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16/10/2017 Lessons

Some Jazz ( Guitar) Modal Thinking Comping Part III -


Lessons Modal Thinking Part II Creative Comping
Music Notation Chord Voicings
Playing in a Band Playable on the Guitar
The Language of Jazz
Positions Comping Part IV -
Time/ Rhythm
Riffs Rhythms and Voicings
Comping
Tuning Systems Modes Summary
Improvisation
Vamps Harmonization,
Practicing
Arpeggios Chord Voicings and
II-V(-I)'s ( Cadences)
Articulation Voice-Leading Part II
Turn-Arounds ( Cadences)
Bitonalism Dominant Seventh
The Minor Pentatonic Scale
Chordmelody Style/ Chord Chords
The Blues
Soloing The Harmonic
Modal Jazz
The Elements of Music Major Scale
Rhythm Changes
Comping Part II - Harmony Part II -
Latin Jazz
Rendering an Accompaniment Seventh Chord
Form
from a Lead Sheet Summary
Arranging
Ear Training/ Solfeggio Mediant and
Composition/ Songwriting
Harmonic Generalization Submediant Chords
Standards
Intervals "Negative
Transcription
Keys Harmony"
Sixths/ Thirds and Octaves
Mastering Material - Practicing and
Quartal Harmony
Perfection Making Progress
Solo Analysis
The Masters Scales/ Tone Sets
Some Thoughts
Melodies Part II - Tetrachords
Harmonization, Chord
Chord Tones and More
Voicings and Voice-Leading
Neighbor Tones - Targeting/ Horizontal Vs.
Chords
Enclosure Vertical
Scales/ Tone Sets
Personal Relations Composition -
Letting Go
Phrasing Methods/ Techniques
Equipment
Presence Composition -
3/4 Time
Stage Fright Motif and Motivic
Bebop
Technique Saturation
Big Band Jazz
Time/ Rhythm Part II: Composition -
Ethnic/ Folk Music and Jazz
Polymeter and Polyrhythm Sequence
Free Jazz
Triads Composition -
Gypsy Jazz
The Alt Scale Melodic Development:
Jazz Rock/ Fusion
Harmonizing a Scale/ a "The 3 Times Thing/
Playing Bass Lines
Mode Rule"
Playing "Outside"
Harmony - Static Versus An Analysis of My
Reharmonization
Dynamic Composition Blue
"Straight Ahead"/ Swing
Making a Living as a Tango
Clichs
Musician Call and Response
Designing a CD/ Concert
Performing Ostinatos
Program
Roots Composition Using
Harmonics
Studio Work/ Producing/ Call and Response and
Intros and Outros ( Codas/
Recording Motivic Ideas
Endings/ Tags)
The Fire/ the Passion/ the Composition -
Learning Songs/ Tunes
Soul/ the Spirit in Music Melodic Development:
Licks/ Patterns
Triad Pairs Antecedent and
Sources of Inspiration
Upper Structure Triads Consequent Phrases
Teaching
Finding Your Own Thing/ Composition -
Techniques for
Voice Pentatonic Melody
Composition/ Improvisation
Listening to Records Composition Using
Tonal Centers
Following Your Dreams/ a Scale/ a Mode
Drum Patterns
Your Heart and Staying on
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16/10/2017 Lessons

Unorthodox Techniques Track Composition Using


Common Chord Zen, Life and Music Chord Tones
Progressions Health Composition Using
Some Hard Chord Playing Up and Down One an Interval
Progressions String Composition Using
Genre/ Style Cadences Summary the Notes of a Chord/
Common Tones Subdominant Minor Chords Several Chords
Guide-Tones The Flow State/ "The Zone" Composition -
Harmony The History of Jazz Starting with a Chord
Modal Interchange Progression
Music Theory and Playing Self-Imposed
Chords and Scales Limitations
Dynamics Composition Using
Harmonization a Drone
Harmony - Roman Numeral Composition - The
Notation/ Schenker's Analysis Melody over a Bass
System Note Technique
Shell Voicings Diatonic Melody w/
Non-Diatonic Harmony
The Same Melody
over a Changing Chord
Progression
Composition Using
Exposition,
Development and
Recapitulation
Counterpoint/
Polyphony
Tension and
Release
12- Tone Music
Composition/
Songwriting - Ideas for
Tunes
Composition/
Songwriting: Co-
Writing
Creative
Composition -
Numbers and Music:
The Fibonacci
Sequence, Pi,
Aleatoricism and
Fractals
Arranging Part II -
10 Tips
My Series of
Lessons on
Composition/
Songwriting/
Arranging
Music for Theatre/
Film/ TV
Music for Games
On Writing Music
My Own Music
Music as a Craft
and an Art Form
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16/10/2017 Lessons

Promotion, Press
and Media, Reviews...
Silence
Thinking
Zen Guitar
Private Lesson
Policies
Some Tips

2004-2017 Tomas
Karlsson. All rights reserved.

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