
Multiplies or screens the colors, depending brightness.
on the base color. Patterns or colors overlay
the existing pixels while preserving the Pin Light
highlights and shadows of the base color. Replaces the colors, depending on the blend
The base color is not replaced, but mixed color. If the blend color (light source) is
with the blend color to reflect the lightness lighter than 50% gray, pixels darker than the
or darkness of the original color. blend color are replaced, and pixels lighter
Soft Light than the blend color do not change. If the
blend color is darker than 50% gray, pixels
lighter than the blend color are replaced, and

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Semester I | STUDY GUIDE
2017
pixels darker than the blend color do not Creates a result color with the luminance
change. This is useful for adding special and hue of the base color and the saturation
effects to an image. of the blend color. Painting with this mode
in an area with no (0) saturation (gray)
Hard Mix causes no change.
Adds the red, green and blue channel values Color
of the blend color to the RGB values of the
base color. If the resulting sum for a channel Creates a result color with the luminance of
is 255 or greater, it receives a value of 255; the base color and the hue and saturation of
if less than 255, a value of 0. Therefore, all the blend color. This preserves the gray
blended pixels have red, green, and blue levels in the image and is useful for coloring
channel values of either 0 or 255. This monochrome images and for tinting color
changes all pixels to primary additive colors images.
(red, green, or blue), white, or black.
Luminosity
Note:
Creates a result color with the hue and
For CMYK images, Hard Mix changes all pixels to saturation of the base color and the
the primary subtractive colors (cyan, yellow, or
luminance of the blend color. This mode
magenta), white, or black. The maximum color
value is 100. creates the inverse effect of Color mode.

Difference Lighter Color

Looks at the color information in each Compares the total of all channel values for
channel and subtracts either the blend color the blend and base color and displays the
from the base color or the base color from higher value color. Lighter Color does not
the blend color, depending on which has the produce a third color, which can result from
greater brightness value. Blending with the Lighten blend, because it chooses the
white inverts the base color values; blending highest channel values from both the base
with black produces no change. and blend color to create the result color.

Exclusion Darker Color

Creates an effect similar to but lower in Compares the total of all channel values for
contrast than the Difference mode. Blending the blend and base color and displays the
with white inverts the base color values. lower value color. Darker Color does not
Blending with black produces no change. produce a third color, which can result from
the Darken blend, because it chooses the
Subtract lowest channel values from both the base
and the blend color to create the result color.
Looks at the color information in each
channel and subtracts the blend color from
the base color. In 8- and 16-bit images, any
resulting negative values are clipped to zero.
Divide 21. Identify which keys are used to create a
copyright symbol using a Mac
Looks at the color information in each keyboard.
channel and divides the blend color from the Option g
base color.
Hue 22. Identify 2 ways to protect your artwork
online.
Creates a result color with the luminance Copyright add a water mark
and saturation of the base color and the hue 23. Identify the different layer styles and
of the blend color. effects offered in the layers panel.
Saturation

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Semester I | STUDY GUIDE
2017
Be versatile and appropriate dont
overcrowd but have all of the info needed

31. Describe how to remove color from


one area of a photo, while keeping
color on other areas of the photo.
The eraser tool

32. Describe how to rotate an image in


Photoshop.
Command t than click and hold the circle
and rotate it

24. Describe how to use a new font in 33. If a photo is too dark and shadowed,
Photoshop you have found online for what can you do in Photoshop to
free. improve it?
Download and install Adjust brightness and contrast

25. Identify how to make a photo look old-


fashioned using Photoshop. 34. What can you do to edit a photo in
Image mode grayscale or command u Photoshop if the photo is too light?
Choose Enhance > Adjust
26. Describe how to blur the background of Lighting > Shadow/Highlights.
an image using Photoshop.
Select background than go to filter blur
35. What information is provided from a
27. Describe how to remove acne from a JPG that was created using a DSLR
camera?
photo using Photoshop.
Ratios and lighting
Spot healing tool
36. What is missing from the metadata of a
PNG that would be provided in the
28. Describe how to add a vignette to a
metadata of a JPG?
photo in Photoshop.
Focal length
double click the layer name in the
Layers panel to open the Layer
Style dialog, then turn on the 37. How would you increase the saturation
Gradient Overlay effect. Apply of a colored photo using Photoshop?
the following layer style settings. Go to window adjustment hue and saturation
With the Layer Style dialog still
38. Identify which colors should be used to
open, you can click and drag on elicit different emotions or
your canvas to move the psychological responses.
centerpoint of your vignette. http://www.huffingtonpost.com/brian-
honigman/psychology-color-design-
29. Describe how to use a new Photoshop infographic_b_2516608.html
brush you have found online for free.
Go to the brush panel and select the 39. Identify different career paths available
new one in the field of graphics, communication,
and/or media.
30. Describe the qualities needed in a
quality logo design. 40. Be able to identify various filters and
editing options in Photoshop.

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Semester I | STUDY GUIDE
2017

Write out 60 keyboard shortcuts related to Adobe


Photoshop, Illustrator, InDesign and general use of
the computer. Here is a link to get you started:
https://www.nobledesktop.com/shortcuts/photoshopc
c2017/pc

https://makeawebsitehub.com/adobe-photoshop-
keyboard-shortcuts

https://www.nobledesktop.com/shortcuts/illustratorcc
2017/mac

https://redokun.com/blog/indesign-shortcuts

http://jetsetcom.net/images/downloads/Bridge_CC_2
017_keyboard_shortcuts_2017_01_30.pdf

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Semester I | STUDY GUIDE
2017
Draw marquee selection from center Move layer below/above
Altdrag selection
current layer

Add to a selection Shift

Subtract from a selection Type Alt

Intersect with a selection Select all text on layer


ShiftAlt

Make copy of selection w/Move tool Increase/Decrease size of


Altdrag selected text by 1 pt
selection

Make copy of selection when not in Move tool Increase/Decrease size of selected
CtrlAltdrag text by 5 pts
selection

Move selection (in 1-pixel increments) Increase/Decrease kerning/tracking


Arrow keys

Move selection (in 10-pixel increments) Align text left/center/right


ShiftArrow keys

Select all opaque pixels on layer Ctrlclick on layer thumbnail (in Layers panel)

Reselect last selection PaintingCtrlShiftD


Feather selection Fill selection with Background color
ShiftF6

Move marquee while drawing selection Fill selection with


HoldForeground color drawing marquee
Spacebar while
Fill selection with Foreground color using Lock Transparent Pixels
Viewing Fill selection with source state in History panel

Fit on Screen Display Fill dialog box


Doubleclick on Hand tool or Ctrl0

100% View Level (Actual Pixels) Sample as background coloron Zoom tool or Ctrl1
Doubleclick

Zoom in To get Move tool


CtrlSpacebarclick or CtrlPlus(+)

Zoom out To get Eyedropper with painting tools


AltSpacebarclick or CtrlMinus()

Hide/Show all tools and panels Change paint opacity


Tab (with Airbrush OFF)

Hide/Show all panels except Tools panel and Options bar Change paint opacity (with Airbrush ON)
ShiftTab

Cycle through full screen modes Change Airbrush


F flow (with Airbrush ON)

Scroll image left or right in window Change Airbrush flow (with Airbrush
CtrlShiftPage OFF)
Up/Down

Jump/Zoom to part of Image Ctrldrag


To get Crosshair Cursor in Navigator panel
Toggle layer mask on/off as rubylith \
Decrease/Increase brush size

Decrease/Increase hardness of brush


Layers
Switch between preset brushes
Create new layer CtrlShiftN
Open Brushes pop-up panel
Select non-contiguous layers Ctrlclick layers
Erase to History panel's source state
Select contiguous layers Click one layer, then Shiftclick another layer
Cycle down or up through blend modes
Delete Layer Delete key (while in the Move tool)
Change to a specific blend mode
View contents of layer mask Altclick layer mask icon
Create fixed color target from within a dialog box
Temporarily turn off layer mask Shiftclick layer mask icon
Delete fixed color target
Clone layer as you move it Altdrag

Find/Select layer containing object Create new Spot Color channel


Rightclick on thefrom current
object selection
w/Move tool

Change layer opacity Number pad keys (w/Move tool selected)

Cycle down or up through blending modes Pen Tool & Paths


ShiftPlus(+) or Minus()

(w/Movetool
To get Direct Selection tool)while
ShiftAltletter (i.e.: N=Normal,
using Pen tool
Change to a specific blending mode
M=Multiply. etc.)
Switch between Add Anchor and Delete Anchor Point tools
Switch to layer below/above current layer Alt[ or Alt]

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Semester I | STUDY GUIDE
2017
Switch from Path Selection tool to Convert Point tool when pointer is over anchor point CtrlAlt

To select a whole path w/Direct Selection tool Altclick


W Quick Selection, Magic Wand
Convert path to a selection Ctrlclick on path name (in Paths panel)

Panels C Crop and Slice Tools

Show/Hide Brushes panel F5

Show/Hide Color panel I F6


Eyedropper, 3D Material Eyedropper, Color Sampler, Ruler, Note, Count
Show/Hide Layers panel F7

Show/Hide Info panel F8


J Spot Healing Brush, Healing Brush, Patch, Content-Aware Move, Red Eye
Show/Hide Actions panel AltF9

Open Adobe Bridge CtrlAltO


B Brush, Pencil, Color Replacement, Mixer Brush
Miscellaneous Good Stuff
Switch between open documents CtrlTab
S Clone Stamp, Pattern Stamp
Undo or Redo operations beyond last one CtrlAltZ/CtrlShiftZ

Reapply last filter used CtrlF


Y History Brush, Art History Brush
Reapply last filter used, but display dialog box to alter settings CtrlAltF

Temporarily switch to Hand tool Spacebar

Reset dialog box E EraserHold


toolsAlt, Cancel turns into Reset button, click it
Increase/Decrease value (in any option field) by 1 unit Up/Down Arrow

Increase/Decrease value (in any option field) by 10 units ShiftUp/Down Arrow


G Gradient, Paint Bucket, 3D Material Drop
Reapply last transformation CtrlShiftT

After ruler is drawn, Altdrag end of line with Ruler


Measure angle between lines (Protractor function)
O tool
Dodge, Burn, Sponge
Move Crop/Selection marquee while creating Hold Spacebar while drawing

Snap Guide to Ruler ticks Hold Shift while dragging


P Pen tools
Highlight fields in Options bar (n/a for all tools) Enter

Don't snap object edge while moving Hold Control while dragging
T Type tools

Tools
A Path Selection, Direct Selection

V Move and Artboard tools


U Rectangle, Rounded Rectangle, Ellipse, Polygon, Line, Custom Shape

M Marquee tools
H Hand

L Lasso tools
R Rotate View

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Semester I | STUDY GUIDE
2017

Z Zoom

D Default colors

X Switch Foreground and Background colors

Q Quick Mask Mode

To switch between all tools within groups, add the Shift key to the letters above

For example, to switch between Rectangular and Elliptical marquee hit ShiftM

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