VEKTORMAGAZINE FOREVERYONE

#10

VOLUME 2 | NO 10 | CHARACTER DESIGN ISSUE

FEATURING INTERVIEWS WITH:
NUNO BALTAZAR OF WWW.VECTORBRIGADE.COM,
PFAD.FINDER OF WWW.VECTORFORSURE.COM AND
KAKO OF WWW.KAKOFONIA.COM
 #10
CONTENTS #10
SPECIAL THANKS + CREDITS
THANKS FOR DOWNLOADING THE 10TH ISSUE OF VEKTORIKA MAGAZINE
“CHARACTER DESIGN ISSUE” MANY THANKS TO ALL TALENTED DESIGNERS/
ARTISTS WHO HAVE CONTRIBUTED AND ALSO EVERYONE THAT HAS PROMOTED
THIS PROJEKT BY LINKING TO IT OR POSTING IT ON DIFFERENT NEWS SITES.
SPECIAL THANKS TO NUNO BALTAZAR (WWW.VECTORBRIGADE.COM), PFAD.FINDER (WWW.
VECTORFORSURE.COM) AND KAKO (WWW.KAKOFONIA.COM) FOR SUPPORTS AND SHARING
THE WORDS WITH US ON THIS EDITION. MAY THE VEKTOR BE WITH YOU!

00
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INTERVIEW WITH
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VEKTOR INTERVIEW WITH VEKTOR
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77 84 111
INTERVIEW WITH VEKTOR EVENTS // THE BLACK
KAKO // BRASIL // SHOWCASE URBAN ART //
WWW.KAKOFONIA.COM // CHARACTER DESIGN VEKTOR EXHIBITION
SHOWCASE
VEKTORIKA | INTERVIEW VEKTORIKA | INTERVIEW

Please introduce yourself and tell us little bit about

VEKTORIKA MAGAZINE IS
your background.. A COOL PROJECT ALWAYS
Vectorbrigade, a creative studio created by Nuno SMACK DOWN ON THE
Baltazar. VECTOR TIP
Where are you from?

Alcântara, Lisboa, Portugal.

Could you share with us the history behind www.

vectorbrigade.com? What does it mean?
It started as a personal project, kind of a online showcase of
experimentations with illustrations and motion graphics,
collaborations with other artists, etc. Later evolved and
became a creative studio operating in several fields of
design. Curious fact no1: The name vectorbrigade came
from powell peralta’s Bones Brigade. You know it makes
sense ;)
What do you think about vektor graphik? What do you
love about it?
I always draw stuff with pencil and paper before redrawing
it in vector. It’s the close i can get to drawing, as weird as
it sounds... Never got round using a pen though. Manage
to get good results just by clicking the mouse, so i’ll stick
to it ;)

Vector Brigade
Portugal
www.vectorbrigade.com
VEKTORIKA | INTERVIEW
What kind of vektor softwares do you currently use?
Illustrator and freehand. That’s pretty much it.
How would you describe your style?
Crazy ass punk post modern victorian shit.
Geez, i really don’t know. It’s just the way it comes out.
How do you work from concept to the final artwerk?
Could you tell us the creative process?
Always start with research. Find a good and original
approach. Develop some sketches. Improve them. Start
final artwork. Get it approved by client. Get paid. Or not
:(
VEKTORIKA | INTERVIEW
What are the projekts you are currently working on?
Any future projekts you can share with us?
Official clothing line, the 1976 DVD, bunch of new shit
coming your way. Stay tuned.
Who are your favourite artists or designers?
Phunkstudio, Jeremy Fish, Flying Fortress.
The list goes on.
What inspires you?
Could you list the 8 things that inspiring you in your
creative process?
Everything nowhere and nothing everywhere.
VEKTORIKA | INTERVIEW

Any tips/tricks for vektorlover out there to create such

a great vektor artwerks like yours?

Keep it real. Try to develop your own style. It will pay on

the long run.

What do you think of vektorjunkie.com?

Hate it. Eh eh busted ;) cool project always smack down

on the vector tip.

Thank you so much for doing this interview.

Any last words...

Thank YOU and everyone who supported vectorbrigade

so far! Sorry haters.

Vector Brigade // Portugal // www.vectorbrigade.com

Ivan Caputo // Italy // www.kapcom.net Samuel Sinaga // Indonesia // tfdc.deviantart.com
Foan // Portugal // www.foan82.com Appler // Russia // www.appler.by.ru
75percent // Australia // 75percent.deviantart.com Cosmin Nasui // Romania // www.cosminnasui.com
A B A B

C D C D

A+B+C+D. Nik Holmes // United Kingdom // www.nikholmes.com A+B+C+D Bryan Green // USA // www.envisionboy.com
Mario Stark // Germany // www.fuctastic.com Camilo Ruano // Colombia
Ali Sabet // USA // www.sabet.com, www.stitchbunny.com Febria “Kupinx” L. // Indonesia // kupinxvektor.blogspot.com
Momorobo // Singapore // www.momorobo.com Christina Gakopoulou // Germany // www.cg-art.de
Ambiorix Martinez // Dominican Republic // www.flickr.com/photos/p-one Anom kojar // Indonesia // anomkojar.multiply.com
Daniela Basile // Italia Rhino // Indonesia // carment.deviantart.com
erixyeoung // Indonesia // www.erixyao.com Mikael Selin // Sweden // www.young-at-heart.net
Maarit Kemi // Finland // http://www.maaritkemi.net Tadas Kazakevicius // Lithuania // www.batteriesnotincluded.eu
YouAreSoLastYear / YASLY / Danny Jones // USA // www.youaresolastyear.com YouAreSoLastYear / YASLY / Danny Jones // USA // www.youaresolastyear.com
A B A B

C D C D

A. Wayde Herman // South Africa // flickr.com/photos/wayde_art B. Elyoo dela Cruz // elyoo.deviantart.com A. Phedot B. Hyxsos Halomoan // Indonesia
C+D satan® // Mexico // www.elsatan.com C+D Georgina Vieane // The Netherlands // georginavieane.blog.com
Krupskaya Arevalo // Holger Huber // Germany // www.sektor9.de
Said Achmad Mubarak // Indonesia // www.customxait.com Jorge Martty // Argentina
Fredy Chandra // Indonesia // fredc2209.deviantart.com + Shingo Shimizu // Canada // www.shingo.ca
alip hudaya // Indonesia // thepino.deviantart.com
Sacha Di Poi // Switzerland // www.ess-design.blogspot.com Agus Pramono // Indonesia // www.thecleber.org
Pedro Fernandes // Portugal // prfernandes.blogspot.com Hery Siswanto // Indonesia
VEKTORIKA | INTERVIEW VEKTORIKA | INTERVIEW

I JUST LOVE TO WORK WITH VEKTORJUNKIE, WHATEVER IS COMIN,

IM DOWN WITH U GUYS! I JUST LOVE TO WORK WITH VEKTORJUNKIE,
WHATEVER IS COMIN, IM DOWN WITH U GUYS! I JUST LOVE TO
WORK WITH VEKTORJUNKIE, WHATEVER IS COMIN, IM DOWN WITH
U GUYS! I JUST LOVE TO WORK WITH VEKTORJUNKIE, WHATEVER
IS COMIN, IM DOWN WITH U GUYS! I JUST LOVE TO WORK WITH
VEKTORJUNKIE, WHATEVER IS COMIN, IM DOWN WITH U GUYS! I
JUST LOVE TO WORK WITH VEKTORJUNKIE, WHATEVER IS COMIN,
IM DOWN WITH U GUYS!

Where are you from? What kind of vektor softwares do you currently use?
From the heart of europe, Austria I preffer illustrator CS2

Could you share with us the history behind www.
vectorforsure.com? What does it mean?
pfadfinder (vectorforsure) is a collective of austrian
artitsts with the main focus on vector art. It is like a
platform where we can show our creative outcome, but
soon it became more then this. We had already artists
(graphic design, photography, digital art and architcture)
we’ve been working with before, and we also wanted to
integrate them into vectorforsure, after some time we
How would you describe your style?
I describe my style as a kind of self-discovery, I always try
to develop my style as much as possible and trying out
different ways to get where I want. I dont want to stick with
one style all the time maybe the link between my works is
complexity, I like to look at images for some time and still
discover new details.

pfad.finder
developed pfad.finder.

What did you think about vektor graphic? What do you

love about it?
Theres many ways of how vector graphics can bee seen

Austria and used, just as a tool or as an artform. To me it’s of course

art, it’s a challenge to create styles that normally get done
with pixel based programs. And another important thing,
www.vectorforsure.com theres no dpi’s.
VEKTORIKA | INTERVIEW
How do you work from concept to the final artwerk?
Could you tell us the creative process?
Well , since I’m not really talented in drawing with a pen
and such, I had to look for diffrent medias and ways to
realise what was in my head, in most cases the camera
is the perfect tool for it. I collect samples and images
and combine to my primary idea, then i start to draw my
shapes, how to start with it is up to everyone’s own flow .
some people start with the light other with shadows and so
on. To me its important to know already in the beginning
how complex and how detailed the work is goin to be,
otherwise it can happen that in the end it looks slightly
unblanced..just believe in yourself!
What are the projekts you are currently working on?
Any future projekts you can share with us?
My biggest project at the moment is to get started with
my own design bureau. Aside from that I’m working as
a freelance for regular clients and teaching people
graphic design. The rest of the time I spend with getting
new clients and projects, It’s all about the money, baby!
just joking..My latest project was for a transplantation
congress here in Austria (Screen - & Print - Design). I’m
also goin to start a label with my homeboy Scel, further
infos coming soon..
VEKTORIKA | INTERVIEW
Any favorites projekt? then the hatred of the society and the way they think, the
community with all the talent and and last but not least
Theres many, that i have good memories of, but at the freedom.
moment its the “asian theme” the focus was on the
complexity of the artwork, it cost me a lot of sweat Any tips/tricks for vektorlover out there to create such
and sleepless night, but it was worth it. I also liked the a great vektor artwerks like yours?
Skateboard Design exhibition here in vienna , product
design is defenitly something i want to get into more. Take you time to experiment, and dont loose your patience
when u think of what has to be done until the piece is
Who are your favourite artists or designers? finished, and don’t stop beliving in yourself.
Some of my favourite artists are god, adobe, limkis (fancy
vektor), juni at work, freaky facets, the VJ artists (there are
wonderful talents), pamzylove (with vectorpeeps) and
many many more...
What inspires you? Could you list the 8 things that
inspiring you in your creative process?
Music is the biggest inspiration for me, the outcome and
the style is very much connected to what im listening
to, also nature and the place where i work inspires me,
VEKTORIKA | INTERVIEW

What do you think of vektorjunkie.com?

I just love to work with you guys, whatever is comin, im down

with u guys!

Thank you so much for doing this interview. Any last

words..

Thanks to Scel for translating and may the vektor with you
(vektorjunkie)...

Wisnu Suhandoko // Indonesia // gar3nx.deviantart.com

feat. Rayi Christian Wicaksono // Indonesia // mumolabs.deviantart.com
Furi Furi Company // Japan // www.furifuri.com Susanna Fräki // Finland // www.susannafraki.net
A B A B

C D C D

A+B+C+D Erik A Goldsby aka Duzty // United States // www.duzty.com A+B Francesco Poroli
C. Aiasui // Australia // www.myspace.com/aiasui D. Javier Sanz Ramos // Spain // www.fotolog.com/flub_studio
Eike Oliver Mitte // Germany // www.vectorian.de Hugo Mauricio Caicedo // Colombia // hachediseno.blogspot.com
Zhimet Cardozo // Indonesia // www.mindriders.net Nic Nay // Indonesia
EO // Germany // www.eo-art.com Sarah Tauhid // Indonesia // www.magensaa.com
Kevin Eschweiler // Germany // www.cooncreative.com Kevin Eschweiler // Germany // www.cooncreative.com
Lucila Livschitz // Argentina // lulilu.deviantart.com Yongkiat Karnchanpayap // Thailand // http://www.pictoverse.com
Kama // Indonesia // www.oxidizzy.com M.Anwar Sany // Indonesia // THEMutants.deviantart.com
Chun Woei // Malaysia // www.urban-cr3atures.com Francina Ruana // Spain // www.laxisca.com
Supergunz // Indonesia Juliana Morales // Colombia
A B

C D

A+B+C+D Glauco Diogenes // Brasil Mau Reguffe // Brasil // www.2dzn.tk

Dikki Mahasati // Indonesia Gunawan Lo // Indonesia // goenz.deviantart.com
Mark Wasyl // USA // www.DropDeadSexyPinups.com Mark Wasyl // USA // www.DropDeadSexyPinups.com
VEKTORIKA | INTERVIEW
Kako Please introduce yourself and tell us little bit about your
background.
I’m Kako, I’m a professional Illustrator and sometimes graphic
Brasil
designer. I work with clients from all over the world, mainly
Brazil and US, from the editorial and advertising areas and
now expanding my ambitious tentacles to motion design,
www.kakofonia.com animation and fashion. I’m self-taught in the “Way of the
Vektor”, working enthusiastically with it since 2000. Did some
comics here and there, but nothing special. 2006 was for me
a breakthrough year, lots of great things happened, some of
my work was selected to feature on the SPBook2006 from the
Australian Semi Permanent Event, also on the Comunication
Arts 47th Illustration Annual and the 49th Exhibition and Annual
from the Society of Illustrators of New York. High expectations
for 2007... :o)
Where are you from?
I’m born and raised in São Paulo, Brazil.
Could you share with us the history behind www.kakofonia.
com? What does it mean?
The kakofonia.com is my website, but unfortunately it is still
a provisory website. People seems to like it, but today I need
a user-friendly website to attend my clients better. Too many
ideas today to improve it, but no time to work on that yet. But
I hope I can get my things together and do something about
VEKTORIKA | INTERVIEW
it as soon as possible... meanwhile I’ll try to keep it updated
and if you want to see new stuff you can send me an email
(kako@kakofonia.com) and join my mailing list.
What do you think about vektor graphik? What do you love
about it?
When I’m working I need control. Total control. I work like a
mean dictator, nothing must be left unchecked, each line must
be perfect in place, every single part of my illustrations is very
well planned. Even when it looks loose, it’s not. If I need to get
a line right, I’ll work on that all day until I get it right. And all of
this is possible due to the vektors.
What kind of vektor softwares do you currently use?
I use Adobe Illustrator CS2 with the KPT Vector Effects 1.5
plug-in.
How would you describe your style?
Dark and Dirty :o)
How do you work from concept to the final artwerk?
Could you tell us the creative process?
I work a lot with editorial magazines and I’m known for doing
an extra mile when it comes to improve an article, specially
when it is a historical article or a technological infograph. To
get the work done I read and study a lot for each job. My work
is two parts research, one part illustration. I believe that as
an illustrator I must give the reader the best image that will
represent that particular article, I mean, somebody may use it
on a paperwork for school or use it as a reference for another
illustration, who knows? So the beginning is very important for
me and the briefing meeting is almost sacred.
I’m always very busy and I need to plan all the way during
that meeting, cause later I know I won’t have the time. I’m
always pissed off when the designer or editor doesn’t give me
the feedback I need. Everytime that happens we have major
problems in the whole process. And I know it’s not my fault
cause I got my homework done. And even after that I continue
studying. It’s not unusual to see me correcting the text on an
article every now and then. Heaven for me is when I can get
the illustration on the same level of importance as the text, no
more, no less. And you only achieve that if you know what you
are talking about and more important, what the other is talking
about. I worked as a graphic designer before so I also like to
design the pages along with the designer before it all begins,
I don’t quite know what I’m going to illustrate yet but I like to
know I’ll have enough space for that. It’s kind of a feeling you
have during the brainstorm, you’ve seen images, you know
what is important to show, a striking scene, a powerful icon,
whatever. And from there we start developing the concepts
for that job. The goal is always time management, the designer
can work on the pages knowing that everything will fit when
VEKTORIKA | INTERVIEW
he places the illo at the end, the editor knows that what I’m
doing is not randomly chosen and complements the article
and I can relax and do my job in peace. If there are any tweaks,
they are minor tweaks. If it’s a huge one, it’s because somebody
wasn’t on the meeting. Trust me.
So from there I get back to work, and I keep researching.
Mostly pictures at this point, to construct the scenes, to use as
references, whatever. That done, I start illustrating. The good
thing about continuous research is that you can put on your
work visual references that cannot be shown to the reader by
words. The right medals on the chest of the officers, the correct
names on maps and so on. And there is something that I love
to do that is put subliminal messages on the illos, but always
related to the article. There is an illustration I’ve made about
that hacker guy, Mitnick, that I put over 8 subliminal messages
on it. Got a lot of excited mail after that “I’ve found it, I’ve
found that!!!”. I think that’s cool. People tend to remember the
article a lot more if they can remember the illustration that
comes with it, specially nowadays that people doesn’t read a
lot. Visual memory can be powerful if you give the reader the
right illustration.
About my creative process there’s nothing unusual about it.
I consider myself as an workaholic person, so I’m constantly
thinking about my projects and the jobs I’m doing. Visual
information is a must, and anyone who works with vektors
knows that references are very important for us. A simple
image can be the spark for a huge project or can be the
answer for something you are working on. Don’t mistake that
with rip offs, far from that.You are feeding your mind. I believe
VEKTORIKA | INTERVIEW
that any artist must be out there looking for visual information,
communicating with others artists, taking lots and lots of
pictures, sketching... I think that’s why I can’t stick only with
illustration nowadays. To much is happening, too many ideas,
I love it.
What are the projekts you are currently working on?
Any future projekts you can share with us? Any favorites
projekt?
Yes, there are two projects that I’m working on since last year
and they are definitely my favorites.
The first one is called The K Spot and it all started as a way
to spend some time off trying new possibilities with the
Illustrator tools and the KPT Vector effects. Basically I get the
“k” from any type family and redesign it. The fun part is that
most of the time I actually don’t know what’s going to happen,
nothing is planned, which is the opposite of what my day-to-
day work is. I look at the type and things start from there. It’s
kind of a “typography caricature” as I like to say. You can see
most of them at http://the-kakofonia-spot.blogspot.com/ and
of course, as it is an ongoing project, I’m open to talk to any
designer who wants it’s “Ks” redesigned :o) I hope to turn it
into a freeware typography catalog someday. Or maybe an
exibition...
The other one is called Mon Petit Monsuteru and it involves street
art stickers, toy art, t-shirts and a whole world of new products
and side projects on the near future. Monsu is a character
created basically to function as a graphical intervention
and from there I’ve started to create a lot of series that will
be released from time to time. The first of them is Monsuteru
Xing, which I add or replace one element of a japanese road
signs with Monsu. You can see some of them on my website
(I plan to have monsuteru.com uploaded by March). There’s
a way to participate on the project too, you can go to http://
VEKTORIKA | INTERVIEW VEKTORIKA | INTERVIEW

lemonsuflaneur.blogspot.com, download the files and print them in

self-adhesive papers to make stickers. Stick’em up in your hometown
or while you are traveling and send the pictures to me that I’ll post
them at the blog. And I’ve just released some extra limited series of t-
shirts and underwears, so if you want any, send me an email.
For the future... big secrets!!!

Who are your favorite artists or designers?

From the past, Egon Schiele, Gustav Klimt and Alphonse Mucha. From
the present, Mike Mignola, Masamune Shirow and Takashi Murakami.
From the future, Gez Fry, Sam Weber and Matthew Woodson.

What inspires you? Could you list the 8 things that inspiring you
in your creative process?

Any kind of visual stimulation the makes the brain clicks... you never
know what you will find around the corner... like the mighty Zappa said
”A mind is like a parachute. It doesn’t work if it’s not open”.. cheesy, but
true. But if we must list them: Music ( I can’t even think about working
without it ), The beautiful Eastern Culture, History and all men’s
wonderful and devastating mistakes, Japanese Contemporary Art, Toy
Art, Fashion and trend magazines in general, Spending the day on a
book store, Black C40M20Y20K100 + Dark Red I’m addicted to them...

Any tips/tricks for vektorlover out there to create such a great

vektor artwerks like yours?

Know your vektor style. I know a lot of people that doesn’t like vektor
cause they all look the same or they all say vektor is nothing more than
just tracing. I’m not going to deny it either cause unfortunately most of
the time is what you see. I can’t stand when I see a vektor illustration
badly done, or worse, an auto-traced illo. I fear what people can do
with “live trace”. Please, if you are going to make your illustration with

VEKTORJUNKIE
an auto-tracing tool, rethink your professional goals. People asks how
I work, if I use the mouse or the tablet, what are the most common
illustrator tools I need, but it will not be the answer for them cause every

IS A SPECIAL
artist has it’s own path and if you can come up with fresh vektor style
you are in heaven, be true to it and keep improving no matter what. It
doesn’t matter the tools but how you express your art with vektor.

But the most important is, never ever forget the pen and paper. You
won’t regret it later.
PLACE WHERE
What do you think of vektorjunkie.com? VEKTORFREAKS
LIKE US
Vektorjunkie is a special place where vektorfreaks like us understand
each other :o)

UNDERSTAND EACH
Thank you so much for doing this interview. Any last words...

I would like to thank you for this great opportunity to show my work

OTHER...
and to talk to my fellow vektor lovers. Keep in touch!!!
Kako // Brasil // www.kakofonia.com Mattheus Eros Kumoro // Indonesia
Amenth // Indonesia // www.theyhatemydesign.net Ida Belogi // Italy // www.b-9.it
Malona Huai // Indonesia // malonahuai.deviantart.com Malona Huai // Indonesia // malonahuai.deviantart.com
Rayi Christian Wicaksono // Indonesia // mumolabs.deviantart.com Yudi Andhika // Indonesia // www.theyellowdino.com
Chris Marthin P. Sinaga // Indonesia // munyuksaraph.deviantart.com Dwi Irawati // Indonesia // www.raxisme.com
Teddy S. a.k.a Meitantei // Indonesia // www.theycallmeteddy.com Jens Rotzsche// Germany // www.adastragrafx.de
Cesc // Spain // www.ceskills.com Iiko // Indonesia
Amalia Kartika (Loveshugah) // Indonesia // www.loveshugah.tk Vojtech Dvorak // Czech Republic / UK // www.pixelspectrum.net
Denny Kuswantoro // Indonesia // vektorscksprojekt.deviantart.com Yahya Rifandaru // Indonesia // yahyayeye.deviantart.com
Thomas Dian // Indonesia // thomasdian.deviantart.com Tseard van der Meulen // The Netherland
Yoga // Indonesia // www.mode-four.com Yona // Indonesia
Bayu Nugroho // Indonesia // gerokun.deviantart.com Wisnu Suhandoko // Indonesia // gar3nx.deviantart.com
BDC // Singapore // www.breworks.com David Papineau // Canada // www.prototypedesign.net
 BACK ISSUES

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THE ASIANA ISSUE CHARACTER DESIGN ISSUE TO BE CONFIRMED TO BE CONFIRMED

Jerome Castro // France // www.hellofreaks.com

VEKTORIKA | EVENTS VEKTORIKA | EVENTS

VERSUS - SHOWCASE

Photos from www.autoblackthrough.com

BLACK URBAN ART

Final Exhibition
(VEKTORJUNKIE Category)

Toimoi, Kemang Raya, Jakarta Indonesia,

27 April - 2 May 2007. 19.00 - 23.00
Featuring Presentation from International
Artist Momorobo (Singapore)
Demo live copy and paste + live drawing by
Godo VJ and Upnix RB
Peformance by Agrikulture (Future)
Winner announcement on Vektor Art Category

A. The Yellow Dino VS Area 105 B. Mondayz VS The Hate My Design

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C. Design Machine56 VS Half Naked D. Raxisme VS Pramsky

E. Trace Land Vectorie VS Vektor Thunder F. Hippo VS Cleber

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COMPETITION WINNERS

1st Winner: Mahendra

G.
Tragik Labs
VS
Vektorjunkie

Favourite Winner: Amin Mubarok