) La mano destra, quando eseguisee In melodia, de ‘um poco pl forte della sinistra. @ Le main droite, oraquiele extoule In mélodicsdoit ower un ew plus fort que ta gauche. © Queste tre note debbone essere pockissimo staccato. © Ces trois notes trie now détachies. D om » pi tus Ou bien, plus Jacites @ to Si oviti deuoguite in questo modo staccato sia leve me continua, Boies eee win de joer dette fans SPBEREHEH staccato dott dire tdger mais continu, ® le © ares dots legate desrive i period musicale, la virgols seams In necouith @alzare la mano por yortaria cal fe al Pf. (Qvest sata sia fatta in md da non essere qutsi avvertite rer non trent In legion coststazione el periode mumicae. ©. Lx course dele liaison indigue in phrase mélodique,ta vireule snug le point ob il ent niessnre de lever la main pour la porter 4 Ri a P11 fama Teron 1a main une Jason impecepible enn pas bitorsompre ls continuation lapigue de la phrase auscae @) La meno derecta cuando efeouta la melodia debe tocar wx poco mds fuerte que fa inpuierde. @ ‘The right hand, when executing the melody, must play & Mette more loudly than the left. aorree 0) Betas tree natas debon ejcoutarse ligerament © These thren notes have to be slightly staccato, D 0 bien, més fleit: ©) on, more sr tasonte, AD Bedteoe eeoutar do este modo: Bl etacoate debe ver ligere pore continuo’ @ Avoid encouting in this manner? ‘The scacwaro must be light but continucts, ©) Btarco deta tigedure describe t perfodo musiealsla come i tia te wecetcad de lepantar a mano para thevarte det Reo at ifr Pero debe elsirsela de modo cast imperceptible pare no cortar ta ligica eoutiauccién de los pertedos iruales. 6) The arch of te tie eseribes the melodie phrases comma mars the necessity to raise the hand to carry it from the J totae fi This ‘raising ofthe hand mast he made in sh a way asto be almost per. ceva in ordernot to out the lage continuation of the musical phrase. SL! EeDOE ot SS © Bite [gh GeersVivace @ Siosservine le dittoroase di osforito nella ripetizions dl pe. | @) Olséroense tas diferencias de colorido on ta repeticiéu de tos Hal uguail. oriodoe igual ©) Obverses tes diffirences de roances dane ta ripétition deapas. | @) Observe the differences of colourbus in the repetition of sexes sendiadies ; emgea tempo fee = ep legato