B} TENOR SAXOPHONE BOOK 2 ENT JEVEMENT Acomprehensive band method that develops creativity and musicianship Dear Band Student: Congratulations on completing the first book of ACCENT on ACHIEVEMENT. You have already learned a great deal and are well on your way to becoming an accomplished musician. Book 2 will take you even further on this journey. You will play more great music by composers you've already studied, plus 14 new composers. In addition, you'll play rock, jazz, Latin and ragtime pieces, along with fantastic folk songs from around the world. Practice diligently, and you are sure to do great things in the fascinating world of music. ORNL nel Willow John O'Reilly Mark Williams ston: Mani Led ‘Gavunent pot (oe ad pas cout ol Yanaho Cnparaton of Aneta Copyright © MCMNOVII Afred Publishing Co, Ine AT ghts osened, Pinad in USA. Jonna O'Reilly and Mark Williams i eeWhore Nore Whore Rest Alccenr on review 7 ' : : | Hate Note Have Rest | Quarter Note — Quarrer Rest / | z Te d | J Breath Mark 9 Repeat Sicw +l] Tempo Markinos Moderato Allegro. Time Sionatures Key Sicnature a 4 Oats, Peas, BEANS Allegro Traditional Go Tet Aunt RHopy (duet) Moderato : American Folk Song 2 » Some Foks Do ne Allegro (eas- 1664 3 oe StumBeR Sonc 2 oe Moderato Belgian Folk Song 4 S010 BAND so1o BANDRitaRDANDO Fermata rit. a 4st anp 2np Enpines Dortso EtcuTH Notes J I Pick-up Note Time SicnaTuRE wee — : Wd : t | & Tempo Markinc Andante Echo Duer English Ftk Song Andante mn 5 f f . p rit, Yankee Doonte « American Folk Song Allegro > >> e Tue Man on THE Flyinc TRAPEZE Traditional Moderato f Pp f Merrity We Rout Atonc ‘Traditional Moderato 7. iE oa PAlccenr OW REVIEW Eton Rest 1 Sinote EicHTH Note Dorteo Quarter = Muttipte Measure Nore Rest d —2; Svncopation Staccato J Dywamic Markines nf Tempo Markinc mp Vivace BaRcAROLLE from “TaLes oF HOFFMAN” (Duet) sou Oenest Moderato ese | [pee Deck THE Hats Traditional Carol oa ditional Caro 10 = f mp oe mf f Buty Boy Allegro American Folk Song " ee PAlccenr om review D.C. (Da Capo) at Fine D.S, (Dat Seno) aL Fine Diminuenco Tempo Markinc Largo Crescendo —= Au THRouGH THE NicHT Welsh Fok Song Dal Fine Largo: Fine : = 12 = = é — - mp nf vit Oup Dan Tucker (Duet) ‘American Folk Song Allegro Fine DS. al Fine Erie Canat American Folk Song [peered (pean) Moderato 1, zi 14 ome. f mp America, THE BEAUTIFUL emuel Wed Andante (1848-1903) Bhd taA\CcENT ON PERFORMANCE Marcu OnwarD AllegroTempo Markine "| Allegretto | Moderately fast tempo i [Tw somone @ Cut Time-same as 8 Use when going ' i ‘or fom F | B= 2 beats in each measure | | 2 = hati note receives 1 beat | J eeeresennaneoonancenein j Hatr Note Gets tHe Beat Moderato Cont Tk 2 8 1k D& ‘Sinc Noet (Round) Lion Fok Song ilegretio ® 2 7 cE ScarBoROUGH FaIR Andante English Folk Song 8 e VS Hick Scoot Capets John Philip Sousa Allegro (1854-1932) 19 e fre aly Aleceni IT ON TENOR SAXOPHONE 20 Of “Use altomat fingering. For more individual technique practice, see page 42, #1Hatr Ster/Wuote STEP On a piano keyboard, the Ato & = 1/2 stop distance between any two adjacent keys is called half step. Two half steps i equal one whole step, Bb to C = whole stop Ato B = whole stop BtoC = 1/2 stop Hol who steps HOR ES Dirrerent Steps Moderato Hep ee 21 mp Up on tHE Housetor: Vivace Traditional Carol 22 mf Zum Gat Gai (Duet) Israeli Folk Son Allegretto -— a 23 e t 7 Al CENT ON THEORY: Identifying Half Steps and Whole Steps Lobel all half steps with ~.. Label all whole steps with —.ae a be Hold the note for its full value. Tempo MARKING Maestoso In e majestic style $ | Use when aerating between ‘Bb and righthand fingerings A TEMPO Retum to the previous tempo. STRETCHING HIGHER Andante = ve AusTRALIA Fair | alt Australian National Anthem a Down Home Biues (Duet) Allegro Accent ON CREATIVITY: Free Rhythmic Improvisation 28 Improvise about eight measures of rhythms using any combination of hand claps, finger snaps and foot stomps. Try to maintain a steady tempo while varying the rhythms and sounds.SixteentH Notes Receive 1/4 beat in ZB Four To THE Beat Moderato eh 29 my Com te ok 2 8 BK THE THUNDERER John Philip Sousa Allegro (1854-1932) 30 bf © Harvest Sonc ee tonian Folk Song Allegretto a. oe 31 mp mf mp uf ‘Simpte Giets s, panes American Folk Song 32 mf % Fine S D&S.al Fine f mf Accent ON TENOR SAXOPHONE 33 Se ae “Use alternate fingering For more individual technique practice, see page 42, #2.Arranged by John O'Reilly and Mark Williams A CCENT ON PERFORMANCE Houpay Fantasy Allegro e fAFTER-BEATS mE drd ae Key SicwaTURE All F’s and C's should be played as Ff and Cf throughout. TRANSPOSING Rewriting a melody beginning on a different starting pitch, maintaining the same pattem of half steps and whole steps. Minor Episope Moderato a 34 . <7 mp America/Gop Save THE QUEEN yey Andante Traditional THe Otp Brass Wacon (Duet) yy Allegro ‘American Folk Song We ie Teme FRom “A Mipsummer NicHt's DREAM” Ate cen Allegretto ae 7 [ | Couns oka dk Alccenr on THEoRY Transpose the first 6 measures of #35 (America/God Save the Queen) into these two keys, then play. 38Dynamic Markinc 9 8 8 - 8 AN EicuTH Note ano Two S-P 8 SixTEENTHS Play J the first time, 3 SRI | ee Tee a 268 HicH Note HapPeninc Moderato SIXTEENTH AVENUE Allegretto 40 e mp = mf EL FLoron (duet) Mexican Folk Song Allegro = 2. nf e mf Tue Pawpaw Patcu American Folk Song Moderato 1 2 f - A Antonio Viva SPRING from “THE Four SEASONS” (678-1741) Allegretto 43 f fee) Alccewr ON CREATIVITY: Passing Tones and Neighbor Tones Write your own variation on this theme by adding passing tones (notes between pitches a thitd apart) and neighbor tones (above or below repeated pitches). Px. Na.fa atterate b 9 ‘Two SIXTEENTHS: ' ot 2 i (re i 8 Eicuth Nore Te &y2e 8) | Use for emoath slleration Between Ben —EEe More SIxTEENTHS Moderato 45 a Tarta Hinpt Arabic Folk Song Allegretto = = iP Se a 2 io. i> ae hk est NE ate French-Canadian Folk Song Moderato a7 MP oc steae fingering. uf mp Fine o DC. al Fine a Song Pat-a-PAN French Folk Song Allegretto —- mp ——— Alccent OW TENOR SAXOPHONE 49 f For more individual technique practice, see page 42, #3 & 4.Dorttep EicHtH Note Receives 3/4 beat in é = id Hand 4 tine ae Dorttep EicHTHs Andante mp =m — ap . . Richard Wagner Bripat CHorus from “LOHENGRIN' (1813-1883) Maestoso ee mf —~PS Say THEME from “UNFINISHED SYMPHONY” Franz Schubert Moderato -— — (1797-1828) 52 mp oT ae **Use alternate fingering ——— ———-____ p ITALIAN STREET Sonc Victor Herbert Allegro (1859-1924) 53 de Alccent ON THEORY MAJOR SCALE CONSTRUCTION: All major scales contain the same pattern of whole ee steps and hal steps. Study this patter in the example below. Now build your own major scale beginning on the note given, adding any sharps or flats as necessary. hole whole toll whe wl whole tat Note names must be in alphabetical order Ua epee oe rceecae lpemead -aeAccenr ON PERFORMANCE Cyserspace OVERTURE Allegro og ‘ s : : . 37] Andante ie Viz, a3| RSsLooxinc SHARP Gt largo a Gt 55 mp O Canapa Maestoso 56 f ARIA from “THE MARRIAGE OF Ficaro™ Allegretto . : —fs mp Alccenr ON CREATIVITY: Improvisation on Chord Changes Improvise your own melody using the notes contained in each triad (three-note chord) You may also use passing or noighbor tones as long as they are of short duration. c Am bm 6 c am ‘So So bm coolo0e Canadian National Anthem Wolfgang A. Mozart (1756-1791)D.C. (Da Capo) at Cova Go back to the beginning: then skip to the coda Rance BUILDER Moderato mf Firower Drum Sonc Andante Chinese Folk Song mp Nu Ar DeT Jut IGEN Moderato ‘Swedish Folk Song va Asi ren, e Cotonet Booey Kenneth Alford Allegro _PoCoda': (1881-1945) a = > 62 e e Accent ON TENOR SAXOPHONE 63 af *Use atemate fingering For more individual technique practic see page 42, #5 and page 43, #6.alternate FE/GS ENnnarmonics Any two notes that are written differently. but sound the same. Use when going to or fom F Curomatic Crawt Moderato HW a 64 + mf THEME from “Piano Concerto No. 2" Sergei Rachmaninoft Andante (1873-1943) — nf —_——— F Accew IT ON TENOR SAXOPHONE 7 © nf, ait Use alternate fingering © For more individual technique practice, see page 43, #7.| Tempo Markinc Andantino Slightly faster than Andante. Stitt HIGHER ‘Andantino 78 mf f mp if CatyPso Cuime (Duet) Moderato 1 2. > > > = mf oa > = = = ee 1 Saw Turee Suips Allegretto Traditional Carol 80 o 2sa56 12945 THE STAR-SPANGLED BANNER U.S. National Anthem Maestoso 8 mf £ ARCCENT ON THEORY — Rewite the following example in cut time 82Motto rir. Dramatically slow down the tempo. Smoortu SLurRING Andantino eee re 83 2 mp "Use alternate fingering HapaierA from “CARMEN” Georges Bizet 1898-1875 Moderato ‘ i oe: = ie Yooe.inc Sonc Austrian Folk Song Allegretto 1 acess 85 f f THEME from “Viotin Concerto in D” Allegretto Ludwig van Beethoven (1770-1827) le ot ing the pitches shown, improvise your own melody using any shythms you know. You may play these notes in any order, repeat notes, or use rests. ba 2 87alternate Tempo Markinc Adagio Slightly slower than Andante, Bb end right had fingerings. Cioc Dance ‘Moderato a8 3 °F Hopak from “THE Fair at SOROCHINSK” Allegretto Modest Mussorgsky (1839-1881) dir, 89 mp # div, Sf fs German Folk Song Dee O TANNENBAUM ‘Adagio! [ace (aa Brow Away tHe Morninc Dew English Folk Song Allegro 4 Alccewt on Tenor SAXOPHONE a oe — a 92 mf "Use altornat fingering For more individual technique practice, see page 43, #8.Alccent on PeRFormANCE Fiesta Mexicatt Allegro @ Coda John O'Reilly and Mark Williams 1s|} Dynamic MarKincs pp S | BEAMING OVER A REST Pianissimo—vory soft Fortissimo—very loud I § 7 loa) = a aE 23456 Beam Me Up Allegretto | Pe oe | 93 af THe SorcereR’s APPRENTICE Vivace Paul Dukas (1865-1935) 94 mp Country GARDENS (Duet) Moderato English Folk Song mp mf Alccewr on tHEory Draw the correct bar lines, then write in the counting and clap, oo GDL DELL bigKey SicwaTuRE 4 All B's, E's and A’s should be played gee 28 Bb, Eb, and Ab throughout. Muttipce Fiats Adagio ie 2 7 97 mp Over THE River AND THROUGH THE Woops American Folk Song Allegretto 7 —— mf Marcu oF THE ToREADORS Georges Bizet 1838-1875) Moderato ( ) 99 es Fum, Fum, Fum Allegro Traditional Spenish Carol ta eS 100 e ae mf —r Alccenr ON CREATIVITY: Extended Composition 101 Write your own composition of any length, using a separate sheet of music paper. Use some repeated rhythmic and/or melodic patterns to create unity. Use some contrasting material to create variety. Play your composition.| EiouTn Nove TripLers | : 3 ‘i i iT A quick note, usually played just ~*~ betore the beat THREE TO THE BEAT Moderato x 102 mf TripLeT Sonc ‘Andantino French Folk Song 103 Sr FINALE from “New Wortp SymPHONY” Antonin Dvot6k Allegro (1841-1904) 104 DL. al Fine 7 Fine ° Procession OF THE NosLes Nicolai Rimsky-Korsakov Maestoso (1844-1908) 7 2 105 ee o —=_ Alccewr on TENOR SAXOPHONE - 106 mf For more individual technique practice, see page 43, #9,Tue Outer Limits Moderato 107 af Now Is THE Monti oF MayiNe (Duet) Thomas Morley 50-1602) Allegretto a . J 108 mp b oe mp La Donna & Mosite Giuseppe Verdi Moderato (1813-1901) 109 mf mp crese.- Soupter’s CHorus from “Faust” Charles Gounod Moderato es (1818-1893), 110 nf o we Peter llyich Tchaikovsky Marcu from “Nutcracker” (1840-1893) Allegro m1 $? 7 on ee S222" 7s For more individual technique practice, see page 43, #10.John Philip Sousa (1854-1932) Ar, by John O'Reilly ‘and Mark Williams AlcceNT ON PERFORMANCE Sousa ON PaRADE Allegro(MOR SAXOPHONE SOLO THe Rakes oF Mattow Irish Folk Song Allegretto 5 Tenor Saxophone PianoA CCENT ON ENSEMBLES Jazz For a SaturRDAY AFTERNOON Moderato EISAlecent on scates C Masor Scate (concert Bh) 2 o A Harmonic Minor Scate (concert c) oe A Metopic Minor ScaALE ‘concert 6) G Maior Scate (concert F) E Harmonic Minor Scate (concert p) o E Metopic Minor Scate (concert D) F Masor Scate (concert &) e D Harmonic Minor Scate ‘concert ¢) | e D Mevopic Minor Scate (concert ©) byBb Masor ScaLe (Concert ab) o G Harmonic Minor ScALE (concert F) o G Metopic Minor ScaLe (concert F) D Masor Scate (concert c) e T B Harmonic Minor Scate (concert A) o B Metopic Minor Scate (concert A) Masor Scate (concert 0b) e C Harmonic Minor SCALE (concert 8) © Metopic Minor SCALE (concert 8h) . 1 Curomatic SCALE (Tenor Saxophones only) beets tte sit te rte T Uso altemate fingering.Accent on ravrams o Lid gi ty yy iy rod pt dd gd ug oft DOU Ny bywp Jt OOO yA iy ee Ea eo gil Lb pLdl dy IDI dl pil tg wget dD gp TU Ty @ NTL Ob) bp TI byAlccent on restsaA |CCENT ON TENOR SAXOPHONE els ——— rar eee = "Use altemate fingering PTT a *Use altemate fingering *Use alternate fingering10 o z Ca = DS “Use alternate fingering a —_ — : re > eo —~ 2 7a a A s £a4 Accent ON CHORALES We GatHer TOGETHER Andante Netherlands Folk Song Now THaNnk We Att Our Gop Johann Sebastian Bach Maestoso (1685-1750) nf —=f uf Ma-oz Tsur (Rock oF Aces) Moderato Traditional Henukkah Song - —s mp rit ALL THROUGH THE NicHT Andante Wolsh Folk Song \ mp ——p Ererwat FatHer, STRONG To Save Adagio Navy HymnGuossary Accent (=) Play the note stronger ApAcio Slightly slower than Andante Atroro, KENNETH English composer (1881~1945) AULEGRETTO Moderately fast tempo AuzoRO Fast tempo ANDANTE Moderately slow tempo Anpanmino Slightly faster than Andante A-tempo Retum to the previous tempo Back, JOHANN SEBASTIAN German composer (1685-1750) BeerHoven, Luowic van German composer (1770-1827) Bizer, Georces French composer (1838-1875) Common Time (@) Same as 4 time signature Cur Time (2) Same as § time signature Crescendo (—==) Get louder gradually D.C. (Da Caro) at ConA Go back to the beginning: then skip to the coda D.C. (Da Capo) at FINE Go back to the beginning ‘and play until Fine Dininuenno (=) Get softer gradually D.S. (Dat Secno) at Copa Go back to the sign %: then skip to the coda D.S. (Dat Secno) at Fine Go back to the sign $$ and play until Fine Dukas, Paut. French composer (1865~1935) DvoitAk, ANronin Gzech composer (1841-1904) EWnaRMONIcs Any two notes that are written differently, but sound the same. (Ff = Gh) Fermata ()_ Hold the note longer Fiat (}) Lowers the pitch of @ note one half step Forte (f) Loud SP Play loud the frst time and soft the second time Fornissimo (f°) Very loud Foster, StEPHEN American composer (1826~1864) Gounoo, CHarLes French composer (1818-1893) Grace NOTE A quick note, usually played just before the beat Gries, Evaro Nomogian composer (1843-1907) Hate Step The distance between any two adjacent keys on the piano Hawpet, Georce F. English composer of German birth (1685~1759) Hergert, Vicor American composer (1859-1924) Jopun, Scort American composer (1868-1917) Key SionarurE Indicates notes which are to be flatted or sharped throughout Larco Very slow Maestoso In a majestic style Mezzo Forte (aif") Medium loud Mezzo PIANO (mp) Medium soft Menvetssonn, Fetix German composer (1809-1847) Moperato Medium tempo Mouro rit. Dramatically slow down the tempo composer Mozart, WotFGANG A. Austrian composer (1756-1791) Mussorosky, Mopest Russian composor (1839-1881) Narurat (i) Cancels a flat or sharp until the next bar fine. Orrenpact, Jacques French composer (1819-1880) Pianissimo (pp) Very soft Piano (7p) Soit RACHMANINOFF, SeRcE! Russian composer (1873-1943) Rimsky-Korsakov, Nicotat Russian composer (1844-1908) Riraroanoo (Rir.). Gradually slow down the tempo Rossini, Gioacciino ttalian composer (1792-1868) ‘Starp (#) Raises the pitch of a note one half step ScHuzert, FRANZ Gorman composer (1797-1828) ‘Srorzanvo ($2) A strong accent Sousa, JoHN PHP American composer (1854-1932) Staccato (+) Play the note 12 its normal length Tetaovsky, Peter Russian composer (1840-1893) Tewuro (—) Hold the note for its full value ‘TRANSPOSING Rewriting a melody, beginning on @ diferent starting pitch. Verpi, GIUSEPPE Italian composer (1813-1901) Vivace Very fast tempo Vivatpt, ANTONIO Italian composer (1678-1741) Waoner, Richard German composer (1813-1883) WHOLE SteP Two half stopsco Saxornone FINGERING CHART sting E) left ring finger) = S right ring finger right little finger right aS a S coelees2001000 8 geolooo e00l000 goole00 ee01/000 201000 000 eeeleco 2001000 Bb q at cc a Ft ee001000 e0o}e00 01000 eoloo0 ‘000 be 200 sp@01o0g ' o 5 001009, 1% = Boo1o0q $001009, ogee. ® So01000 9001000 2001000 9801000 e001000PRACTICE RECORD