166 SERENATA Allegretto un poco moderato (4: 120) Columbine, hearing the sound of a guitar off the stage, tushes to indow with a cry of joy, but does not open it) Abt abt (Viotin pizz, behind scene) Beeeo Tome accordando _ | rehestra pits come montando grado a grado la corda (as if tuning ups Harlequin (Peppe, bohind scene) 9 hea ae or + Co -lom-bi-nail te-ne-ro fi-doArlee - chin Cot - um-bine, your Har-le-quin is here with you, oo gate vi ein! Ten - der and truet. sen poco ceddontioquesta batt ssoaa167 Di te chia-man - dae so-spi -ran- dga-spet - tail po - ve - rin! Here——am 1 cry - ing, and am sigh-ing, but your face to view! poco pit —— tua fae-cet- ta mo-stra-mi, elfio vo! ba - ciar sen = 2a tar- —— show that lit - tle face to me, so that I may with- out de. a tempo << , senza respirare 4H = la tua boe- cue - cla. A- mor mi Press it with kiss - es, Lovw’s tor - ture —~ soa168 legando erue - cial! A- mor mi crue-cige mi stua tor - men - tar! this is! Love's tor - ture this, and Tam in dis - may! mi sta tor-men - tar! am in dis - may! a ee Col lone Col - um - bin na, thy schiu-di - mi il fi - ne - strin, vi - cin lit - tle win- dow, dear, un - dol for youl ripigliando il tempo169 chia - man - do, e so- spi - ran - Pm ery - ingl For you Pm sigh - Nv po - ve-rgAr-lee - chin! ten-dor and so true! Oboe &Ar-lec - chin! Yes, for youl jf, ao? sino alla fine deviso sso