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SEEIN'REDunwritten

WORDS
ANDMUSIC
Law
BYScott Russo, Robert Brewer, Steve Morris, Wade Youman, Pat Kim TRANSCRIBED
BYJeff Perrin

All -guitars are tuned down one half step (low to high : Eb Ab Db Gb Bb Eb).
Bass tuning (low to high ): Eb Ab Db Gb .
A ll note s and chords so und one half step lo wer tha n written (key of Gb).

Cadd#4 Gmaj7 Em(add2) Dadd4

. 5frOS/A CS/G

II
x oxx x o xx 0 oxx x ox x xx
"

13 I 3
II ii
13 21 I 14 4 1144
GS ES ES/B cO GSopen D


xxx 0 xxx /"\. xxx x X XOO )( xxo

14 4
[II 11

11 4
7fr

32 I
ffll II
2 3 132
~ 1st Verse (0:00)
Moderate Rock q = 103
I'm seein' red Don't think you'll haveto see my faceagain
Cadd#4 Gmaj7 Cadd#4 Em(add2
)
Gtr. 1 (w/cleantone and chorus)
let ring throughout
Rlty. Fig. I end Rlty . Fig. I

1
I! 1r f r r f r f Irr fr r fr f Irr fr r f if Irr fr t f if I
mf
Don'thavemuch time for sympathy 'cause it never happened
to me
Cadd#4 Gmaj7 Dadd4
Gtr.1
5 Rlty. Fig. 2 end Rlty. Fig . 2

. -
v
.. ,.-
-
- v
-
. --
- 7' .
-i I I ~

- . -
,. . I
-I a

r-
~

I I I I I v
I I I
I I I I I I I I I I I I I I I I I I I I I I
Bass

- - . OU
-

mf L.J

You'refeelin' blue now thinkyoubit off more than you could chew
Cadd#4 Gmaj7 Cadd#4 Em(add2
)
Gtr. 1 plays Rhy. Fig. I (see meas. 1)
Bass
Bass :~( !._______ __ __ __ __ _ __ _ ____ ___ __ _ end Bass Fig. I
9

And now it's time to makea choice And all I wannahearis your
Cadd#4 Gmaj7 Dadd4 (05/A)
13 Gtr. 1 Gtr.1

- - I
I
.. -- s '., -- --- -- - ,_,
..
v v
I S ~ I
- -
'I I I
v

I
I
I
I
I
I
I
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I
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I -
r I I
-
I
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I
.
S ;! I
s ., "
a

----------- - -------- ---- --


' I 'v

'Gtrs. 2 and 3 (w/clist.)


- -----
Bass
/'.c,, ,"';., r.,. . - - -
'
., ., -- -- - .. r_, ..
II

'-
Iv'
- Iv
- ,_
':., II

'D Gtrs. 2 and 3 are fade,/ in.

As heardon UnwrittenLaw'slnterscoperecordingElva
0 200 1 WB Music Corp. (ASCAP)& Unwritten Music (ASCAP).AU rights administeted by WB Music Corp. All rights reserved. Usedby permission. \Yatner Bros. Publications U.S. Inc Miami. Fl 33014

1
SEEIN' REDunwritten
Law
~
I!!] Chorus (0:37, 2:01)
So follow the leader
CS/G G5
17 ' Gtrs. 2 and3 N.H.
>
. .
-
:::

"
I
I
I
I
I
I
I

I
I
;
G } -
~
I I I I I

- ---
~ ~
_,
~ I
I
I
I
I
I
I
I

"
;; -
:<
::
I
I
I

"r I
" }\
- -'i I 'i'i I I I ;;
- I
L.-J
-
u
I L-. t:::_
I I I I

pitch: G
f
Bass
Bass Fig. 2

- - - - -
"
u u u "' -' -' -' -' -' -' -' -' -- -' ,,,.,
y '' " "
* composite arrangement

down and swallow N.H. your pride


and
19 CS/G > ES N.C.(Em)
--
I .I I I I

-
I I I I I I I I I . I I

-
.~
n

I I '
I
.,_ , :
I
I
I
I 'I 'I I
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I
I
;;
;
I
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I
I I I ::
I I I ft I I I I I I I I I I I ':'
I
I ......... .... - c:.....
pilches: E
i' L--1 I I I I I I

G
Top hannonic is played by Gtr. 2; bottom l, played by Gtr. 3.

-" - - - - u u u "'
-- - - - - -------- - - -
y ' '

drown when there's no place left to


21 CS/G GS

I
I
I
I
I . I I I I I I . I I I I

-
:::
I . I I I

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L......J ' I I
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I.El
1,;1
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;;
.-
::
'
I
-
'

- - - - - - - - - - - -- -- - -- --
" "
u u u u u

-' -' "- -' "- - A


- --'[__J" - ,_, -.
' F:T
go Maybe that's when you will know
23 N.C.(D)

-f,
(>
I
I
I
I
I
I
I
I
I
I
I
I
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I
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I
I
I
.,
:;..
I
. I
I
I
I
I
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I

.-.-.
..; I
I
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I
I
. . I
-
"::
':' I
I I I I I I I I I I
- I
u

end Bass Fig. 2


....
- - -
- -- ,. ,
- - .. -
- - ,,, . . ' - " -:'
-
"I " " " " "'' '
t:....I I -
- - I I"" I -1
3
I

Follow the leader


CS/G GS
25 Gtrs.2 and3

Bassplays Bass Fig. 2 (see meas. 17)

2
SEEIN
' REDunwrittenLaw
down and swallow your pride and drown when there's
C5/G N.H. N.C.(Em)
27 > E5 C5/G

I gI t[((fff UlfUD
(([][1J I EJ((((((
I pitches: E, G
(2nd time) To Coda $,
(skip ahead 10 meas. 53)
no place left to go Maybe that' s when you will know
30 G5 N.C.(D)

I !HffilftH(u
I tWHf:r(fff
(fff Il[((fff ~ II
[](t:15) [Q]2nd Verse (1:24)
Andfoolish lies
Cadd#4 Gmaj7 Cadd#4 Em(add2) Cadd#4 Gmaj7
Gtr. 1 plays Rhy. Fig. 1 (see meas. 1) Gtr. 1 plays Rhy. Fig. 1 (see meas. 1)
33 Gtrs. 2 and3

,._, ------- -,._, ------- ---- -- - ,-,


.-:
.. -1 , - 1 - -
"-, "-,- - -
" .,
Gtr. 4 (elec. w/dist.and echo)
.
- ., -- --,,.,
- -,
-
- ..

I I
.,
..
"' J
-
-=:::::mf
Gtr.S(elec. w/disl.andecho)
Rhy. Fig. 3
= ~ I -=:::::
end Rhy. Fig. 3

-
-" ..
1 :: 1,
.. 1 ,; 1 ,
- -
"
~
volume swells
mp f--==:: f f Bass plays Bass Fig. I (see meas. 9)

Bass plays Bass Fig. 1 (see meas. 9)

Wellcan't you seeI triedto compromise 'causewhat you say ain't always true andI canseethe tearsin youreyes
Cadd#4 Em(add2) Cadd#4 Gmaj7 Dadd4
39 Gtr.4 Gtr. I plays Rhy. Fig. 2 (see meas. 5)

r,
-,
rr
,- rr ,
,- , .',, . I
I .ft,
-,
----- -,
-
'<'
I
I
I
'I"
I

Gtr. 5 --===--=== I
--=== --==
- 'ft

'I" ,_ .
I
I
I
- ft . ~
- - -
I l: I 1,; 1 , I ". !'1 ft . ~

~ f'--=== I.-=: V V
f-===:
Bass
Do '
- ------ -, ;;. ~
-
B~ss Fig. 3
.,----- -,--,:..._r.,. . .,,,.- -- -- - ~- end Bass Fig. 3
..
.
-.
p
_, -
L.J '-' p
-. _, - -
p
u
-.
'L.J
r
~-,
'-' I
-
.-
~,-L...J-
- -
7 , .

Andwhat you said now can't stopthe wordsfromrunning throughmy head


Cadd#4 Gmaj7 Cadd#4 Em(add2)
Grr. 1 plays Rhy. Fig. 1 (see meas. I)
Gtr. 5 plays Rhy. Fig. 3 simile (see meas. 33)
Gtr.4
45 Riff A

~ I
=
Bass plays Bass Fig. 1 (see meas. 9)
=

3
SEEIN' REDunwritten
Law
D.S. !i5al Coda-<Jt
(8o back to [ID)
And what I'd do to get through to you But you'd only do it again
Cadd#4 Gmaj7 Dadd4
Gtr. 1 plays Rhy. Fig. 2 (see meas. 5)
49 Gtr.4 end Riff A

-.
-, ,,
',
. ,- A
------- ,-
(A


" "
p mf

Gtr.5

- .... .,
., - -- . --- --- - I
I

I'
,.
,
I

~ I-=::: -=::::

Bass
Q,. .- - - - - - -- - - :::.. r..-: -------- -...
- ., - - - -.....- -- ..- .. .. ...... ,. ,,.. - .. ,. II

v
':"' ':"' ... ':"' '!"' ':"' ':"' ':"' '.:"" ':"' II
p 'LI p
l::::d::::l l::::d::::l
l::::d::::l l::::d::::l

-(!}Coda (236 )
Maybe that's when you will know (:]Int er lude (2:38)
N,C.(D) CS/G GS
53 Gtr. 4 ( repeat previous measure)
I

- - -
7
- - 7
.----. I
I
I
I
I I I I

ff
Gtrs.2 and3

I
I I
I
I I
I
I
I
I I I
I
I I I
I
I
- -
" "
I
I
I I
II
I I I
. 1
I I I
I
I
I

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I

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I
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I

I
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-
:< I
:::
I
I

I
I
I
I

-- . . . .-"" -
:< :< I
::
I
I I
I I

" " I I I I I ::: I I I


""
1::t::1::::1
1::t::1:::::1 ::td::J l::::t::f:::f --1:::d 1::t::1:::::1 ~ bd::::f'd::b Hd::d
~ 1::d::::1

. .- .. - .,.. - - .,.. - - ..
Bass
- .. ':"' \.'":'I ...

- II
II
...........
- '!"' ':"' '!"'
- -
'!"'
- - ..
---
............ ... ........ .,. .,. .,. .,.
'!"' ':" ':"' "!"' ':"' ':"' '!"' - ............ ,_, A A A

L..l:::l l:::LJ ~ l:::t:::::I c::c:b:Il:::t:::::Il::::d::::l t::::f::j-T i i i i


l::::t::::!::::t::::t:::::r i i i

Oh yeah
56 C5/G ES/B C5/G

.,,,,. -
A

I
-
A

I
I
~

-- ~
- -
7
- - 7
I
I
I
I
I
I I I I I
I I I I I I I

I I I I I I I I I I I I I I I
- I I I I I I I I I I I I - I
I
I I
I
I . I I I
I
I
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I
I
II
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II I
I I
"
..
" I I I
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I
"
"-
=
I I I I I I I I I I I I I I I I I I

- -- .
I
. .,.
- .,.
.,. .,.
I
. .,.
. ..,. ..,. ..,. ..,. ..,. ..,. ..,. -.,. .,.
I I I
- .,.
- -.,. - - -- -
-
- .,.,.,., ., : : - - -- .,. --
- .,. 7 .,. .,. .,. .,.. .,.. .,. .,.. .,. .,. .,. .,.- ..,. -.,. I I I I I I
t::::1::::1::::
l:::LJ

4
SEEIN' REDunwritten
Law
Ooh
59 GS 05/A
.;
- ---- - --
- -
A -
n
~

-
A
I
I~
I
, ,~,
\ ,
I I I I
I I I I
I I I I
(let ring into next meas)

. . . . . . . . . _, -- ---- - ------ -
x- -x -x - - - -
I :..
;: ;: I ;. 1
"x " x I I
"
;- I I I -" x- I
I
I
I - - - -
:; :; 1;:1
v
I
\
I

r., --- -- -- r.,


..
- - - - - ' ..
II

T T T T T T 'T' T T T T T T T

[Kl 3rd Vcrsc (2:57)


I confess don't knowwhatto make from all this mess
N.G.(C) (G) (CS/G) (ES)
Cir . 4 plays Riff A twice simile (see meas. 45)
Gtr.5
62 Rhy. Fig. 4

-
Bass plays Bass Fig. I (see meas . 9)

Don't havemuch time for sympathy But it never happenedto me


(CS/G) (G) Dadd4
66 end Rhy . Fig. 4 Gtr.1

Ii iI ---iIro: pI ~ It f ~ f t f i f Ir f i f t i f f I
-=::::::: -=::::::::
Bass plays Bass Fig. 3 simile (see meas . 41)

You'refeeling down now don't knowwhereI'll be whenyou comearound


Cadd#4 Gmaj7 Cadd#4 Em(add2)
Ctr. 5 repeats Rhy. Fig. 4 simile (see meas . 61)
70 Gtr. I

Bass plays IJass Fig. J (see meas . 9)

And nowit's time to makea choice And all wanna hearis your voice
Cadd#4 Gmaj7 Dadd4
74 Gtr.1

- : : - : :

,.___1__.__,11,._ ...__1__,
1 i...__1__.__,1 i,.__...__1__,
~~------------ r.,. .-----------
II
.,
-. A
II
II

[Q]Outr o (3:34)
c ~- D
78 Gtr. 1

II

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