Documenti di Didattica
Documenti di Professioni
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Studios ®
20
CONTENTS
4 Editor’s Note
Copyright © 2010 by Interweave Press, LLC, a division of Aspire Media, all rights reserved. Title registered ®
in U.S. Patent Office. The contents of this publication may not be reproduced either in whole or in part without
consent of the copyright owner. American Artist Studios is printed in the U.S.A.
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Studios EDITORIAL
®
EDITORIAL DIRECTOR
Michael Gormley
MANAGING EDITOR
Brian F. Riley
ity about the way artists pursue their creative process, and people want to peek ART
ART DIRECTOR
inside private work spaces. Other respondents said they needed more practical James B. Bogner III
advice about resolving issues that are common to artists’ workplaces. In response ASSOCIATE ART DIRECTOR
to both requests, we decided to make this issue even bigger than last year’s by Jill Burks
adding more information on lighting, floor covering, ventilation, furniture, stor- PUBLISHING
age, and waste disposal, and also by featuring more of the fascinating studios hid- PUBLISHER
David Pyle
den away in historic buildings, spread out behind adobe walls, and tucked away in
MEDIA SALES DIRECTOR
community centers. Jim McIntosh (513) 961-0034
In order to find another group of studios, I requested information on Facebook, MEDIA SALES MANAGER
Mary McLane (970) 290-6065
Twitter, and ArtistDaily.com. Those generated useful leads about converted recre- Suzanne Meyer (970) 685-0109
ation rooms, new additions, and specialized equipment. I also made trips to New AD TRAFFICKERS
Mexico, Hawaii, Illinois, Michigan, Pennsylvania, and Connecticut to personally Melissa Brown
Tina Rolf
inspect studios, sometimes in the company of a professional photographer. CIRCULATION DIRECTOR
This issue features several studios that were built a century ago, some of which Bob Kaslik
are still being used by painters and others that have been restored to their original CIRCULATION MANAGER
Sheila Derrington
condition. The historic spaces being used by Joan Potter and P. A. Nisbet in
MARKETING MANAGER
Santa Fe (pages 56 and 62, respectively) are especially interesting, because they Christan Humphries
provide documentation of the period when artists settled in the young state of PRODUCTION
New Mexico. And Carl Samson’s 1920s studio in Cincinnati has been a labor of PRODUCTION DIRECTOR
love since he bought it 10 years ago (page 106). Nancy M. Pollock
PRODUCTION EDITOR
We also present studios built or renovated in the past five years, and one Nancy Arndt
that was just completed. Sherrie McGraw and David A. Leffel opened their
spacious studios near Taos to photographer David Huff (page 68), and Heidi
Presse explains how she utilizes a recent addition to her Florida home (page
102). Arthur Egeli sent photographs just as he was putting the finishing touches FOUNDER, CREATIVE DIRECTOR: Linda Ligon
CEO: Clay B. Hall
on his California studio (page 124). CFO: Troy Wells
On the more practical side, William A. Schneider gives a detailed list of the VICE PRESIDENT, CONSUMER MARKETING: Bob Kaslik
VICE PRESIDENT, SALES & MARKETING: Stephen Koenig
design features, lighting, ventilation, flooring, and wall coloring that make his VICE PRESIDENT, PRODUCTION : Trish Faubion
Illinois studio a safe and comfortable place for him to paint and teach (page 88); VICE PRESIDENT, TECHNOLOGY : T.J. Harty
: David Pyle
and Christine Danylik Ivers shows what can be done when a downturn in the VICE PRESIDENT AND DIVISION PUBLISHER FOR ART AND JEWELRY
economy forces an artist to make better use of office space (page 118). Send editorial mail to American Artist magazine, 29 W. 46th Street, 3rd Floor,
New York, NY 10036.
I’ll soon be gathering leads for American Artist’s 2011 edition of Studios, so The contents of this publication may not be reproduced in whole or in part without
please let me know your suggestions. the consent of the copyright owner, Interweave Press, a division of Aspire Media.
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4 American Artist