OF HY ooqp £0 p20} punos 1 ahowpus ae Sung arg ano inoge 292 uursopyeniq rues 224 ap se Fos ey puy sseonpard ano wou peop aan eee 23 wsop ep paquinp =ponpold sno pie orp ox go qoueaq ou aka sjund 8 2435 UR 9q rq 313454 Spanos 3 masoey tag SAPP 338 33y| Gor suop at sg no po-zn2 294009 nisaxo — Shep a5) ofp ns 270 10] © 3 >yscernadeg ont 0] 1p “pte uu on pu spay oway tempi ong s8n ome apleNog Any up 98649 HO 8k E29 4 MOURNS IWAN OBT 2souio1 prsyexea soy sep 5 | spy] bo: pimpdor ‘pe | su aon ay way 310 >is soe sone] Bg | “ytn sé mdse ange | Supp srt Ay eh 202 pu pe mo moqe | poston ayn yang ptemae | ours tora oN Bran oo] Bp og! ae | ype SSptmoy any | doco, yom Aid cer oh queen | "ay ap jouer yBnong sia | oper pooper op sap 4 ssp x9 one, Sevag | pgs eH some KI ony | ont ey ep ase a EEN ‘an wim Zuid sem trmgn | “puredoo amaaigkq pon | Gy drop f Buen ren nena Jo punisenat| ng rag one aH pry) Suni ypeandde sage 0 CPS Twang | eG aT PURO a ypeg | pm did soe py oS ‘pg sy pe emp a frginn ert ea u ou ybnonp 1 Pees re apm ci usucen| 08 0}30H sar dn Hunjeutos wom gorse odiee| | SBUBYO 0} HUIOH 1,49up JI,, cs, ap 9 aaj Bh I sot pug secede, "gs 0 0d | of sn, ss 24 suo xp jo avon 2p Su9q -a 9p 64 poroudiy 08 shen | 1nq ated seq 2g ous | -pood puns Bulge tn por ft [7okydsoio we wag ison | egy an ar os pate 2.01 posoddns DAL, sMbsay eas we |-aon pe! pu sony ag og | at em su 90 ose | uuoned jeg go puny end | “Ge opus poole yon soi ap 1 sxpuns oq 290s | Apage sen pout ny “Ul 9peu Eg ay ut | ade sedis puy spb, oe pra mn oh oxo wg top qunanto> Yo vu adap jo send Z| so {poo stxpootp pur un preyesuBtens oui, 2( ponusie-si003% ‘p04; pr sopra wy atop res 30u ay susan e414 wet 3 (ypmnse opens yc a ‘weds punt ucing 11 3 ‘ers pid actin 8 @ aon on wise ween yh Ww nlp? swans ong CHW MOL doaowe nods poe centIsa DIV ethic that P.O.D’s approach, sr insistence on using 2 tap, long er Pro Tools asserted its dominance as the scudio ool af ehoice, That im come to define ingall the way prompeu, garage syle is what gives cis al- bum, and this song in particular, such a great vibe, "Talvays try to do one-cakers, alvay,” Bernardo says of his drum tracks. “That's wha I'm going, for, Most of the time that works, For this song 1 know it was single eke, for sure. And if they'e going to change something up is gor to fe through me, and most ofthe ime Tin going 10 say no,” he laughs. So fr this song, remember to stay lose, ind the gitar, and dont forget w ie up Bde AW elm ASP WPS Ag pa PSDP) eae the click Bemardo never ys down s su dio rack without one. Just mind the vo lume, “Ihave the dick blaring into my bead, IFsomeone were o eet behind my headphones, chey would probably hemselves—its that loud,” he says “When they go bac and listen :0 my drum tracks, you ean ear my click creck in my drum mikes though my bead- phones, Thats how loud Tn talking about Everybody says that about my wedges, everything, I think were one of the loudest bands out there rady, because thats where swe come fiom, Wee a garage band. And Te got to feel that power. Ive got to fel thar encrgy and that passion co ee int it lopefly, you can find a safer way: JASON BITTNER Shadows Fall Jason Bittner Autograph Mode! American Hickory, TXSEX, Nylon-tip RAY LUZIER KoRn American Hickory, TXS8, Wood-tip GIL SHARON inger Escape Plan & Stolen Babies American Hickory, TX916, Wood-tip‘zane (050) ‘aun oases SHE ‘sen0- (059) a Mig poopy Renpooug 9272 ARK, MVHBOLY TMG, ALAANOSSIEL Soship “ANIM MaLAy “SHIH S80, papnyput aye SHEA § ‘jg tay Arg y's 2 ur spe ease pure don "eT “worsry UR "701 snoues tse BuypI09B PUP uke anuatiadya Jo ea Gp puE wary og ag; ut suatiadxe SuIyoea 0 steak gp soy ‘LION AH ‘as so ‘OSM G19 SUL TY Old y ay] suing Aejd of weay W1OL JAOW OL SAVH LNOG ADA lc os SS Se TES rere tr Poo Esler aE woa-swnipsndwar mam e161 o2uls * swnig Gigiauogen pu s snduwiaj 4 uIsoz 394} [leurs pue dn ayemVert} SE Lela re) con los profesionales . ne ny ae Se ans pores cert ete ero Pera cy eerie ree Pree eu) eons Ce Se eee te eat Pree ern G Martell’ Pa ica ea) Peau 99}woosimesemme NEG BET smo inky ‘oan yBnon squ ok w>eOL ‘oys0B0ns maj y “29v0D serene ave soseaya pousnas aut ‘sou ojeppu eatou sup anon mm dey-opprpered-atqnoa iia Fe eA BeThese exercises appear courtesy of ‘ed Publstions, rom my up coming book, Essen! Drum Fils, THE FACULTY. THE PROGRAMS. THE CITY. drummersco!lective POS a ave sg An Accredited Insfitstional Memiber ofthe National Association of Schools of Music ee eC CC eet ee crnwine som wOPOH | Zz | \f i | | os MOK or —sons pum—seap autos pp tauuujap (Ha 3154 payuasaud Std IN SeaPL ayN UO FUEYIOAL (sastoiaxe anbrmpar vas so} ayer inom sSrqd 94 sussned aaidin partaagr ain Jo atios) “sasemd ayvouut fins autos fuged wayqord ou Sey Sigal pur ise St alay | | diuor ou 354 am prose Sumang SOUOT SHOUS ."sIMUPAT TPS. dams 2qp 19 pasmay ‘ojos SILL “spuea sty SqnoHed “enbrayo=1 aug, say yous sty pur [29p Rus Bursind S110} upnyeay sequnb yeas puooas sau) “SaquIEID jeg WISSE I ‘parBEN praristuned “suenOD Uyop ISTUOKdO | {ps 10U91 {HE Baoe ‘souoy—ayuINb pus | a1 Jt} .SaNHY sastanous Ung Sim “OSHL | 1 popiozoy “(@8nsaig) ,uuvers s,st4eq. 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PLY 2 {EMOCRENYY SL ‘ene SOND 3 SPRAPOTPEA eC 2gpop s59149)1 40 uy a4) Ee ssa autL 2X9 61 x ou — uunup sseq ajgnop jo : HED OMSL 9 5 Ssaytinoy paze(d-yam pue 2 Corson WoL ALES i eucise200 Aq paquar2e 99) SsuD EM 8 3 WOL.GEe Y ‘ yr SseDX-ANYY.6L G uot ee .o1 & ‘aunyfey Bupuriode pue . ‘elo 9 lunigaseus 9h © suaped z/e snouen usomy ‘ P tumigsseg atx 22-1 aq ys sous smoyp-asd [veparhonny) sepa sina pe sin au Ff WO sbenesjaq apt pue Soyse> sett pe preaio> Ayetodio 5 4s 4 pum Bupnpur-roueid po me Seu un “eau joaradiaion a salantsodsid 3uluunip ony anon esp ij uosonge Sunin-ed ‘nee pe Bue ans “indo sa3uom spoylom ae} pi pe] “reo 851, paUDN.D, -aDqedind Aer2e ex wou ai 01 luk 69343 95990 co ag nj fe 00> Aron pue \oeoidee 9 5, 2sne20qanpodsiod unum ©0009 Kan Sng hoped aQss0d “un awe [9g en] 39q uizewe punosjj10s Yep jeder ua such 2A [at ua pesos pu =u ppeuauy peed aves aoa wed pea ial yes ped np an mim jo pears ase re spovedoouts Bunpouos | —u 2008 dneay aus e snl anoo® {huis auos uty Pe YEeK Yo, afew 102d ion 9jho> aio sea yay ay mop A of cx Ung au ‘odo 20 any eBuAedaghew —1m | skijsasexd an BuBus 306,940 5pi0> | safe seynBead eyo uosIn nwa a ‘pe 190 apo sem saheyd ey? au) | -alaaiyy sig sesmiued uo pitay Funoos® | pauodéns sora sey ouM fouuurup Auy ary 19 UM UDO} cL PAUEM |TeIN YE | —_preyjo asUaS ned auUIA Ae POUL | __saununup e yo [sonigede>] ‘aun jo SuBBinys pue sseumeay ayn iauye | Auons 24 Baud 'y"] 19-508, reorskyd aup mous 3,usa0p 24, sen), “suejdx9 ay 2€9q€ 10) UoNEsW | joIseqwog ayy Lt aieymewos FI 2sneo0q Suter send sy ot {ul uesp sAemye an, 2.2ym Ajeas sem patoou se afi sy sured sejuis Auda si ued winup © uo 2ein“Buyop sem raked eB ayn ey uo | uasBuamAnB jes, passayuan Beg weoidde sion 1 Bunioped snooy sfemye pinom |2uis, "0124 ump | =ypse ued sou! ayn 103 ‘jem>e yum sauto> shemye od aBuayjey> aul, “shes ay ,’syed BuuoKe|1e ye018 Ajeos us9q sheme sey fuueg,, owoy 16 slurup-n Sy Uo yom 0} quae upi8u994 "Hed uinup e304 suon, “soins ajussoduu Agerrpaud se AaeBa] uno sty uews zanpoudje1an0 ano pjnom 'Su05 ‘ayy ut pensosouuy asow Aiea say 2u0se | eyo Ayasnu aig usinoayy wor J asino> a ynouBnowa Sy saisnq siy { _ yBly nod uo sajBussaseysodns Suwonysod pue Suones hyearSarens 10} | doxs-uou Aejd,upjnom nok) 3p} eur sly uM "2uOK UuNUP ay UoqUeM | aY9 Jo sioquiew ends aH WEL inom suey jaw Aue AnByoadA | Bune poi aiqrop Jo asn sy ay} vasa s2yeus eq) ano0i8 ajdurs | ul — Suneds sowye — pains sasueyne ays y2idiaqut 01 yoy jo feadde aug 10} 291900 sun 53 “raul uasBuoqh 32e) ‘ueouog wou uauy>ene _cYe4y ya au Uo aduanyulaBny e sem aU “ued joo> Aye>1esnfsem BAITED ewe uejo unio) ayy uipanuie weiSuam nH Siuvd WO G¥d IDILIWUdSnes om Boi aoe SS > Verse tightly closed hi-hat lama J =e Se = SSS (comin on next page) YOU DON’T HAVE TO MOVE TO L.A. Learn To Play Drums Like A GM.TL's head drum instructor, MIKE Cusor70, has 47 years of teaching experience inthe Bay Area, and 51 years of experience playing and recording with Various rock, jazz, funk, fusion, Latin, top 40, and casual ‘ands inthe S.E Bay Area, Plus, Gelb’s clinicians have included Toxy ‘Wanuiaws, Marr Somes, STEVE ‘Som, Wi. Kenney, Roy Buns, ‘Steve Gapo, Dave Wick, DENNIS cot cry Play Ca Pree] Su ae ri? n ns Hueyueg SPU PIMA LeU! DO: aK YE UmOpyE=xq ame uana.se @ woLs004 91 + spajueesemuReE oL,ar al eauayia ‘Armen e v0 Buse, Andnsge SOAYSEDWEHRMEYE @ ——_UnIG aus gop DHOMeIdNS © PP spans nal jones oe SHH punesieM MOIST. 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$4125) “snje “Bary Seats on wt spe ease poe gy don “tre ‘worsny yung “zz por snouts wise Rupsooo1 pare ‘Suike(d aoustiadys jo 696 15 pie “wary Ang tp ut souanedx9 Sunjouay Jo S796 Lf Sty “OLLOAND SAWN ‘soronnst wap PERK 8, TEAC aympsuy Guyyseay, SISMIA 199 AUL Y Odd ¥ ay17 swinig Aejd Of wey OL JAOW OL AAVH L.NOG NOA FO ce eer er Coa Grr P| og co ae Slava WOdG 9d JDILIWUd“Too Late For The Sun” Se ata vnber 2010 DRUM! 93uunvauzeteuun oie Aer jnMWa BB eau poe ‘spe Suny. saan Fo Ap ‘Dy weRunoy 2-4 sega "pus pou dns earoveM-o P| uy sepodsouss 00s Ma Poe armpit masbin cre oun si spaiunpan cin yz 4 ea wos vibe 3 sec uomstang WIEN 6) wen uorsoigwo%sn9 ye g (ayo9)o 4 osin ¥Hi-B HY elon seen waneay seats wer,ax.0€ unioaiesofp} tc 7 mig seep, 024.2 + (epeppatetpim aM sassy) sous unted aod SN dNlas ONIDNVW HE “P09 wnug apy euagyo snes ax 104 Kem siy uo 2m aq pio ay pu (ayer “snout Jeqajpuey ayp pve) 5120340 Asus) Ui qusuino sy wleyeU Sop 0} 58424 1¥ 1912 queydunny pue Zuo] © uo paueNS #uy38 ssn Are9 st oudUEW pue s22ueW 10104 ajgesowaui puesysed payern jam Jo 2fey2ed poBueise Ayan es\asiy sea) lamag at Uo u0s {sano ‘29 hous 295 aulpauy, se yen einopueys sy pjauqua ap sueds 1p Ip 104-juaeyxts Buo)-1eq-0m1jnjamod pease ue Buua}sjoq Y22yo yeau2 0} wee sin sasn 24 'cs:7e Saye yqeuapun sy | au or sepirosd sn edt aly 93) 24) Uh | sajou-qquaaxis1y8lens apm spuey sy Us wyphushjod snos-asureRe-aautg e saqued ~worre ay as04yn ot UIs a (PL 18 J02e| put) siz 1es:n990 e1p ano Woy | Pauonuotuo.oje ayn use jamse (218 tree suoddey ypiym) vpio 3 sy au-ieq 24} -19n0 ay 1 Su uURog Hus ay ut souin jo .oquunu epuray aq ue> si 199) | pur spuey siyusamiag saessed uoswun | papusyra Busted Aq 29} ,u0295, Jo 105 es23e019 3H-aun owes aul Ye Bulkeyd uossad guo uewr as0urs 2194399 punos 3 Buryew yo Aem e sey ounueyyjeuasie sly Ur uodeam dquo ayp .ust siya 9sIn09 49, ‘BFE pue Bt: 32 59sop 19jeWS UL pune aq ue> soquio> Ayes asayp jo aioyy | > tou ayn asureRe (ne 15292) 4 odusor ay sey 18 ua j009 puns iy Si ‘Sanu 4d sazoU-r0y20nb veL2e sip Suikeyd noqe Avon 3,09) U0} Bly ayy pue oseus ay vaangag nds spuey, 24 yum serou-puoses-Kyaupayfiens se Pauioyied sip 04 Lesa anbiun ® sfojduro ousuey $00 18 Suos 04101 two 2nponu Buoys syne y2a4p says 19 (4-)-4-4-7-a soquios wequoa feoidht anos 3uaze asaip puy “ousueW 30} uy sed ajoney esi suoneuiquie> yo04/puey Bunso1aqu Bussinap ‘aidusexa 40g (es01n 0 ued 4.us4e 21949849 3ou) S9j8ule 35 Aypansqe puokag Aem oF yun sonbiuyoo Zunioxa 40 Kou ue syquyxa ,eas aulpouy, pue yom 100} 3ukyop- Yeap jo 9Be3I0\¢ OL sey asy ss9p3mog 4) Uru aieus 24) Sedoyassiy yo ‘ued eenuauep ry s224 pjnom ean auo Aep wos, popip pur puns ou waip pred oup ~uent Apqeurses -Sunuursp sseq ajanop jo sassaaxe ErOTeTe tury pouonine> 203, onnsut puen-pjo uINAp sseq ajqnop JO Sassaoxa [eJOUNU ayy ysujese wy Pauonnes si0}9n13suy paeng-pjo snosawinu auaym suossal Ayes maje sjjeda1 OU;DUEW, aT srosauinuataum suas e2 may © e201 94 9994 0ma pin dn UMA, Hu “ney se yu $9qQ959p OUBLEW ‘ss 4300) agernua sy 3noge payse vauM {,06uia a}4e}10)u109 e, "MOU NOK) tid set te 299) 43 wi se30U-yUaapAS 1yBlens jo saynuiu st yun dr-wen jensn smh uBaq nok ust aiscod ave un 4o sadky 3524 2s1n0> 49 ssaupeU ¥004 ‘>}qnop 10 19 poanoaxa Assaymey sug 0: Buuaisy hq mouy Jan2u pynom noA YsnoUR "ase1ud 12q-oM4 ea ulBaq pu pla yey sajou po}ooj-148u annna2suon ony a43 Fuyuoyied A\ssajuieas sem uy 104 92u9) =[ey> 1ejrqied y ‘uoiss9s Jo sunoy sno} pose 1a}ye Ajuo aute> y 324) Buippe sus Siuvd whed Od IDLLWadoe mmm ae ae a ea (Contineed on ge 90) rine.com July 2010 DRUME 89Co eel SELES Cee etne a Pru aia Ua Se LT eel eee) REGALTIP Renaefae tee it siuvd whed (Yd JILLIWad woo'surezewunip 0102 Ar INYO 6 NETLACRAE MO ONY Orzz0Kh seus, “PvHUOD THA ‘AL.4NOSSI Sonu NDING YEISY ‘SERVI SANEC “DOa\ AVC ‘GaN aAaIS “Syn AO AGANNAYTHAG RUINS, IMAL ‘RTOS LINIY “SVEN _ANO], papaour 9404 SUBLETS 5,419, ‘soja Paty Ang st) oF spe ease> poe gp do une “uotsny "yung “zee oor snopes iyia Boo pee ‘Bulge aodatiodua jo 81096 (< pow vpary Ang a ut aouauiady Sune “aot se o14oNND SH, ssp up peo TWD, aimsuy Sujyoeey ISMN 189 SUL IY Odd ¥ ayI7 swung Aejd of wieaT JAOW OL SAVH L.NOG NOA ect) Esa} Corr ee) cory code) 0a ag Train Beat THE TRAIN BEAT is mainly found in country ‘music, butit an be used for various types ‘of up-tempo songs. The ist example shows the diferent rudimental sticking variations ~ the slightest change in sticking can change the fel ofthe beat The next, ‘wo evamples use the straight single sticking. However, the hi-hat patterns are ifferen, The final example consists ofa broken sixteenth-note beat. The key tothe feelis to play all accents strong and keep all ther strokes at ghost-nate level, eran asf he Gm romney @DiddleEgg tt thitnerieeecce FiveFor The Kit = = MAN, YOU'RE GOING to love this! Here is 2 rudimentalidea that canbe really cool ‘when applied to the drum set ve talked about using dddles and double-strake fils In previous Practice Pad lessons, and here isanother way to approach that concept by using 2 more advanced but extremely useful parade rudiment: the diddle egg Five The didéle egg five isa hybrid dient that consists of 3 paradidle-dddle, an egg beater, and 2§-streke ol. With this combination of rudiments, the possibilities are basically infinite ust remember to use the proper sticking when orchestrating these pattems around the kit. Also keep inmind that before you ean start to understand hybrid rudiments you must frst master the 40 PAS International Rudiments, sollt's get it together! stra mente gemry Seatac a= ‘drummagazine.com July 2010 DRUM! 93