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The500GreatestMoviesOf
AllTime
10,000Empirereaders,150ofHollywood'sfinestand50key
filmcriticsvotedinthemostambitiousmoviepollevertattempted.
3Oct200809:00Lastupdated:
11Dec201509:31
500.Ocean'sEleven(2001)

Director:StevenSoderberghSlick,suaveandcoolerthana
penguin'sknackers,Soderbergh'sstarryupdateoftheRatPack
crimecapernotonlyoutshinesitspredecessor,butallthelights
ofTheStripcombined.
ReadourOcean'sElevenreview

499.Saw(2004)

Director:JamesWanTheneverendingstreamofsequelsmay
havediminisheditsimpact,butthere'snodenyingtheshockwe
gotwhenwefirstenteredthepuzzlelovingpsychoJigsaw's
fiendish,deathtrappedworld.
ReadourSawreview

498.BackToTheFuturePartII(1989)

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Director:RobertZemeckisFromthepasttothepresenttothe
futureandbackagain,Zemeckishitshistimetravellingstride
withthischronologyscrewingpopcorneronlysevenyearsto
gountilwediscoverifhisvisionof2015wasonthemoney.
ReadourBacktotheFuturePartIIreview

497.CrouchingTiger,HiddenDragon
(2000)

Director:AngLeeLeeexceededallexpectationswiththiswushu
masterpiecesetinancientChina.Amartialartsopuspacked
withemotion,beautyandplentyofelegantasskickery,it'sthe
ultimatefusionofactionandart.
ReadourCrouchingTiger,HiddenDragonreview

496.SupermanReturns(2006)

Director:BryanSingerItmayhavebeenaslighterreturnthan
somepeoplehadhopedfor,butSinger'svisionoftheManOf
Steelisanheroiceffort.Plentyofspectacleandalotofheart
helpsKalElsoar.
ReadourSupermanReturnsreview

495.JailhouseRock(1957)

Director:RichardThorpeElvisplaysuptohisrock'n'rollbad
boyimageasaformerlagwhogetsintothemusicbiz,becomes
famousandgrowsahellofanego.Featuringabunchofclassic
tunes,it'sTheKing'sbestmovie.

494.Sideways(2004)

Director:AlexanderPayneWine,womenandarightoldding
dongarethedrivingforcesbehindthisexcellentmidlifecrisis
roadmovie,soimpactfulitputmillionsoffMerlotforever.Read
Review

493.InTheCompanyOfMen(1997)

Director:NeilLaButeSquirmysatireaboundsinLaBute'sall
toorecognisabletaleoftwocorporatemen'sbullyingofadeaf
femalecolleague.ReadReview

492.AmoresPerros(2000)

Director:AlejandroGonzlezIrrituIt'sadogeatdogworldin
thissuperb,multistrandeddrama.Man'sbestfriend(andone
carcrash)mayprovidetheconnectionbetweenthreedisparate
people,butit'sthedirector'sassuredcontrolthatkeepsitall
together.ReadReview

491.BenHur(1959)
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Director:WilliamWylerWyler'sversionofLewWallace'snovel
mayhavebeenthethirdadaptationtohitthebigscreenbut,boy,
wasitthebiggest.Ahugebudgetandanexhaustingshootwere
rewardedwith11Oscarsandanepicfortheages.ReadReview

490.SweeneyTodd:TheDemonBarber
OfFleetStreet(2007)

Director:TimBurtonTheGothicsensibilitiesofTimBurtonmeet
themusicalmasteryofStephenSondheimforademented
GrandGuignolspectacular,whichfindsJohnnyDeppinbloody
finesingingvoice.ReadReview

489.Brick(2005)

Director:RianJohnsonJohnson'simpressivedebutfinds
HammettstyleP.I.storiesrestagedinahighschoolasthe
superbJosephGordonLevittsetsaboutinvestigatingthe
suspiciousdeathofaformergirlfriend.ReadReview

488.PrincessMononoke(1997)

Director:HayaoMiyazakiTheStudioGhibliheadhoncho
weavesataleofswordsandsorcerywithhistrademarkstunning
style.Heintendedthistobehisswansongthankfully,itwasn't.
ReadReview

487.Superbad(2007)

Director:GregMottolaThiscomingofagetalefromtheJudd
Apatowschoolofcomedysucceedsbygenuinelycaringforits
lovableloserheroesdoesn'tstopitfromhilariouslyputtingthe
pairthroughthewringer,though.ReadReview

486.BreakfastAtTiffany's(1961)

Director:BlakeEdwardsWhileithasitsflaws,there'sno
denyingthatAudreyHepburnstilllooksravishingandHenry
Mancini'sscorestillmakesusswing.ReadReview

485.TheWickerMan(1973)

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Director:RobinHardyAmovieabouttheevilthatmen(and
women)dointhenameofreligion,Hardy'shorrorgetscloser
thanmosttoexposingourowndarknature,allwhilecreepingus
outwithabunchoffreakyfolkies,ledbyChristopherLee.Read
Review

484.TheFountain(2001)

Director:DarrenAronofskyDespitesplittingaudiencesright
downthemiddle,there'snomistakingtheconvictionthatdrives
thisdeceptivelysimplefableaboutloveanddeath.ReadReview

483.TheBigRedOne(1980)

Director:SamuelFullerSamFullerhadbroughtleathertough
visionsofwartothebigscreenbefore,butTheBigRedOneis
hishardnosedmasterpiece,basedlargelyontheformercrime
reporter'sownexperiencesbattlingacrossNorthAfricaand
EuropeduringWorldWarII,andtheprojecthe'dheldcloseto
hisheartformostofhisfilmmakingcareer.Legendhasitthat
onestudiowantedFullertocastJohnWayneasthegrowling,
induratesergeantwho,alongwithfourprivates(ultimatelyto
includeMarkHamill),isoneofthedivision'sfewsurvivors.Fuller
optednottomakethemovieratherthanhavetheDukeheadline
itwhichsumsupexactlywhatkindofwarmoviethisis.When,
eventually,herolled,thepartwenttoLeeMarvin,whocarriesthe
movietoitsdevastatingconcentrationcampliberation
conclusionwithoutbreakingasweat.Onesuspects,also,that
StevenSpielbergtooknotesduringthegutwrenchingOmaha
beachsequence.ReadReview

482.Scream(1996)

Director:WesCravenTheselfreferentialironymayhave
becomelesshipintheaftermathofcountlesspretenders,butthe
brutaleffectivenessofCraven'sslasherandhisghostfaced
killercreationremainagenuinegenrehighpoint.ReadReview

480.TheSon'sRoom(2001)

Director:NanniMorettiAheartbreakinglookatafather'sgrief
afterthedeathofhisson,Moretti'sPalmed'Orwinnerislifted

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fromthemaudlinbyhisthoughtfulandtendertreatment.Read
Review

481.TopsyTurvy(1999)

Director:MikeLeighSteppingawayfromthekitchensink,Leigh
gaveusthisfabulousstudyoftheatricaltypesastheycreatethe
firsteverproductionofGilbertandSullivan'sTheMikado.Read
Review

479.TheSecretLifeOfWalterMitty
(1947)

Director:NormanZ.McLeodThestoryofamildmannered
accountantandtheimaginaryfantasyworldhevisitseverytime
realitygetstootough,thisDannyKayevehicleplayslikea
TechnicolorversionofBillyLiar.ReadReview

478.Flesh(1968)

Director:PaulMorrisseyProducedbyAndyWarholandtaking
placeinaNewYorkawashwithfreeloveandfreeflowingdrugs,
thistaleofhustlers,dealersandsexualadventurersisfrank,
absorbingandsurprisinglyamusing.

477.RebelWithoutACause(1955)

Director:NicholasRayAsateenagelonerwhoinvolveshimself
inknifefightsandroadraces,JamesDeancreatedaniconfor
agenerationadrift,whileRay'sdirectioncreatedatimelesstale
ofteenagedisaffection.ReadReview

476.SantaSangre(1989)

Director:AlejandroJodorowskySick,twistedandvery,very
bloody,Jodorowsky'staleofmadness,revengeandhackedoff
limbsdrawsfromavarietyofinspirations,culminatinginan
influentialfreakshowofamovie.ReadReview

475.PiratesOfTheCaribbean:Dead
Man'sChest(2006)

Director:GoreVerbinskiWhileit'sconfusedandbloated,the
firstPiratessequelpleasedcrowdsbygivingthemexactlywhat
theywanted:moreCaptainJack.ReadReview

474.EnterTheDragon(1973)

Director:RobertClouseThemoviethatintroducedthewider
worldtothebonecrackingkungfuiconthatwasBruceLee,
Clouse'smartialartsfunhousehallofmirrorsandallstillsets
thebenchmarkforallchopsockyactioners.ReadReview

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473.IntoTheWild(2007)

Director:SeanPennPenn'sfourthfeaturetakeshiminto
previouslyunchartedterritorywithatruelifetaleaboutayoung
hoboexplorerandhisquesttotrulyescapemodernlifein
America.Usingtheentirecountryashisbackdrop,thisis
Penn'smostambitiousmovieyet.ReadReview

472.LeDoulos(1962)

Director:JeanPierreMelvilleFrenchdirectorMelvilledidfor
gangstersexactlywhattheItalianSergioLeonedidforcowboys,
creatingadistinctivelyEuropeantakeonapredominantly
Americanformbyfocusingondetailsofpropsandcostumein
hyperrealistmanner,spinningfamiliarBplotlinesintofablelike
miniatureepicsofbetrayalandrevenge,andstressingbrutally
professionalviolencetoanalmostexistentialdegree(albeitwitha
distancingGallicshrugratherthanItalianatecloseupleering).In
LeDoulosslangforaccuser,asinpoliceinformant,butalso
vengeanceseekerJeanPaulBelmondoistheunderworldicon
infedoraandcollarupturnedtrenchcoat,donningwhiteeditor's
gloveswheneverheshootsanyoneand,inanastonishing
sequence,tyingawomantoaradiatortobatterinformationout
ofher.Hismiddleman,Silien,ispresentedastheratwho
squealedonjewelthiefMaurice(SergeReggiani),but,of
course,thingsarefarfrombeingthatsimple.ReadReview

471.HarryPotterAndThePrisonerOf
Azkaban(2004)

Director:AlfonsoCuarnThepointatwhichthebooksstartedto
takeadarkerturnthearrivalofthesoulsuckingDementors,a
troubledwerewolf,deathsentencesforhippogriffs.Cuarn's
tenureasHogwartscaretakerhasyettobeoutdone.Read
Review

470.GlengarryGlenRoss(1992)

Director:JamesFoleyDavidMamet'spungentchronicleofreal
estatehustlingisamodernDeathOfASalesmanandmakes
oneofthegreatensemblefilms.Pacino,Lemmon,Spacey,
Baldwin,Harris,Arkin'nuffsaid.ReadReview

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469.FearAndLoathingInLasVegas
(1998)

Director:TerryGilliamJohnnyDeppchannelsHunterS.
Thompsonandconsumesinhumanamountsofdrugs,while
Gilliamshowsthatthestraight,Nixonvotingworldoutside
Thompson'sheadrepresentedbyVegasatitsmosthideousis
scarcelylessinsane.ReadReview

468.TheCrow(1994)

Director:AlexProyasDrippingwithstormcloudmoodyteen
Gothcool,Proyas'HollywooddebutbroughtglumsterJ.O'Barr's
cultycomicbooktoactionpackedlife.Infamous,ofcourse,for
thetragicdeathofstarBrandonLee.ReadReview

467.TheDeerHunter(1978)

Director:MichaelCiminoCimino'sbold,powerful'Namepic
goesfrombluecollarmachoritualstoafiery,South?EastAsian
hellandbacktoaraggedsingalongofAmericaTheBeautiful.
DeNiroholdsittogether,butChristopherWalken,MerylStreep
andJohnSavageareunforgettable.ReadReview

466.Snatch(2000)

Director:GuyRitchieSurprisingthatthisshouldmakethe500
whenLock,Stockhasn't.Still,thisisthemoreproficientfilm,
andparticularlylaudableforhavingbothBradPittandFrank
ButcherfromEastEndersonthesamecastlist.ReadReview

465.12Monkeys(1995)

Director:TerryGilliamHere'sacrazytheoryforyoumaverick
geniusTerryGilliam,untameableandoutspoken,athornin
Hollywood'spreciousderriresincethelastdaysofPythonis
adirectorwhoworksbestbeneathstudiocolours.Take12
Monkeys,withitsweirdfangled,timetrippingscriptfromDavid
'BladeRunner'Peoples.Here,withastrongproducer,bigstars
(BruceWillisandapottyBradPitt)andamediumbudget,wasa
filmdeliveredontime,onbudget,andwhichbecameasizeable
hit.Yet,itlostnoneofitsnecessaryGilliamnessitsdystopian
PhiladelphiaunderworldglistenswithhisclassicHieronymus
BoschmeetsHeathRobinsonfabulation.It'sworththinkingabout
justpickingupthosestudiooffersonceinawhile,Terry...Read
Review

464.SevenBridesForSevenBrothers
(1954)

Director:StanleyDonenAriproarin'CinemaScopeWestern
musical,whichneedsitswidescreentoencompassall14leads.

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ThedubiousstorylineisredeemedbyMichaelKidd'sastounding
choreography.ReadReview

463.Juno(2007)

Director:JasonReitmanThisyear'spleasantOscarnom
surprise,withthenodswelldeserved,especiallyduetowriter
DiabloCodyandstarEllenPage'seffortstodepictthemodern
teenwithkeenveracity.ReadReview

462.DeadMan'sShoes(2004)

Director:ShaneMeadowsMeadows'smalltownvigilantemovie
restagesGetCarterwithpatheticruralcrooksharriedbyPaddy
Considine'svigilanteinagasmask."Whatareyoulookingat?"
"You,youcunt!"ReadReview

461.Halloween(1978)

Director:JohnCarpenterTheElvisofslashermoviesstill
imitated,neverequalled.Andevenafterallthesequels,ripoffs
andremakes,itspowertomakeyoushiverandjumpremains
undiminished.ReadReview

460.Crash(2004)

Director:PaulHaggisAmultistrandedLAstoryaboutthe
challengesofmulticulturalismandthewoesof
miscommunication.Haggis'debutlaysthemessageonthick,but
boy,doesheknowhowtopackanemotionalpunch.Read
Review

459.Ikiru(1952)

Director:AkiraKurosawaAdyingmantriestogetaplayground
built,andAkiraKurosawademonstrateshisrangebysegueing
fromacidicdissectionofJapaneseofficeworkaholismto
understated,upliftingtragedy.Ifyoudon'tcryattheend,you
needanewheart.ReadReview

458.Batman(1989)

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Director:TimBurtonBurton'snoirnightmarereestablishedthe
franchiseforthe'90s.NicholsonandKeatonareastarturnas
freakvillainandGothichero.Fullofimaginativeviolence,clever
rethinkingsoffamiliarcharacters,astonishingsetsandwitty
lines.ReadReview

457.FullMetalJacket(1987)

Director:StanleyKubrickAfter50minutesofR.LeeErmey
shoutingatMarinerecruitsduringbasictraining,theVietnam
scenesofStanleyKubrick'sbrutalwarfilmarealmostarelief.
ReadReview

456.28DaysLater(2002)

Director:DannyBoyleArevivalofthezombieapocalypse
movie,shotfastandcheapanddigital,thisinstantlyestablished
anewstyleforlowbudgethorror,buthasroomforeerily
depopulatedcityscapesandcharacterhorroraswellas
ferociousmonsterattacks.ReadReview

455.TopGun(1986)

Director:TonyScottAcombinationUSNavyrecruitingfilm,
closetgaypornomovie,Reaganiteflagwaverandloveletterto
big,shinyjetfighters.TonyScottstillmanagestogetfluttering
dovesandshaftsoflightthroughdustintoit.ReadReview

454.TheBourneSupremacy(2004)

Director:PaulGreengrassAsequelwhichupshiftsthanksto
directorPaulGreengrassapplyingwhatmightwellbethe
definitive2000sthrillerstyletoanedgy,paranoidchaseformat
MattDamonbringslifetoazombielikehero,andaMoscowcar
chaserankswiththegreatstuntscenes.ReadReview

453.IndianaJonesAndTheKingdomOf
TheCrystalSkull(2008)

Director:StevenSpielbergCGgophers,nukedfridgesand
extradimensionalbeingsaside,enoughofyoulovedittogetit
ontothislist...Thosewho'vegrowncraggywithFordandAllen
gotearyeyedontheline,"Theyweren'tyou,"andeveryonecan
cheerhordesofants.ReadReview

452.Unbreakable(2000)

Director:M.NightShyamalanShyamalan'sunderstated,
creepyaffecting,powerfultakeonthesuperherostoryhas
arguablyBruceWillis'bestscreenperformance,andatwist
whichisclevererthantheendofTheSixthSense."Itwasthe
children...theycalledmeMr.Glass."ReadReview

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451.Speed(1994)

Director:JanDeBont"There'sabombonthebus!"Theacme
ofhighconceptandthebesteverredwirenothebluewirefilm,
irresistiblycombiningactionwithsuspense.ReadReview

450.KingKong(2005)

Director:PeterJacksonMostremakesareexercisesinmoney
grubbingcynicism,butPeterJackson'sKingKongisallabout
loveforafilm,amonster,astyleofcinemaandachild'sinstant
bondingwithascreenicon.ReadReview

449.StarWarsEpisodeI:ThePhantom
Menace(1999)

Director:GeorgeLucasDespiteaplotabouttradeembargoes
andtaxincentives,guffaboutmidichloriansandBinks,
greatnessissoingrainedintheDNAofStarWars,we're
surprisedTheEwokAdventuredidn'tgetonthislist.Read
Review

448.AHistoryOfViolence(2005)

Director:DavidCronenbergFamilymanViggoMortensen
revealshisinnerpsychopath,andcreepilyhiswifeandchildren
likehimevenmore.DavidCronenbergtwistsmindsratherthan
fleshinthisspare,classicmodernWestern.ReadReview

447.Ten(2002)

Director:AbbasKiarostamiAkindofIranianMarionAndGeoff,
AbbasKiarostami'sTenisasminimalistasitisthrilling.The
conceitissimple:tenconversationsbetweenManiaAkbari,a
twicemarriedIranianwomantaxidriver,andherpassengers
over48hours,capturedinlongstaticshotsfromadigital
camerasecuredtothedashboard.AsAkbaritraversesthecity
streets,sheconverseswith,amongothers,herwilfulson,ajilted
bride,alocalprostituteandawomantravellingtoprayer.What
emergesisafascinatingmosaicoftheroleofwomenwithina
repressiveregime.Yet,throughtheaccumulationoftelling
details,aroundedbackstoryforAkbarislowlystartstocoalesce.

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Brilliantlyperformed,theeffectisasdirectandintimateasa
confession,ahalfwayhousebetweenfictionanddocumentary.
Howeveryoulabelit,itremainsleaguesaheadofDudleyMoore
pervingoverBoDerek.ReadReview

446.HighFidelity(2000)

Director:StephenFrearsNickHornby'sNorthLondon
discomaniacmemoirmakesasmuchsenseinChicago,thanks
toJohnCusack'suniquemixofgeekinessandappeal.Read
Review

445.DumbAndDumber(1994)

Directors:PeterandBobbyFarrellyAhigh(orlow)watermark
inthehistoryofgrossout,scramblingthefrenziedtalentsofJim
CarreyandtheFarrellybrothers,withJeffDanielsgamely
pitchingin.ReadReview

444.Hairspray(1988)

Director:JohnWatersWatersdeliversagarishbutaffectionate
Baltimoreflashbackwith"pleasantlyplump"teenRickiLake
doingameantwistandendingracialsegregationonlocalTVas
well.ReadReview

443.DogDayAfternoon(1975)

Director:SidneyLumetArivetingcharacterstudy(Pacino
makeshisbankrobberfuckupextraordinarilymoving),a
penetratingexposofamediafeedingfrenzy,orjustagreat
heistgonewrongflick.Anyway,it'sbrilliant.ReadReview

442.Atonement(2007)

Director:JoeWrightIanMcEwan'sdevastatingwarromanceis
masterfullyconveyedtoscreenbyJoeWright,whosetaut
stylistics,fromthetellingtypewriterclackofthesoundtrackto
thatonetake,SteadicamDunkirkshot,can'tfailtoimpress.
ReadReview

441.BeingJohnMalkovich(1999)

Director:SpikeJonzeAweirdpremise,courtesyofscreenwriter
CharlieKaufman,isspunintothearchetypal'quirky'indiehit,
withmajorstarsgeekingout,accessibleinjokesandaplotthat
surprisinglymakessense.Malkovichwonmajorpointsfor
caricaturinghimselfas'JohnHoratioMalkovich'.ReadReview

440.Akira(1988)

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Director:KatsuhirotomoHyperviolent.Apocalyptic.Kinetic.
Lurid.Akiraisthedefinitiveanimeclassic.ReadReview

439.GrossePointeBlank(1997)

Directors:GeorgeArmitageAdisappointinglylowshowingfor
oneofthebestcomedythrillersofthe'90s.Greatcast(John
Cusack,MinnieDriver,DanAykroydasaprofessionalhitman!),
greatscript,killersoundtrack.ReadReview

438.TheLostBoys(1987)

Director:JoelSchumacherVampires,mulletsandtheFrog
Brothersin'80sCalifornia,thiswastheBuffyofitstime,aguiltily
pleasurableblendofcomedyandhorror.Ifyou'reinyour30s
andremotelycool,thiswasabigpartofyouradolescence.
ReadReview

437.SpiderMan(2002)

Director:SamRaimiAhomerunforRaimi,provingthata
directorofbonkers,lowbudgethorrorscouldhelmagargantuan
summerblockbusterapparentlyeffortlessly,andstillmanageto
crowbarinaroleforBruceCampbell.ReadReview

436.BeautyAndTheBeast(1991)

Directors:GaryTrousdaleandKirkWiseDisney's30th
animatedfeaturewellandtrulyannouncedthatthestudio's
doldrumyearsofthe'80swerenowover,andthatTheLittle
Mermaidwasnofluke.ReadReview

435.AmericanPsycho(2000)

Director:MaryHarronTheappallingviolenceofBretEaston
Ellis'supposedlyunfilmableearly'90snovelwasunderstandably
toneddown,butChristianBale'sBateman(hisarrivalasa
grownupstar)remainsterrifying,andthecritiqueof'80s
avariceremainsundiluted.ReadReview

434.TheCatConcerto(1947)

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Directors:WilliamHanna,JosephBarberaThe29thTomAnd
Jerryonereelerisoneofonlythreeshortstomakethe500,and
it'seasytoseewhy.EschewingthedomesticsettingofmostT&J
efforts,TheCatConcertotakesasimple,daftpremiseTomisa
concertpianisttryingtoplayLiszt'sHungarianRhapsodyNo.2
Jerry,attemptingtosleepinthepiano,stopshimandmilksit
foreverylastdropofcomedyandinvention.Asever,the
violenceismouthwateringlybrutal,butthereisareal
playfulnesshere,toowatchTom'spinkieelasticallyelongateto
reachatopnote.Thekeytoitsgreatness,though,isthe
exquisitenessoftheanimation,beitrealisingthesnobbishness
inTom'smaestroorperfectlymatchingthemayhemtomusic.
Thefunniest,mostbeautifullyrealisedsevenminutesand49
secondsyoucouldeverhavethegoodfortunetosee.Bravo!

433.GoodWillHunting(1997)

Director:GusVanSantAraremainstreamoutingforVanSant,
itwasOscarsallroundforsurprisescreenwritersMattDamon
andBenAffleck,andsupportingactorRobinWilliamsinhisbest
performancesinceDeadPoetsSociety.ReadReview

432.XMen2(2003)

Director:BryanSingerEasilythecleverestofthecurrentwave
ofcomicbookblockbustersuntilacertainCapedCrusaderwas
reinvented,Singer'svisionaryfollowuptohislessthanstellar
originaldefiedallexpectations.ReadReview

431.ElectraGlideInBlue(1973)

Director:JamesWilliamGuercioTheothergreatbikemovie
alongsideEasyRider,thisminiepicofcountercultureArizona
copsonamurderinvestigationisgraduallyaccumulatingthe
reputationitdeserves.

430.BigTroubleInLittleChina(1986)

Director:JohnCarpenterDismalboxofficesentadisillusioned
Carpenterbacktoindiefilmmaking,butthiscolourfulaction
fantasyremainsafanfavourite.KurtRussellishilariousasone
ofcinema'sleastheroicheroes.ReadReview

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429.Danger:Diabolik(1968)

Director:MarioBavaMeetDiabolik(JohnPhillipLaw),masked
supercriminal,highlivingsensualistandunmatchablepopart
icon.Anarchlyeyebrowed,unrepentantthief,Diabolikisequally
opposedtoabureaucraticgovernment(onawhim,hedestroys
acountry'staxrecords)andtheMafia,andaddictedtorisk
whenitcomestostealingfabulouslyvaluableitems(ega20ton
goldingot)whicharealsouseless.DirectorBava,acultheroon
thestrengthofGothichorrorfilms(TheMaskOfSatan,Black
Sabbath),waspersuadedbyDinodeLaurentiistostepaway
fromthecryptforthisonepsychedelicmasterpiece.It'sasthin
asaposter,butstillamazingcinemaasuccessionofstriking,
kinetic,sexy,absurdimagesaccompaniedbyaoneofakind
EnnioMorriconescorethatrevelsinitscasualanarchy.Imagine
ifTheDarkKnightwereTheJoker.

428.TheEnigmaOfKasparHauser
(1974)

Director:WernerHerzogThehauntingstoryofafoundling
apparentlyraisedaloneinacellarandreleasedinadulthood
onlytothenbemurderedisanenigmaindeed.Don'texpect
anyanswersfromHerzog.ReadReview

427.SpringInASmallTown(1948)

Director:MuFeiThistaleofawoman'semotionaljourneyinre
encounteringanoldflamelanguishedinCommunistarchives
deemedreactionaryfordecades,andwasonlyrescuedforre
appraisalduringthe1980s.ReadReview

426.EnduringLove(2004)

Director:RogerMichellRhysIfansisbeyondcreepyasa
disturbedstalkerharassingDanielCraigfollowingachance
meeting.ItdifferssubstantiallyfromIanMcEwan'snovelbutis
almostunbearablytense.ReadReview

425.WonderBoys(2000)

Director:CurtisHansonAfailureattheboxofficedespitebeing
releasedtwice,Hanson'sadaptationofMichaelChabon'snovel
foundacclaiminlaterlife,withMichaelDouglasandRobert
DowneyJr.ontopform.ReadReview

424.ToHaveAndHaveNot(1944)

Director:HowardHawksSimplyanimpeccablepedigree:
HawksdirectingaHemingwaynovel,thescreenplaywrittenin
partbyWilliamFaulkner,andthebirthoftheonscreen
chemistrybetweenBogartandBacall.ReadReview

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423.KillBillVol.2(2004)

Director:QuentinTarantinoTalkierandcalmerthantheberserk
Vol.1,Vol.2isverymuchaWesterntothefirstfilm'sEastern.
Stillviolentasallhell,though.ReadReview

422.AManEscaped(1956)

Director:RobertBressonAmagnificentprisonerofwardrama,
directedwithspareeconomybyadirectorwhowashimselfan
exPOW.Tenseandunschmaltzy,Shawshankfanswoulddo
welltoseekitout.ReadReview

421.LethalWeapon(1987)

Director:RichardDonnerThehighwatermarkof'80scop
movies,LethalWeaponisharderedgedthanitssequels,which
uppedthehumourquotientattheexpenseofthe'lethality'.Read
Review

420.JerryMaguire(1996)

Director:CameronCroweCrowe'sfeelgoodhittookhis
easygoingromanticindiesensibilitiestothemainstreamwith
dazzlingeffect,makingastarofReneZellwegerandgiving
Cruiseoneofhisbestroles.ReadReview

419.DaysOfHeaven(1978)

Director:TerrenceMalickMalick'sastonishingtonepoemisa
jewelofminimaldialogueandastonishingcinematography.Two
yearsintheediting,thefilmexhaustedMalicktotheextentthat
hedidn'tdirectagainfor20years.ReadReview

418.VForVendetta(2005)

Director:JamesMcTeigueThisWachowskiproduced
adaptationofAlanMoore'sheftygraphicnovelmaybeabit
adolescentinitspolitics,butitdeliversonthepyrotechnics.
ReadReview

417.LordsOfDogtown(2005)
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Director:CatherineHardwickeThefictionalisedcompanion
piecetothedocumentaryDogtownAndZBoysmakesa
surpriseappearancehere.Clearlythesk8erboicommunitygot
itsacttogether.ReadReview

416.BadTaste(1987)

Director:PeterJacksonFilmedduringfouryears'worthof
weekendsbyJacksonandhismates,thischeerfullypsychotic
taleofhumaneatingalienshaditsmicrobudgetfundedinpart
byaNewZealandgovernmentgrant.ReadReview

415.DawnOfTheDead(1978)

Director:GeorgeA.RomeroInventivesplatterandasavage
politicalmessagemakeRomero'szombiesinashoppingmall
epicthemostextraordinaryofhisinitialtrilogy.WatchoutforFX
geniusTomSaviniasoneofthebikers.ReadReview

414.TheDoubleLifeOfVronique(1991)

Director:KrzysztofKieslowskiPostDekalogandpreThree
Colours,Kieslowskiturnedinthisfantasticalstandalone
doppelgngertale.IrneJacobisstunninginthedualroleof
Weronika/Vronique,andZbigniewPreisner'shauntingscoreis
simplybreathtaking.ReadReview

413.FindingNemo(2003)

Director:AndrewStantonPixar'sfifthfeatureisremarkablefor
beingbothcuteand,attimes,surprisinglyharsh.Also,it'stime
toreconsiderEllenDeGeneres'memorylossplaguedDoryas
oneofthestudio'sfinestcreations.ReadReview

412.Heathers(1989)

Director:MichaelLehmannDarkasyoulikehighschool
comedywithChristianSlaterandWinonaRyder,pretheir
respectivemeltdowns,givingtheperformancesoftheircareers.
Bullyingandmurderwereneversomuchfun.ReadReview

411.SpiderMan2(2004)

Director:SamRaimiBiggerandbetterthanitspredecessor,
withasuperiorvillaininAlfredMolina'sDocOck,andamore
confidentRaimisneakinginsomeofhisowntrademarks.Read
Review

410.AHardDay'sNight(1964)

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Director:RichardLesterAlifeinthedayoftheFabFour.Mixing
documentarystylings,Felliniesquefantasy,Dalesque
surrealismandNouvelleVague.ReadReview

409.MenInBlack(1997)

Director:BarrySonnenfeldAcomedyhitthatslylyspoofsthat
XFilesmixofgovernmentconspiracy,secretagentsandE.T.s
onEarth.ReadReview

408.Zelig(1983)

Director:WoodyAllenWoody'shumanchameleonmeetsthe
great,thegoodandHitler.Asmuchasitisatechnicaltriumph
(preForrestGump),itisalsoacelebrationofwit,satire,great
conceitsandhumannature.ReadReview

407.TheJungleBook(1967)

Director:WolfgangReithermanThelastfilmpersonally
supervisedbyUncleWalt,thishasastrongshoutforbeing
Disney'smostgloriouslyentertainingfilm.Greatcharacters,
geniussongsandrichanimation.ReadReview

406.IronMan(2008)

Director:JonFavreauRobertDowneyJr.takestheMarvelfave
toawholenewlevelandaudience.Favreaumountsefficient
action,butit'stheactingthatstickshowrareisthatfora
summerblockbuster?ReadReview

405.DirtyDancing(1987)

Director:EmileArdolinoLet'sseeifwecangetthroughthis
withoutanymentionof"Baby"and"corner".Oh,bollocks.Great
tunes,romanticwishfulfilmentanda'60sinnocencemakethis
anevergreenpopulistclassic.ReadReview

404.RoboCop(1987)

Director:PaulVerhoevenPartman.Partmachine.Allbrilliance.
Verhoeven'sHollywooddebutbalancesfuturisticcopactionwith

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askewedsenseofsubversivesatire.We'llbuythisforadollar.
ReadReview

403.DoTheRightThing(1989)

Director:SpikeLeeAMolotovcocktailofamovie,thislonghot
summer'sdayinBrooklynhasitall:energy,comedy,greattunes
andasimmeringsenseofangerthatboilsover.StillSpike'sbest
joint.ReadReview

402.LittleMissSunshine(1947)

Directors:JonathanDaytonandValerieFarisSoindieithurts
dysfunctionalcharacters,mainstreamactors(SteveCarell,Greg
Kinnear)doingquirky,BestOriginalScreenplayawardsthis
transcendstheeasylabellingwitharealsenseofthepangsand
pathosoffamilylife.ReadReview

401.BatmanReturns(1992)

Director:TimBurtonEasilythebetterofthetwoBurton
Batmans,Returnswasmostnotableforacertainfeline,figure
huggingcostume...ReadReview

400.TheIncredibles(2004)

Director:BradBirdOneofthebestsuperheromoviesofrecent
yearsakindofWatchmenwithgagsthisfizzesbyonpure
invention,greatjokesandarealaffectionfortheretro'60s
stylingsit'saping.ReadReview

399.Greed(1924)

Director:ErichvonStroheimVonStroheim'ssilentmasterpiece
anhonestdentistbecomesobsessedwithmoneyafterwinning
thelotteryisasobsessiveasKubrick,asepicasLeanandas
powerfulasScorsese.ReadReview

398.KillerOfSheep(1977)

Director:CharlesBurnettAlandmarkinbothblackandindie
cinema,thisisaplotlessportraitofanAfricanAmericanLA

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family,builtaroundmundaneactivitiesbuttoldwithwit,pathos
andstunningblackandwhiteimagery.ReadReview

397.NightOfTheLivingDead(1968)

Director:GeorgeA.RomeroThegreatestzombiemovieever
made.Strippedofthecackleandgleeofmodernhorror,this
playsitsemotionsandviscerastraight,thelofifeeladdingtothe
unease.ReadReview

396.TheAssassinationOfJesseJames
ByTheCowardRobertFord(2007)

Director:AndrewDominikThekindofsatisfying,elegiac
Westernyouthoughtdiedoutwiththe'70s.Greatperformances
byBradPittandCaseyAffleck,butthisistrulyitsdirector's
work.ReadReview

395.Casino(1995)

Director:MartinScorseseOriginallydismissedasaGoodFellas
retread,Scorsese'sgangstersinVegaschroniclehasimproved
withage,acomplex,terrifying,virtuosolookatMobminutiae.
AndSharonStoneupstagesDeNiro.Fact.ReadReview

394.Cloverfield(2008)

Director:MattReevesIfthiswerethe500GreatestViral
MarketingCampaigns,thiswouldbenumberone.Asitis,this
mostmodernofmonstermoviesisbrilliantlyhandledhandheld
fun.ReadReview

393.GardenState(2004)

Director:ZachBraffAmongthemostlikableofindieslacker
ennuimovies,Braff'sblankfacedcharmandNataliePortman's
kookyenergymakethishardtoresist.Alsogetspointsforits
toocoolforschoolsoundtrack.ReadReview

392.Paris,Texas(1984)

Director:WimWendersIt'sKramerVs.Krameronwheelsas
HarryDeanStanton'sTravisgoesontheroadwithhissontofind
hisex.Emotionallyrestrained,beautifullyshotandmemorably
scoredbyRyCooder.ReadReview

391.MulhollandDrive(2001)

Director:DavidLynchLynch'sbestworkfor15years,adark
lookattheunderbellyofHollywoodwithenoughimpenetrabilityto
support1,000theories.Hotgirlsgetiton,too!ReadReview

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390.2DaysInParis(2007)

Director:JulieDelpyOwingasmuchtoWoodyAllenasRichard
Linklater,Delpy'sFrenchgalYankguyrelationshippieceisless
earnestandfunnierthanthepleasuresofBefore
Sunset/Sunrise.Forromanticcynicseverywhere.ReadReview

389.Election(1999)

Director:AlexanderPayneIsitstrangetoseethisasPayne's
highestentryonthislist?Surelyonewouldhaveexpectedthe
broader,moreaudiencefriendlySidewaystohavesnaggedthat
spot.Inretrospect,perhapsnot.Afilmthatmanagesthe
gargantuantaskofgoosingboththeDarwinianprovinggroundof
highschoolUSAandtheByzantinemachinationsofthe
Americanpoliticalsystem,Electionissatiremasqueradingas
quirkycomedy.AcannyadaptationofaTomPerrottanovel,it
wasinitiallyinspiredbytheBushClintonelectionof1993and
theinfamouscaseofapregnantpromqueendeniedhertitle
afterstaffriggedthevote.Regardingthelatter,it'spossibleto
viewElectioninwhichteacherMatthewBroderickattemptsto
sabotagemonstrouslyambitiousstudentReeseWitherspoon's
bidforstudentbodypresidentasnotmerelybangontargetbut
also,inthelightoftheFlorida2000fiasco,remarkably
prescient.ReadReview

388.TheEnglishPatient(1996)

Director:AnthonyMinghellaIfthelateMinghella'sbestfilmis
ladledwithaDullsville,awardsbaitreputation,itshouldn'tbe,as
itisacomplex,ferociouslyintelligent,hugelyemotionalworka
truetestamenttoalosttalent.ReadReview

387.RainMan(1988)

Director:BarryLevinsonThebestfilmaboutaslicksterandhis
autisticbrotherevermade,theunsungherohereisLevinson,
whotellsthetaleincrisp,confidentbeats.TomCruisealso
knocksitoutofthepark.ReadReview

386.TheGreatSilence(1968)

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Director:SergioCorbucciAcritics'favourite,thisclassic
SpaghettiWesternseesJeanLouisTrintignant'smutegunfighter
takeonKlausKinski'sbountyhunters.Alsoboastsoneofthe
bleakestendingsevermounted.

385.AceInTheHole(1951)

Director:BillyWilderBillyWildergivesfreereigntohis
legendarycynicisminthis,hisfirstfilmaswriterproducer
director,acaustictaleofmediaexploitationwithKirkDouglason
top,sleazyformasruthlessjournoChuckTatum.It'safilmthat
getsmorerelevantwitheverypassingyear.ReadReview

384.TheShopAroundTheCorner(1940)

Director:ErnstLubitschTheinspirationforYou'veGotMail.
MargaretSullavanandJamesStewartfallforeachothervia
lettersinawry,winningromcomthatstaysjusttherightsideof
sentimental.OneofthebestfromthegrandmasterLubitsch.
ReadReview

383.Serenity(2005)

Director:JossWhedonOutoftheashesofFireflycame
Serenity,agreatspacecowboyromp.Itsappearanceonthelist
speaksvolumesabouttheloyaltyofthoseBrowncoats.Read
Review

382.Cach(2005)

Director:MichaelHanekeHaneke'sclingingparanoidthrilleris
thatrarebeastanarthousecrowdpleaser.Austerebutvirtuoso,
therealachievementisexploringissuesofguiltand
complacencywithoutstintingonthesuspense.ReadReview

381.MontyPythonAndTheHolyGrail
(1975)

Directors:TerryJonesandTerryGilliamTheknightswhosay
"Ni"+thekillerbunnyrabbit+theextraordinarilyrude
Frenchman+TheBridgeOfDeathoverTheGorgeOfEternal
Peril+thethreeheadedknight=genius.ReadReview

380.ChildrenOfMen(2006)

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Director:AlfonsoCuarnGrownupscifiinamorassofkiddie
blockbusters,Cuarn'schillingvisionofadystopianLondonis
grippingandoriginal.Ifnothingelse,seeitforthebarnstorming
singletakeactionsequence.ReadReview

379.Ratatouille(2007)

Director:BradBirdPixar'sratinthekitchenmasterwork
combinesperfectlyorchestratedslapstickwithaselfportrait
aboutthechallengesofbeinganartistinaseaofmediocrity.In
anageoffastfoodanimation,thisisathreeMichelinstar
experience.ReadReview

378.TheGoonies(1985)

Director:RichardDonnerEverygenerationhasafilmthatwill
alwaysbecarriedinitsheart.Thismadcap,Spielberg
producedadventureaboutagaggleoftreasurehuntingbrats
stuckinboobytrappedmazesisthatfilmforanyoneborn
around1980.ReadReview

377.MeanStreets(1973)

Director:MartinScorseseTrytowatchthisrememberingthat,at
thetime,nobodyhadheardofMartinScorsese,RobertDeNiro
orHarveyKeitel.You'rewatchingthestartofanewcinematic
era.ReadReview

376.Zodiac(2007)

Director:DavidFincherHowdoyouturntheserialkillerthriller
onitshead?Nevercatchthekiller.Fincher'struelifetaleisnot
aboutgrabbingthebadguyit'saboutthenatureofobsession.
ReadReview

375.FourWeddingsAndAFuneral
(1994)

Director:MikeNewellThefilmthatestablishedRichardCurtisas
abrandisoftenunfairlymocked.Thetruthisthatallromcom
writersareaimingforthismixofslywit,genuinefeelingand
farce.ReadReview

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374.HotFuzz(2007)

Director:EdgarWrightWright'sskillisintakingtheglossand
whizzbangillogicofHollywoodandapplyingittoquintessentially
Englishsituations.Butwe'llneverunderstandhisaffectionfor
BadBoysII.ReadReview

373.WallE(2008)

Director:AndrewStantonPixar'sbravestpictureisvirtuallya
silentmovie,ashowcaseofperfectsounddesignandpeerless
animation.Itpushedtheboundariesofnotjuststylebut
storytellingtechniqueaswell.ReadReview

372.ArmyOfDarkness(1992)

Director:SamRaimiThethird,andsilliest,inRaimi'sEvilDead
trilogyisnotableforcompletelylettingBruceCampbelloffthe
chin,sorry,chain.Andthatisaglorioussighttobehold.Read
Review

371.PiratesOfTheCaribbean:TheCurse
OfTheBlackPearl(2003)

Director:GoreVerbinskiRememberwhenthePiratesOfThe
Caribbeanfranchisewasn'tmisguidedlyobsessedwithcharacter
depthanddarkness,andwasjustplainoldfun?ReadReview

370.Rocky(1976)

Director:JohnG.AvildsenOneofthefinesteversporting
movies,acelebrationofthecandospiritallthemoreimportant
whenitbecomesclearthathecan't.ReadReview

369.TheBreakfastClub(1985)

Director:JohnHughesToanyonewhowasateeninthe'80s,
thiswillforeverbethe"OhmyGod,someoneunderstandsme!"
movie.KudostoHughesforgivingagenerationavoicethatfelt
true.ReadReview

368.Airplane!(1980)
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Directors:JimAbrahams,DavidZuckerandJerryZuckerThe
greatestspoofevermade,takingeverydisastermovieclich
andtwistingituntilallthecomedyisextracted.Allthemore
ingeniousincomparisontothelamemessofsketchesthatis
'spoof'today.ReadReview

367.Cabaret(1972)

Director:BobFosseFosse'sOscarwinnerisaboutasfarfrom
theMGMtraditionasyoucanget.ThewartimeBerlinsettingand
flawedcharactersmakestheswaggeringdesperationofthe
tunesallthemorepowerful.ReadReview

366.Predator(1987)

Director:JohnMcTiernanIsitatriumphofsubtletechnique?
No.Isitoneofthemostquotable,ridiculouslymacho,
unashamedlypopulistgoodtimesyou'llhavewithakilleralien?
Youbetyourass.ReadReview

365.TheBourneIdentity(2002)

Director:DougLimanLiman'skickofftotheexcellentBourne
serieswasn'tquiteasaccomplishedasthesequels,butitwasa
morallymurkierfilmandsetupthemoodthatPaulGreengrass
sorewardinglycontinued.ReadReview

364.NaturalBornKillers(1994)

Director:OliverStoneWhatdoyougetwhenyoucross
combustibleprovocateurOliverStoneand(thethen)enfant
terribleofHollywoodQuentinTarantino?Answer:NaturalBorn
Killers,avolatilereworkingoftheBadlands/BonnieAndClyde
coupleonakillingspreeformulathat(predictably)shockedthe
system,and(predictably)hadTarantinothrowingacreativehuff
overStone'sliberalchanges.Thefilmisallthemorefascinating
forbeingaproductofitstime,strobingthroughthemid'90s
zeitgeist(fromdaytimesoapstonewsdocs),andpopulatedwith
such(asofthen)wildchildrenasRobertDowneyJr.,Tom
Sizemore,JulietteLewisandWoodyHarrelson.Themystical
mumbojumboharksbacktoStone'spredilectionfor'60smotifs,
makingithalfcrazed,buticonicallthesame.ReadReview

363.GoodMorning,Vietnam(1987)

Director:BarryLevinsonRobinWilliamsofftheRichterscale,
ashisjabbermouthedDJstirsuptheVietnamtroopsuntilthe
authoritiespulltheplug.Thepoliticalframeworkatleastgives
morepurposetothefreeformingcomedian'sverbaltorrents.
ReadReview

362.TheElephantMan(1980)
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Director:DavidLynchEasilyLynch'smostsympatheticand
outwardly'gettable'movietellsthetragic19thcenturytaleof
JohnMerrick,hideouslydisfiguredbyacongenitaldisease,and
takeninbyakindlydoctorwhoseesthehumanbeneaththe
freakshow.ReadReview

361.Clerks(1994)

Director:KevinSmithThenobudget,berindieconvenience
storecomedythatstruckgoldandmadeSmiththemanheis
todaytheheartfeltifprofanechroniclerofAmerica'sslacker
belt.ReadReview

360.TheReturn(2003)

Director:AndreiZvyagintsevFamilydramaintheRussianwilds
asanestrangedfatherreturnstohistwoteenagesons:this
simplepremiseemergesasastunning,nearmythictaleof
emergentmanhoodinthehandsofadirectorfastbecoming
Russia'spremierfilmmaker.ReadReview

359.TheLadyEve(1941)

Director:PrestonSturgesTheirrepressibleSturgestakes
anotherbowinthe500,withthisfamiliarmixofrichcharacters
andmadcapplotting,asspurnedconwomanBarbaraStanwyck
disguisesherselfasanEnglishladytoromanticallytormentdotty
professorHenryFonda.ReadReview

358.RussianArk(2002)

Director:AleksandrSokurovThefilmthatfamouslyinvolvesone
singleshot,floatingthroughthehallsoftheHermitageinSt.
Petersburgduring19thcenturyRussia.It'savirtuosopieceof
directing,butcan'tquiteescapethenaggingsensationofstunt
overcontent.ReadReview

357.TheLongGoodbye(1973)

Director:RobertAltmanRobertAltman'slanguid,freeform
versionofRaymondChandler'slastgreatnovelrelocatesthe
1953storyto1973,critiquingtheoutoftimevaluesofElliott

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Gould'sPhilipMarloweaslobby,unshaven,chainsmokingall
timeloserintroducedinabrilliantsequencewhichhashimtryto
passoffinferiorpetfoodonhissuperciliouscat.JohnWilliams'
superbscoreplaysendlessvariationsonatitletuneandmany
sequencesareastonishing:aviolentgangstermakingapointby
smashingaCokebottleinhismistress'face("That'ssomeoneI
loveyouIdon'tevenlike")andaninvigoratinglycynical
punchline("...andIlostmycat")thatturnsMarloweintoasort
ofwinner,afterall.Altmanputsvitalactionintothecornersofthe
frame,almostunnoticed,andhighlightstinymomentsof
weirdnessinasunstrucktapestryofLosAngelessleaze.Arnold
Schwarzenegger,noless,hasanunbilledcameoasaminor
thug.ReadReview

356.Napolon(1927)

Director:AbelGanceAtitsrestoredlength,Gance'ssilent
masterpiecerunstofiveandahalfhours.Itwasdesignedasa
giganticbiopicinsix90minuteparts,butendedupthis
magnificentgiant(aboutashortarse)withgroundbreaking
visuals,literatecaptionsandpulsatingenergy.ReadReview

355.Sunshine(2007)

Director:DannyBoyleBoylefollowedhisreinventionofzombie
horror(in28DaysLater)withthisvisuallyenthrallingspace
shocker,gesturingheavily(andsuccessfully)to2001,Alien,
evenEventHorizon.Thewackyending,however,dividespeople.
ReadReview

354.UnChienAndalou(1929)

Director:LuisBuuelNoonewilleveroutweirdBuuel'steam
upwith'tachetwiddlingSurrealismsupremoSalvadorDal,
resultinginthis17minutephantasmagoriafeaturingsevered
hands,rottingdonkeys,antssqueezingoutofhumanskinand
theinfamouseyeslitting.ReadReview

353.BugsyMalone(1976)

Director:AlanParkerItsoundsghastlyagangsterthemed
musicalpopulatedentirelybykidsbutcareofParker'snatty
visuals,decentsongs,splurgeguns,pedalpoweredsedansand,
mostremarkably,anonrevoltinggaggleofkids,itremainsa
favourite.ReadReview

352.UnfaithfullyYours(1948)

Director:PrestonSturgesSturges,ittranspires,hasfaredwell
inthistop500.Justlyso.He'sonsparklingformagainwiththis
pacymixofliteratedialogueandboldslapstick,withRex
Harrison'stroubledsymphonyconductorcontemplatingthe

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murderofhispossiblyphilanderingwife,LindaDarnell.Read
Review

351.Zulu(1964)

Director:CyEndfieldInthefaceofmuchparody,itiseasyto
forgethowstirringZuluactuallyis.Glorioustogazeupon,the
battlesceneshaveanalmightyclamour,butneverattheexpense
ofthecharacters,whichincludeaposhMichaelCaine.Read
Review

350.PlanetOfTheApes(1968)

Director:FranklinJ.SchaffnerThistrippypieceofnew
Hollywoodscifimixesinissuesofrace,science,evenpolitics,
withitstetchydystopianthrillsandCharltonHeston'sbronzed
chest.Thetwistendingalonelandsitonthislist.ReadReview

349.Arthur(1981)

Director:SteveGordonThisdaftoddcoupleroutineboozy
aristoDudleyMooreromancesflightyLizaMinnelli,whileJohn
Gielgud'sstarchybutlermakesacidiccommentsproves
surprisinglyresilient.Theanswercouldbeinthedelightful
chemistrythatallthreeverydiverseactorscookup.Read
Review

348.AuHasardBalthazar(1966)

Director:RobertBressonIt'sproofofBresson'spowerasa
filmmakerthatthis,thetaleofadonkey(albeitparalleledwiththat
ofagirl),saysmoreabouthumanityourvices,ourtrials,our
selfexaminationthanadozenHollywoodpictures.Read
Review

347.AllAboutEve(1950)

Director:JosephL.MankiewiczSparklingdialogueandbrilliant
turns(AllAboutEveholdstherecordforthemostfemale
AcademyAwardnominationsfour)markoutthisindelibletale
ofaslyingnue(AnneBaxter)wholatchesontoasuccessful
theatreactress(BetteDavis).ReadReview

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346.LeaveHerToHeaven(1945)

Director:JohnM.StahlAsmart,flashbackdrivennoir
melodramachartingamarriageswepttohellonadarkwaveof
jealousy.ChampionedbyScorsese,whodiscovereditonTV
afteramidnightasthmaattack.ReadReview

345.FatalAttraction(1987)

Director:AdrianLyneThemoviethatgaveusthephrase
"bunnyboiler",Lyne'scautionaryantiromancewasa
phenomenonatthetime.It'snotagedtoowell(terribleending),
butitsinfluenceisstillfelt.ReadReview

344.TheLastWaltz(1978)

Director:MartinScorseseIfWoodstock(codirectedby
Scorsese)marksthebeginningofanera,TheLastWaltz
appropriatelyandsensitivelycapturesitsend,asScorsese
documentsthelastgigbyformerDylanbackingactTheBand.
ReadReview

343.Monsters,Inc.(2001)

Director:PeteDocterAnotherPixarcharmerthatzipsalongon
abuddymoviepremise,mostnotableforthenovelconceptthat
thehorrorsslitheringunderyourbedarenothingmorethan
regularworkingschmoes.ReadReview

342.TheGoldRush(1925)

Director:CharlieChaplinMasterfullyrecreatingthefreezing
wastesofAlaskaonhisHollywoodbacklot,Chaplinkeepshis
notorioussentimentalityincheckandoffersuponeofthemost
durablegemsofthesilentera,followingtheTramp'svarying
fortunesasagoldprospector.ReadReview

341.ThePassenger(1975)

Director:MichelangeloAntonioniManywouldarguethatJack
NicholsonhasyettobetterhisleadperformanceinMichelangelo
Antonioni'scomplex,disquietingthrillerasafrazzledreporter
whoassumestheidentityofadeadgunrunner.ReadReview

340.HighAndLow(1963)

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Director:AkiraKurosawaKurosawa'scontemporarycrime
thrillerisoneofhisrelativelylesserknownefforts.Don'tletthe
absenceofswordsandsamuraiarmourputyouoffabetted
onceagainbyToshiroMifune(hereabusinessmanwhoseson
iskidnapped),Kurosawaprovedhimselfamasterofanygenre
hedeignedtotackle.ReadReview

339.SpiritedAway(2001)

Director:HayaoMiyazakiFortoomany,thiswasanoverdue
introductiontothecrazybeautifuldelightsofMiyazakiand
StudioGhibliandalsoareminderofthewonderfulmythologies
thatthrivefarbeyondtheboundariesofDisney'smagic
kingdom.ReadReview

338.JulesEtJim(1962)

Director:FranoisTruffautTruffaut'sdeeplyaffectinglove
triangledramacameat(orrather,helpedform)thecrestofthe
revolutionaryFrenchNewWave,anditszestremainsuntainted.
ReadReview

337.300(2006)

Director:ZackSnyderFallingjust37placesshortofitsideal
spot,Snyder'sbuff,beefycomicadaptationslammedSparta
ontothecinematicmap.Withhelp,ofcourse,fromGerard
Butler'sveryshoutygraspoftheobvious("Thisis...
SPARTAAAA!").ReadReview

336.Titanic(1997)

Director:JamesCameronCameronsshipmeetsiceberg
magnumopuswastalkedupasadisasterinthemaking.Of
course,heprovedusallwrong,thecleverbastard.ReadReview

335.TheSeventhSeal(1957)

Director:IngmarBergmanBergman'schallengingmedieval
masterpieceisoneofcinema'smostsatisfyingworksvisually,
intellectually,spiritually.Italsoshowcasesmovies'greatestever
chessgame...ReadReview

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334.TheMagnificentAmbersons(1942)

Director:OrsonWellesWelles'familydramaisofthegreats
somehow,despitethefactthatitwasinfamouslymolestedbythe
studiowhileWellesholidayed.ThesuitsblamedPearlHarbour
fortheinsertionofanupbeatending.ReadReview

333.Grease(1978)

Director:RandalKleiserStilllovinglymockedforfeaturingthe
oldesthighschoolersever,Greasecoastsonadoubledoseof
nostalgia:forthe'50sasreminiscedduringthe'70s.Read
Review

332.TheSixthSense(1999)

Director:M.NightShyamalanForgetthetwist:it'stheslow
freezechillsandupsettinglyconvincingperformancebyHaley
JoelOsmentthatdefineShyamalan'sfinestfilmtodate.Read
Review

331.TheGreenMile(1999)

Director:FrankDarabontDarabont'sotherStephenKingprison
movieisnotentirelysuccessfulatcarryingitsownweight,but
withtheheftcomesacertainrawemotionalpower.Contains
cinema'smostdisturbingexecutionscene.ReadReview

330.StarWarsEpisodeIII:RevengeOf
TheSith(2005)

Director:GeorgeLucasFourthbestStarWars,undeniablythe
mostsatisfyingoftheprequels.ReadReview

329.TheLivesOfOthers(2006)

Director:FlorianHenckelvonDonnersmarckOneofthealltoo
fewfilmsthatresistssubtitleprejudice,thischaracterdriven
Stasilanddramabeautifullyaffirmsthatwecanfindcolourin
eventhegreyestofplaces.ReadReview

328.TheTrumanShow(1998)
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Director:PeterWeirOneofWeir'stalentsisthathecanturnA
liststarsintoproperactors.Here,heturnscrazygurnerJim
CarreyintoaheartbreakingeverymantrappedonTV.Read
Review

327.TheNightmareBeforeChristmas
(1993)

Director:HenrySelickWhat'sthis?What'sthis?!Aspindly,
stopmotiondelight,ingeniouslyentwiningtheappealof
Hallowe'enwithJesus'birthday.ReadReview

326.OutOfSight(1998)

Director:StevenSoderberghSosmart,sosexy.Soderbergh
returnedfromtheindiewildernesswiththissnappyElmore
Leonardadaptationthebestyetmade,withonlythepossible
exceptionofJackieBrownprecipitatingtinglychemistry
betweenthenonthecuspGeorgeClooneyandJenniferLopez.
PlayingcharismaticbankrobberJackFoley,formerTVdoctor
Clooneyfinallyarrivedasabonafidemoviestar,andhashardly
brokenhisstridesince.PlayingspunkyUSMarshallKaren
Sisco,Lopezrevealedpromiseasanactressthatyouwishshe'd
sincelivedupto,ratherthangoingoffandswishinghercurves
asJLo.AsforSodey,whileOutOfSightwasn'tasmash,itgot
criticsgushingenoughforhimtobagtheprojectsthatrocketed
himtotheAlist.Withoutthis,wemightneverhaveseenhisErin
Brockovich,TrafficorOcean'sEleven.ReadReview

325.KillBillVol.1(2003)

Director:QuentinTarantinoQT'sfirsttrueactionmovieoffers
bravurafightscenesundercutbyafun,sicksenseofhumour.
Shamehecouldn'tquitekeepeitheruptothisstandardforthe
nextinstalment.ReadReview

324.LoneStar(1996)

Director:JohnSaylesSaylesspecialisesindeliberatelypaced,
ensemble,sliceofAmericanadramas,andbolsteredbya
flashbackdrivenmysteryelement(featuringMatthew
McConaughey'sbestperformance),thisbordertownsaunteris
oneofhisfinest.ReadReview

323.TheLastSeduction(1994)

Director:JohnDahlDahlandLindaFiorentinocraftedabitch
fortheagesincraftyfemmeBridgetGregorybutthen,why
shoulditalwaysbethemenwhogetallthefuninnoir?Read
Review

322.Aladdin(1992)
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Directors:RonClements,JohnMuskerHeartland
Disneytainment,bestlovedbyboysforhavingarogueishbloke
ratherthanaprincessatthecentreofthings,bestlovedby
everyoneforRobinWilliams'showstealingvocalwhirlasthe
genie.ReadReview

321.FunnyFace(1957)

Director:StanleyDonenAudreyHepburnhasrarelylooked
better,andFredAstaire'sstillonfine,toetappingforminthis
chicParisianrompsowhocaresaboutthegapingage
differencebetweenthem?Afineshowcaseforbothstars'
talents.

320.Braveheart(1995)

Director:MelGibsonHistoricallysuspect,butsowhat?Gibson
wrenchesoutallthethrillsandbloodspillshecaninthisrowdy
medievalepic,featuringoneofcinema'smoststirringbattle
scenes(TheBattleOfStirlingBridge).Rousingstuff.Read
Review

319.TheLionKing(1994)

Director:RogerAllers,RobMinkoffIt'snothardtoseeor
indeedhearwhythisisoneoftheMouseHouse'shugest
movies.Itsformula(hitsongs,bigsequences,comedy
sidekicks,tearjerkingtragedy,cutebabyanimals)hasrarely
workedbetter.ReadReview

318.Rebecca(1940)

Director:AlfredHitchcockAshisfirstHollywoodmovie,Hitch
waspressedtoadaptDaphneduMaurier'sfraughtclassicof
timidnewbridestormentedbytyrannicalhousekeepersand
distanthusbands.It'sallabitmelodramaticforthemaster,buthe
didtowintheBestPictureOscar.ReadReview

317.MidnightRun(1988)

Director:MartinBrestQuietly,hilariously,thisoddcouplethriller
wasoneofthefilmsofthe'80s.Theteamingofadrollbut

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squareCharlesGrodin(asthedodgyaccountantonthelam)
andarestrainedandlikableRobertDeNiro(asthebounty
huntersenttoretrievehim)provedperfect.ReadReview

316.Trainspotting(1996)

Director:DannyBoyleThere'snodoubtingthejumpstart
Boyle'sScorsesestyledadaptationofIrvineWelsh'sdrug
odysseygavetothestuffyhomegrownindustry,nottomention
thecareerofoneEwanMcGregor.ReadReview

315.SenseAndSensibility(1995)

Director:AngLeeLee,withhiskeeneyeforthefoiblesof
humanbehaviour,wasaperfectfitforJaneAusten'ssilken
satire.It'shardlyaradicaladaptation,butwithdecent
performances,itremainspopular.ReadReview

314.SweetSmellOfSuccess(1957)

Director:AlexanderMackendrickAnextraordinary,unrivalled,
utterlycynicalpieceofHollywoodnoir,asTonyCurtis'sleazoid
pressagentrubsupagainstBurtLancaster'sformidableJ.J.
Hunsecker,theBroadwaycolumnistwhocanmakeorbreak
careers.ReadReview

313.BattleshipPotemkin(1925)

Director:SergeiEisensteinEisenstein'sdramatisationofthe
Russiannavalmutiny,citedasthekickoffpointfortherevolution
itself,putdownabreathtakingblueprintforwhatcinemacould
do.ReadReview

311.AmericanHistoryX(1998)

Director:TonyKayeHugelycontroversialinitsday,Kaye's
blackandwhitetaleofneoNaziredemptionhas,scarily,only
growninrelevance.EdwardNorton,whoreeditedamida
directorialspatlendschillingrealitytotheideaoftheintelligent
brute.ReadReview

312.Suspiria(1977)

Director:DarioArgentoAlloftheItalianhorrormaestro'sGothic
flamboyanceisondisplayinthisoperatichorrorsetinaballet
schoolrunbyhomicidalwitches,drapinghisbodilycarnagein
theglossofart.Bestdeath:thegirlwhoplungesintoapitof
barbedwire.ReadReview

310.Gremlins(1984)

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Director:JoeDanteDante'brillianthorrorpasticheofcute
puppetstransformingintoswarmsofanarchicdevils.Arguably,
though,itwasproducerSpielberg'semphasisonkeepingGizmo
frontandcentrethatmadethedifference.ReadReview

309.Transformers(2007)

Director:MichaelBayThisfirstliveactionoutingforthe
complicatedJapanesetoylinecomesundercookedintheplot
department,butILM'squickchangingrobotsareunbeatable.Is
itreallyacomedy?ReadReview

308.TheTerminator(1984)

Director:JamesCameronOnlyJohnConnorcanovercomethe
monstermachineswhohavenearlyexterminatedhumanityinthe
future,sothecyberneticbaddiessendanunstoppablerobot
backintimetokillhismotherbeforeheisborn.TheTerminator
isthegreatscifihorroractionfilm,weddingideasfromold
OuterLimitsepisodesandPhilipK.Dickstoriestotherelentless,
rollercoasterpacingofHalloween.ArnoldSchwarzenegger
becameascreeniconinthisversionofhisclassicrole(heis
muchbetterasanevilterminator),wipingoutdiscosfullof
dancersorpolicestationsfullofcopsinasinglemindedsearch
forSarahConnor(LindaHamilton,withanalarmingperm)and
graduallylosinghumanshapetoappearasaStanWinston
roboskeleton.WriterdirectorJamesCameron,redeeming
himselfafterPiranhaII,launchedhiscareerarguably,the
constraintssuitedhimbetterthantheunlimitedfundshe'shadon
subsequentmovies.ReadReview

307.MidnightCowboy(1969)

Director:JohnSchlesingerBittersweet,Oscarwinningdrama
withJonVoight'scowboyhustlerstrugglingtomakeitintheBig
Apple,onlytofindaweirdkindofsolaceinthecompanyof
showstealingDustinHoffmanasshrewishbumRatsoRizzo.
JohnBarry'smusicinjectsmemorablepathos.ReadReview

306.IndianaJonesAndTheLastCrusade
(2007)

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Director:StevenSpielbergSpielbergendeavouredtomixitup
forthis,thelightestoftheIndyquartet.AddingSeanConneryas
awisecrackingJonesSr.wasatriumph,althoughthequestfor
theHolyGrailfeelsabitformulaic.ReadReview

305.ThePrestige(2006)

Director:ChristopherNolanInthewakeofTheDarkKnight,this
twistedtaleofwarringVictorianmagiciansappearsmoreofa
sideattractiononNolan'sgrimcanon.Still,it'sgorgeoustolook
at,evenifthe'cleverness'ofitsendingremainsopentodebate.
ReadReview

304.RadioDays(1987)

Director:WoodyAllenMadetowardstheendofAllen'searly,
funnyphase,thisisasweetnaturedhomagetothebigband
daysofearlyradio,beamedacrossAmericathroughtubsized
Magnavoxradios.Slight,byhisearlystandards,butevocative
andlovableallthesame.ReadReview

303.Together(2000)

Director:LukasMoodysonThefilmthatmadeMoodyssonthe
hipkidofnewSwedishcinemaisanythingbutBergman
reinvented.Setina'70sStockholmcommune,it'slightonits
feet:anendearinglyfizzypictureofthestruggleforhuman
expressioninacrowdof'individuals'.ReadReview

302.TheBestYearsOfOurLives(1946)

Director:WilliamWylerThisprescientdramatacklesthere
adjustmentofreturningservicemen.Perhapsalittledatedinits
pressedemotions,GreggToland'sKanelikedeepfocusstill
givesitawonderfullymemorablelook.ReadReview

301.LoveAndDeath(1975)

Director:WoodyAllenWoodyinhiscomedicprimeexitsNew
YorkfortheverdantbattlefieldsofRussianliteratureinthis
hilariousmashupofTolstoy,Chekhov,DostoevskyandAllen's
plaintiveJewishoneliners.ReadReview

300.SawdustAndTinsel(1953)

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Director:IngmarBergmanThroughthestructureofatravelling
circus,Bergmanpreoccupieshimselfwiththetormentsofmarital
jealousyhowapartnerssexualpastcancastshadowsonthe
present.TheSwedishauteurratherlivinguptohismordant
clich...

299.ThePalmBeachStory(1942)

Director:PrestonSturgesThisbitofscrewballSturgesmagic
concernsitselfwithmaritalfidelitybeneaththelureofmoney.An
improbableinspirationforIndecentProposal.ReadReview

298.LeCercleRouge(1970)

Director:JeanPierreMelvilleMelville,thatbelovedmasterof
Frenchnoir,deliversamorallymurkycrimestoryofhonour
amongpokerfacedthieves,andcorruptionamonghardened
cops.ReadReview

297.ItHappenedOneNight(1934)

Director:FrankCapraAnotherjustlycelebratedCaprafablehas
snappyheiressClaudetteColbert,ontherunfromhercosseted
life,hititoffwithcynicalreporterClarkGableinsearchofjust
thiskindofstory.ReadReview

296.AllThePresidentsMen(1976)

Director:AlanJ.PakulaTheWatergatescandaltoldwithrazor
sharpintelligencefromtheperspectiveofWoodwardand
Bernstein(realisedviatheopposingstylesofDustinHoffman
andRobertRedford)arguablythebestfilmabouttheFourth
Estate.ReadReview

295.TheUntouchables(1987)

Director:BrianDePalmaMadewithallofDePalmasstylistic
brio,butanchoredbyDavidMametssteelyscript,thisisthe
gangsterepicascomicbookfable.ReadReview

294.TheRedBalloon(1956)

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Director:AlbertLamorisseOneoftheworldsmostfamous
shorts,echoingJeanPierreJeunetsfairytalestyle,asasmall
boyisstrangelypursuedbytheballoonhesforcedtoabandon.

293.LaMamanEtLaPutain(1973)

Director:JeanEustacheNavelgazingParisiantypespuffon
GauloisesinmurkycafswhiletakingtheFreudianroute
throughlifefallinginandoutoftheircomplexlovelives.Ifit
soundsirritating,itsactuallylovely.ReadReview

292.LaBelleEtLaBte(1946)

Director:JeanCocteauPerhapsanticipatinghisadult
audiencessuspicionofafairytaleadaptation,
poet/artist/directorJeanCocteauopenshissurreal(inthetrue
sense)takeontheBeautyAndTheBeastfablewitha
reasonableenoughrequest:Iaskofyoualittlechildlike
simplicity.Ifthatseemsunnecessarytomodernviewerslong
familiarwithBurton,GilliamorindeedDisneyssmarteroutput
(includingitsownversionofthestory,whichowesmuchtothis),
considerthatCocteauwasaddressingapopulaceonlyrecently
liberatedfromNaziruleinacountrydevastatedbywar.Of
course,LaBelleEtLaBteitselfisneitherchildlikenorsimple.
Cocteausfairytaleworldisrenderedwithbaroqueopulence(a
youngPierreCardinworkedonthecostumes)andbreathesa
creepy,nightmarishatmosphere.Ingenioustrickshotsconjure
suchunsettlingwondersasselflightinghandcandlesandeye
rollingstatuesthentheresthelionesqueBeasthimself(the
astonishingJeanMarais),whosehandseerilysmokewhenhes
drawnblood.Italsotingleswithsexualenergythroughout,
packedwithenoughhintsandwinkstohavemadeevenDr.
Freudhimselfblush.Certainlynotoneforallthefamily.Read
Review

291.RoccoAndHisBrothers(1960)

Director:LuchinoViscontiItalianneorealismagogoasa
widowandherpettybroodtrytoeekoutanewlifeinMilan.If
lowonorderlyplot,itburstswithrichcharactersandturbulent
emotions.ReadReview

290.Rashomon(1950)

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Director:AkiraKurosawaUnforgettablesamuraieramemory
gamesfromtheJapanesemasterasacrimeisreplayedfrom
fivedifferentviewpoints.ReadReview

289.JohnCarpentersTheThing(1982)

Director:JohnCarpenterPerhapsitwasCarpentersfusionof
scifiandhorror,orRobBottinsbodyshockFX,orspikyKurt
Russell,orthepredictionoftheAIDSepidemicinthealienvirus
plotline,butthisremakegetsinyourheadandneverbudges.
ReadReview

288.WhoFramedRogerRabbit(1988)

Director:RobertZemeckisAtechnicalmarvel,butwejustloveit
forputtingDaffyandDonaldinthesamescene...ReadReview

287.SecretsAndLies(1996)

Director:MikeLeighLeighsadoptiondramaisfullofnativewit
(Youvegotafacelikeaslappedarse),greatperformances
(especiallyBrendaBlethyn),andatouchingsenseoftheebb
andflowofreallife.ReadReview

286.LAvventura(1960)

Director:MichelangeloAntonioniTheultimatearthouseflick.A
couplegoinsearchofamissinggirl,butthemysterybecomes
anexcusetoexplorealienation,crackingpsychesandbarren
landscapesinslow,strikingimages.Masterful.

285.Solaris(1972)

Director:AndreiTarkovskyLikeEventHorizon,Solarisseesa
spacestationcrewgodoolallywithhallucinations.UnlikeEvent
Horizon,itispainfullyslow,beautiful,andperhapstheclosetsci
ficinemahascometotheprofundityofscifiliterature.Read
Review

284.Scarface(1983)

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Director:BrianDePalmaDePalmashymntogangsterexcess
(violence,swearing,whitesuits)istakentoevenfurtherheights
byPacinoonbarnstormingform.Itisalsothederigueur
favouritefilmofanypremiershipfootballer.ReadReview

283.Ran(1985)

Director:AkiraKurosawaAKdoesTheBardsKingLear(with
sonsratherthandaughters)withsomeofthedirectorsgreatest
battlesequences,butalsodeliversatellingmeditationonloyalty,
revenge,powerandwar.ReadReview

282.TheGodfatherPartIII(1990)

Director:FrancisFordCoppolaThemuchderidedCorleone
threequelfindsitswayontothelist,perhapsthroughresidual
loveforthefirsttwo.Still,itsalotbetterthanyourememberit.
EspeciallyAndyGarcia.ReadReview

281.InterviewWithTheVampire(1994)

Director:NeilJordanAnneRicesvampirechroniclesgettheA
listtreatment,withTomandBradasbickeringbloodsuckers.
Sexy,gory,voluptuousandstrangelyhypnotic.Bestthinginit:a
veryyoungKirstenDunst.ReadReview

280.MadMax2(1982)

Director:GeorgeMillerTheRoadWarrior(themuchcoolerUS
title)makesthefirstmovielooklikeCBeebies,boastingtruly
whiteknucklecarmageddon.AndforgetaboutRiggs
RockatanskyisGibbosfinestcreation.ReadReview

279.NationalLampoonsAnimalHouse
(1978)

Director:JohnLandisThegrossoutcomedy,butstillwitha
keensenseofsatireforUScampusrituals.Letsfaceit:thisis
whytogaparties,foodfightsandroadtripsaresodamned
attractive.ReadReview

278.CarlitosWay(1993)
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Director:BrianDePalmaPacinoshinesastheeponymousex
con,DePalmamountsanotherterrificrailwaystationsetpiece
andDavidKoeppsscriptthrowssuchcoollinesas,"Youthink
yourebigtime?Youregonnadiebigtime!"

277.OnTheTown(1949)

Director:StanleyDonen,GeneKellySailorson24hourshore
leave.Thepursuitofapinupgirl.NewYorkinthe40s.IfOn
TheTownisntthemostfamousmusical,itisperhapsthemost
archetypal.Createdbythemusicalgalcticos(Kelly,Donen,
Sinatra,Bernstein),theclassicpremiseisembroideredwith
greatnumbers(NewYork,NewYork,PrehistoricMan,thetitle
song),ballsyinnovation(itwasthefirstmusicaltopartlyshooton
location)andsomeofthemostmuscular,inventive
choreographyevercommittedtocelluloidinAnnMiller,Kelly
foundthatrarething:adancerwhocouldmatchhimstepfor
step.BetweenthesongsKellymakesthecentralromance
affecting,BettyComdenandAdolphGreensscriptsparkles
(DidyouseeTheLostWeekend?Yes,Imlivingthroughit!),
andforgetNewYorkthewholethinghasenoughenergyto
gettothemoon.Andback.ReadReview

276.LayerCake(2004)

Director:MatthewVaughnThefilmthatmadetheBritgangster
genrerespectableoncemoreturnedtheworldontoDaniel
Craig,whoplaysitsnamelessdrugdealer,andmarkedMatthew
Vaughnasacinematictalentbeyondtheproducerschair.All
that,andSiennaathersexiest.ReadReview

275.MyNeighbourTotoro(1988)

Director:HayaoMiyazakiTwogirlsmovetothecountryand
havemagicalencounterswithwondrousforestsprites.Miyazaki
ingenteelandlanguidmode,butdeeperandwithoutthe
familiarityfactorofSpiritedAway.

274.SinCity(2005)

Director:RobertRodriguez,FrankMillerForgetChaucerthis
Millerstaleisblackandwhitebutbloodredallover,ashisbone
crunching,bonerinducing,morallybankrupthypernoiruniverse
isrealisedlikeacomicbookat24fps.ReadReview

273.TheMalteseFalcon(1941)

Director:JohnHustonHustonsfirstfilmasadirectorandstill
hisbest,inwhichBogartsSamSpadeslapsdames,crackswise
andsolvescrimesinaplotthatisgloriouslyunfathomable.Read
Review

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272.TheBirdWithTheCrystalPlumage
(1970)

Director:DarioArgentoFeaturesaglovedmurderer,kinkysex,
luridcolours,politicsandagreatsetpieceinvolvingaglass
cage.VintageArgento,then.

271.PeeWeesBigAdventure(1985)

Director:TimBurtonBurtonsdebutisaBicycleThievesforthe
80s,asPaulReubensmanchildquestsforhismissingbike.A
liveaction,eyepoppingcartoon.ReadReview

270.TheDeathOfMr.Lazarescu(2005)

Director:CristiPuiuIfDieHardhasexplosions,thisRomanian
masterpiecehasfalteringbureaucracyandstomachpains,asa
dyingOAPisrefusedadmittancetonumerousBucharest
hospitals.Black,bleaklyfunny,brilliantlyKafkaesque.Read
Review

269.APlaceInTheSun(1951)

Director:GeorgeStevensNottheChannel4foreignproperty
showbutGeorgeStevenscharacterstudyoftheAmericanmale
inmeltdown(asuperb,poignantMontgomeryClift),underpinned
withmasterlyfilmmakingcontrol.ReadReview

268.TheLadyVanishes(1938)

Director:AlfredHitchcockAnolddeargoesmissingonboarda
BalkanExpress,settinginmotioncinemasgreatestrailway
romp.Makingthemostridiculousplotengaging,Hitchcockhas
rarelybeenmoreblissfullyentertaining.ReadReview

267.CrimesAndMisdemeanors(1989)

Director:WoodyAllenWoody'sbestsincehisManhattan
heyday,it'sasophisticated,ambitious,darkmeditationon
murderandguiltthatstillmanagestobeuproariouslyfunny.To
wit:"Astrangeman...defecatedonmysister.""Why?"Read
Review

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266.GhostWorld(2001)

Director:TerryZwigoffAzerodegreetakeontwisted
adolescence,asoddballgirlsThoraBirchandScarlett
Johanssonenterthebig,wideworld.Blacklycomic,it'sasaving
graceforfreaksandgeekseverywhere.ReadReview

265.A.I.ArtificialIntelligence(2001)

Director:StevenSpielbergSpielbergchannellingStanley
KubrickdoesPinocchioinadystopianfuture.Achallenging
hybridofsentimentandwonder(SS)andcoldnessand
perversity(SK).PerhapsthemostfascinatingfilmofSpielberg's
career.ReadReview

264.AmericanGraffiti(1973)

Director:GeorgeLucasLucas'lovelettertocruising,rock'n'roll
andgrowingupisthefirstandbestFourFriendsAtA
Crossroadsmovie.Warm,funny,wise,andlightyearsaway
fromStarWars.ReadReview

263.DasBoot(1981)

Director:WolfgangPetersenThemostclaustrophobicfilmon
thislist,chartingtheadventuresofGermanUboatU96.A
superblycraftedexerciseinnerveshreddingtension,compelling
characterisationandtheminutiaeofsubmarinelife.Read
Review

262.TheVirginSuicides(1999)

Director:SofiaCoppolaDebutanteCoppolasretellingofJeffrey
Eugenidesnovelfivesistersengageinasuicidepactis
theperfectcallingcardforherdreamy,lyricalstyle.GreatAir
score,too.ReadReview

261.RomanHoliday(1953)

Director:WilliamWylerThemoviethatgavetheworldAudrey
Hepburn,thischarmingtaleofaEuropeanroyalgoingAWOLin
RomeandfallingforGregoryPeckisinvestedwithmaximum
magic.ReadReview

260.FieldOfDreams(1989)

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Director:PhilAldenRobinsonAbeguiling,Capraesque
baseballfantasythatgetsitssentimentjustright,anchoredby
KevinCostnerontopform.Ifyoubuildit,wewillcome.Andcry
buckets.ReadReview

259.GroundhogDay(1993)

Director:HaroldRamisThegreatesthighconceptcomedyof
themodernera.Ramis,BillMurrayandco.minethesimpleidea
ofhavingtorepeatasingledayoverandoverforallitsworth.
"Peoplearemorons."ReadReview

258.TheBluesBrothers(1980)

Director:JohnLandisThebestinrhythmandbluesmeetsthe
bestinspectacularcarcrashactionmeetsthebestincult
sunglasswearingcharacters.ReadReviewPickuptheissuefor
PhilipWilding'strackbytrackbreakdownoftheBluesBrothers
soundtrack

257.TheBlackCat(1997)

Director:EdgarG.UlmerTwoofhorrorsmostloomingicons,
BelaLugosiandBorisKarloff,unitedforthispostWorldWarI
commentarywrappedinacloakofterror.

256.LeQuaiDesBrumes(1938)

Director:MarcelCarnSopervadingisthegloominCarns
chronicleofadoomedFrencharmydeserterthathewaspartly
blamedforFrancefailingtofightoccupationduringthewar.
ReadReview

255.Ninotchka(1939)

Director:ErnstLubitsch"Garbolaughs,"saidthetagofthis
romcom.Anditwastherelaxingofherusuallyhaughtyfaade
thatmadethiscementanicon.ReadReview

254.TheVerdict(1982)

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Director:SidneyLumetLumetsreturntothecourtroomworks
asacompanionto12AngryMen.Wherethefirstsimmered,
thisreleasesallthetensioninbombastictrialscenes,playedwith
gustobyPaulNewmanReadReview

253.FirstBlood(1982)

Director:TedKotcheffBeforeRambobecameaboutgoreand
sportwithgoatcarcasses,itwasaportraitofamanwhoonly
knowshowtobeawarrior,evenwhennobodywantsone.Read
Review

252.TheLeopard(1963)

Director:LuchinoViscontiItstemptingtowonderhowViscontis
epicmasterpiecemighthaveturnedouthadLaurenceOlivier,
thedirectorsfirstchoiceofleadingman,metwithhisproducers
approval.Probablynobetterthanitalreadydoes,whichisto
payanenormouscomplimenttoBurtLancasterwho,againstall
expectations,bringsawealthofdignityandpathostothetitle
roleofPrinceDonFabrizioSalina,aSicilianaristocratand
patriarchstrivingtopreservehisfamilysprosperityinthefaceof
approachingrevolutionandtheimpendingdeathoftheoldorder.
NotalltheplauditsbelongtoLancaster,ofcourse.Viscontis
directionisasambitiousandvisuallyinspiredasever,
particularlyinthe45minuteballroomscenethatactsasthe
filmselegiaccoda.ReadReview

251.Darling(1965)

Director:JohnSchlesingerThisbitchyJulieChristievehicle
flaggeduptheshallownessofcelebritylongbeforeParisHilton.
ReadReview

250.Sunrise(1927)

Director:F.W.MurnauAstandardpotboileraboutaman
pushedtobumpoffhiswifebyaseductressiselevatedto
dreamlikeintensitybythevisualbrillianceofMurnau.Read
Review

249.MyDarlingClementine(1946)
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Director:JohnFordFordstakeonWyattEarpwithHenry
FondaasthelegendaryTombstonesheriffisunapologetically
poetic,concerningitselflesswiththeO.K.CorralthanEarps
friendship/rivalrywithVictorMaturesDocReadReview

248.PandorasBox(1929)

Director:GeorgWilhelmPabstEvenifyoudontknowthefilm,
youllknowtheimageofpouting,bobhairedLouiseBrooks.This
storyofadoomedwomanisasymphonyofstyle.ReadReview

247.AllThatJazz(1979)

Director:BobFosseFossewasoneofthemostexcitingtalents
inmusicals,andthisisnonemoreFosse,giddywithinvention
andtakingasmanylibertieswiththegenreasMoulinRouge!.
ReadReview

246.ThePhiladelphiaStory(1940)

Director:GeorgeCukorThequintessentialmovietheydont
makeanymore.Canyouimaginethreebetterpeopleforalove
trianglethanCaryGrant,KatharineHepburnandJimmy
Stewart?Evenifyouthinkyoucan,youcant.ReadReview

245.Downfall(2004)

Director:OliverHirschbiegelWithhisfeaturedebut,the
shockingDasExperiment,GermandirectorHirschbiegelarrived
astheEuropeanfilmmakertogetexcitedabout.Notonetosteer
clearofcontroversy,implicitlyDasExperimentwasaboutthe
riseoftheNazis,andforhisnexttrickhewentthewholehog
depictingHitlersfinaldaysinhisBerlinbunker,theFhrer
tippedintoahyperbolicfrenzybythefallofhiskingdom.Giving
evilahumanface,Hirschbiegeldaresuseventosympathise
withthecollapsingReich.Thatis,untilyouseeFrauGoebbels
icilypoisonherownchildren.ItmakesHirschbiegelscrashand
burninHollywoodTheInvasionallthemoregalling.Read
Review

244.DazedAndConfused(1993)

Director:RichardLinklaterTheplot,suchasitis,concernsthe
lastdayofschoolin1976Texas,butitsRichardLinklaters
capturingofteenagehangupsthatgivesthiseternallylikable
filmcultclassicstatus.ReadReview

243.Heimat(1984)

Director:EdgarReitzTherunningtimeis924minutes.Ittakes
thatlongtotellthestoryof20thcenturyGermanythroughone
familydrama.PartOnewassaidtobeoneofKubricksfavourite

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filmsyouwontbebored.Youmight,however,needthetoilet.
ReadReview

242.KingKong(1933)

Director:MerianC.CooperandErnestB.SchoedsackA
pioneerinspecialeffects,it'salsoanargumentthateffectsdont
matter.Yes,theapeisclearly,tothemoderneye,acrudely
animateddoll,butyouretooconvincedbyKongasacharacter
tonotice.ReadReview

241.BrightonRock(1947)

Director:JohnBoultingIfyouthinkofRichardAttenboroughas
thatavuncularwhitebeardedgent,watchhiminthisseedy
adaptationofGrahamGreenesnovelaboutatwobitcrimgoing
todastardlylengthstoconcealamurder.Genuinelyterrifying.
ReadReview

240.ForrestGump(1994)

Director:RobertZemeckisOnemansheartwarmerisanother
mansschmaltz,butitsimpossibletodenythecraftonshowin
Zemeckisstoryofasimpletonwhocanthelpbutsucceed.Read
Review

239.CinemaParadiso(1988)

Director:GiuseppeTornatoreThissaunteringchronicleofa
boysloveforcinemaandalocalprojectionistshouldquiverthe
lipofanytruebluemovielover,particularlyinitsmontageof
bannedkisses.Andthenthewonderfulendingshouldleaveyou
awreck.ReadReview

238.RequiemForADream(2000)

Director:DarrenAronofskyIfPishowedthatAronofskywasfull
ofideas,hisfollowupshowedwedidntknowthehalfofit,with
thedirectorstoyboxoftechnicaltricksprovidingthefilmsbig
buzzamidagrippingpessimism.ReadReview

237.Delicatessen(1991)
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Director:JeanPierreJeunetandMarcCaroJeunetandCaro
are,ofcourse,veryodd,buttheirattentiontodetailinthistaleof
loveandcannibalismiswonderful.LikeTerryGilliamwithmore
heartandabrighterpalette.ReadReview

236.BlackNarcissus(1947)

Director:MichaelPowellandEmericPressburgerTheplot
concernsagroupofnunsintheHimalayas,toilingagainstcold
forceswithoutandlustyforceswithin,butitstheimagesthat
makethisessential.Astonishingvisualstorytelling.ReadReview

235.BattleRoyale(2000)

Director:KinjiFukasakuSchoolkidswearingexplosivecollars
forcedtofighttothedeath?Fukasakuspicisaforceful
commentonadolescentalienation.ReadReview

234.TheBourneUltimatum(2007)

Director:PaulGreengrassIfyouwatchthethirdintheBourne
trilogyclosely,youllnoticethatPaulGreengrassneverstopsthe
actiontotellthestory.Theactiontellsthestory.Nowthatis
popcornfilmmaking.ReadReview

233.IndianaJonesAndTheTempleOf
Doom(1984)

Director:StevenSpielbergConsideredalesserIndy,thesequel
stillhasbagstorecommendit.Theopeningisthebestofthe
trilogyandIndyactuallywinsinthisone.ReadReview

232.JurassicPark(1993)

Director:StevenSpielbergSodtheeffects.Groundbreakingas
ILMsdinosaurworkmightbe,itwouldmatterlittleifSpielberg
hadntengineeredafearsomelytense,whiteknuckleridearound
IslaNublarsmainattractions.ReadReview

231.ShaunOfTheDead(2004)

Director:EdgarWrightItsrareforacomedyhorrortobeboth
funnyandfrightening,butEdgarWrightmanageditinhiswildly
populardebut.ABritishfilmthatshowswevegotfarmorethan
bonnetsandgangsterstooffertheworld.ReadReview

230.HowlsMovingCastle(2004)

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Director:HayaoMiyazakiAsurprisingMiyazakitohaveinthe
list,giventhosethatdidntmakeit.Butevensecondtier
Miyazakioutdoesmostotheranimation,andthemysticismof
DianaWynneJonesnovelperfectlyfitsthedirectorsdream
logic.ReadReview

229.Festen(1998)

Director:ThomasVinterbergTheDogmemanifestoisperfectly
appliedinthisleanstoryofdarkfamilyaccusationsatdinner.
Strippingeverythingbacktoitsbarebonespullsfocusontothe
smallestaction.ReadReview

228.NoCountryForOldMen(2007)

Director:JoelandEthanCoenAruthlesslyefficientthriller,and
proofthatnoonemakescrimemoviesquiteliketheCoens.How
manyotherdirectorscouldmakeanassassininaDeliaSmith
wigterrifying?ReadReview

227.Lon(1994)

Director:LucBessonFamiliarterritoryforBesson,butmade
intosomethingspecialduetoacertainchildperformance...
ReadReview

226.Romeo+Juliet(1996)

Director:BazLuhrmannItsclearthatgenerationshavebeen
immunisedagainstShakespeareindullEnglishlessons,given
thatthisdizzilypacedromanticepicistheonlyShakespeareon
thelist(RandoesntusetheBardsdialogue,evenintranslation).
Itclearlytakesalottogetpeoplepastthatprejudice,but,by
recolouringtheactioninMexicankitschandfilmingwiththe
franticenergyofinfatuation,Luhrmannmanagedit.Hemade
Shakespearecool,remindingusthatthisisastoryaboutteens
inlove,defyingtheirparentsandpickingfights.His
interpretationopenedthewayforShakespeareproductionsboth
morefaithfultotheoriginaltextandmoreoutrageousintheir
staging.Perhapsforournextlist,peoplewillallowanother
coupleoftheBardsworksintothefoldReadReview

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225.GetCarter(1971)

Director:MikeHodgesBleakandbrutal,theiconicand
archetypalBritgritthrillerretainsagrubbyauthenticity.Michael
Caineshowsadmirablylittleregardforhisimage,playingan
antiherowhostheepitomeofhatefulcool.ReadReview

224.DistantVoices,StillLives(1988)

Director:TerenceDaviesSoundslikekitchensinkmiserablism,
butDaviesautobiographicaltaleoffamilylifein50sLiverpoolis
unmatchedinitsvisuallyricismwithaferociousperformance
fromPetePostlethwaite.

223.Safe(1995)

Director:ToddHaynesJulianneMooreisawomanwhocould
beallergictoherenvironment...Safeisntjustabouther
condition,thoughwiththemesofloneliness,dissatisfactionand
fearofthemodernworld,itsaboutours.ReadReview

222.MotherAndSon(1997)

Director:AleksandrSokurovARussiancinepoemmeditating
onmaternallove,thetransienceofexistenceandthebondsof
time.StuckbetweenAnimalHouseandSouthPark:Bigger,
Longer&Uncutonmostcriticslists.ReadReview

221.McCabe&MrsMiller(1971)

Director:RobertAltmanSounconcernedwithWesterntropesof
glamour,excitementandgunfights,andyetoneofthemost
engagingportraitsoffrontierlifeoncelluloid...Youveembraced
AltmansAmerica.ReadReview

220.FarFromHeaven(2002)

Director:ToddHaynesBestappreciatedbyadmirersofDouglas
Sirks50smelodramas,Hayneshomageismoreexplicitbutstill
emotional:astoryofrepression,desireandhopeforfractured
lives.ReadReview

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219.TheOutlawJoseyWales(1976)

Director:ClintEastwoodItsnothardtoarguethisisClints
finestbehindcameraworkwerejustsurprisedmanyofhis
moviesdidntmakethe500.Here,EastwoodmakeshisMan
WithNoNamepersonatrulyhuman,whileoffering(hesays
unintentional)involvingcritiqueonVietnam.ReadReview

218.Mr.HulotsHoliday(1953)

Director:JacquesTatiLikeMr.BeansHoliday.ButinFrench.
AndwithoutRowanAtkinson.Anditsreallyfunny.Okay,notlike
MrBeansHolidayatall.Exceptithasholidayinthetitlegiveus
that.ReadReview

217.TheMagnificentSeven(1960)

Director:JohnSturgesCanyourememberallseven?Really?
Getapieceofpaperandwritethemdown.Youwillgetsix,
unlessyoucheat.Goon,doit.Writeinifwerewrong.Read
Review

216.SundayBloodySunday(1971)

Director:JohnSchlesingerChartingtheendofan
unconventionalaffairPeterFinchandGlendaJacksonarein
lovewiththesamemanSchlesingerspictureisgentlytragic:
anuncompromisingvisionofcompromisedlives.

215.JackieBrown(1997)

Director:QuentinTarantinoUnderratedonrelease,QTsthird
hasagedbeautifullyappropriategivenitscharactersare
facingmiddleage,regretandlastchances.ReadReview

214.ArmyOfShadows(1969)

Director:JeanPierreMelvilleMelvillerecountseveryday
heroismandhorrorsinauniqueWorldWarIIthriller.Feelstrue
becauseitis.ReadReview

213.SongsFromTheSecondFloor
(2000)

Director:RoyAnderssonAcriticsfavouritefouryearsinthe
makingandvirtuallyimpossibletodescribe,thoughslapstick
IngmarBergmancomesclose...Canyouimaginesuchathing?
No?Thengoseeitforyourself.

212.M(1931)

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Director:FritzLangAGermancityisterrorisedbyHansBeckert
(PeterLorre),apudgyyoungmanwhocompulsivelywhistles
GriegsHallOfTheMountainKingasheapproachesthechildren
hemurders(and,itisimplied,molests).FritzLangsfirstsound
filmisanincrediblyinfluentialpsychothriller,establishing
conventionsstillusedbyserialkillermoviesasitintercutsthe
murdererspatheticlifewiththeinvestigationofhisoutrages.
WhileLorreprovidesahorriblysympatheticfocusforthefilm,
Langshowshowhiscrimesaffecttheentirecityeven
promptingprofessionalcriminalstotrackhimlikeananimal
throughthestreetsafterBeckertdrawsaninconvenientpolice
presence.

211.MoulinRouge!(2001)

Director:BazLuhrmannAwhirligigofsong,danceand
romance.TheskillwithwhichLuhrmannstitchestogetherbizarre
buteffectivecoverversionsofpopclassicsisextraordinarythe
shockisstillthewaythatKidmanandMcGregoranchorthe
theatricalitywithemotion.ReadReview

210.Platoon(1986)

Director:OliverStoneBornoutofhisownexperience,Stones
searingexposoftheVietnamWarremainsthemostauthentic
picturetocomeoutoftheconflict."Y'allknowaboutkilling?I'd
liketohearaboutit."ReadReview

209.LocalHero(1983)

Director:BillForsythThethemeofcapitalismversuscommunity
meansForsythsflickretainsitsrelevancetoday,whilethe
talentedensemblecastneverletquirksovercometheir
characters,ensuringthissmalltowncomedyischarmingwithout
beingtwee.ReadReview

208.TheDeparted(2006)

Director:MartinScorseseRemakesareofteninfernalaffairs
thisoneliterallyso,smartlycastingJackNicholsonasamobster
MephistophelesinapicturethatfinallysnaggedScorsesean

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overdueOscar.Yourvotesproveitwasntpurelyasentiment
drivenaward,though.ReadReview

207.TheMisfits(1961)

Director:JohnHustonPerhapsasurpriseinclusion,givenits
notgenerallyconsideredHustonsbestpicture,butholdsaplace
inheartsasthefinalfilmofbothromanticleads:MarilynMonroe
andClarkGable.ReadReview

206.TheExorcist(1973)

Director:WilliamFriedkinObviouslyherebecauseitsa
broodingmeditationonfaith,fearandthechallengesofchild
rearing...Notbecauseofthewholeunfortunateonanismwitha
crucifixincident.Ortheextremeprofanity.Orthepeasoup...No.
ReadReview

205.TheAddiction(1995)

Director:AbelFerraraChristopherWalkenisavampirevein
drainingisadrugmetaphorAbelFerraraisanarthouseand
exploitationauteur.ReadReview

204.TheBrideOfFrankenstein(1935)

Director:JamesWhaleBorisKarloffreturnsasTheMonsterin
Whalesexpressionisminflectedhorror:asiconicanddistinctive
asitsantiheroineslightningstreakedhair,andwaybetterthan
theoriginal.ReadReview

203.LifeOfBrian(1979)

Director:TerryJonesThePythonsoriginallyintendedtoskewer
Christianityuntiltheyreadthegospelsanddecided"wehave
noquarrelwithMr.Christ".Theirsecondfeatureactually
evisceratesreligiousbigotryandhypocrisy.Andisfunnyashell.
ReadReview

202.TheKiller(1989)

Director:JohnWooActionatitsmostextravagantandimpactful,
triggeringanEasterninfluenceonHollywood.Apologies,but
Empireislegallyobligedtonoteitsspectacular"bulletballets".
ReadReview

201.JFK(1991)

Director:OliverStoneStonesdissectionoftheassassination
thatscarredthe20thcenturyfeelsnutritiousbutneverdidactic.
The"magicbullet"monologuedeliveredmasterfullybyKevin

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CostnerobliteratestheWarrenCommission.Conspiracy?
Youbetterbelieveit.ReadReview

200.BeforeSunrise(1995)

Director:RichardLinklaterThesoppy/sophisticatedtwohander
playsasaffectingtributetoyounglove,lentrealemotionalheftin
retrospectbythenineyearslatersequel.ReadReview

199.TheTexasChainSawMassacre
(1974)

Director:TobeHooperADIYshockerthatprefiguredtorture
pornby30years...Lessbloodandbutcherythanyouactually
think,butitshowthetoneandtexturemakeyoufeel:violated,
terrified,exhilarated.ReadReview

198.Fargo(1996)

Director:Joel&EthanCoenThehomespunmurderstorythat
finallywroughttheBrothersKookOscarrecognition,andthough
their"itstrue"claimsprovedmischievous,Frances
McDormand'swarm,uptheduffrozzermakesitfeelreal.Read
Review

197.PointBreak(1991)

Director:KathrynBigelowBeforeNeotherewasJohnnyUtah:
young,dumbandfullofcomeon,cantyouspotthesubtext?
beauty.Surfinandstealin,buddybeefcakesKeanuReevesand
PatrickSwayzeforgetheultimatebromance.ReadReview

196.Amlie(1999)

Director:JeanPierreJeunetJeunet'sperfectlypitchedlittle
charmerisoneforwistfulromanticseverywhere.Italsooffersan
objectlessoninhowtobeabetterperson.Towit...ReadReview

195.ItsAWonderfulLife(1946)

Director:FrankCapra**TheultimateChristmasmovie,and
Caprasmostenduringevenifitwasafloponrelease.Read

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Review

194.BicycleThieves(1948)

Director:VittorioDeSicaAnimpoverishedfathersjobdepends
onhisbicycle,whichsomestreetbastardsteals.Onan
increasinglydesperateSunday,trailedbyhisyoungson,he
triestogetthebikeback.DeSicasneorealistbreakthroughis
asmuchweepieassocialdrama.Theclimaxstillmakesstrong
mencrybuckets...ReadReview

193.EdWood(1994)

Director:TimBurtonBurtonandJohnnyDeppcollaboratetotell
thestoryoftheworldsworstfilmmaker,butelevatehimtoheroic
statusbyexploringhisworldofmisfitsandcutpricemagic.
ReadReview

192.Eraserhead(1977)

Director:DavidLynchArare70sfilmcompletelydivorcedfrom
itstimesthesolemnlylostHenry(JackNance)wouldbeas
outofplaceanywhereasheisintheindustrialpocketuniverse
ofthefilm.ReadReview

191.BrokebackMountain(2005)

Director:AngLeeGaylovestory,endofthetrailWestern,
auteurworkfromLee,faithfulliteraryadaptationandshowcase
fortwohotmalestarsof2005.Notbad.ReadReview

190.Big(1988)

Director:PennyMarshallThesedays,whenaTomHanksfilm
comeswitha)anAcademyAwardwin,b)aDirectedBySteven
Spielbergcredit,andc)MegRyan,itseasytoforgetwhata
greatcomedicactorthemanis.Andperhapsthestandoutofhis
comedycanonisBig,thebest80sbodyswapmovie,directed
byMarshallandwrittenbyanotherSpielberg(sisterAnne).
HanksbeautifullyplaysJoshasakidplayinganadult,never
losingsightofthechildishdelightsandinsecuritiesofbeing
young.Thesedays,hemayspecialiseineverymenunder

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enormousduress(CastAway,TheTerminal)buthereheisdeft,
lightfingeredandultimatelyextraordinarilymoving.ReadReview

189.Ghostbusters(1984)

Director:IvanReitmanImagineNationalLampoondoingH.P.
Lovecraft,withahitthemesong.ThisseesBillMurrayathis
driest,SigourneyWeaverinaslit,redeveningdress,andthe
StayPuftMarshmallowManinvadingNewYork.ReadReview

188.SchoolOfRock(2003)

Director:RichardLinklaterLinklatersmostcommercialoutingto
dateis,appropriately,hismostpopularmainlythankstohis
surprisinglyunannoyingschoolkidcastandthefactthathe
allowsJackBlacklooseintheactor/comedian/musicians
comfortzone.ReadReview

187.TheBigCountry(1958)

Director:WilliamWylerAcowboyepic,memorableforGregory
PeckslengthyfistfightwithCharltonHeston(inarare,
interestingbadguyrole)andexpansivevisionsofwide,open
spacesaccompaniedbyamemorablehitthemetune.Read
Review

186.United93(2006)

Director:PaulGreengrassThesimplestandmostaffecting9/11
film.PaulGreengrassrecreatestheevents,focusingonthe
fourthplanewhichdidntstrikeitstarget,inanausteremanner
asathrumoftensionbuilds.ReadReview

185.PathsOfGlory(1957)

Director:StanleyKubrickWithrecenteventsinIraq,the
relevanceofPathsOfGlorygrowsyearonyear.KirkDouglas
excelsasColonelDax,defendingthreesoldiersupforcourt
martial,tocoverupamilitarymistakeonWorldWarIsWestern
Front.ThefilmwasbannedinFranceuntil1975,yetisfarmore
antiestablishmentthanitisantiwarorantiFrance.Ifunsung
Kubrick,itsthefirstmovietorevealthedirectorstruecolours,
blessedwithacool,intellectualthrill,spareeconomical
characterisationandprecisetrackingshots.Cementing
KubricksrelationshipwithDouglas,itledtohimtakingover
Spartacus,butmoreimportantly,inthesmallroleofGerman
Singer,KubrickfoundChristianeHarlan,whobecamehiswife
upuntilhisdeath.Sometimes,warisswell.ReadReview

184.DirtyHarry(1971)

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Director:DonSiegelThegreatClintcoppicture,introducing
soullessSanFranciscodickHarryCallahan,onlybearable
becausetheguyheisafterisevenworse.Featuresthebest
badgetossingsinceHighNoon.ReadReview

183.LeSamourai(1967)

Director:JeanPierreMelvilleLaSamouraiisthefigureheadof
Melville'scareer,thestoryaloneassassin(AlainDelon)whose
rigidcodeisundonebytheunforeseenarrivaloflove.It'sa
stalwartthemenow,butnofilmhasdoneitsosparelyand
tragically.

182.Performance(1970)

Director:DonaldCammell,NicRoegRoegandCammellfused
sensibilitiesasmuchasgangsterJamesFoxandrockerMick
Jaggerdointhisacidtingedfreakout.ReadReview

181.BeyondTheValleyOfTheDolls
(1970)

Director:RussMeyerNudiefilmmakerMeyerrunsriotwitha
studiobudget,assaultingJacquelineSusann'strashnovelwith
dementedbrioandkookilysquarepsychedelia.ReadReview

180.ToKillAMockingbird(1962)

Director:RobertMulliganAquiet,careful,affectingadaptionof
HarperLee'snostalgicnovel.RobertDuvallmadean
unforgettabledebutasneighbourhoodbogeymanBooRadley.
ReadReview

179.ToyStory2(1999)

Director:JohnLasseterOneofthebestsequelsever,ithas
moreaction,spotlightsfreshnewcharacterswhiletakingthe
establishedonesintonewterritory,anddiscoverssomething
tragicinachildgrowingoutoftoys.ReadReview

178.Hellzapoppin'(1941)

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Director:H.C.PotterOneofthedarnedestfilmsevermade,and
atemplateforthewhocaresifitmakessensesolongasit's
funny?modeofcomedy.ReadReview

177.CityOfGod(2002)

Director:FernandoMeirelles,KtiaLundAconfident,
complicatedepicfollowingdecadesofcriminallifeinaRiode
Janeirofavela,thisisconsiderablymorethan'theGoodFellasof
Brazil'.ReadReview

176.ACanterburyTale(1944)

Director:MichaelPowell,EmericPressburgerPowelland
Pressburger'sleastunderstood,mostmagicalfilm.Itsstorymay
beincoherentand'unpleasant',butitscharactersandmoodsare
unforgettableandendlesslymysterious.ReadReview

175.Rushmore(1998)

Director:WesAndersonMaxFischer(JasonSchwartzman)is
thesortofkideveryschoolhas,butwhowashithertounseenin
teenmoviesasmart,semigeekyboywhopolarisestheschool
bybeingatoncedisturbinglyweirdandafashionleader.Read
Review

174.SupermanTheMovie(1978)

Director:RichardDonnerBelievingamancanflyisonlyhalfof
itDonnertookacomicbookcharacterseriouslyandcame
upwithfourdifferentstyles(scifi,nostalgia,romcom,special
effectsaction)toreachthebroadestdemographic.ReadReview

173.Memento(2000)

Director:ChristopherNolanThatrarething,atrulyoriginal
thriller.Toldbackwards,adevicewhichNolanalreadyworking
withdarkdetectivesandconjuringtrickshandleswithflair.
ReadReview

172.TheWizardOfOz(1939)

Director:VictorFlemingForgetthenoplacelikehomecopout
attheendandenjoyJudy'sheartbreakingOverTheRainbow,
themanyclassiccharactersandthe"horseofadifferent
colour".ReadReview

171.BriefEncounter(1945)

Director:DavidLeanOneofthemovies'greatestromancesis
understatedandunconsummated.WriterNoelCowardcamps

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slightly,butDavidLeanandthestarsmeaneveryperfectly
enunciatedsyllable.ReadReview

170.LaHaine(1995)

Director:MathieuKassovitzKassovitz'sdebut,andhismoment
ofglory:afantasticallyshottaleoffriendshipandviolenceonthe
streetsofsuburbanParis.You'dneverhaveguessedhe'dgoon
tomakesillyVinDieselfilms...ReadReview

169.Viridiana(1961)

Director:LuisBunuelAstrikingexerciseinblasphemy,downto
thesacrilegiousrecreationofLeonardo'sLastSupper.Read
Review

168.Tootsie(1982)

Director:SydneyPollackDustinHoffmanmakesagreat
statementforfeminismbydressingupasawomanandrealising
thattheydon'thaveagreattimeintheentertainmentindustry.
ReadReview

167.Don'tLookNow(1973)

Director:NicRoegArty,scary,sexy.Anairofdread,unrelieved
bythefamoussexscene,paidoffwithoneofthescariestserial
killersincinema.ReadReview

166.Goldfinger(1964)

Director:GuyHamiltonGoldfingergetsSeanConnery's007
awayfromtheColdWartoplaywithgonadtargetedlasers,
gildedgirls,madmillionaires,killerbowlerhatsandHonor
Blackman'sPussy.ReadReview

165.PartieDeCampagne(1936)

Director:JeanRenoirAbrieffeature,abandonedbyJean
Renoirduringthe1930sbutrevisitedandeditedtogetherafter
theWaratrifle,perfectlyplayedandwithalovely,riverside

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feel.Renoirclaimedhemadeitsolelytotakecloseupsoflead
actressSylviaBataille.

164.TheSearchers(1956)

Director:JohnFordJohnWaynesmagnificentandterrifying
obsessionistotrackdownhiskidnappedniece.Ford'sistoturn
theWesternintoAmericanpoetry.ReadReview

163.TheBridgeOnTheRiverKwai
(1957)

Director:DavidLeanAnintelligenttaleofmisguidedpride
amongagroupofBritishPOWswhohavebeencooptedinto
buildingarailwaybridgefortheJapanesearmy,thisisLean
mixingepicvisualswithtruecomplexity.ReadReview

162.ANightmareOnElmStreet(1984)

Director:WesCravenAnewbreedofcinematickillerwho
literallyclimbedinsideyourdreams,FreddyKruegerwasatruly
scarycreation,withCravenriffingonalmostJungianfearof
whatsleepmightbring.ReadReview

161.TheYearOfLivingDangerously
(1982)

Director:PeterWeirItstestamenttothepowerofWeirs
superiorpoliticalthrillerromancethatitwasbannedin
Indonesia,whereitseventstakeplace,until1999.Starringa
nevermoredashingMelGibsonasforeigncorrespondentGuy
HamiltonandSigourneyWeaverasBritishEmbassyofficialJill
Bryant,itssetduringanattempted1965coupagainstthebrutal
Sukarnoregime.OftencomparedtoCostaGavrasMissing,
releasedthesameyear,itbrilliantlycapturestheknifeedge
tensionofitssetting.Itisalsonotableforoneofthemost
extraordinaryperformancesofthe80sactressLindaHunts
portrayalofamaleChineseAustraliandwarfnamedBillyKwan.
Itwasarolethat,quiterightly,wonheranOscar.ReadReview

160.BeingThere(1979)

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Director:HalAshbyHeartfeltcomedyandbitingsocialsatire
withPeterSellers(inhislastrole)asChance,aguilelesschild
manwhosesimplepronouncementsontendingagardenare
takenasprofoundinsightsintothenatureoftheworld.

159.TheRoyalTenenbaums(2001)

Director:WesAndersonAndyouthoughtyourfamilywas
crazyAndersonseccentric,hilariousandmovingdramedy
abouttheworldsmostdysfunctionalclanisalmosttooquirkyfor
itsowngood.Almost.ReadReview

158.Unforgiven(1992)

Director:ClintEastwoodClinthadbeenmessingwiththe
WesternmythsincehefirstchewedacigarforSergioLeone,
buthereheexplodedit,hismoody,complexmasterpiecedealing
unblinkinglywiththefrontiersugliest,mostviolentside.Read
Review

157.TrueRomance(1993)

Director:TonyScottWorkingfromQuentinTarantinosscript
andsurroundinghimselfwiththecreamofHollywoodshipelite,
Scottseyeforvisualtomfooleryhasneverhadabetterfitthan
withthisdeliriouscrime/lovestory.ReadReview

156.SavingPrivateRyan(1998)

Director:StevenSpielbergFromtheshockinglyvisceral
NormandyLandingsopeningtothefinaldevastatingbattleina
destroyedFrenchvillage,Spielbergsepicredefinedhowcinema
shouldinterpretthebattlefieldsofhistory.ReadReview

155.Badlands(1973)

Director:TerrenceMalickLooselybasedonthereallifemurder
spreeofCharlesStarkweatherandCarilAnnFugate,Malicks
debutisatributetotheuntamedwildernessandahazyodeto
crazylove.ReadReview

154.BettyBlue(1986)

Director:JeanJacquesBeineixTheoriginaltitleforthissteamy
Gallicthrillertranslatedas37C,TwoInTheMorningsums
itallup.Hot,sweatyandpassionate,itcouldntbemoreFrench
ifittried.ReadReview

153.TheInnocents(1961)

Director:JackClaytonBasedonHenryJamesTheTurnOfThe
Screw,ClaytonspsychologicalGothichorrorisamasterpieceof

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subtleimplicationoverblatantgore.Thishasastrongshoutas
Blighty'sbestchiller.

152.BoogieNights(1997)

Director:PaulThomasAndersonTheriseandfallofaskinflick
entourageisexploredinintimatedetailinAndersonsstar
studdedhomagetothesuccessandexcessesofthe70sporn
industry.Moreafilmaboutfamilythanruttingoncelluloid.Read
Review

151.Gladiator(2000)

Director:RidleyScott"Areyounotentertained?"WithRussell
Croweinfullonwrongedwarriormode,Scottevokingthelost
majestyofancientRomeandmorebloodyviolencethanyoucan
shakeatridentat.Yes,weare.ReadReview

150.TheFrenchConnection(1971)

Director:WilliamFriedkinBasedontheinfamousdrug
traffickingcaseofthesamename,Friedkinselectric,
documentarystylethrillerisagrittytriumphofstyleand
intelligentplottingbolsteredbyacareerdefiningturnfromGene
HackmanascommittednarcPopeyeDoyle.ReadReview

149.TheRedShoes(1948)

Directors:MichaelPowellandEmericPressburgerBasedon
thestorybyHansChristianAndersen,P&P'staleabouta
womanborntodanceandthevarioustragediesthatbefallheris
asbeautifulasitisheartbreaking.AtrueBritishmasterpiece.
ReadReview

148.Z(1969)

Director:CostaGavrasAthinlyfictionalisedaccountofthe
assassinationofademocraticGreekpoliticianin1963,Costa
Gavras'respectedfilmtakesaswipeatGreekpoliticsandthe
militarydictatorshipthatruledthecountry.

147.Notorious(1946)
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Director:AlfredHitchcockHitchcock'ssaucy(forthetime)
thrillerstarsCaryGrantandIngridBergman,whoexcelasa
governmentagentandasocialitewhobecomeentangledduring
anespionageoperation.ReadReview

146.Shampoo(1975)

Director:HalAshbyWhileitwassetduringaperiodof
extraordinarygovernmentalstrife,thisNixonerasatireismore
concernedwiththearenaofsexualpolitics,asWarrenBeatty's
cockyhairstylistshagshiswayaroundthewivesoftherichand
famous.

145.Sophie'sChoice(1982)

Director:AlanJ.PakulaAdifficultstorytoldwithsuitable
reverence,Pakula'staleoftheultimateCatch22scenariomay
bedifficulttowatch,butitsureisrewarding.Notleastforsome
solidgoldStreeping.

144.ThereWillBeBlood(2007)

Director:PaulThomasAndersonVerylooselybasedonUpton
SinclairsnovelOil!,thistaleofgreedandreligionisallabout
oneman.DanielDayLewisperformanceisapowerhouse
strongenoughtoclearoutallthemtharhills...Idrinkyour
milkshake.IdrinkitUP!ReadReview

143.CyranoDeBergerac(1991)

Director:JeanPaulRappeneauTheresamomentinthis
sumptuous17thcenturyswashbucklerthatsumsupwhythe
doughyfacedGrardDepardieuisastarandasexsymbol.
Blessedwithafiercetalentforbothwarandwords,hisCyrano
isalsocursedwithanosethatprecedeshimby15minutes
sohedaresnotconfesshisloveforthebeautifulRoxane(Anne
Brochet).Aftersheaskshishelptoprotectthegorgeousboy
sheloves,andcommendshisbraveryinrecentlydefeating100
men,assherushesout,hemutters,Oh,Ivebeenbraversince
then,withsuchquietheartbreakinhisvoicethatitdmakea
stoneweep.ThestorysbeentoldmanytimesasSteve
MartinsRoxanne,TheTruthAboutCats&Dogs,evenRatatouille
butRappeneausepicisthetruesttakeonEdmondRostands
famousplay.Itmaybemelodrama,sweepingratherthan
creepinginitsconclusions,butitsathingofbrash,glorious,
poignantemotion.ReadReview

142.AlmostFamous(2000)

Director:CameronCroweAsemiautobiographicaltaleabout
sex,drugsandRollingStonebasedonCameronCrowes

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teenagememories,thisistorocknrollwhatGoodFellaswasto
gangsters.ReadReview

141.SnowWhiteAndTheSevenDwarfs
(1937)

Director:DavidHandHollywoodsfirstfulllengthanimated
feature,SnowWhitestillworksandstillwhistles.Enoughtomake
olUncleWaltproud.ReadReview

140.AsGoodAsItGets(1997)

Director:JamesL.BrooksWithacatalogueofmisanthropes
andpsychopathsfillinguphisrsum,JackNicholsonfitsthe
roleofbrashobsessivecompulsiveMelvinUdalllikeaglove,and
itshiswinningdepictionofamanfightinghisownneurosisthat
actuallyhumanisesit.

139.BlowOut(1981)

Director:BrianDePalmaPlayinglikeTheConversationwith
addedsoundeffects,DePalmasparanoiapackedpiecefinds
JohnTravoltasmovieeffectstechnicianaccidentallycapturing
audioevidenceofanassassinationplot.ReadReview

138.CoolHandLuke(1967)

Director:StuartRosenbergWhilecinemahistoryischockfullof
renegadetypeswholovetobuckthesystem,noneareascool
asLuke.PaulNewmanathischarismatic,blueeyedbest.Read
Review

137.DancesWithWolves(1990)

Director:KevinCostnerInitiallythoughttobeacostlyfolly,
Costnerputhiscareeronthelineforthisfrontierepicandwas
justlyrewarded.ItisaWestern,certainly,butalsoaromance
betweenamanandanideaoflostAmerica.ReadReview

136.Amadeus(1984)

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Director:MilosFormanThegeniusWolfgangAmadeusMozart
isabumptiousrube,whichisagonyforthelesserlygiftedbut
ohsoawarecomposerAntonioSalieri.ReadReview

135.DuckSoup(1933)

Director:LeoMcCareyTheMarxBrotherstooktheiranarchic
comedytoawholenewlevelwiththisdeliriousblendofphysical
foolishnessandastonishingwordplay.Itmarkedtheendoftheir
timeatParamount,butwhatawaytobowout.ReadReview

134.Seven(1995)

Director:DavidFincherFincherwentfromthemanwhoruined
theAlienfranchisetothedarlingofshockcinema,withthis
extraordinaryserialkillerhit.Itwasntjusttheamoraljoltofthe
twistendingthiswasatableauofGothichorrorandspiritual
unease.ReadReview

133.DoubleIndemnity(1944)

Director:BillyWilderFredMacMurrayandBarbaraStanwyck
plotmurder,butBillyWildermakessuretheysufferforitwith
Stanwyckathersexiest,cracklingRaymondChandlerdialogue,
andaperfectmixofscaldingsunshineandtheshadowedL.A.
night.ReadReview

132.Pan'sLabyrinth(2006)

Director:GuillermodelToroGuillermodelTorofusespersonal
andcommercialinterestswithataleofthepoweroffairytale,
evenagainstthegrimmestofpoliticalsettings:theSpanishCivil
War.ReadReview

131.TheLastOfTheMohicans(1992)

Director:MichaelMannLushhistoricaladventurewithDaniel
DayLewissomethingbetweennoblesavageanda17thcentury
RamboastrapperheroHawkeye.Manngetsanauthenticfeel
andrealexcitementoutofcanoechases,woodlanddashes,
swooningromance,tomahawks,bloodyscalping,andfirework
displaybattles.ReadReview

130.TheManWhoWouldBeKing(1975)

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Director:JohnHustonInHuston'ssteady,callousedhands,this
RudyardKiplingyarnbecomesariproaringadventure,its
centralbuddybuddydynamicasentertainingasyoucould
expectfromthepairingofBritstalwartsConneryandCaine.
ReadReview

129.Harvey(1950)

Director:HenryKosterJamesStewart'sgenialalcoholictalksto
aninvisiblesixfootrabbit,butseemstheonlysanepersoninthe
film.Harveytherabbitenteredpopculture,andStewartrated
thishisbestroleifnotbestfilm.ReadReview

128.LostInTranslation(2003)

Director:SofiaCoppolaCoppola,MurrayandJohanssongain
enoughgoodwilltosustaintheircareersthroughrockydecisions
inthisperfectalmostromanceaboutafadingstaranda
neglectedwifebondinginaJapanesehotel.ReadReview

127.TheSting(1973)

Director:GeorgeRoyHillAwhollydelightfulromp,withcrisp
'30sfashionsandScottJoplin'sragtimemusicsettingoffthe'70s
glamourofRedfordandNewmanastwoarchgrifterspullingan
elaboratecontogetrevengeonscowlingRobertShaw.Read
Review

126.PatGarrettAndBillyTheKid(1973)

Director:SamPeckinpahArguablyPeckinpah'smasterpiece.
Sequencesofviolenceareinterspersedwithtenderlybeautiful,
melancholymoments,scoredbyBobDylansongs.

125.ABoutDeSouffle(1960)

Director:JeanLucGodardGodardsseminalNouvelleVague
movie.JeanPaulBelmondocopsBogartattitudeasacool,
viciouspettycrookJeanSebergmodelsamajorhaircutashis
Americangirlfriend,andParisjustshines.Atoncecleverand
exuberant.ReadReview

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124.TheSilenceOfTheLambs(1991)

Director:JonathanDemmeThefirstfilmtoscooptheOscars
andtheChainsawawards.Scrapethosesorrycashinsaway
andyoullfindadeeplyscarystudyinterror.ReadReview

123.AWomanUnderTheInfluence
(1974)

Director:JohnCassavetesAhousewifecracksupandmakes
appalling,randomverbalattacksonfamilyandfriends.The
camerahoverssoclosethatyouemergewithanuncomfortable
ideaofwhatitmustbeliketolivewiththiswoman.ReadReview

122.ThePrincessBride(1987)

Director:RobReinerThismaybethemostwidelyquoted
obscurefilminhistory,becauseitstheonethatevenyoursister
canreciteatlength.WilliamGoldmansperfectlyparodicscript
bothnailstheadventureandromanceofheroicadventureswhile
rippingthepissoutofthem.Itsfunny,itssmart,itsperfectly
cast,andhasimmense,unstoppablecharm.Withoutthis,no
Shrek,noEnchanted.DirectorRobReinermentionedona
recentcommentarythatoneofNewYorkkingpinJohnGottis
gangstersoncewalkeduptohimandquotedtheneverbettered,
Youkilledmyfather,preparetodienearlygivingthe
directoraheartattack.Ashesays,WhenoneofGottis
wiseguysisquotingyourlines,youknowyouvepenetratedthe
culture.Indeed.Theonlyquestionis,howonEarthisthis
outsidethetop100?ReadReview

121.LosOlvidados(1950)

Director:LuisBuuelOncedeemedaFrenchsurrealist,Buuel
reestablishedhimselfasaMexicanrealistthoughthistaleof
slumdelinquents,whichmakesEdenLakelooklikeTheRailway
Children,isasmuchhorrorstoryassocialdocument.

120.TheBattleOfAlgiers(1966)

Director:GilloPontecorvoAraretriumphofpoliticalcinema,
depictingcolonialoppression,terroriststrikesagainstcivilians,

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Westernoccupyingforcesresortingtotorture,andageneral
uprisingwithoutapparentlytakingsides.Stillvividandrelevant.

119.TheWagesOfFear(1953)

Director:HenriGeorgesClouzotFourlosersdrivetrucksloaded
withunstablenitroacrosstreacherousjungleroads.Ittakesafull
hourtointroduceitscharacters,beforeturningthescrews
unbearingly,twistingroundhairpinbends,overrockyground,
andintooilslicks.ReadReview

118.WithnailAndI(1987)

Director:BruceRobinsonTrulyfunny,trulycult:fanscanmouth
thewordsofRichardE.Grantsspeechesalongwithhim,
relishingeveryviperishturnofphraseandperfectlypronounced
curse.AbelovedBritishoddityneverrepeated.ReadReview

117.Miller'sCrossing(1990)

Director:JoelandEthanCoenTheCoensinDashiellHammett
gangsterterritory,recountingtheneartragedyofanhonourable
crookundonebyasinglegestureofmercy.Finneyseesoff
hitmenwithaThompsonwhilesmokingacigarandlisteningto
DannyBoyinabravurasequenceofCoenmagic.ReadReview

116.RioBravo(1959)

Director:HowardHawksHawksWesternisatonceroundabout
withtimeoutsforsongsandAngieDickinsonintightsand
amodelofsuspense,asJohnWayne,DeanMartinandWalter
Brennanholeupinatownjailbesiegedbythebadhats.Read
Review

115.BlazingSaddles(1974)

Director:MelBrooksBrooksinventedscattershotmovieparody
withthiscowboyoutrage(wegetlessgratefuleverytimeaMeet
TheSpartansorDisasterMovieopens).Highlights:aclassic
themesongandtheBenHurchariotraceofflatulencescenes.
ReadReview

114.TheConversation(1974)

Director:FrancisFordCoppolaAWatergateeraanalysisof
paranoidhightecheavesdroppers,itsalsoagreatthrillerwitha
cleverplottwistandariveting,underplayedcentralperformance
fromGeneHackman.ReadReview

113.Anchorman:TheLegendOfRon
Burgundy(2004)

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Director:AdamMcKayWillFerrellsbreakoutvehiclehomages
thefashion,musicandsexualpoliticsofthe70s,witha
smarmilyselfconfidentTVnewsreaderthreatenedbyafemale
rival.Majorplusitsnotaboutastupidsport.ReadReview

112.IAmCuba(1964)

Director:AlexanderPayneRussianhelmerKalatozov
unsurprisinglyrevealsthesourceofCubasacheforrevolution
viaaquartetofstoriessetinBatistasCuba.Yes,itsCommunist
propaganda,butalsoatechnicalmarvel.ReadReview

111.Fitzcarraldo(1982)

Director:WernerHerzogAcrazedKlausKinskibringsoperato
thejunglebypullingasteameroveramountain,obviously.As
ambitious,visuallystunningandplainoldinsaneascinemagets,
thisisHerzogsmasterwork.ReadReview

110.BeforeSunset(2004)

Director:RichardLinklaterBeforeSunrise,tenyearson.Celine
(JulieDelpy)andJesse(EthanHawke)meetagain,briefly,
gettinganotherchancetotalkaboutlove.Howmanysequelsare
madeforartisticreasonsandaddmeaning,ratherthanstripit
away?ReadReview

109.TouchOfEvil(1958)

Director:OrsonWellesAgrimybordernoirtopliningCharlton
HestonandJanetLeigh,butshowcasingdirectorOrsonWelles
inhisgreatestactingroleasagross,doomed,crookedcopwho
isstillatitanhobbledbylessermen.Readintothatwhatyouwill.
ReadReview

108.TheTreeOfWoodenClogs(1978)

Director:ErmannoOlmiAmasterpieceamong'suffering
peasant'films.VariousfarmersinLombardyhaveahardtime,
tingedbyeverydaywonder,astheyworkthelandintheearly
20thcentury.MikeLeigh'sfavourite.ReadReview

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107.AnAmericanWerewolfInLondon
(1981)

Director:JohnLandisLandisoffersastillamazingpreCGI
metamorphosis,observationsonBritishstrangeness,Jenny
Agutterintheshower,nightmareNazisandawittysetofmoon
themedsongs.ReadReview

106.AManForAllSeasons(1966)

Director:FredZinnemannHenryVIII(RobertShaw)slapshis
thighandbargesabouttheThamestryingtogetadivorce,while
consciencestrickenThomasMore(PaulScofield)lumbers
tragicallytowardsanappointmentwiththeaxe.ReadReview

105.OneFlewOverTheCuckoo'sNest
(1975)

Director:MilosFormanRepressionandrebellionsetinamental
hospital,adaptedbyCzechdirectorMilosFormanwithacool,
neardocumentarylook.Nicholsongivesakeynicholsonianrole,
takingonsoftlyspokensadistNurseRatched.ReadReview

104.TheRulesOfTheGame(1939)

Director:JeanRenoirBannedonitsoriginalrelease,Renoir's
cutting,supremelyentertainingdissectionofclassandlove(the
titlereferstoromance,asmuchasanything)isjustabout
perfect.PickuptheissueforfilmcriticJonathanRomney's
pieceonTheWagesOfFear

103.RearWindow(1954)

Director:AlfredHitchcockAsimpletechnicalexercise
makingawholefilminoneroomisgivenballsybravuraby
HitchcockasaterrificJamesStewartwitnessesamurder
throughhis,um,rearwindow.ReadReviewPickuptheissuefor
ourprofileonRearWindowactress,GraceKelly

102.TheHustler(1961)

Director:RobertRossenAcautionarytalemasqueradingasa
sportsmovie,thisiswhatlegendsaremadeofespecially
consideringPaulNewmansturnasFastEddieFelsonprovided
hisbreakthroughtothebigtime.ReadReview

101.RaisingArizona(1987)

Director:JoelandEthanCoenFortheirsophomoreeffort,those
versatileCoenboysswungfromthestarkchillsofBloodSimple
intoscrewballterritorywiththishyperactivecomedyof

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apocalypticbikers,serialrobbery,infantkidnap,andthevalueof
family.ReadReview

100.Network(1976)

Director:SidneyLumetLumetssatireoftelevisionsmoralshas
grownmorechillinglyrelevantwithage.PeterFinchsonair
breakdown,screamingatthecameras,enticestheaudience
ratherthanrepelsthem.ReadReview

99.ToyStory(1995)

Director:JohnLasseterAlandmarkinanimationasbeautiful
andsignificantasSnowWhite.Thepointwasntjustartby
computer,butastorytellingofwitandhumanitythattranslatedto
seeminglyeveryonealive.ReadReview

98.NorthByNorthwest(1959)

Director:AlfredHitchcockAdrollanddebonairCaryGrant
slalomsbetweenspyrings,suspiciousblondes,motherissues
andapsychopathiccropduster.ReadReview

97.ReservoirDogs(1992)

Director:QuentinTarantinoTarantinomixednoirstapleswith
spasmsofultraviolenceandawhirrofmetadialoguewhere
everythingwasgame,fromMadonnatoTheGreatEscape,to
createthepopculturalmovieeventofthe'90s.ReadReview

96.AmericanBeauty(1999)

Director:SamMendesAnintricate,brilliantlyacteddissectionof
dysfunctionalfamilylife,wunderkindMendesfirstmoviewas
wellrewardedwithahatfulofOscars.ReadReview

95.Yojimbo(1961)

Director:AkiraKurosawaThefinestexampleofKurosawaand
ToshiroMifunesastonishingpartnership,thetitlerolegivingthe
latterhismostlikablyruggedrogueincarnation.ReadReview

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94.TheWildBunch(1969)

Director:SamPeckinpahPeckinpahslamentforthedying
Westplaysonhisfavouritethememenoutofstepwiththeir
timeandembroidersitwiththemostmemorablebloodshed
imaginable.JohnWoooweshiscareertothis.ReadReview

93.SpiritOfTheBeehive(1973)

Director:VctorEriceAstoryofayoungSpanishgirl,the
aftermathofthecivilwar,FrankensteinsMonsterandafathers
obsessionwithbees,thisisatriumphofdreamlikestyle.And
oneofGuillermodelTorosfaves.ReadReview

92.OnceUponATimeInAmerica(1984)

Director:SergioLeoneIttookLeoneyearstorealisethis
chronicleofthelivesofJewishghettoyouths,andhecouldnt
quiteletitgointheeditingsuite.Still,itsamajesticdramathat
repaysendlessviewings.ReadReview

91.StarWarsEpisodeVI:ReturnOfThe
Jedi(1983)

Director:RichardMarquandTheweakestoftheoriginaltrilogy,
Marquandssendoffstilldoesmorethanenoughtoearnits
placeinmoviehistory.Thetriplestrandedclimaxismasterful.
ReadReview

90.WhenHarryMetSally(1989)

Director:RobReinerReinersromcomissweetnaturedand
oldfashioned,yetwithadeliciouslydirtystreakandgame
performancesfromBillyCrystalandMegRyan.ReadReview

89.Magnolia(1999)

Director:PaulThomasAndersonAnensemblepieceaboutthe
bondsthatbringadisparategroupofLosAngelinostogether,its
nocoincidencethatAndersonsinstantclassicislovedbyso
many.ReadReview

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88.FerrisBuellersDayOff(1986)

Director:JohnHughesThesportos,themotorheads,geeks,
sluts,bloods,waistoids,dweebiesanddickheadsalladorehim,
andsodowe.JohnHughesrighteousdudeisunquestionably
toocoolforschool.ReadReview

87.TheKingOfComedy(1983)

Director:MartinScorseseDeNirosRupertPupkinistheself
deludedyingtoTravisBicklessociopathicyang.Scorseses
satiricalanddeeplydiscomfitingblackcomedydeservesits
placeinthislistforitsdangerouslydesperateprotagonistalone.
ReadReview

86.Carrie(1976)

Director:BrianDePalmaMosthorrorsmaketheirfemalelead
theplucky,survivalistscreamqueen.Carriestandsoutby
makinghermeek,awkwardandresponsibleforsupernaturally
chargedmassmurder.ReadReview

85.BlueVelvet(1986)

Director:DavidLynchNeverhaveLynchsbeautifulandbizarre
visionsbeenmoreunsettlingthanhere,asheunearthsthedirt
thatliesbeneathaseeminglygenteelAmericansuburbia.Ata
stretchitsaformofneonoir.Thenagain,thisisLynch,and
definitionsneverstick.ReadReview

84.L.A.Confidential(1997)

Director:CurtisHansonJamesEllroyequallyknownasthe
demondogofcrimefictionandtheauthorofL.A.Confidential
onceadmittedthatifhedhadhisway,themovieofthethird
entryinhisdarklymagnificentLAQuartet(orthesecondentry
inhisDudleySmithTrio,ifyouprefer)wouldhavebeenshotin
blackandwhiteandbeenfourhourslong.Which,asintriguing
asthatsounds,onlygoestoshowthatsometimesitsagood
thingcreatorsmaintaina(dis)respectfuldistancefrom
adaptationsoftheiroutput.Afterall,CurtisHansonandBrian
HelgelandswelloiledretoolofEllroysdevilishlymanifoldtaleof
policecorruptionin40sHollywoodshouldbeheldupasthevery
pinnacleofnoveltoscriptrevisualisation:arobustreworking
withaneyeonthebeatsthatgiveeverygoodmainstreamdrama
itspulse,whilesensitivelyembracingtheoriginalsbittercore.
ReadReview

83.Brazil(1985)

Director:TerryGilliamWhiletheOrwellianinfluencesareplain,
theheartofthisdystopiancomedyispureGilliam.Thedesireto

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flyfreeofoppressivebureaucracyisthecruxofthisstory
andwhocantempathisewiththat?ReadReview

82.TheGreatEscape(1963)

Director:JohnSturgesAnallstarcast,atruelifetaleandone
ofthemostmemorablethemetunesofalltime,Sturgesbeloved
entertainmentsomehowcombinesBoysOwnthrillswiththe
harshbiteofwartimetruths.Digit.ReadReview

81.BatmanBegins(2005)

Director:ChristopherNolanNolansYearOnerebirthofthe
capedcrusaderisagrownupcomicbookmoviethatplacedthe
DarkKnighthimself,ratherthanhisgaudyfoes,wherehe
belonged...backinthespotlight.ReadReview

80.TheLifeAndDeathOfColonelBlimp
(1943)

Director:MichaelPowellandEmericPressburgerSlatedonits
originalreleaseforbeingdecidedlyunpatriotic,Powelland
Pressburgerssatirehasnowbeenrightfullyreassessedasa
classicwhichcouldntbemoreBritishifittried.ReadReview

79.TheThinRedLine(1998)

Director:TerrenceMalickMalicksstunningreturntofilmmaking
aftera20yearabsenceisbeautiful,thoughtfulandadmirably
uncommercial.AndHansZimmershauntingthemehasbeen
usedforadozentrailerssinceincluding,incongruously,that
forPearlHarbor.ReadReview

78.RosemarysBaby(1968)

Director:RomanPolanskiStillcreepyafteralltheseyears,
Polanskisefficientlycoldandcalculatingtaleofdevil
worshipping,nastyneighboursandlabourpainsshouldbe
mandatoryviewingforallsexeducationclassesthatdcut
downontheJunoeffect.ReadReview

77.Spartacus(1960)
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Director:StanleyKubrickKirkDouglasfailuretowinthetitle
roleinWilliamWylersBenHurspurredhimontomakehisown
Romanepic.HisinfluenceinhiringKubrickwasrewardedwitha
rousing,actionpackedandiconicswordnsandaller,nowthe
unmatchedemperorofthegenre.ReadReview

76.Manhattan(1979)

Director:WoodyAllenAblackandwhitelovelettertoNewYork,
Gershwinandthemessofrelationships,thisisAllenathismost
poignantbutfunny.ReadReview

75.AMatterOfLifeAndDeath(1946)

Director:MichaelPowellandEmericPressburgerDavidNiven
iswonderfulasayoungpilotwhoavoidsdeathduetoacelestial
bureaucraticcockup,whilePowellandPressburgersvisionof
heavenisstillcinemasgreatest.ReadReview

74.TheTreasureOfTheSierraMadre
(1948)

Director:JohnHustonJohnHustonsmanoamanothriller
(loadedwithstarkWesternovertones),starringHumphrey
Bogartasthegrizzledgoldprospectorwholetsgreedswervehis
moralcompass,isbackinfashionthankstoPaulThomas
Anderson.HeverypubliclycitedHustonsgrittyclassicasan
inspirationforhismasterfulThereWillBeBlood.Thusithasnow
becomeopenseasononcitingjusthowmanyfilmsTreasurehas
influenced,fromCitySlickerstoTrespass,fromTheWagesOf
FeartotheworkofSamPeckinpah,andtheresplentyof
BogartscynicalDobbsinIndianaJones.Nottoforgothe
pleasuresofHustonspowerfulfilminitsownrightstudioboss
JackWarnerconsidereditthebestfilmtheyhadevermade.
ReadReview

73.EternalSunshineOfTheSpotless
Mind(2004)

Director:MichelGondryCharlieKaufmanswarmestscript
probablyaccountsforhishighestchartposition.AddGondrys
skewedvisuals,anaffectingJimCarreyandanadorableKate
Winslet,andthisisQuirkGold.ReadReview

72.12AngryMen(1957)

Director:SidneyLumetWhereitallstartedforoneofAmericas
mostenduringdirectors,tappinghisTVrootsfora
claustrophobiccourtroomthrillerwithHenryFondastandingup
forthebestofAmerica.ReadReview

71.TheNightOfTheHunter(1955)
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Director:CharlesLaughtonThesolebehindthecameragigof
characteractorLaughton,apsychothrillershroudedinspectral
majesty,withamesmerisingactofevilfromanotherunderrated
actor,RobertMitchum.Chilll...dren?ReadReview

70.StandByMe(1986)

Director:RobReinerAcomingofageclassiccrucialtothe
makingofmanyofus,withonetimemultigenremasterReiner
coaxingawonderfulperformancefromRiverPhoenix,and
StephenKingprovidingthetruthfulsourcematerial.ReadReview

69.ThreeColoursRed(1994)

Director:KrzysztofKieslowskiInterlockinglivesandloves,the
natureofchance,theunlikelihoodofhappiness...Kieslowski
retiredinhisearly50safterthisfinalentryinhisColours
trilogyperhapsheknewhedneverequalit.ReadReview

68.AnnieHall(1977)

Director:WoodyAllenAthrillernamedAnhedoniatransformed
intoaromcomwheretheantagonististheleadsownneurosis.
MoredaringthanAllenisusuallygivencreditfor.Itsother
alternativetitle?ItHadToBeJew.ReadReview

67.TokyoStory(1953)

Director:YasujiroOzuMuchmoresoulfulandengagingthanits
arthouserepsuggests.Atender,tragicandtranscendentpicture
ofoldageignored.Watchitwithsomeoneyoulove.Read
Review

66.EdwardScissorhands(1990)

Director:TimBurtonAfterhebustedblockswithBatman,Burton
brokeheartswithperhapshismostpersonalpicture.The
romanceofarazorfingeredrecluseisgivenirresistibleinternal
strengthbyabreakoutperformancefromJohnnyDepp.Read
Review

65.HaroldAndMaude(1971)
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Director:HalAshbyWonderfultoseethisbizarre,bittersweet
lovestoryinthetopton,withRuthGordonandBudCort
soulmatesseparatedbyamere,um,60years.Themostunlikely
romanceyoulleversee.

64.Oldboy(2003)

Director:ParkChanwookPopularwithreaders,criticsandthe
mostunlikelyoffilmmakersCameronCrowelovesitthis
ferociousthrillerexplorestheappealandfutilityofrevenge.And
howtoeataliveoctopus.ReadReview

63.SunsetBoulevard(1950)

Director:BillyWilderThewriterdirectortearsoffthehandthat
feeds,attackingemptyheadedandheartedHollywoodwith
devastatingsatiricalsavagery.Abeautifulturn,too,fromthe
forgottenmanoftheGoldenAge,WilliamHolden.ReadReview

62.TheGraduate(1967)

Director:MikeNicholsCapturedanageofsimultaneously
emerginganddemolishedideals,asDustinHoffmanslovelorn
outsiderdiscoversthediscontentandsexualsimmerinsuburbia.
ReadReview

61.TheUsualSuspects(1995)

Director:BryanSingerElegantlyunspoolingChristopher
McQuarrieslabyrinthinescript,itsanonemoredeft
deconstructionofstorytellingthatsomehowretainsemotion.
ReadReview

60.ComeAndSee(1985)

Director:ElemKlimovUnderseenbutridinghighoncriticsand
filmmakerslists,thisistheRussianApocalypseNow,adizzying,
terrifyingportrayalofbrutalityandgenocideduringtheNazis
scorchedearthcampaignthroughBelorussia.

59.CloseEncountersOfTheThirdKind
(1977)
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Director:StevenSpielbergThemashedpotatomasterpiece,with
RichardDreyfussRoyNearyoneofSpielbergsmost
complicatedcreationsafamilymanwhoseselfishnessisout
ofthisworld.Loveit?Youarenotalone.ReadReview

58.HisGirlFriday(1940)

Director:HowardHawksRatatattatromanceasCaryGary
andRosalindRusselltradecomeonsandputdownsatan
extraordinaryscrewballpace,forafilmasfreshnowasitwas
wow68yearsagoReadReview

57.LawrenceOfArabia(1962)

Director:DavidLeanLeansmonumentalepicremainsatriumph
ofrepeateddiscovery.Itsdark,complicatedheartwillconfound
andinspireyoueverytime.ReadReview

56.CasinoRoyale(2006)

Director:MartinCampbellTheballsiestmakeoveranysagahas
everundergone,thisgoesbacktoBondsbeginnings,finding
previouslyskimpedIanFlemingelements,andfitstheherointoa
modern,postJasonBourneworld.ReadReview

55.LaDolceVita(1960)

Director:FedericoFelliniMarcelloMastroiannilooksbetterin
sunglassesthananyoneelseeverandAnitaEkbergwadesina
fountaininaspectaculareveningdress,embodyingthe
decadenceFellinisoenjoyscondemning.ReadReview

54.TheLordOfTheRings:TheTwo
Towers(2002)

Director:PeterJacksonThetrickymiddleone,thiscarries
forwardthestorybrisklytowardstherousingbattleofHelms
Deep,andbringsonthemocappedAndySerkisGollum,a
majoradvanceinCGcharacters(byebyeJarJar).Read
Review

53.DonnieDarko(2001)

Director:RichardKellyAn'80snostalgiahighschoolmoviewith
Lynchianatmosphericsandatimetraveltwist.Afilmto
constantlyrevisitbecauseitmakesyouthinkandfeelwhileyou
trytofigureoutthenuttynarrative.ReadReview

52.TheShining(1980)

Director:StanleyKubrickStephenKingislargelyignored,as
JackNicholsondescendsintoavisceralhellofhisownmaking,

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and,withastonishingvisualpower,Kubrickredefinesthehorror
genreashedidwithscifiand2001.ReadReview

51.81/2(1963)

Director:FedericoFelliniAfilmaboutadirectorwhocan'tmake
afilm,thismixeschildhoodflashbacks,doomedrelationships
betweenMarcelloMastroianniandgorgeouswomen,andFellini's
loveofcircusstylebizarros.

50.SevenSamurai(1954)

Director:AkiraKurosawaKurosawaborrowedfromJapanese
historyandJohnFordWesternstocreatethisepic,amazingly
influentialpicture.Along,complexbuilduppaysoffwithoneof
themovies'greatestbattlescenes.ReadReview

49.EvilDead2(1987)

Director:SamRaimiHowdidthishappen?Howdidalow
budgetschlockerthatmadebuggerallwhenitopenedin1987
finallygetitsownEmpirecover?Herearejusttenreasonswhy
EvilDead2isthe49thgreatestfilmofalltime1.SamRaimi:
young,brilliantandburstingattheseamswithideasforvirtuoso
cameramovesanddementedmontages.2.StarBruce
Campbell'sAsh:halfStooge,halfRambo.3.The
chainsaw/shotguncombo..."Groovy."4.There'sagleeful
disregardforconventionthroughout:thebreakneckfirstfive
minutesremaketheoriginalmovie.5.Highgorefactor:walls
spurtblood,eyeballslandinmouths.6.ThebitwhereAsh'shair
turnsgrey.Genius.7.It'shugelyinfluential(askEdgarWright
andLouisLeterrier).8.It'sgoofilyhilariousthepossessed
demonhandisahoot.9.ItsendingisperverseandPlanetOf
TheApesperfect.10.Oh,andithasalaughingmoosehead.
Everymovieshouldhavealaughingmoosehead.ReadReview

48.ThisIsSpinalTap(1984)

Director:RobReinerThisifyouwillrockumentaryfoundeda
newmodeofAmericanscreencomedy,andaddedmore
quotablesoundbitestotheculturethan20seasonsofThe
Simpsons.ReadReview

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47.E.T.TheExtraTerrestrial(1982)

Director:StevenSpielbergSpielbergturnshisparents'divorce
intoamagicalsliceofscifiasautobiography.Subtlekid
performances(especiallyHenryThomas)makeagreat
animatroniccreationevenmoreaffecting.ReadReview

46.OnTheWaterfront(1954)

Director:EliaKazanBrando'sTerryMalloymaybealandmarkin
screenacting,butEliaKazan'sstillstunninghymnto
individualismsetnewlevelsofrealism,findingenoughgritty
atmosphereandstreetpoetrytopower1,000episodesofThe
Wire.ReadReview

45.Psycho(1960)

Director:AlfredHitchcock"Weallgoalittlemadsometimes."
Hitchcockclaimedthiswasacomedyitdoesmakecruelfunof
everythingAmericansweresupposedtotakeseriouslyin1960:
psychology,cleanliness,moneyandmothers.ReadReview

44.Schindler'sList(1993)

Director:StevenSpielbergSpielberg'sOscarbreakthrough
striveshardforitsmasterpiecestatus,withmasterfulworkfrom
LiamNeesonandextraordinarilycomplexvillainyfromRalph
Fiennes.Ifithadsubtitles,you'dswearitwereaPolanskior
AndrzejWajdafilm.ReadReview

43.TheBigLebowski(1998)

Director:JoelandEthanCoenTheCoens'colourfultakeon
RaymondChandler'sLAnoiristheshaggiestofshaggydog
stories,andevidentlyJoelandEthan'smostenduringbyalong
shot.JeffBridges'WhiteRussiandowning'Dude'isaniconic
hero.ReadReview

42.KindHeartsAndCoronets(1949)

Director:RobertHamerEalingatitsmostentertainingly
contradictoryafilmofstyle,charmandVictorianliterary
eleganceabout(frankly)asocialclimbingserialkiller.An
exemplarofBritishgoodtastebuiltoncorpses,snobberyand
sex.ReadReview

41.The400Blows(1959)

Director:FrancoisTruffautJeanPierreLeaudisTruffautstand
inAntoineDoinel,hereanunhappychildtakingrefugeinthe
freedomofthecinemaandthebleaknessofpettycrime.
Thematicallygrim,butjoyousmoviemaking.ReadReview

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40.Vertigo(1958)

Director:AlfredHitchcockAmysterywhichtakessucha
sidetrackthattheunmaskingofthevillainisanirrelevance.
BeautifulKimNovakismysteriouslyhaunted,whileneurotic'tec
JamesStewartturnsworryinglyobsessive.ReadReview

39.TheMatrix(1999)

Director:AndyandLarryWachowskiMindwipethesequels
fromyourbrain,andrecallthemostsignificantsciencefiction
blockbusteroftheturnofthemillenniumevenKeanuReeves
wascool,andtheWachowskibrotherspioneeredbullettime.
ReadReview

38.Heat(1995)

Director:MichaelMannManndirectsoneofthebestshootouts
inthehistoryofcinemaandguidesanoutstandingsupporting
cast(rememberwhenValKilmerwasthisgood?)throughan
intricatecrimeplot.Buttheshowstopperissimplytwomajor
screenactorsAlPacino,RobertDeNirofacingoffovera
coffee.ReadReview

37.AClockworkOrange(1971)

Director:StanleyKubrickKubricksdystopiaofbowlerhatted
glamyobbosisasscarilyrelevantinaneraofASBOsandnogo
councilestatesasinthetimeitwasmade.ReadReview

36.AndreiRublev(1969)

Director:AndreiTarkovskyThisSovieteraRussianepic,which
madeAndreiTarkovskysinternationalreputation,dramatises
episodesinthelifeandtimesofamedievalmonkwithagiftfor
paintingicons.Uniquelyamongartistbiopics,thereareno
scenesoftheheroattheeaselandwedontseehisworkin
radiantcolourafterthreehoursofblackandwhiteuntilthe
veryendofthefilm.Indeed,Rublev(AnatoliSolonitsyn)tendsto
fadeintothebearded,weatherbeatencrowd(formuchofthe
runningtimehesunderavowofsilence)asvariousholyfools
commandattention.IfTarkovskysintenseargumentaboutGod,

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talentandthehumanconditionisaschillyasthesteppes,the
preCGIwidescreenspectacle,depictingcrowdsofpeopleand
animals,isoftenbreathtaking:thescreenfillswithKurosawalike
actionasTartarssackacathedraloramadwaifbossesamore
experiencedcrewastheyforgeachurchbell.ReadReview

35.Terminator2:JudgmentDay(1991)

Director:JamesCameronIfTerminatorwassuspense,T2is
spectacleArnieskillercyborgbecomingthebestever
combinationsurrogatedadandbodyguard,whileCGIcomesof
ageinhismorphingmetalnemesis.ReadReview

34.TheLordOfTheRings:TheReturnOf
TheKing(2003)

Director:PeterJacksonYes,ithastoomanyendings,butitfully
paysoffeverythinganyonecouldhavewantedofafinalact.
ReadReview

33.Alien(1979)

Director:RidleyScottAscifislasherfilm.ABidea,madegreat
byScottsgrimilyindustrialspaceprogramme,H.R.Gigers
obscenelybiomechanicalmonsterandSigourneyWeavers
sweatyfeminism.ReadReview

32.ButchCassidyAndTheSundanceKid
(1969)

Director:GeorgeRoyHillThecuddliestdownbeatWestern
succeedsoncannymiscasting.NewmanandRobertaredead
wrongasageingoutlaws,butperfectas1969defiantyouth.
ReadReview

31.GoneWithTheWind(1939)

Directors:VictorFleming,GeorgeCukor,SamWood
Exhaustingatleastthreedirectors,starsClarkGableandVivien
Leigh,megalomaniacproducerDavidO.Selznickdeliveredthe
epicofHollywoodsgoldenage.ReadReview

30.Aliens(1986)

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Director:JamesCameronWhereRidleyScottwasallabout
slowbuildingtension,JamesCameroncreatesawhirlwindof
purepanicandviolence.Probablythemostexcitingfilmever
made.ReadReview

29.DieHard(1988)

Director:JohnMcTiernanIsityippeekayyayoryippykayyay
oryippykiaye?Theargumentragesonandon.Motherfuckers.
ReadReview

28.CitizenKane(1941)

Director:OrsonWellesItmaycomeasajolttofilmhistorians
thatWelleshallowedclassic,soembalmedastheGreatestFilm
EverMade,hasonlyjustsqueezedintothetop30.Hastime
finallycaughtupwithit?WhileWellesachievementisneverin
doubt,itremainsafilmthatappealsmoretotheacademicand
criticthanthefilmfan,partlybecauseofitsreputation.Talkedof
withhushedvoicesandnoddingheadsbywisearbitersoffilm,
forthenonacolyteitcanfeellikeanenigmaawhopping
cathedralofamovie,aweinspiring,buttoovastandornateto
love.Ifthelistembodiesonlytechnicalprowessandthematic
powerthenitsdemotionisashock,butisitafriendforlife?A
comfort?Oncurrentshowing,perhapsnot.ReadReview

27.SomeLikeItHot(1959)

Director:BillyWilderTonyCurtisinadress.Isthistheoriginal
grossoutcomedy?Hardly,thoughtheCurtis/JackLemmon
dragacthasitsshareofgoofballgags.Onlynumber27?Well,
nobodysperfect.ReadReview

26.Dr.StrangeloveOr:HowILearnedTo
StopWorryingAndLoveTheBomb
(1964)

Director:StanleyKubrickIntendedasaseriousexplorationof
theColdWar,butthesuperpowersMADpolicy(Mutually
AssuredDestruction)wassoabsurd,ithadtobeacomedy.
ReadReview

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25.TheGoodTheBadAndTheUgly
(1967)

Director:SergioLeoneTheWestisbrutal,warishellandClint
Eastwoodisanicon.Laconicandperhapsplainirritatedby
clasheswithhiswild,geniusdirector,theTVstarcameofageas
TheManWithNoName.ReadReview

24.TheLordOfTheRings:The
FellowshipOfTheRing(2001)

Director:PeterJacksonThefearwastangibleatthepremiere
forFellowship,asRingsreadersworriedifJacksonwasuptoit.
Coursehewas.Andhow.Adashing,hugelyskilfuladaptation.
ReadReview

23.BackToTheFuture(1985)

Director:RobertZemeckisUnlikethepoodlepermoryourdad,
this80sclassichasagedremarkablywell.Weirdscienceand
teenagedreamscombineinawishfulfilmentscifilentheartby
thefantasticMr.MichaelJ.Fox.ReadReview

22.StarWarsEpisodeIV:ANewHope
(1977)

Director:GeorgeLucasItsasurprisetoseethesagastarter
thatarguablybirthedmodernblockbustersoutsidetheTop10.
EclipsedbyEmpire,thenthoughweshouldntforgethow
Lucasbravelybattlednaysayerstocreateagalaxyfar,faraway.
ReadReview

21.TheThirdMan(1949)

Director:CarolReedUnjustlyovershadowedbyOrsonWelles
showboating,Reedconstructsaclaustrophobic,thoughtful
thrillerfromGrahamGreenestrawlthroughoccupiedterritory
andmoralmurk.ReadReview

20.BladeRunner(1982)

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Director:RidleyScottDrenchedinneonandendlessrain,
Scottsstrikingprivateeyepictureenduresduetothescripts
strugglewithwhatmakesushuman.Canwestoparguing
whetherDeckardisareplicantnow?ReadReview

19.TheGodfatherPartII(1974)

Director:FrancisFordCoppolaEvencashinswerehighquality
duringthe70s.Coppolareluctantlyreturned,yetdelivereda
damningpictureinwhichPacinosmobstergainstheworldbut
loseshissoul.ReadReview

18.Casablanca(1942)

Director:MichaelCurtizBogeyandBergmanswartime
dalliancesomehowemergedasoneofHollywoodsmostloved
andmisquotedmoviesaidedconsiderablybyClaudeRains
wonderfullycynicalhumour.ReadReview

17.TaxiDriver(1976)

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Director:MartinScorsesePlayedno,livedbyDeNiro,
TravisBickleremainsafrighteninglyidentifiableoutsidericon
stalkingScorsesesslick,sickNYC.ReadReview

16.2001:ASpaceOdyssey(1968)

Director:StanleyKubrickBrilliant,befuddling:asciwhymovie
asintelligentasitispristine.ArthurC.ClarkeandStanley
Kubrickconjureanendlesslydebatableepic.Aneffects
landmark,too:noHAL,noStarWars.ReadReview

15.TheDarkKnight(2007)

Director:ChristopherNolanLedgersperformanceis
monumental.Bestcomicbookmovieever?Certainlythemost
talkedabout...ReadReview

14.OnceUponATimeInTheWest
(1968)

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Director:SergioLeoneThegreatestWesternofthemall,
accordingtothispoll.Andaworthyvictoritistoo,relocating
LeonescounterculturalSpaghettivisiontotheoldschool
grandeuroftheWest.ReadReview

13.Chinatown(1974)

Director:RomanPolanskiFiendish,perplexingnoirwithakiller,
bittertwist.SomehowbothaproductoftheMovieBrat70sand
alsostrangelytimeless,feelinglikeitbelongsinthegenres
heyday.ReadReview

12.TheApartment(1960)

Director:BillyWilderOneofthefascinatingquirksofthelistis
thehigherplacingforthisdarkerveinedcomedythanthe
bewiggedflamboyanceofsocalledfunniestfilmofalltime
SomeLikeItHot.Toarguebetweenthemrathermissesthepoint
(bothareexcellentandmustbeseen)whatstandsoutishow
TheApartmenthasgrowninstatureasoneofthediminutive
Hungarianmigrsfinestfilms.Onthesurface,itsthestraight
downtroddenboymeetsindifferentgirlformula,butWilder,who
skippedBerlinastheNazistookpower,camepossessedofa
moresavageviewoftheworldsworkings.JackLemmons
hypochondriacBaxterisafriendlesscorporateclimberthe
objectofhisaffection,ShirleyMacLaine,anunstableliftgirl
havinganaffairwiththeCEO.Theirmeanderingpathto
romancetwistsbetweennotionsofprostitution(corporateand
real)andevensuicide.Meetcuteitisnot.Yet,somehow,thefilm
remainsoptimisticabouttheirchances.ReadReview

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11.RagingBull(1980)

Director:MartinScorseseBruising,beautifulandanever
betteredshowcaseforDeNirosoncelegendaryphysical
immersionintoarole.Werenotjusttalkingabouttheweight
gain:lookintothoseeyesandtrytellingustheyreanyoneelses
butJakeLaMottas...ReadReview

10.FightClub(1999)

Director:DavidFincherItcouldhavejustbeenpremillennial
angst,butFinchersgrimlyironicepicofmaladjustedmasculinity
showsnosignoffading.ReadReview

9.PulpFiction(1994)

Director:QuentinTarantinoPerfectlyencapsulatingthe
absolutezerocooloftheIndiewoodscene.QThasyettobetter
itsexcessiveappeal.ReadReview

8.SinginInTheRain(1952)
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Director:StanleyDonenandGeneKellyAppropriately,the
highestscoringHollywoodmusicalisamusicalaboutHollywood
anadmirablyselfmockingoneatthat.ReadReview

7.ApocalypseNow(1979)

Director:FrancisFordCoppolaAmoviesolaudedanddebated
ithasamakingofstoryaswellknownasthefilmitself.Brando
andCoppolaaresurelycinemasultimateteaming.ReadReview

6.GoodFellas(1990)

Director:MartinScorseseWhereTheGodfatherpositioned
itselfinthedarkcorridorsofMafiosimanagement,GoodFellas
rollsaroundinbloodandsawdustontheshopfloor.ReadReview

5.Jaws(1975)

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Director:StevenSpielbergAh,thebigone.Jawsinfluencestill
bitesdeep(considerthatJawsona...pitchgag),itsmeldingof
populistshriekbaitingwithfinelynuanced,characterdriven
dramaensuringpopularitywithpunter,filmmakerandcriticalike.
ReadReview

4.TheShawshankRedemption(1994)

Director:FrankDarabontAperennialreadersfave,Shawshank
hasclearlymaintaineditsresoundingemotionalthrob.Itsarare
one,alright:ablokesweepie.Andalsothemoviethatspawneda
thousandMorganFreemanvoiceovers.ReadReview

3.StarWarsEpisodeV:TheEmpire
StrikesBack(1980)

Director:IrvinKershnerThemodernmovieclichisthata
sequelshouldbedarker.BlameTheEmpireStrikesBack,a
crowdpleaserthatdaredtoendwithadevastatingdouble

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whammy(IamyourfatherIloveyou/Iknow).Yetdont
forgetitsalsothefunniestentry,basingitsfinestaction
sequencesonaspaceshipthatkeepsbreakingdown...Read
Review

2.RaidersOfTheLostArk(1981)

Director:StevenSpielbergOftheSpielbergs,Jawsand
SchindlersListtraditionallyscoremorehighly,butitappears
thisyearsfinaljauntforthemaninthehathasrewhetted
appetitesforthepregopherIndy.Quiteright,toonoadventure
movieisquitesoefficientlyentertainingasStevenGeorgesB
inspiredblockbuster.ReadReview

1.TheGodfather(1972)

Director:FrancisFordCoppolaAwedding.Ahorseshead.A
guninarestauranttoilet.Sicily.Anotherwedding.Acarbomb.A
tollbooth.Orangepeel.Abaptism.Acloseddoor.ReadReview

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