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35thingsphotographersdowrong(andhowtostopdoingthem)
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them/&title=35+things+photographers+do+wrong+%28and+how+to+stop+doing+them%29&description=Its impossible to learn the art of photography without making a
few mistakes along the way, but if you find yourself doing the same things wrong every time you pick up your camera, its probably worth getting to the bottom of it.

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thingsphotographersdowrongandhowtostopdoingthem%2F

Itsimpossibletolearntheartofphotographywithoutmakingafewmistakesalongtheway(http://www.digitalcameraworld.com/2013/03/13/10commoncameramistakes
everyphotographermakes/),butifyoufindyourselfdoingthesamethingswrongeverytimeyoupickupyourcamera,itsprobablyworthgettingtothebottomofit.

(http://media.digitalcameraworld.com/wpcontent/uploads/sites/123/2015/05/NIK45.feat_.main_.jpg)

Tohelpyou,wevecomeupwith35commonphotographyproblemsthatphotographersarelikelytoencounter(http://www.digitalcameraworld.com/2012/05/04/99common
photographyproblemsandhowtosolvethem/),andsuggestwaysthatyoucanovercomethem.

Belowyoullfindadviceforworkingoutwhyyourshotsmightbeslightlyblurred,whytheymightbedarkerorbrighterthanyouexpected,andwhyyourcompositioncouldbe
lettingyoudown.Wevealsocompiledalistofotherfamiliarcamerasettingcomplaints(http://www.digitalcameraworld.com/2013/05/20/banishbadpictures9quickfixesfor
commoncameracomplaints/)andphotographyslipupsthataresuretofrustrateyouatsomepoint.

Whetheryourejuststartingoutoryoureaanoldhandwithyourcamera,youllfindlotsofusefultipsforhelpingyougettothebottomofyourworkflowwoes,andgettingto
gripswiththefeaturesavailableonyourcamera.Andifyoustillhavequestionsafterallthat,youknowwhereweare

SEEMORE:DownloadourFREEeBook,APhotographersGuidetoSharperShots!(http://www.digitalcameraworld.com/2014/12/25/downloadfreeebookphotographers
guidesharpershots/)

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(http://media.digitalcameraworld.com/wpcontent/uploads/sites/123/2013/02/Camera_tips_AF_points_Main_image1.jpg)

01NottakingcontroloftheAFpoint
Dontleaveituptothecameratodecidewheretofocus.Itwontknowwhichfeatureyouwanttobesharpinthepicture,andiftheressomethinginfrontofthemainsubject,or
thebackgroundisdetailed,ortheresnotagreatdealofcontrastbetweenthemainsubjectandtherestofthepicture,thenyourcameramayfocusontheseandnotthe
subject.

Youllgetmoreconsistentresultsifyoutellyourcamerawhichpartoftheframeyouwanttofocuson(http://www.digitalcameraworld.com/2013/11/17/autofocuspointoptions
whatsubjectsshouldeachbeusedwith/).Forabsoluteprecision,chooseasingleAFpoint.Thecentrespotisthemostsensitive,althoughnotbestplacedforthemost
dynamiccompositions.

Foranoffcentresubject,youllneedtousethefocusandrecomposemethod(http://www.digitalcameraworld.com/2012/06/21/howtofocusonoffcentresubjects/):pointthe
centralAFpointonthesubject,halfpresstheshutterreleasetolockthefocus,andthenrecomposetheshot.

Alternatively,useanoffcentreAFpointthatcorrespondswiththepositioningofthesubjectintheframe.

Thisisthebestoptionifyouretakingpicturesatclosequartersifyouoptforthefocusandrecomposemethodinstead,theshiftincamerapositioncanmeanthatthepoint
youlockedfocusonisnowatadifferentdistancerelativetothepositionofthesensor,andmayactuallybeblurred.

SEEMORE:MasteryourcamerasautofocuswhichAFpointstouseandwhentousethem(http://www.digitalcameraworld.com/2013/02/07/afpointshowtotakecontrolof
autofocustogettheshotsyouwant/)

(http://media.digitalcameraworld.com/wpcontent/uploads/sites/123/2012/11/Full_frame_sensor_DSLR_tips_NIK13.lb_051012_dc.nikon_d800_5.jpg)

02Notkeepinganeyeontheshutterspeed
Theruleofthumbforhandholding(http://www.digitalcameraworld.com/2014/06/03/howtoholdacameragettingstartedwithyournewdslr/)istosetashutterspeed
equivalentto(orfasterthan)onedividedbythefocallengthyoureshootingat,sothats1/50secwhenshootingat50mm,1/400secat400mmandsoon.

http://www.digitalcameraworld.com/2015/05/22/35thingsphotographersdowrongandhowtostopdoingthem/ 2/17
7/19/2015 35thingsphotographersdowrong(andhowtostopdoingthem)|DigitalCameraWorld

Butyourhitratemayvarywhenitcomestokeepingalensstillattheseshutterspeeds.VibrationReduction(VR)lensesmakeadifferenceatslowerspeeds,butwillhaveno
effectonanysubjectmovement.

Ifindoubt,useashutterspeedthatstwiceasfastyoumayneedtoincreasetheISO,butbettertohaveasharp,grainyshotthanablurredone.

Ifyoursubjectismoving(http://www.digitalcameraworld.com/2012/09/04/howtouseautofocuswithmovingsubjects/),youmighthavetogoevenfasterevenifyoureable
toeliminatecamerashake,iftheshutterspeedisntfastenoughtofreezethemovement,yoursubjectwillenduplookingblurred.

SEEMORE:Commonmistakesateveryshutterspeed(andthebestsettingstouse)(http://www.digitalcameraworld.com/2012/05/29/commonmistakesateveryshutter
speedandthebestsettingsyoushoulduse/)

(http://media.digitalcameraworld.com/wpcontent/uploads/sites/123/2013/01/Fine_art_landscape_photography_professional_photographer_NIK11.apprentice.killerkit_spr2.jpg)

03Notworkinghandsfree
Atripodisthebestwaytoensuresharpphotos(http://www.digitalcameraworld.com/2014/12/28/whyneedtripodwhentouse/)atveryslowshutterspeeds,buteventhe
sturdiestsetoflegsmaynotpreventdetailsfromlookingsmudgedifthecameraisntperfectlystable.

Theactionofpressingdownontheshutterreleasebuttoncanjogthecamera,soitsworthtriggeringtheshutterwitharemoterelease
(http://www.digitalcameraworld.com/2012/07/30/6topremotereleasestestedandrated/),orusingtheselftimerorexposuredelayfunctionforpicturesthatarenttime
sensitive.

Vibrationscausedbythemirrormoving(toexposethesensortolight)canalsoleadtosoftshots.Toremedythis,usethecamerasmirrorlockmodeoractivateLiveView
(http://www.digitalcameraworld.com/2014/09/10/liveview7dosand3absolutedontseveryphotographershouldremember/),asthemirrorismovedoutofthewayinLive
View.

SEEMORE:4waystoshoothandsfree(http://www.digitalcameraworld.com/2013/02/04/handsfreephotography4waystotakepictureswithouttouchingyourcamera/)

(http://media.digitalcameraworld.com/wpcontent/uploads/sites/123/2013/06/Garden_photography_tips_CBZ43.appren09.hotshot01.jpg)

http://www.digitalcameraworld.com/2015/05/22/35thingsphotographersdowrongandhowtostopdoingthem/ 3/17
7/19/2015 35thingsphotographersdowrong(andhowtostopdoingthem)|DigitalCameraWorld

04Notusingtheoptimumaperture
Althoughtherewillbesituationswhenyouwanttousealargeaperturetohelpyouseparateasharpsubjectfromablurredbackground,therewillbeothertimeswhenyou
wantmoreofascenetoappearsharplyfocused.

Itmightbetemptingtoreachforthesmallestapertureonthelens,butthisactuallyleadstosofterpicturesduetotheeffectsofdiffractionessentiallyincominglightraysbeing
bentoutofshapebytheapertureblades,whichismorenoticeableatsmallapertures.

Itsoftenpreferabletosacrificesomedepthoffieldinordertodeliveranimagewheredetailsarepinsharp.Thisisofteninthemiddleofalenssaperturerangetypically
aroundf/8tof/11,althoughthisvariesfromlenstolens.

SEEMORE:Annoyingproblemsatcommonapertures(andhowtoavoidthem)(http://www.digitalcameraworld.com/2012/08/10/annoyingproblemsatcommonaperture
settingsandhowtosolvethem/)

05Zoomingthelensafteryoufocus
Mostofthezoomlensesmadetodayarentinfacttruezooms,orwhatareknownasparfocallensesrather,theyrevarifocallenses.Oneofthedrawbacksofthistypeof
designisthatthefocusshiftsasthelensiszoomed.

Thismeansthatifyouzoomintolockthefocusonadetailwithinascene(http://www.digitalcameraworld.com/2012/03/26/howtousefocuslockonyourdigitalcamera/)and
thenzoombackouttotakeashot,theresagoodchancethatthedetailyouwanttoappearsharpwillnowbeblurred.

Ifthezoomrangeisnttoogreat,thechangeinfocusmaybesubtle.Usingasmallaperturetogivealargedepthoffieldtheamountoffronttobacksharpnessinapicture
canalsomaskanyfocusshift.

Buttheeasiestwaytopreventthisistogetintothehabitofonlyfocusingafteryouvezoomed.Onceitbecomespartofyourshootingregimeyouwontevenhavetothink
aboutit.

SEEMORE:DSLRlenses7questionsyouvebeendyingtoaskaboutyournextpieceofglass(http://www.digitalcameraworld.com/2013/02/15/dslrlenses7questions
photographersmustaskabouttheirnextpieceofglass/)

(http://media.digitalcameraworld.com/wpcontent/uploads/sites/123/2012/05/Manual_focus_tips_4.jpg)

06Notmakingthemostofmanualfocus
Whenyouuseautofocus,thereareanumberoflinksinthechainthatcanbreak,leavingyouwithsoftpictures.

Forinstance,alensmaysufferfromabackfocusorfrontfocusissue,wherethesharpestfocusisactuallyfractionallybehindorinfrontoftheedgethatyourAFpointhas
lockedonto.

Forthisreason,forcriticalworkwherefocusiseverything,suchasmacrophotographyorlandscapes,manualisthewaytogo.LiveViewpotentiallymakesthisapieceof
cake,allowingyoutomagnifydetailsto100percent.

However,somecamerasusesocalledinterpolationtocreatethemagnifiedview,resultinginaLiveViewimagethatsnotparticularlysharp,andthereforehardertojudge
accuratefocuson.Oneoptionhereisnottomagnifytheimagetoofar.

Alternatively,shootinRAWandthenfinetunethePictureControlsettingtoproduceasharper,highercontrastpreviewimagethatseasiertojudgefocussnaponshooting
inRAWratherthanJPEGmeanstheimagewillbeunaffectedbytheeffectsofthePictureControlsetting.

SEEMORE:Manualfocushowtoensurepinsharpphotoseverytime(http://www.digitalcameraworld.com/2012/05/03/manualfocuswhatyouneedtoknowtogetsharp
images/)

07NotusingthecorrectAFmode
ManyDSLRshavethreeautofocusmodes:oneforstationarysubjects,oneformovingsubjects,andamodethatautomaticallyswitchesbetweenthetwo,dependingon
whetherthecameradetectsmovementanddecidesthatyoursubjectismobile.

However,camerasdontalwaysgetitright,soforabsolutepeaceofmind,alwayssetthecorrectmodemanually.

http://www.digitalcameraworld.com/2015/05/22/35thingsphotographersdowrongandhowtostopdoingthem/ 4/17
7/19/2015 35thingsphotographersdowrong(andhowtostopdoingthem)|DigitalCameraWorld

SEEMORE:HowtochoosethebestAFmode(http://www.digitalcameraworld.com/2012/04/23/digitalcameratipschoosethebestafmode/)

(http://media.digitalcameraworld.com/wpcontent/uploads/sites/123/2012/05/Exposure_compensation_1jpg.jpg)

08Notusingexposurecompensation
MatrixorEvaluativemeteringdoesafinejobofproducingbalancedexposuresforthemajorityofdaytodayphotoopportunities.

However,facedwithanoverlybrightordarksubjectorscene,thecameracangetthingswrong.DespiteMatrixmeteringessentiallyapplyingitsownexposurecompensationto
deliverwhatitdeterminesisanoptimumexposure,itmaynotbeaccurate.

Manuallydiallinginexposurecompensationatthetimeofshootingisfarbetterthantryingtorescueanunderoroverexposedimagelater.

PushingthebrightnessofanimagethatsverydarkinPhotoshopcanleadtonoiseinshadows,whiletryingtoekesomedetailfromburnedouthighlightscanleadtodigital
lookingresults.

SEEMORE:Whatisexposurecompensationfreephotographycheatsheet(http://www.digitalcameraworld.com/2012/05/10/whatisexposurecompensationfreecheat
sheet/)

(http://media.digitalcameraworld.com/wpcontent/uploads/sites/123/2013/11/Holiday_food_photography_tips_CAN56.appren.js_9.jpg)

09Ignoringthehistogram
Itseasytogetcaughtupwithcompositionandfocusing,andtoforgettocheckthehistogramregularly.Butgettingtheexposurerightincameraisfarbetterthantryingtofix
thingslater.

Dontrelyontheimageplaybackalonetojudgetheexposure,asthebrightnessoftheLCDitselfcangiveafalseimpressionofthebrightnessoftheshot,especiallyatnight,or
inbrightsunlight.

Ifahistogramiscutofforclippedateitherend,thisindicatesthereareareasthatarepureblackorpurewhite,andsocontainnotextureordetail(inotherwords,areasthat
areunderoroverexposed).

http://www.digitalcameraworld.com/2015/05/22/35thingsphotographersdowrongandhowtostopdoingthem/ 5/17
7/19/2015 35thingsphotographersdowrong(andhowtostopdoingthem)|DigitalCameraWorld

Ifyoufindthatthepreviewoftheimagedisplayedalongsidethehistogramistoosmall,thentrytheHighlightsdisplayinstead.Withthisenabled,areasthatarepotentiallyover
exposedwillblinkonthedisplay.

SEEMORE:Knowyourhistogramphotographycheatsheetsforperfectexposure(http://www.digitalcameraworld.com/2013/06/27/histogramphotographycheatsheetsfor
achievingperfectexposure/)

(http://media.digitalcameraworld.com/wpcontent/uploads/sites/123/2012/09/Dynamic_range_camera_tips_NIK11.nikopedia_1.main_.jpg)

10Notkeepinganeyeonthedynamicrange
Sometimesthedynamicrangeofthescenethedifferenceinbrightnessbetweenthedarkestandlightestpointsmaybetoowideforthecamerasensortocopewithina
singleexposure.

Thekeytoidentifyingthisistocheckthehistogram:ifitextendsbeyondboththeleftandrighthandendsofthegraph,thenexposurecompensationwontmakeany
difference.

Thisistypicallythesortofsituationyoudencounterwhenshootingabacklitportrait,oralandscapeatdawnordusk.Thereareavarietyofwaysyoucanreducethedynamic
rangeofthescenesothatitfitswithinthedynamicrangeofthecamerassensor.

Theseincludeusingflashtobrightenupabacklitportrait,oraattachingagraduatedNeutralDensityfilter(NDgrad)todarkenabrightskyinalandscapeshot,bringingits
exposurelevelclosertothatoftheland.

Withstationarysubjectsyoucouldalsotrytakingtwoormorepicturesatdifferentexposuresandthenblendingthebestbitsofeachinsoftware.

SEEMORE:Dynamicrangeinphotographyhowtocapturethefullrangeoftonesinascene(http://www.digitalcameraworld.com/2015/01/22/dynamicrangephotography
capturetonesscene/)

11Forgettingtoshieldtheeyepiece
Didyouknowthatlightcanenterthecamerathroughtheviewfinderandaffecttheexposureofapicture?

Mostofthetimethisdoesntpresentaproblem,asyourfaceisgluedtothebackofthecameraandshieldstheeyepiece,butifyouswitchtoLiveView,orfiretheshutterusing
aremoterelease,thentheresachancethatlightcanleakthroughtheviewfinder.

Theeffectismoreobviousinshotstakeoveralongexposure,whenstrange,ghostlyshapesandstreakscanbeburntintotheimage,ascanbeseeninourphotographofa
treehere.

Guidebooksrecommendusinganeyepiececaptoblocktheviewfinderinthesecircumstances,butyoumightnothaveoneofthesetohand.Itsjustaseasytodrapeablack
lensclothoverthetopofthecamerainsteadandyoucanuseittokeepyourlensclean,too!

(http://media.digitalcameraworld.com/wpcontent/uploads/sites/123/2013/06/CBZ43.appren07.0543.jpg)

12Fumblingflashsettings
Ifyoureusingfillflashoutdoorsandfindthatyourpicturesarecomingouttoobright,thenitslikelythateitheryouretooclosetothesubjectortheshutterspeedrequiredto
exposetheshotcorrectlyexceedstheflashsyncspeed(thefastestshutterspeedthatflashcanbeusedwithtypically1/200sec).

SEEMORE:8flashphotographymistakeseveryphotographermakes(http://www.digitalcameraworld.com/2013/10/31/8flashphotographymistakeseveryphotographer
makes/)

Switchingtoasmallerapertureisoftentheeasiestwaytofixthisproblem.Theaperturecontrolstheflashexposure,withsmalleraperturesreducingtheflashexposure.

Onverybrightdays,thismaymeanthatyouendupusingasmalleraperturethanyoudlike,bringingmoreofasceneintofocus.Inthissituation,fitastandardNDfiltertoyour
lensthiswillletyouuselargeapertureswithoutoverexposing.

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Downloadour26mostpopularphotographycheatsheets(http://www.digitalcameraworld.com/2014/07/25/24ofourmostpopularphotographycheatsheets/)
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Pages12(http://www.digitalcameraworld.com/2015/05/22/35thingsphotographersdowrongandhowtostopdoingthem/2/)3
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them/&title=35+things+photographers+do+wrong+%28and+how+to+stop+doing+them%29&description=Its impossible to learn the art of photography without making a
few mistakes along the way, but if you find yourself doing the same things wrong every time you pick up your camera, its probably worth getting to the bottom of it.

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