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GUITARPLAYER.COM
Johnny Hiland
BY MATT BLACKE
“WHEN I FIRST HEARD GUYS LIKE
Ricky Skaggs, Marty Stuart, and Jimmy Olan
der playing with B-benders,” recalls Johnny
Hiland, “I didn’t know what a B-bender
wwas. [learned their licks without a bender,
and that really helped me develop precise
bends.” That's the truth, At an exclusive
lesson for GP at Prairie Sun Studios, Hiland
demonstrated some of his gorgeous, sick,
and twisted bends.
ees s
$—} — 3 — 3where I
“4 gor to the point,” he says,
‘would take any scale and bend all the notes.”
He then goes through Ex.1 in A major. This
is trickier than you might think, thanks toll
the wound-string bends, some of which he
‘executes with only his index finger.
“T found I could take an Asus2 and bend
upto the major 3rd,” says Hiland as he plays
c2. "This isactually moveable,” he explains,
and finishes the lick with sweet bends that
tend up on a great-sounding A7 voicing. Hold
the notes on the D string super steady and
yank the G string toward the ground with
your third finger (supported by your second).
Hiland then demos the licks in x3, varia-
tions of which can be used toflesh outa 12-bar
blues n A. Heads some muted notesin the 1st
bar to keep things clucky and throws in some
tangy minor seconds over the D and E chords.
One of his coolest licks was how he nav-
gated a move to the IV chord in a country
shuffle in C, in Ex 4, “When I get to the F
chord, I bend the F note up a whole tone,
then I bend the C up a whole tone, Then I
grab the A, bend ita half-step up to aBy, and
bend the C under it up a whole-step. Then
release them both and land back on the F
chord.” To execute this, you'll need to bend
the string toward the ceiling while you pull
the string in the opposite direction toward
the floor. Ifyou nail it, chough, it wll create
cone of the dreamiest sounds ever, with one
chord melting and morphing into the other.
Bend it lke Hiland!
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